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      Pulitzer-Winning Critic Wesley Morris Captured the Moment

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      For his piercing insights on race and culture, Wesley Morris recently received his second Pulitzer Prize. But he won over colleagues long before that.Times Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.Wesley Morris was ready for his medal.In 2012, he had just won his first Pulitzer Prize for criticism, as a writer for The Boston Globe, and was at the ceremony at Columbia University with his mother. But when he wondered out loud where he could pick up the award, he got a surprise.“Oh, sweetie,” Tracy K. Smith, that year’s poetry winner, told him. “We don’t get a medal, only the public service winner gets that. We get a paperweight.” (OK, she was exaggerating a little.)“My mom was like, ‘Oh my God, Wesley,’” he said, laughing.It was the rare oversight for Mr. Morris, a deep thinker and New York Times critic at large who recently won his second Pulitzer Prize for criticism, the only person to receive that award twice.He was recognized for an ambitious body of work over the past year on race and culture that included not only incisive essays about the racial justice movement and the impact of cellphone videos on Black Americans, but poignant personal pieces like a Times Magazine story about how growing a mustache was connected to his sense of Blackness.“I love important, weighty ideas,” he said, though he added that he also likes considering topics that are lighthearted and frivolous.Gilbert Cruz, The Times’s culture editor, said Mr. Morris’s pieces stood out for their scope and accessibility.“He has a unique ability to step back, look across the cultural and social landscape and speak to us in a way that makes it seem as if we’re engaged in a conversation,” Mr. Cruz said. “A funny, smart, sometimes emotional and always riveting conversation.”Sia Michel, The Times’s deputy culture editor who has edited Mr. Morris’s work for three years, similarly praised both Mr. Morris’s intellect and his common touch. “He has an imposing sense of critical authority and moral authority but always invites the reader in,” she said.Mr. Morris said his dreams of becoming a critic dated back to when he received an assignment in eighth grade: Write a report after either reading Howard Fast’s 1961 novel “April Morning” or watching the TV movie version of it. He decided to do both, then wrote a scathing critical review.“You didn’t really do what I asked you to do,” he recalls his teacher, John Kozempel, telling him. “But you did do a thing that exists in the world. It’s called criticism, and this is a good example of it.”Of course, not everyone can write elegant essays that educate even when they excoriate, and which provide an entry point to a conversation rather than closing a door to opposing views. But when Mr. Morris begins to put words on a page, the ideas flow.“I don’t know how I feel about a lot of things until I sit down to write about them,” he said. “That’s my journey as a writer — to figure out where my brain, heart and moral compass are with respect to whatever I’m writing about.”When Mr. Morris files a story, Ms. Michel said, she always knows she’ll get four things: surprising pop cultural and historical connections; a brilliant thesis; at least one “breathtaking” passage that reads like poetry; and a memorable, revised-to-perfection ending.“He always reworks his last graph until it slays,” she said.Mr. Morris said his biggest challenge is that he has so many ideas, he never has time to pursue all of them.“I can be paralyzed by my glut of ideas,” he said, “which often means I wait to write things until the last minute.” He added that he’s been known to write 3,000-word pieces on a same-day deadline.Yet somehow, amid writing for the daily paper, the Sunday Arts & Leisure section and The Times Magazine, as well as co-hosting the weekly culture podcast “Still Processing,” Mr. Morris manages to make time for everyone, his podcast co-host, Jenna Wortham, said.When Mr. Morris won his first Pulitzer in 2012, Mx. Wortham, who uses she/they pronouns, was a newly hired Business reporter for The Times who had been assigned to write a story about him. They left a voice mail message and sent an email to Mr. Morris.Thinking he would be too busy to respond right away, Mx. Wortham went out for coffee but after returning found a long, thoughtful voice mail from Mr. Morris with “more information than I needed.”“It left the deepest impression on me,” Mx. Wortham said. “And I remember thinking I would strive to be someone who always made time for other reporters.”Their friendship, which began six years ago, has only blossomed and deepened since then, Mx. Wortham said.“I’ve seen Wesley give a barefoot unhoused man money for a pair of shoes and absolutely demolish a dance floor with equal amounts of grace,” she said. “There’s no one like him, and we are all so lucky to exist in this iteration of life alongside him.”Although Mr. Morris’s profile is much higher now, he said he intended to respond to every one of the hundreds of congratulatory emails, texts, calls and Twitter messages he received after this year’s win — a goal that’s still in progress.“I’m still not done,” he said recently. “Even with strangers, if someone took a second out of their life to congratulate me for this, it’s important to me to say thank you.” More

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      in Music

      Barack Obama and Bruce Springsteen's Podcast to Become a Book

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      Crown is publishing “Renegades: Born in the USA,” a book adaptation of the podcast conversations.In “Renegades,” a podcast collaboration between Barack Obama and Bruce Springsteen, the former president acknowledged that it was, at a glance, an odd partnership.“On the surface, Bruce and I don’t have a lot in common,” he said. “He’s a white guy from a small town in Jersey; I’m a Black guy of mixed race, born in Hawaii, with a childhood that took me around the world. He’s a rock ‘n’ roll icon. I’m a lawyer and politician — not as cool.”But they have become vacation buddies and avid collaborators whose podcast — a series of frank conversations about race, fatherhood, social justice and American identity — became one of the podcasts with the most listeners around the world on Spotify.Now, they will be co-authors of sorts, with the coming release of a book of their conversations. This October, Crown, an imprint of Penguin Random House, is publishing “Renegades: Born in the USA,” a book adaptation of the podcast. The 320-page book includes introductions by Obama and Springsteen, more than 350 photos and illustrations, and archival material such as Springsteen’s handwritten lyrics and Obama’s annotated speeches.In his introduction, Obama describes how the conversations grew out of “our ongoing effort to figure out how it is that we got here, and how we can tell a more unifying story that starts to close the gap between America’s ideals and its reality.”As salable book ideas go, a collaboration between a rock star and a former president seems a sure bet. (Crown is suggesting a list price of $50 in the United States and $65 in Canada.)Springsteen’s memoir, “Born to Run,” which was released by Simon & Schuster in 2016, was a hit, selling nearly half a million hardcover copies in its first few months on sale. Obama’s 2020 memoir, “A Promised Land,” which was published by Crown, has sold 8.2 million copies globally, and nearly five million in North America.The book version of “Renegades” also marks the latest release from the Obamas’ growing media empire. It is being produced in partnership with Higher Ground, the company founded by Barack and Michelle Obama, which has struck exclusive production deals with Netflix for film and television and with Spotify for podcasts. The Obamas sold their memoirs to Crown in 2017 for a record-breaking $65 million. Michelle Obama’s memoir, “Becoming,” sold more than 16 million copies globally since its release in 2018.Obama and Springsteen got to know each other in 2008 while Obama was campaigning, and became friends over the years. Springsteen performed at the White House in January 2017, as Obama was preparing to leave office.In their podcast conversations, the pair largely focused on personal stories about their lives and avoided partisan politics, but spoke generally about the urgent need to understand and address divisions in American society.“This is a time of vigilance when who we are is being seriously tested,” Springsteen writes in his introduction to “Renegades.” “Hard conversations about who we are and who we want to become can perhaps serve as a small guiding map for some of our fellow citizens.” More

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      Carol Easton, Biographer of Arts Figures, Dies at 87

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      Curious about creativity, she chronicled the lives of Agnes de Mille, Jacqueline du Pré, Samuel Goldwyn and Stan Kenton.Carol Easton, whose curiosity about creativity inspired her to write biographies of four prominent figures in the arts — Stan Kenton, Samuel Goldwyn, Jacqueline du Pré and Agnes de Mille — died on June 17 at her home in Venice, Calif. She was 87. More

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      ‘The Hidden Life of Trees’ Review: Magic Kingdom

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      Jörg Adolph uses the sensorial capacities of cinema to thrillingly visualize a German forester’s contention that trees are social, sentient beings.In his best-selling book, “The Hidden Life of Trees,” the German forester Peter Wohlleben drew in millions of readers with a tantalizing hypothesis: that trees are social, sentient beings, who talk to each other, feed and nurse their young, sense pain and have personalities. While Wohlleben’s anthropomorphic language and seductive blend of science and speculation rankled some professionals, this was precisely the selling point for lay readers: an opportunity to see how trees share some of our own traits, and are worthy of our empathy and care.Directed by Jörg Adolph, the documentary “The Hidden Life of Trees” uses the sensorial capacities of cinema to thrillingly visualize Wohlleben’s observations. Jan Haft’s camera peers deep into tree bark, and the entire universes of organisms therein; it captures the blooming of plant life in rapturous time-lapse shots; it lovingly traces the outlines of rustling, sun-kissed canopies. All the while, the voice-over reads snippets from Wohlleben’s book, letting us into the secrets of nature that lie beyond human vision and temporality.These scenes are interspersed with Wohlleben’s field trips and lectures, and as in the book, his accessible style and infectious passion is the main draw here. What the film successfully imparts is not so much scientific certainty as an affecting sense of curiosity and reverence, which Wohlleben deploys to a pragmatic end: to argue for the ecological management of forests, which would ensure their communal health and longevity, and therefore that of humankind. Crouching next to a 10,000-year-old spruce, Wohlleben reminds us of man’s comparative insignificance as well as power. “The only thing it cannot withstand,” he says of the spindly tree, “is a chain saw.”The Hidden Life of TreesRated PG. In German, Korean and English, with subtitles. Running time: 1 hour 25 minutes. In theaters. More

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      Her Book Described Bringing Bill Cosby to Justice. Then He Was Freed.

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      Months before Andrea Constand’s memoir about the Cosby case and its aftermath was set to be published, a Pennsylvania Court overturned his conviction for assaulting her and released him.Andrea Constand was taking what she has described as a step toward healing: 16 years after naming Bill Cosby in a lawsuit as the man who had sexually assaulted her, and three years after he was convicted and sentenced to prison for the crime, she was ready to tell her story in a memoir that is due to be published in September.The forthcoming book traces Ms. Constand’s journey from disbelieved accuser to a powerful voice in the #MeToo movement, one of dozens of women who came forward with similar accounts of abuse and misconduct by Mr. Cosby but the one who, in the words of her publisher, had “the power to bring him to justice.”But instead of having the last word, a key part of Ms. Constand’s narrative — if not her book — was rewritten Wednesday when the Pennsylvania Supreme Court freed Mr. Cosby on procedural grounds. The court did not exonerate Mr. Cosby, 83, but said that he should not have been charged because a previous district attorney had given him assurances that he would not be prosecuted.The court’s decision was “disappointing,” Ms. Constand and her lawyers said in a statement, which noted that they had not been consulted on, or even been made aware of, the closed-door prosecutorial maneuverings more than a decade ago that eventually allowed Mr. Cosby to walk out of a maximum-security prison near Philadelphia on Wednesday. And in a case once seen as a harbinger of women’s right to justice, the effect, Ms. Constand and her lawyers feared, would be to once again silence victims of assault.Andrea Constand’s Statement on Bill CosbyAndrea Constand and her legal team released a statement on Wednesday about the overturning of Bill Cosby’s conviction. Read it here.Read Document 1 pageFor other women who said that they had survived assaults or misconduct by Mr. Cosby — more than 50 have come forward — the whiplash was intense, especially for those who gave corroborating accounts in his criminal trial.“We know he’s guilty, but as far as I’m concerned, as of today, the justices that have made this decision have just enabled a criminal to go without a consequence,” Heidi Thomas, who testified that Mr. Cosby raped her in 1984, told a Denver news channel. “What message is that sending to other victims? To other perpetrators? This is one case, but the precedent they have just set is devastating.”Ms. Constand, 48, who is now a licensed massage therapist in her native Canada, has movingly described how much the Cosby case upended her life; she called her memoir “The Moment,” as in, the moment everything changed.“I’m a middle-aged woman who’s been stuck in a holding pattern for most of her adult life, unable to heal fully or to move forward,” she said in her victim impact statement before Mr. Cosby’s sentencing in 2018, describing the rippling aftereffects of the night when she said he drugged and violated her in his suburban Philadelphia mansion.At the time, in 2004, she was a 30-year-old director of operations with the Temple University women’s basketball team, and she considered Mr. Cosby, then 66, a grandfather-like friend and mentor. Their encounter — when she was literally immobilized by the pills Mr. Cosby gave her, according to her testimony — was a profound betrayal, she said.Her memoir, “The Moment,” is due to be published in September. Penguin Random House“Bill Cosby took my beautiful, healthy young spirit and crushed it,” she said in her statement to the court. “He robbed me of my health and vitality, my open nature, and my trust in myself and others.”According to several published excerpts, her book, to be released by Viking Canada, describes her history as a confident, athletic youth from Toronto turned professional basketball player in Europe, who initially connected with Mr. Cosby, a Temple alumnus and donor, over sports.Recounting the assault, first to the police and prosecutors a year after she experienced it and then in a civil suit and two criminal trials, was re-traumatizing, she has said. Lawyers for Mr. Cosby sought to portray the interaction as consensual.“The attacks on my character continued, spilling over outside the courtroom steps, attempting to discredit me and cast me in false light,” she said in her statement to the court in 2018. “These character assassinations have caused me to suffer insurmountable stress and anxiety, which I still experience today.”Writing the memoir was meant to be an act of closure — a long-delayed one. “I did not want to lose any memories to time, and believe that reflection is a necessary final step toward true healing,” she said in an interview with her publisher, according to CBC Books. “By sharing stories, we can begin to help those whose lives have been impacted by sexual violence.”Neither Ms. Constand nor a representative for Viking Canada responded to requests for comment about the status of the book.In an excerpt that was published last month in Elle, Ms. Constand describes the moment in 2005 when she learned that Bruce L. Castor Jr., who was then the district attorney in Montgomery County, Pa., outside Philadelphia, had decided not to move forward with her case.“It was yet another sharp blow in what had already been, without a doubt, the most difficult year of my life,” she wrote.It was a decision that would have unanticipated ramifications this year.Mr. Castor — who earlier this year was one of the lawyers representing President Donald J. Trump’s in his second impeachment trial — announced in a news release at the time that his investigation had found “insufficient” evidence to proceed with the case. He has since said that he assured Mr. Cosby that he would not be prosecuted to pave the way for Mr. Cosby to testify in Ms. Constand’s civil case. In depositions for the civil case, Mr. Cosby acknowledged giving quaaludes to women he was pursuing for sex.When the civil case was settled in 2006 for $3.38 million, Ms. Constand later said, she believed that “this awful chapter in my life was over at last.”But when a new district attorney decided to pursue the charges that Mr. Castor had not, Ms. Constand agreed to once again put herself on the stand, though she was shamed and exhausted by the process, she has said.It ended with his conviction in 2018, a moment that was hailed at the time as a sign that in the #MeToo era the accounts of women would be given more credence.Though her story now has an unwelcome coda, Ms. Constand appears unbowed. On Thursday, she retweeted a message from Hope, Healing and Transformation, a foundation she started last year to offer guidance and support to survivors, which will receive a portion of the proceeds from her memoir. “Your story and voice matter right now more than ever. Silence is NOT an option. BILL COSBY IS NOT INNOCENT.” More

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      Quentin Tarantino Turns His Most Recent Movie Into a Pulpy Page-Turner

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      Quentin Tarantino’s first novel is, to borrow a phrase from his oeuvre, a tasty beverage.It’s his novelization of his own 2019 film “Once Upon a Time … in Hollywood” (the book’s title omits the ellipsis). It’s been issued in the format of a 1970s-era mass-market paperback, the sort of book you used to find spinning in a drugstore rack. More

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      Graham Norton Comes Around

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      The Irish entertainer is known for his freewheeling talk show, but in his novel “Home Stretch” he explores what it’s like for a gay man to return to his home and find both it and himself wholly transformed.Graham Norton has been a saucy mainstay of British entertainment for so long that it is hard to imagine him doing anything else. Talk-show host, radio presenter, Eurovision Song Contest frontman, “RuPaul’s Drag Race UK” judge, he is known for being quick, empathetic and outrageous, and for relishing nothing more than a good dirty anecdote. More

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      ‘Truman & Tennessee: An Intimate Conversation’ Review: Friendship in Focus

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      The director deftly constructs a dialogue between Truman Capote and Tennessee Williams.Merging two biographies is a solid way to enliven the often-tedious genre of the literary documentary. But the connections drawn in “Truman & Tennessee: An Intimate Conversation” are sufficiently instructive that watching and listening to these writers is also, in a way, like hearing one author in stereo.The director Lisa Immordino Vreeland uses the friendship between Truman Capote and Tennessee Williams to construct a dialogue between them, using the writing and appearances they left behind. Jim Parsons reads Capote’s words in voice-over and Zachary Quinto reads Williams’s. (There is a lengthy list of sources at the end; all credit to a documentary that shows its work.) For the visuals, Vreeland relies principally on archival material. Her most striking conceit is to show the writers in separate but parallel interviews with David Frost.We hear the Southern-born authors on their writing habits, on how autobiography inflects their narratives, on their homosexuality and on substance abuse. They express disappointment with films adapted from their work: Williams felt the censorship was so heavy you often needed to see the stage version for comprehension. Capote says Paramount “double-crossed” him by casting Audrey Hepburn (whom he nevertheless praises) instead of Marilyn Monroe in “Breakfast at Tiffany’s.”There is some bite in stories of their rivalry. (Capote apparently stung Williams with his description of a Williams-like character in his unfinished novel “Answered Prayers.”) “An Intimate Conversation” never quite digs beyond the cultivated personas of either author — a drawback of the archival format. But for anyone invested in the writers, it offers a vivid sketch.Truman & Tennessee: An Intimate ConversationNot rated. Running time: 1 hour 26 minutes. In theaters and in virtual cinemas through Kino Marquee. More