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      in Movies

      Is ‘The Idea of You’ Harry Styles Fan Fiction?

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      The filmmakers do more to align star and character than the novel did. But somehow that doesn’t make the movie indebted to the musician.Hayes Campbell, the dreamy protagonist of the new rom-com “The Idea of You,” has a bit in common with the mega pop star Harry Styles:In the movie, Hayes, played by Nicholas Galitzine, is a member of August Moon, a boy band with tons of very ardent teen and tween girl fans. Styles was a member of a boy band called One Direction. You’ve probably heard of it.Hayes is British. So is Harry Styles.Hayes eventually quits his band and starts making soulful pop rock. So did Harry.Hayes likes to date older women, and his relationship with a gallerist named Solène Marchand (Anne Hathaway) is the backbone of the film. Harry, too, has been involved in tabloid-documented relationships with older women, most famously, the actress and director Olivia Wilde.So does “The Idea of You” come off as an act of fan fiction? Bizarrely, no, even if the shadow of Styles does loom large over the whole project.Plenty of headlines have already described the movie as “Harry Styles fan fiction,” though Robinne Lee, the author of the 2017 novel on which it is based, is typically coy in interviews about whether the pop star inspired her book.August Moon, the band in the film, above, resembles One Direction more than the band in the original novel does.Amazon Studios“Inspired is a strong word,” Lee has said. The author, who is also an actress with degrees from Yale and Columbia Law School and perhaps best known for her appearances in films like “Hitch” and “Fifty Shades Darker,” has described encountering “the face of a boy I’d never seen in a band I’d never paid attention to” and thinking it was “art.” After the novel became a viral sensation, Lee told Vogue in 2020, “This was never supposed to be a book about Harry Styles.” In a piece for Time published this month, Lee argued that “assuming a novel with a fictional celebrity in a relationship must be based on an existing celebrity — in this case, the internet has decided, Harry Styles — is unimaginative at best and sexist at worst.”She is certainly less explicit about a pop star connection than Anna Todd, whose “After” series of novels started explicitly as Styles fan fiction on the platform Wattpad and have since been turned into a film franchise. (It’s a path that might be familiar to fans of “Fifty Shades,” which started as “Twilight” fan fiction.) However, unlike “The Idea of You,” the “After” series has nothing to do with a boy band. The Harry of “After” is a college student named Hardin, but when the first novel was published in 2014, the portrayal outraged some One Direction lovers with the way it turned Styles into a bad boy manipulating a young woman. One 14-year-old Styles fan told The New York Times then: “The way Harry in this book is portrayed is disgusting.”On the other hand, Styles fans have embraced “The Idea of You” as text that can feed their obsession. Kayla Kleinman, a social media manager at Bookshop.org, was not a Styles devotee when she first read the novel, but became one after finishing it during the pandemic. She felt “emotionally attached” to the book, and wanted the experience of reading it to continue, she said in an interview. So she sought out Styles’s music. “In my head it felt like a continuation of the story even though I very much knew that they were not,” she said. “But to me that next step was being like, ‘OK, I’m going to dive into this world as a thing to entertain myself.’” Now Kleinman has even gone to Harry Styles concerts with a friend she made from an “Idea of You” Facebook group.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares109 Views

      in Theater

      A Starry Cast Navigates ‘Uncle Vanya’ and ‘Every Emotion Under the Sun’

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      Steve Carell, William Jackson Harper, Alison Pill and Anika Noni Rose discuss the new translation of Chekhov that brought them to the farm.Broadway shows usually come with a back story about the yearslong slog it took to get them there. Not so with Heidi Schreck’s new translation of Chekhov’s “Uncle Vanya,” which arrived at Lincoln Center Theater’s Vivian Beaumont Theater not even 12 months after its inception.Directed by Lila Neugebauer, it is Schreck’s first Broadway show since “What the Constitution Means to Me,” in 2019, and the ensemble is a starry one. Steve Carell is making his Broadway debut as Vanya, who believes he has wasted his life running a provincial estate and its farm alongside his niece, Sonia, played by Alison Pill, to support Sonia’s largely absentee father, portrayed by Alfred Molina.William Jackson Harper, best known for “The Good Place,” plays Astrov, the eco-nerd doctor whom Sonia loves. Anika Noni Rose, a Tony Award winner for “Caroline, or Change,” is the glamorous Elena, Sonia’s stepmother, for whom both Vanya and Astrov yearn.In mid-April, a week before the show’s opening on April 24, Schreck, Neugebauer, Carell, Harper, Pill and Rose gathered to talk over their dinner break in a room off the Beaumont lobby. These are edited excerpts from that conversation.Along with Harper and Carell, both at left, the play also features Alfred Molina, Jayne Houdyshell and Mia Katigbak in supporting roles.Sara Krulwich/The New York TimesWhat was your relationship to “Uncle Vanya” and Chekhov before this show?HEIDI SCHRECK I lived in Russia right out of college for two years. When I moved back to Seattle, I started this theater company with my husband, and there was this Russian company who would come and perform Russian plays. They invited me to be the translator. Basically I would do live interpretation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares149 Views

      in Music

      Kathleen Hanna Reveals the Story of Her Life in ‘Rebel Girl’

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      The first draft of Kathleen Hanna’s memoir, “Rebel Girl: My Life as a Feminist Punk,” was 600 pages long. As she worked to cut the manuscript, Hanna found herself excising page after page of male violence. “It’s pretty sad, if you read the book, because there’s still a lot in there,” she told me. “I had a joke with my editor about it.” Like, she’d already removed a rape and a kidnapping and a guy who threw a wine glass at her head! “What more do you want from me?”Hanna is super funny. When she takes the stage as the frontwoman of Bikini Kill, Le Tigre or the Julie Ruin, she plays a kind of punk trickster, shifting her voice to resemble a bratty Valley Girl, a demonic cheerleader, an obnoxious male fan. She is always subverting femininity and disarming bad guys with her spiky and irreverent lyrics. But when it came time to write her life story, she realized that she could not playfully twist away from her past.“I keep trying to make my rapes funny, but I have to stop doing that because they aren’t,” she writes in the book, which comes out on May 14.Kathleen Hanna at home with her dog, Terry. While writing her memoir, she was diagnosed with complex post-traumatic stress disorder.OK McCausland for The New York Times“Rebel Girl” documents Hanna’s long career as an underground artist and musician, and its striking intersections with the mainstream. In the 1990s, she helped instigate the riot grrrl movement, calling girls to the front of punk venues and setting off a D.I.Y. feminist ethos that was later assimilated into a girl-power marketing trend. She was a friend of Kurt Cobain’s who scrawled the phrase “Kurt smells like Teen Spirit” on his bedroom wall, inspiring the anthem that exploded into a global phenomenon.Nineties nostalgia applies an appealingly gritty filter to that era’s underground rock scene, but it could be punishing for those who stood in opposition to its white male standard. Hanna has sometimes worried that if she put it all out there, she would be disbelieved. “I’ve been told by men: Oh, you’re just the kind of woman these things happen to, as if I have some sort of smell I’m emanating,” she said. “But I knew that other women would understand.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares119 Views

      in Movies

      How Many Biographies on the Page and Screen Do You Know?

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      Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about literature that has gone on to find new life in the form of movies, television shows, theatrical productions and other formats. This week’s quiz highlights films that were adapted from the biographies or autobiographies of their notable subjects.Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the books and their screen adaptations. More

    • 100 Shares99 Views

      in Television

      Climate Doom Is Out. ‘Apocalyptic Optimism’ Is In.

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      The philanthropist Kathryn Murdoch has prioritized donations to environmental causes for more than a decade. She has, she said, a deep understanding of how inhospitable the planet will become if climate change is not addressed. And she and her colleagues have spent years trying to communicate that.“We have been screaming,” she said. “But screaming only gets you so far.”This was on a morning in early spring. Murdoch and Ari Wallach, an author, producer and self-proclaimed futurist, had just released their new PBS docuseries, “A Brief History of the Future,” and had hopped onto a video call to promote it — politely, no screaming required. Shot cinematically, in some never-ending golden hour, the six-episode show follows Wallach around the world as he meets with scientists, activists and the occasional artist and athlete, all of whom are optimistic about the future. An episode might include a visit to a floating village or a conversation about artificial intelligence with the musician Grimes. In one sequence, marine biologists lovingly restore a rehabbed coral polyp to a reef. The mood throughout is mellow, hopeful, even dreamy. Which is deliberate.“There’s room for screaming,” Wallach said. “And there’s room for dreaming.”“A Brief History of the Future” joins some recent books and shows that offer a rosier vision of what a world in the throes — or just past the throes — of global catastrophe might look like. Climate optimism as opposed to climate fatalism.Hannah Ritchie’s “Not the End of the World: How We Can be the First Generation to Build a Sustainable Planet” argues that many markers of disaster are less bad than the public imagines (deforestation, overfishing) or easily solvable (plastics in the oceans). In “Fallout,” the television adaptation of the popular video game that recently debuted on Amazon Prime Video, the apocalypse (nuclear, not climate-related) makes for a devastated earth, sundry mutants and plenty of goofy, kitschy fun — apocalypse lite.“Life as We Know It (Can Be),” a book by Bill Weir, CNN’s chief climate correspondent, that is structured as a series of letters to his son, centers on human potential and resilience. And Dana R. Fisher’s “Saving Ourselves: From Climate Shocks to Climate Action” contends that the disruptions of climate change may finally create a mass movement that will lead to better global outcomes. Fisher, a sociologist, coined the term “apocalyptic optimism” to describe a belief that humans can still avoid the worst ravages of climate change.In confronting the apocalypse, these works all insist that hope matters. They believe that optimism, however qualified or hard-won, may be what finally moves us to action. While Americans are less likely than their counterparts in the developed world to appreciate the threats that climate change poses, recent polls show that a significant majority of Americans now agree that climate change is real and a smaller majority agree that it is human-caused and harmful. And yet almost no expert believes that we are doing enough — in terms of technology, legislation or political pressure — to alleviate those harms.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares159 Views

      in Music

      Harvard’s Taylor Swift Scholars Have Thoughts on ‘The Tortured Poets Department’

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      The students taking Harvard University’s class on the singer are studying up. Their final papers are due at the end of the month.Fans of Taylor Swift often study up for a new album, revisiting the singer’s older works to prepare to analyze lyrics and song titles for secret messages and meanings.“The Tortured Poets Department” is getting much the same treatment, and perhaps no group of listeners was better prepared than the students at Harvard University currently studying Ms. Swift’s works in an English class devoted entirely to the artist. The undergraduate course, “Taylor Swift and Her World,” is taught by Stephanie Burt, who has her students comparing Ms. Swift’s songs to works by poets and writers including Willa Cather, Samuel Taylor Coleridge and William Wordsworth.On Thursday night, about 50 students from the class gathered in a lecture hall on campus to listen to Ms. Swift’s new album. Mary Pankowski, a 22-year-old senior studying history of art and architecture, wore a cream sweatshirt she bought at Ms. Swift’s Eras tour last year. The group made beaded friendship bracelets to celebrate the new album, she said.When the clock struck midnight, the classroom erupted into applause, and the analysis began. First, the group listened through the album once without discussing, just taking it all in.Certain lines, however, immediately caused a stir, said Samantha Wilhoit, a junior studying government — like a reference to the singer Charlie Puth and the scathing lyrics to the song “The Smallest Man Who Ever Lived,” Ms. Wilhoit, 21, said.A line from the song “I Can Do It With a Broken Heart,” in which Ms. Swift sings, “I cry a lot but I am so productive,” also seemed to resonate, Ms. Wilhoit said, laughing.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares189 Views

      in Music

      Tracy Chapman, Stephen King and Chloë Sevigny on Their Debuts

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      Alice McDermott, 70, writer There are three kinds of novels I’ve never taken to heart: science fiction, murder mysteries and novels about novelists. So I’ve decided to try my hand at each. If I fail, they’re probably not books I’d want to read anyway. Thurston Moore, 65, musician and author I’m putting the final touches […] More

    • 150 Shares169 Views

      in Music

      How the Trumpeter Jeremy Pelt Became a Chronicler of Black Jazz History

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      Inspired by the drummer Arthur Taylor’s “Notes and Tones” collection of interviews with fellow musicians, Pelt started his own book series, “Griot.”The trumpeter Jeremy Pelt was sitting on his couch, browsing YouTube, when he decided to become an author.It was 2018, and Pelt, by then a fixture on the New York jazz scene for two decades, came across a 1994 interview with the jazz drumming great Arthur Taylor, conducted by a fellow percussionist, Warren Smith. “It could have been ‘Batman,’ or something,” Pelt recalled during a recent conversation in his Harlem apartment. “It was like an hour and 45 minutes, I remember, and I just was transfixed the whole time.”Pelt was especially taken with a section where Taylor discussed “Notes and Tones,” his landmark book of musician-to-musician interviews, first self-published in 1977 and later reissued more widely. In it, giants like Miles Davis, Nina Simone and Max Roach spoke with often bracing candor about race, the music business, their feelings about the term “jazz” and more. Pelt had first come across the book more than 20 years earlier at the Berklee College of Music library.“This is way before internet and all that,” he said, so listeners had no idea what their musical heroes’ “comportment was, how they sounded, anything. So what you have is these words that gave you this peek into their personality.”Pelt often found himself wishing for a sequel. Taylor noted in the 1993 paperback edition that he had recorded more than 200 interviews and intended to publish a follow-up; two years later, he died at 65. Watching the conversation between Taylor and Smith, Pelt made a resolution: “After wondering how come somebody hasn’t done such and such, I said, you know what? I’m going to go ahead and do it.”He started conducting interviews with elders, peers and younger artists, accelerating during the pandemic, when it was easy to reach musicians via Zoom. In 2021, he self-published the first volume of “Griot,” settling on that title after seeing the term — meaning a West African storyteller-musician who passes down the oral history of a tribe — in an old social-media handle used by the bassist Buster Williams. “I looked it up, and that’s when it hit me,” Pelt, 47, said. “That’s exactly what this project is, is really passing down the culture. It’s these stories.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More