More stories

  • in

    ‘Nobody Wants This’ Review: Resuscitating the Rom-Com

    Kristen Bell and Adam Brody star in a Netflix series whose familiar rhythms and punchlines are exactly the point.Recent high-profile attempts by streamers to resuscitate the feature-length romantic comedy with brand-name performers like Anne Hathaway, Nicole Kidman and Brooke Shields have all had the same problem: They were awful. The dead touch of cringey mediocrity could be felt immediately. You could hear the flatline alarm in the background.Primed for disappointment by those films, you feel the difference right away with the new Netflix romantic comedy series “Nobody Wants This”: It’s not bad. The jokes land. The story hums along. The people in it are real-ish — they may do cartoonish things, but they are not cartoons. Kristen Bell and Adam Brody, who play the central couple, are charming and work well together. Care has been taken in the depiction of a swoony, twilight Los Angeles that calls back to an indeterminate earlier era of the rom-com — the ’70s, the ’90s, somewhere in there.Created by Erin Foster, an actress and writer and a daughter of the music-business titan David Foster, “Nobody Wants This” (premiering Thursday) succeeds by keeping faith with its genre. It is not a nostalgic curio — the characters and the rhythms of their interactions feel up-to-date, at least by mainstream Hollywood standards — but there is a comforting continuity with things you have seen and liked before. Familiar moves are executed with confidence and a certain amount of style.That smooth rom-com fluency, and the feeling it inspires that here is something we have been missing, is the most notable thing about “Nobody Wants This.” The story, inspired by Foster’s own experiences as a podcaster and as a participant in the Los Angeles dating scene, is serviceable, largely rom-com standard but with a few wrinkles.Bell plays Joanne, who works a bad-girl, more-sarcastic-than-thou persona while apparently making a living doing a sex-and-relationships podcast with her sister, Morgan (Justine Lupe). At a dinner party, Joanne, who is not in any way religious, meets cute with her temperamental opposite, Brody’s Noah, a serious, soulful, inordinately considerate guy who happens to be a rabbi. (He is sometimes called the hot rabbi, reminiscent of Andrew Scott’s hot priest in “Fleabag.”)They are completely wrong for each other, as everyone else in the show loudly and insistently tells them (hence the title). Morgan, a serial dater herself, is anti-Noah because she is afraid of losing her sister, not to mention being one-upped by her; adding a layer of complication, Morgan is also convinced that if Joanne finds happiness, it will ruin their podcast.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    5 Books to Read After Watching ‘Nobody Wants This’

    These romance novels feature cross-cultural connections, charming banter and plenty of heart.There’s a long history in Hollywood of cross-cultural rom-coms — films and TV shows such as “Keeping the Faith,” “Bend It Like Beckham” and “The Nanny” that mine clashing traditions to find hilarity and heart. Colliding heritages naturally lend themselves to moments of comedic gold: Just think of a nonplused Andrea Martin in “My Big Fat Greek Wedding” reassuring John Corbett’s vegetarian leading man, “That’s OK: I make lamb.”The series “Nobody Wants This,” which premieres on Netflix on Sept. 26, is the latest entry into this oeuvre. Joanne (Kristen Bell) is an agnostic, sex-positive podcast host with a history of toxic relationships; Noah (Adam Brody — Mr. Chrismukkah himself, no stranger to interfaith high jinks) is a pot-smoking rabbi with a fiercely protective mother who spends his free time playing basketball with the Matzah Ballers. Their story is as much about the universal awkwardness and hilarity of a budding romance as it is about the complex differences in their worldviews.Interfaith and cross-cultural romances are nothing new in the literary sense, either. If you’re craving more stories about clever people drawn together by chemistry and circumstance who also face the difficult work of navigating disparate backgrounds, these romance novels have got you covered.I think hot rabbis may be the new hot priestsThe Intimacy ExperimentBy Rosie DananNaomi Grant is a bisexual adult film actress with a master’s degree who runs a successful online sex-ed platform; she wants to expand into live seminars, but she’s having trouble finding an institution to support her. Enter Ethan Cohen, an unconventional (and very attractive) straight rabbi who invites Naomi to teach a course on human sexuality and relationships at his synagogue — a gamble aimed at reaching more young Jewish people and saving his dwindling congregation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    27 TV Shows to Watch This Fall

    A “WandaVision” spinoff, Colin Farrell in “The Penguin” and Alfonso Cuarón’s “Disclaimer” are among the season’s tantalizing offerings.The fall television season is short on blockbuster titles — a “Star Wars” extension, “Skeleton Crew,” from Disney+, and perhaps HBO’s as-yet-unscheduled “Dune: Prophecy.” But there is plenty that’s of interest, including Alfonso Cuarón’s return to television with “Disclaimer” on Apple TV+, Colin Farrell’s incarnation of the Penguin for HBO and Kathryn Hahn’s reboot of her “WandaVision” character in “Agatha All Along” for Disney+. There will also be new seasons of offbeat but proven comedies like “Bad Sisters” on Apple TV+, “Somebody Somewhere” on HBO and “What We Do in the Shadows,” which, unlike its vampire heroes, will perish after its sixth season on FX. Here are 25 shows to keep an eye out for this fall, in chronological order; all dates are subject to change.September‘THE OLD MAN’ In Season 2 of this melancholy spy thriller, Jeff Bridges and John Lithgow return as former C.I.A. colleagues and improbable action buddies — the two actors’ average age is 76, and Lithgow’s character once hired a hit man to kill Bridges’s. (With 76-year-old Kathy Bates starring in CBS’s “Matlock” reboot, it’s a good season for septuagenarians.) (FX, Sept. 12)‘HOW TO DIE ALONE’ The actress and writer Natasha Rothwell (“Insecure,” “White Lotus”) created and stars in this wistful comedy about a lonely airport worker whose life changes after a near-death experience involving an armoire and crab Rangoon. (Hulu, Sept. 13)Natasha Rothwell plays a lonely airport worker in the comedy “How to Die Alone,” which premieres on Hulu in September.Lindsay Sarazin/Disney‘AGATHA ALL ALONG’ Kathryn Hahn returns to her “WandaVision” character in this Marvel spinoff series. The witch Agatha Harkness, stripped of her powers, hits the road and forms a new coven; the cast includes Joe Locke of “Heartstopper,” Sasheer Zamata, Debra Jo Rupp and Aubrey Plaza. (Disney+, Sept. 18)‘THE PENGUIN’ Colin Farrell covers himself in silicone once again to play the waddling gangster Oswald Cobblepot, a.k.a. the Penguin, a role he first essayed in Matt Reeves’s 2022 film “The Batman.” Reeves is an executive producer of this mini-series, and Lauren LeFranc (“Impulse,” “Chuck”) is writer and showrunner. (HBO, Sept. 19)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    In ‘Nobody Wants This,’ Adam Brody Keeps the Faith

    Adam Brody’s bar mitzvah was held six months late. It was barely held at all. This was in San Diego, Calif., in the early 1990s, and Brody, who spent most of his free time surfing, attended Hebrew school only under duress. He knew few other Jews.“I wanted long, straight blond hair,” he said. “All my idols were named Shane.”A decade later, after a cursory stint at community college, an impulsive move to Los Angeles, a handful of television one-offs and a brief arc on “Gilmore Girls,” Brody became the most famous Jewish (well, half Jewish) high schooler in America. (He was actually 23, which made the fandom a little tricky.) Starring as Seth Cohen on the sun-kissed teen romantic dramedy “The O.C.,” he played a curly-haired heartthrob, responsible for introducing the holiday portmanteau “Chrismukkah” into the lexicon.“Adam has that quality of it being very Adam,” said Valerie Faris, the director of “Nobody Wants This.” “But at the same time, it’s perfect for the character too.” Josh Schwartz, a creator of “The O.C.” put a lot of himself into Seth. But Brody, he said in an interview, brought charisma and a surfer cool to a character who could have come off as merely nerdy. “He’s an aspirational Jew,” Schwartz joked of Brody.The “O.C.” ended four years later. (Beachy TV can accommodate only so many car crashes and love triangles, and 20-somethings can’t play teens forever.) Brody worked steadily for the next two decades, darting between film and television. Mostly he played variations on a theme, the nice guy, although they aren’t always so nice. As he reminded me over lunch in Santa Monica, “I’ve played my fair share of rapists and murderers.”But Brody’s gift is for comedy — comedy flecked with emotional complication. He reminded viewers of this in the 2022 limited series “Fleishman Is in Trouble,” in which he plays another aspirational Jew, a likable finance guy. (This is harder than it looks.) He is now the star of “Nobody Wants This,” a Netflix romantic comedy about Noah (Brody), a Los Angeles rabbi, who falls for Joanne (Kristen Bell), an outspoken non-Jewish podcaster. It premieres on Sept. 26.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Adam Brody Feels All the Feels With Surfing, ‘Avatar’ and Cate Le Bon

    The “Shazam!” star revives himself with sprinkle doughnuts, Frank Black’s “Teenager of the Year” and daily naps.“Shazam!,” the 2019 DC Universe comic-adventure about some foster kids and their adult superhero alter egos, and its new sequel, “Shazam! Fury of the Gods,” might not change the arc of Adam Brody’s career exactly — though there are perks to being in a hit.“I’ve been acting for so long now but have barely set foot in any sort of big action movie,” said Brody, one of the stars of the FX series “Fleishman Is in Trouble.” “Being on something of this size is a thrill, just the huge setups and huge wire rigs, and you’re being chased by a dragon. It’s a big part of the Hollywood acting experience in the modern age that I really hadn’t got to play with before.”“Fury of the Gods,” opening Friday, finds the teens — including Freddy Freeman, played by Jack Dylan Grazer, with Brody as his grown version — fully endowed with otherworldly powers. Then the Daughters of Atlas (Helen Mirren, Lucy Liu and Rachel Zegler) show up, and they want their magic back.But “Fury of the Gods” isn’t the only action Brody has seen recently. In an upcoming remake of “The River Wild” for Netflix, he’ll be occupying the same space, if not the same character, as the menace played in the 1994 original by Kevin Bacon. Brody’s wife, Leighton Meester, and their friend Taran Killam join him as distrusting siblings on a raft ride to hell.In a video call from Los Angeles, where he and Meester live with their daughter and son, Brody talked about venturing into the trenches with “Hardcore History,” revering Frank Black and listening to NPR in lieu of college. These are edited excerpts from the conversation.1SurfingI’m from San Diego, and a big part of the beach for me is surfing. I was obsessed with it, and from junior high and high school that was my main focus. Then I moved to L.A. to try acting, and I ditched it for well over a decade. In my early 30s, I started dipping my toe because I missed the beach environment. And surf has slowly but steadily taken over my life again. My wife has picked it up and is obsessed. I’m at this really lovely place where the two halves of my life have converged.2DoughnutsI could eat them every day. I do enjoy this gourmet artisanal doughnut revolution that’s been going on for the last decade. I don’t like the chain ones — they seem so processed and lacking some flavor. But probably my favorite, even more than the really nice gourmet ones, are those strip-mall family-owned ones, usually Vietnamese- or Cambodian-owned but not always. They tend to be a little lighter, so you can take down a couple. My eye is very drawn to sprinkles. Pretty hard for me to say no.3Dan Carlin’s ‘Hardcore History’ PodcastHe’s always like, “Now remember, I’m not a historian.” I’m like, “But you are a historian. Why are you talking to me about this for 20 hours, then?” Every episode is five hours long, and one comes out every six months. “Blueprint for Armageddon” on World War I, which is the first one I listened to, blew me away.4Frank Black’s ‘Teenager of the Year’This is probably the only album or musician that I loved as a teenager that I still love. It’s not even that I listen to him a lot anymore, but I still revere him. It has a real irreverent, comedic and punk element to it. And he sings about so many subjects I think are great: California, space and astral planes and different dimensions, the Mariana Trench and the depths of the ocean.5Cate Le BonShe sounds like nobody else. I find the up-tempo stuff very groovy. At the same time it’s so off-kilter. There’s descending notes in minor chords and drone-y saxophone. And I find her singing emotional, and yet she’s Bowie-esque, distant and unknowable. Not a false note in the entire discography.6NapsI’ve always been pretty talented at napping. It doesn’t have to be that long, but there has to be one. I have less time to do it since I’ve been a parent. I’m sort of sounding scarily like my dad when I say that. I picture him asleep with a Kindle on his chest. But my favorite thing in a leisure-filled day: I’m going to start to read lying down, I’m going to close the book, take a nap, wake up and keep reading.7NPRI didn’t go to college, and I kind of consider it my alma mater. I like their breadth of coverage. It’s local, it’s national, it’s global. I like most of the personalities on it, and I find something about their — it’s not monotone, but it’s soft tones — very reassuring. It’s a calm, assured personality, giving you what I think is a well-rounded coverage. I’m sure some people would disagree, but they’re wrong.8‘The Crown’These are some of the best scenes on television. You have two great actors, and a monster scene for them to do with a real beginning, middle and end. I also am a big fan of the formatting, taking the historical record and bending it to a theme and an arc versus a cliffhanger. They’re really doing their own mini three-act movie in each episode.9‘Avatar: The Way of Water’I say this as someone who didn’t even like the first one. But I have a retroactive appreciation for it now because I like the second one so much. I took my daughter, who’s 7. I was like, “It’s over three hours long, and I’ve heard mixed things, but let’s go see, and if we want to leave, we’ll leave.” And I proceeded to have one of the best times I’ve had at the movies in decades. For starters, I cried — we both did — and I haven’t cried at a movie since “Titanic.”10‘Ronia, the Robber’s Daughter’My daughter and I watched the cartoon series that Goro Miyazaki did, and then we read the book. It’s a year in the life of this 9-year-old girl who lives in an abandoned fortress with her mother and her loving but volatile father and his group of robbers in medieval Renaissance times. She starts to explore the forest and then meets a boy her age. It’s so in touch with nature and the cycles of life, her very first pangs of love and her growing independence. And at the end of every chapter, the writer, Astrid Lindgren, had a phrase or two that really got to me — simple and yet emotional. More