Brat (Album)

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    Beyoncé and Young Women Pop Sensations Lead 2025 Grammy Nominations

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    Charli XCX, Billie Eilish, Chappell Roan and Sabrina Carpenter will compete in the biggest categories, along with Taylor Swift and Kendrick Lamar.Beyoncé and Taylor Swift will face off in all top categories at the 67th annual Grammy Awards, leading a pack of nominees that also features buzzy young female stars who have dominated the pop charts over the past year.With 11 nods, Beyoncé has more citations than any other artist this year, for “Cowboy Carter,” her gumbo of country, R&B and acoustic pop that spurred conversations about the Black roots of many American genres, including country.The other top nominees, with seven apiece, are Billie Eilish, a onetime teenage disrupter who is now a Grammy and Oscar darling; Kendrick Lamar, the rapper laureate, whose nominations stem from a no-holds-barred battle of words with Drake; Post Malone, a pop shape-shifter gone country (and who appeared on both Beyoncé and Swift’s latest albums); and Charli XCX, the British singer-songwriter and meme master whose digital-nostalgic iconography was borrowed by the Kamala Harris campaign.Swift has six nominations, as do Sabrina Carpenter and Chappell Roan — two of this year’s fresh pop sensations, each receiving their first Grammy nods.The awards ceremony is set for Feb. 2 in Los Angeles.The biggest contest this year, at least in terms of celebrity wattage, is Beyoncé vs. Swift. Both are juggernauts in the culture and at the Grammys. With 32 career trophies, Beyoncé, 43, has already won more awards than any other artist, and is now also the most-nominated person, with 99. Yet she has never taken album of the year, despite four previous nods.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      7 New Collaborations You Should Hear Now

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      Hear music from pairings that include Lady Gaga and Bruno Mars, and Post Malone and Chris Stapleton.Post MaloneThea Traff for The New York TimesDear listeners,It’s time once again for your monthly digest of recommended new music, culled from the Friday Playlists that Jon Pareles and I compile each week. This month’s collection has a twist: It’s composed entirely of collaborations.I try to keep these new music compilations relatively brief, so you can stay up-to-date on recent releases without investing too much time. Consider today’s playlist especially efficient. Over just 7 tracks, you’ll get to hear 14 different artists.Some pairings are like peanut butter and jelly, in that they make perfect sense: Of course Lady Gaga and Bruno Mars sound good together. Chloe and Anderson .Paak? I can absolutely hear that in my head before I even press play. But I’d categorize a few of these collaborations as peanut butter and bacon: Unexpected, a bit of a head-scratcher on paper, but surprisingly enjoyable in execution. I never thought I’d hear, say, the rapper ASAP Rocky and the folk singer Jessica Pratt on a song together, but now I have and you know what? That’s a tasty sandwich.You wanna guess if we’re serious about this song,LindsayListen along while you read.1. Lady Gaga & Bruno Mars: “Die With a Smile”Lady Gaga and Bruno Mars each have the sort of highly adaptable talent that transcends genre and trend; they also pride themselves on professionalism sprinkled with a healthy dose of pizazz. (For what it’s worth, they’re also the exact same age: 38.) Each brings the appropriate amount of firepower to “Die With a Smile,” a romantic torch song accentuated by dreamy guitars. It’s likely a one-off, but Gaga did reference a forthcoming seventh album when she announced this single. Little Monsters, you’ve been warned.▶ Listen on Spotify, Apple Music or YouTubeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Charli XCX’s ‘Brat’ Breakthrough

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon MusicThe iconoclastic pop star Charli XCX has long flirted with mainstream success — helping write Icona Pop’s omnipresent 2012 hit “I Love It,” appearing on the hook of Iggy Azalea’s smash “Fancy” and in 2014 scoring a Top 10 hit of her own with “Boom Clap” — but largely exists as a self-proclaimed “cult classic,” a denizen of the club underground known for a string of innovative but niche records. Charli’s brash, strobe-lit sixth album, “Brat,” is in some ways her most daring release yet, but — improbably — it’s also her most commercially successful, debuting at No. 3 in the United States and earning her highest opening-week sales in her native United Kingdom.Why is “Brat” such a breakthrough? Some of its success has to do with the raw honesty of its lyrics, which find Charli musing on her innermost insecurities — at least when she isn’t playing the “365 party girl.” But to many listeners growing tired with certain trends in contemporary pop music (faux relatability, therapy-speak, demo-dumps disguised as deluxe editions), “Brat” provides a welcome and unapologetic alternative.On this week’s Popcast, guest hosted by the Times pop music critic Lindsay Zoladz, a conversation about “Brat,” placed in the context of Charli’s eccentric career and the wider pop landscape.Guests:Shaad D’Souza, a freelance writer for The New York Times, New York magazine, the Guardian and othersMeaghan Garvey, a writer from Chicago who runs the newsletter Scary Cool Sad GoodbyeConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Charli XCX and Lorde End the Rumors on a Refreshing Remix

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      Lorde adds guest vocals to Charli XCX’s “Girl, So Confusing,” a song that muses on the complexities of female friendship, and helps create something revelatory.To a lot of people these days, “ambivalent pop music” is an oxymoron. Catchy hooks tend to streamline complex emotions into universal, legible sentiments, temporarily dividing the world into teams: the heartbreakers vs. the victims, the happy vs. the sad, the boys vs. the girls. Infectious as they are, many of the songs on Charli XCX’s incisive sixth album, “Brat,” refuse to take sides, making them difficult to discuss in the explainer-generating, SEO-baiting grammar of modern pop standom. How refreshing.Charli never mentioned Lorde by name on the album’s knotty ninth track, “Girl, So Confusing,” but all signs pointed to her being the somewhat socially awkward, poetry-loving doppelgänger to whom the song is addressed. (“People say we’re alike, they say we’ve got the same hair,” Charli sings, winking at those of us who remember when an interviewer asked her about writing Lorde’s “Royals.”)It was less clear how we were supposed to understand this song in the limited and polarized language of 2020s musical fandom, which pits female pop stars against one another like pro athletes while still insisting that they “support women” at all times with a benevolent grin. “Sometimes I think you might hate me, sometimes I think I might hate you,” Charli babbles atop a strobe-lit A.G. Cook beat, one of the many “wait, are you even allowed to say that anymore?” moments on “Brat.” The song strains the vocabulary of clickbait. Is this a “diss track” or the start of a “feud”? Are the girlies fighting? And if they are, what could Lorde possibly be doing in the V.I.P. section of Charli’s recent show?It’s complicated, and — blessedly — so is the surprise remix on which Lorde appears, firing off her first new lyrics in three years. After Charli unloads her feelings and projections in that first verse, Lorde responds with the run-on intensity of a late-night voice note: “You’d always say, ‘let’s go out,’ but then I’d cancel last minute,” the New Zealander confesses, “I was so lost in my head and scared to be in your pictures.” She then reveals, devastatingly, that she’s been “at war with my body,” insecure about fluctuations in her weight, and that the enigmatic aura she’s created is actually a stifling defense mechanism. That she does it all so succinctly in a cadence that effortlessly matches Cook’s beat should make everyone excited for her next album, whenever it arrives.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Taylor Swift’s ‘Tortured Poets’ Logs an Eighth Straight Week at No. 1

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      Billie Eilish is No. 2, and Charli XCX debuts strong at No. 3.Taylor, Taylor, Taylor, Taylor, Taylor, Taylor, Taylor, Taylor.For two months now, Taylor Swift’s “The Tortured Poets Department” has dominated the Billboard album chart, fending off challenges from Billie Eilish, Dua Lipa and the K-pop group Ateez, often with the help of special “versions” featuring extra tracks.This week, “Tortured Poets” logs its eighth consecutive time at No. 1, with the equivalent of 128,000 sales in the United States, including 136 million streams and 23,000 copies sold as a full package, according to the tracking service Luminate.Although two of Swift’s previous albums have posted more times at No. 1 overall — “Fearless” and “1989” had 11 each — none has held the top spot for as many weeks in a row. Consecutive runs of eight weeks or longer are rare on the chart. The last releases to do so were both by Morgan Wallen: “One Thing at a Time,” which logged 12 last year, and “Dangerous: The Double Album,” with 10 in 2021. For another example you have to go back to Drake’s “Views,” which led the chart for nine straight weeks at No. 1 in 2016.Also this week, Eilish’s “Hit Me Hard and Soft” is No. 2 in its fourth week out, while “Brat,” the latest from the British pop singer-songwriter Charli XCX, opens in third place with the equivalent of 82,000 sales. Wallen’s “One Thing at a Time” holds at No. 4 and Bon Jovi’s latest, “Forever,” starts at No. 5, helped by collectible vinyl and CD editions. More