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    ‘S.N.L.’: Trumpeting Tariffs and Predicting a ‘Great’ Depression

    Cheeseheads and cheesecakes join the punchlines and headlines, and an enthusiastic audience gets a mild scolding for slipping past the censors. Temporarily.It’s not as reliable a metric as, say, the Dow Jones industrial average, but one sign that the U.S. economy is in an unusual place is when “Saturday Night Live” needs someone from its cast to play the secretary of commerce.In the opening sketch of this weekend’s broadcast (hosted by Jack Black and featuring the musical guests Elton John and Brandi Carlile) the brief part of Howard Lutnick went to Andrew Dismukes. But center stage was given to James Austin Johnson in his recurring role as President Trump — this time, recreating the speech from the Rose Garden where Trump announced sweeping new tariffs on Wednesday. (An introductory “S.N.L.” voice-over declared that, “like everything else so far in his presidency, it was a total home run.”)In his version of the speech, Johnson called “tariff” his favorite word (because it was “short for tariff-ic idea”) and said that tariffs would be the backbone of his “incredible plan” for the economy.Johnson added, “It’s actually even better than a plan because it’s a series of random numbers. Like the numbers on the computer screen in ‘Severance.’ You have no idea what the hell they mean.”He vowed he would MAWA — Make America Wealthy Again — although before that, there could be another phase, Johnson said. “We’re going to do MAGDA. Make America Great Depression Again. You know what? It’ll be gr — it’ll be better than great. It’ll be a fantastic, unbelievable Depression, the likes of which you’ve never seen before.”He added that this Depression would “be so great, we’ll be the ones eating the cats and the dogs.”Presented by Dismukes with a large cardboard placard that turned out to be a page from a Cheesecake Factory menu, Johnson then was handed another board detailing his tariff system.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How Jack Black and Jason Momoa Share a Mine Cart in ‘A Minecraft Movie’

    The director Jared Hess narrates an adventure sequence from his film, involving a cozy ride.In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.Redstone and piglins and creepers, oh my!Fans of Minecraft will recognize a few of the game’s elements in this scene from “A Minecraft Movie.” But the sequence is also a good comic excuse to stuff Jack Black and Jason Momoa into a mine cart together.The scene takes place in the redstone mines, where Steve (Black) has brought Garrett (Jason Momoa) and Henry (Sebastian Hansen) to access his diamond stash. But trouble is afoot in the form of a piglin biological superweapon, who has an arm cannon ready to blast the protagonists. They plan an escape via mine cart, using redstone to power their way out.The film’s director, Jared Hess, said that he worked with his production designer Grant Major (the “Lord of the Rings” trilogy) to build many of the sets practically, including this mine set, and then extended those sets with visual effects.“We had a ton of fun coming up with the size of the mine cart design,” Hess said, “because we wanted to fit Jack and Jason in the same cart. And they are two of some of the juiciest hunks in motion pictures.”He said the actors felt the circulation in their thighs was being cut off, so they had to take a lot of breaks, but they ultimately made it through.“This was such a fun sequence to shoot,” Hess told me. “Lots of laughs on set, it was great.”Read the “Minecraft Movie” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

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    ‘A Minecraft Movie’ Review: Block by Bizarre Block

    Jack Black and Jason Momoa star in this adaptation of the megahit video game that leans into the mindless silliness of mid-aughts comedy.Occasionally, amid the cycles of nostalgic clip-sharing that periodically occur online, you might happen upon the Berries and Cream video. The viral Starburst commercial, involving a briefcase-toting pilgrimesque lad, is a concise distillation of the particular brand of mid-to-late-aughts humor that dominated the early internet: quaintly absurd, silly, and above all, random. When, early on in “A Minecraft Movie,” a makeshift rocket pack is sent hurtling toward a nearby potato chip factory, obliterating its giant mascot chip and leaving executives inside wailing, that genre of ad improbably blazes in the mind.That this adaptation of the megahit video game, directed by Jared Hess, fully commits to capturing that era of stupidly “epic,” or epically stupid, laughs shouldn’t come as a surprise. Hess, after all, laid a lot of groundwork for early internet humor with his 2004 indie comedy “Napoleon Dynamite.” And the star here, Jack Black, was the lead in Hess’s 2006 follow-up, “Nacho Libre.”This retro sensibility might, on paper, make for an out-of-touch comedy, but there’s something almost refreshingly bold in the full-tilt inanity here — in taking a blockbuster budget and embracing idiocy, as if to knowingly say, “I mean, it’s a Minecraft movie.”That charitable read is most immediately guided by Black, whose comedic persona of earnest goofiness has survived our age of irony. He plays Steve, a disillusioned office worker who decides to chase his dream of working as a miner. When he axes into a mysterious magic cube, it opens a portal to the Overworld, the blocky world of Minecraft, with its limitless potential for creation.But when a crew of ragtag outsiders, led by a washed-up video game champion named Garrett (Jason Momoa), unwittingly get their hands on the cube and enter the Overworld, they become caught in a battle for the universe’s survival.Most of this plays out with a camp quality of so-dumb-it’s-sort-of-fun. The visuals often appear intentionally, even egregiously artificial, something that only partly works; Hess’s early success was rooted in a deliberately askew visual grammar that worked in an indie medium, but with a studio extravaganza, it often simply translates as — well, a Starburst commercial.But those who can buy into Hess’s sensibility will get a nostalgic kick: Momoa, who is at times genuinely funny and at other times just capably creating sketches, is essentially doing a rendition of Rex, a side character from “Napoleon Dynamite.” (Also, for fans of that movie, there is more than one bit about tater tots.)The silliness of “A Minecraft Movie” will appeal to kids who love the game, to adults who think fondly of this comedy era, and perhaps to few else. But the movie could have gone a more polished and predictable route, like another of Black’s game-related movies, “Jumanji.” In a world of such factory-line adaptations, there’s more of an identity here, even if it’s a mindless one.A Minecraft MovieRated PG. Running time: 1 hour 41 minutes. In theaters. More

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    Jack Black Ends Tenacious D Tour After Bandmate Jokes About Trump Shooting

    At a concert in Australia, Kyle Gass made a comment suggesting that he wished the shooter had not missed former President Trump during an assassination attempt.Tenacious D, the American comedy-rock duo that includes the movie star Jack Black, announced on Tuesday that the remainder of its tour would be canceled and that all future plans were on pause after the band’s other member, Kyle Gass, made an offhand comment onstage about the assassination attempt on former President Donald J. Trump.A representative for the duo confirmed that Black had brought out a cake at the ICC Sydney Theater in Australia on Sunday to celebrate Gass’s 64th birthday. When Black asked Gass to “make a wish,” Gass responded, “Don’t miss Trump next time.” Videos of the moment were circulated widely online.In a statement posted to social media on Tuesday, Black, known for “School of Rock” and “King Kong,” said he “was blindsided by what was said at the show,” adding, “I would never condone hate speech or encourage political violence in any form.”“After much reflection,” he continued, “I no longer feel it is appropriate to continue the Tenacious D tour, and all future creative plans are on hold. I am grateful to the fans for their support and understanding.” In June, Black, 54, attended a star-studded fund-raiser for President Biden, at which he gave a speech in American flag-themed overalls.Gass posted an apology to social media on Tuesday morning, stating that “the line I improvised onstage Sunday night in Sydney was highly inappropriate, dangerous and a terrible mistake.”“I don’t condone violence of any kind, in any form, against anyone,” he wrote. “What happened was a tragedy, and I’m incredibly sorry for my severe lack of judgment. I profoundly apologize to those I’ve let down and truly regret any pain I’ve caused.”Michael Greene said on Tuesday that Greene Talent, Gass’s talent agency, had parted ways with him.Shortly before the announcement that the entire tour was canceled, the band, which has been active since 1994, postponed its Tuesday date in Broadmeadow, Australia.In the wake of Gass’s onstage remarks, Senator Ralph Babet of the center-right United Australia party called for the duo to be deported. In a lengthy statement posted online, he said, “Tenacious D should be immediately removed from the country after wishing for the assassination of Donald Trump at their Sydney concert.”During a rally in Pennsylvania on Saturday, a man fired shots toward the stage while the former president was speaking. One spectator was killed, and Trump was rushed off, blood visible around his right ear. The shooter was killed by the Secret Service, and his motive remains unclear.It is not the first time a celebrity has faced fallout from a joke about Trump. In May 2017, Kathy Griffin’s career was put on ice after she posed for a photograph holding a severed-head Halloween mask of Trump, who was then the president, doused in blood-like ketchup. More

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    ‘Kung Fu Panda 4’ Review: Trouble in Juniper City

    Jack Black’s Po faces a new adversary, a chameleon voiced by Viola Davis, in the latest installment of this popular animated franchise.“Kung Fu Panda 4,” like previous installments of this DreamWorks franchise, punches above its weight.Once again starring Jack Black as the gullible martial arts master Po, the animated film melds together wisecracking comedy and sprightly action sequences with a message of kindness, inner peace and self-discovery.In this movie, directed by Mike Mitchell, Po grapples with his new responsibility as the spiritual leader of the Valley of Peace, taking the place of his mentor Shifu (Dustin Hoffman). Shifu urges Po to name a successor, but Po is reluctant to give up a life of butt-kicking in exchange for doling out wisdom.The halfhearted search for Po’s replacement is cut short with the arrival of a thieving fox, Zhen (Awkwafina). Threatened with jail time, she offers information on a mysterious new villain, the Chameleon (Viola Davis), who threatens to take over the Valley with the power of Po’s previous adversaries combined.As Po and Zhen set out for the Chameleon’s palace in faraway Juniper City, Po’s two guardians — his biological father, Li Shan (Bryan Cranston) and adopted father, Mr. Ping (James Hong) — follow him in comical pursuit.Witty gags abound (there’s a standout “bull in the china shop” sequence), and Black and Awkwafina make a charming lead duo, particularly when Po encounters the sights, sounds and bountiful food of Juniper City. The art direction is also a step above the typical animated blockbuster. But what’s missing are the antics of Po’s “Furious Five” compatriots from the earlier films, like Angelina Jolie’s Tigress and Jackie Chan’s Monkey, who are written off in this installment.Still, don’t expect a total downgrade: This is an enjoyable “Kung Fu Panda” movie, even if it’s missing some of the pizazz of the earlier ones.Kung Fu Panda 4Rated PG. Running time: 1 hour 34 minutes. In theaters. More

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    Who Are All Those Celebrities at the Weird Al Pool Party? A Guide

    We break down that star-studded scene from “Weird: The Al Yankovic Story,” the sorta kinda true portrait of the pop star’s life, now on the Roku Channel.Here’s how Weird Al Yankovic, the accordian-playing king of parody, would like you to think “Another One Rides the Bus” was written: At a pool party, the radio personality Wolfman Jack challenged him to devise a sendup of Queen’s “Another One Bites the Dust” on the spot.In a scene from “Weird: The Al Yankovic Story,” the true-except-when-it’s-not biopic now streaming on the Roku Channel, the title character (played by Daniel Radcliffe in a big curly wig) proceeds to knock out Jack’s challenge swiftly, then grabs his accordion to serenade 1970s and ’80s counterculture names like Andy Warhol (Conan O’Brien) and Divine (Nina West) with a fully formed rendition of the tune. (Probably the real story of the comedian carrying around a big, blue loose-leaf notebook to write down ideas, followed by hourslong trips to the library to research topics like ducks, wasn’t quite as exciting.)How did all those starry cameos came together? Yankovic revealed at a New York Comic Con panel in October that he extended invitations to celebrities on his “holiday card mailing list.”“I went through my address book, emailed a bunch of my friends, and said, ‘Hey, we’re shooting this crazy pool party in the Valley. Do you want to come out and spend half a day doing it?’” he said. “Thankfully a bunch of people showed up and we were able to pull it off!”You probably spotted Jack Black’s Wolfman Jack at the front of the crowd — he’s hard to miss in a neon-pink-and-cheetah-print scarf and lusciously thick beard — and Salvador Dalí (that mustache!), but did you catch Pee-wee Herman and Tiny Tim?Here’s a guide to nine of the famous faces at the fictional party, held by Yankovic’s real mentor, the radio host Dr. Demento (Rainn Wilson).Wolfman JackPlayed by Jack BlackThe Weird World of Weird AlThe musician has cracked the Top 40 for decades with his song parodies. With the sham biopic “Weird: The Al Yankovic Story,” he makes a joke of his own life.Review: “Like Yankovic’s music, ‘Weird’ is a note-for-note parody of a genre,” our critic writes of the movie. “Here, the target is the prestige biography.”Face to Face: The actor Daniel Radcliffe, an enthusiastic Yankovic fan, plays Weird Al in the film, while Yankovic himself is a co-writer. When the two met, they found themselves on the same wavelength.Getting Weird: The director Eric Appel discussed a scene in the movie featuring a college-age Yankovic as he comes up with his first parody.A Weirdly Enduring Appeal: National economies collapse, species go extinct, political movements rise and fizzle. But somehow, Weird Al keeps rocking.The rock ’n’ roll DJ was known for his gravelly radio voice and wolf howls. He was part of a group of disc jockeys in the early 1960s who pioneered the genre known as border radio, because it was broadcast from just over the border in Mexico. (He died in 1995.)This isn’t the first time Jack Black has shown up flamboyantly attired in close proximity to Yankovic. The actor previously appeared in the 2014 music video for Weird Al’s “Tacky,” a parody of Pharrell Williams’s smash “Happy” (in a tie-dye pants-and-sequin-fanny-pack ensemble that makes his Wolfman Jack garb look tame).John DeaconPlayed by David DastmalchianIt’s OK, we didn’t recognize his name, either. But his work speaks for itself: Deacon was the original bassist for Queen, seeing the British rock band through No. 1 singles like “Crazy Little Thing Called Love” and “Another One Bites the Dust” before leaving in 1997, six years after the death of the group’s lead singer, Freddie Mercury. Now retired, the 71-year-old, who has often been described as the quiet member of the band, has lived a low-key life out of the public eye, raising six children in the London home he bought with his first Queen paycheck.Andy WarholPlayed by Conan O’BrienIt wouldn’t be a party without the king of Pop Art, whose works featuring presidents, movie stars, soup cans and other cultural icons are themselves iconic. He died in 1987.It’s no surprise that Conan O’Brien, who portrays Warhol in a black turtleneck and white wig, is on Yankovic’s holiday card list — the two have been friends for years. Yankovic appeared during O’Brien’s weeklong Comic Con celebration in 2016 and was a guest on his “Conan O’Brien Needs a Friend” podcast in 2021.)Salvador DalíPlayed by Emo PhillipsThe pioneering Spanish surrealist who explored subconscious imagery was the creator of the much-parodied 1931 painting “The Persistence of Memory” (think melting watches and swarming ants). By the time he died in 1989, he had become known as “an inveterate irritant, a tease who never gave up teasing and a prankster who made headlines for decades,” as his New York Times obituary characterized him.The standup Emo Phillips has been opening for Yankovic on his tour this year.DivinePlayed by Nina WestThe drag queen Divine became a cult favorite as the longtime muse of John Waters, who cast the star in “Pink Flamingos,” “Hairspray” and other films. Divine appears in “Weird” in — what else? — the red dress made famous in “Pink Flamingos.” (Divine died in 1988 at 42.)For Nina West, a “RuPaul’s Drag Race” queen, Divine is her first film role, and it’s a fitting choice: She grew up a Weird Al fan and has become known for performing as Edna Turnblad, the “Hairspray” character Divine originated in Waters’s 1988 film.Pee-wee HermanPlayed by Jorma TacconeThe ’80s-greats party wouldn’t be complete without Pee-wee Herman, lounging poolside in his too-small suit. He’s the comedic alter ego of the actor and comedian Paul Reubens, who started out with the Los Angeles improv troupe the Groundlings in the 1970s and made a career out of playing the man-child character, most notably in the hit 1985 comedy “Pee-wee’s Big Adventure.” More recently, Reubens, now 70, starred in “The Pee-wee Herman Show” on Broadway in 2010, as well as in the 2016 Netflix film “Pee-wee’s Big Holiday,” which he co-wrote.Alice CooperPlayed by Akiva SchafferEven though he’s at the back of the gaggle, we’d know those dripping, sad-panda eyes a mile away. Cooper, the godfather of shock rock who at 74 is still touring and regularly donning a full face of goth makeup, is known for his raspy voice and illusion-filled stage shows packed with pyrotechnics, fake blood, baby dolls, guillotines and reptiles.Cooper and Yankvoic have met in real life — they wound up singing a rendition of the Beatles’s “Come Together” with Steven Tyler in 2012 when the trio found themselves together in Hawaii on New Year’s Eve. (While Yankovic and Tyler held their own, Cooper had to read the lyrics off a cheat sheet.)Tiny TimPlayed by Demetri MartinYankovic has long been among the biggest fans of Tiny Tim, the falsetto-voice ukulele whiz whose “Tiptoe Through the Tulips” became a novelty hit in 1968. Yankovic even read aloud Tiny Tim’s letters and diary entries for a 2021 documentary about his life, “Tiny Tim: King for a Day.” (The musician died in 1996 at 64.)GallagherPlayed by Paul F. TompkinsIf there were a Guinness world record for the most times a human has smashed a watermelon, the comedian Gallagher — and his oversize Sledge-O-Matic mallet — would certainly be the person to beat. The standup, known for his prop comedy, has starred in more than a dozen specials, occasionally mixing up the melon-murdering by subbing apples or oranges but always promising a smashing ending. More

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    ‘Apollo 10½: A Space Age Childhood’ Review: OK, Boomer

    Richard Linklater’s new animated film tells the story of the moon landing with some tongue-in-cheek revisionism.There are some people out there who insist that the moon landing never happened. As far as I know, the director Richard Linklater is not among them, but his new movie whimsically proposes its own revisionist account of what NASA was up to in the summer of 1969. Before Neil Armstrong took his giant leap, it seems, a Texas fourth grader named Stan stepped out of the landing module and onto the lunar surface.Stan’s story is narrated by his grown-up self (voiced by Jack Black). It isn’t really a full-blown conspiracy theory, but more what Tom Sawyer might have called a stretcher — the kind of yarn it might be fun to pretend to believe. The full title of the film, which debuts on Netflix this week, is “Apollo 10½: A Space Age Childhood,” and Stan’s astronaut fabulations are bright threads in a cozy fabric of baby-boomer nostalgia.Plenty of kids dreamed of going to the moon back then. Stan’s imaginary adventures are filtered through animation techniques that are both dreamlike and precise, so that they blend seamlessly into his meticulously rendered suburban reality. (The head of animation is Tommy Pallotta, whose previous collaborations with Linklater include “Waking Life” and “A Scanner Darkly.”) And that’s what the movie is really about: remembering what it was like to be a young American in the ’60s. Black’s voice-over has a wry, can-you-believe-it quality, as if Stan were a dad (or even, at this point, a grandpa) regaling the youngsters with stories about the old days. Or maybe boring them stiff, if they’ve heard this stuff before.But cut the old guy a little slack. “Apollo 10½” may not be working with the freshest material — “The Wonder Years” popped wheelies and played kickball on similar generational turf — but it’s a lively and charming stroll down memory lane all the same. The movie’s strongest appeal might well be to viewers of Stan’s generation, who are likely to appreciate its meticulous sense of detail and its tolerant, easygoing spirit.Stan is the youngest of six children, a “Brady Bunch” configuration of three boys and three girls who live with their parents on the outskirts of Houston. Dad works for NASA — in shipping and receiving — and is a mildly grouchy, slightly eccentric, mostly benevolent patriarch. Mom is harried, sarcastic and efficient, running the household like a bustling small business.Things sure were different back then. There was a lot more cigarette smoking, and a general disregard for the safety of children, who were piled into the backs of pickup trucks, paddled frequently at school, and free to ride bikes without helmets through clouds of DDT. There were fights about who controlled the television and the hi-fi, and plenty of good stuff to watch and listen to even without cable or Spotify: “The Beverly Hillbillies” and the Monkees, to name just two.Of course there was also the Vietnam War, racial conflict and political assassinations. “Apollo 10½” pays some attention to all that, but also notes that, to a 9-year-old boy in the Houston suburbs, the wider world could seem very far away. Unlike the moon, which was suddenly, miraculously in reach.Linklater captures the drama and suspense surrounding the Apollo 11 mission, and also the way it was folded into the patterns of daily life. This isn’t the first time he has used animation layered over live performances, and this digital rotoscoping technique is especially attuned to nuances of gesture and facial expression. The way Stan’s father leans forward while he’s watching the news, the side-eye glances that pass between Stan and his siblings, the weary stoicism of their mother’s posture — it’s all beautifully subtle, and more cinematic than cartoonish.And “Apollo 10½” is more a modest memoir than a whiz-bang space epic. Its view of the past is doggedly rose-colored, with social and emotional rough edges smoothed away by the passage of time and the filmmaker’s genial temperament. The moon landing itself is epochal, transformative, and also just another thing that happened in one boy’s eventful, ordinary life: a small step after all.Apollo 10½: A Space Age ChildhoodRated PG-13. Smoking and other dubious period-appropriate behavior. Running time: 1 hour 37 minutes. In theaters and on Netflix. More