Josh Brolin Never Thought He’d End Up in Malibu
How the “Dune” actor made a home in a place he once resisted.IN HIS EARLY 20s, long before he became a leading man, Josh Brolin took a writing class taught by the American Beat poet Allen Ginsberg. One of the assignments was to create an evocative phrase by combining two words. A fellow student came up with “Tylenol Christ”; Brolin, an enthusiastic storyteller, had trouble being that succinct. The experience has been on the actor’s mind recently as he finishes his forthcoming memoir, a mix of stories, anecdotes and poems scheduled to come out this fall. In a recently completed essay, he describes chasing a flock of sheep with two of his children when they were young on Scotland’s remote Isle of Skye. (His son, Trevor, and eldest daughter, Eden, both from his first marriage to the actress Alice Adair, are now 36 and 31.) To their horror, one of the fleeing animals broke its back. “It’s about what had to transpire for the next hour,” says Brolin, 56, from his writing hut in Malibu, Calif., a gift from his wife of nearly eight years, the photographer Kathryn Boyd Brolin, 37, who modeled it after ones used by the Irish playwright George Bernard Shaw and the Welsh poet Dylan Thomas. “It’s the clearest, most emotional thing I’ve written.”The actor gives a tour of his guesthouse and Airstream trailer in Malibu, Calif.Megan LovalloBrolin looks and presents like a modern-day cowboy. He was raised 200 miles up the Pacific Coast on a horse ranch in Paso Robles and inherited that property (which he sold in 2004 and bought back in 2010) from his mother, the wildlife conservationist Jane Cameron Agee, who died in a car accident the day after his 27th birthday. Although his father, the actor James Brolin, relocated to Malibu, where he now lives with his wife, Barbra Streisand, Brolin had always rejected the seaside community as a place for, as he puts it, celebrities “trying not to be seen as they’re trying to be seen.” He prefers the lawless energy of nearby Venice, in Los Angeles, where he’s been renting a beachfront apartment for almost 15 years. But in 2011, Brolin, who frequently looks at online real estate listings in bed, came across a 2,400-square-foot bungalow on one and a half acres in a part of Malibu once known as Poor Point. With money he made from “Men in Black 3” (2012), he bought the charmingly rundown four-bedroom house, which spoke, he says, to his “misfit, outcast mentality,” from the musician Jakob Dylan. Brolin, who also has a home in Atlanta, rented it out for years.Brolin’s Airstream trailer is furnished with a trefoil table by Herman Studio for Form & Refine and decorated with wallpaper by Anna Hayman Designs and custom pillows by Pierce & Ward.Ryan James CaruthersIn the guesthouse’s kitchen, a custom range hood in unlacquered brass with walnut accents and a 1960s Bijou desk lamp by Louis Kalff for Philips.Ryan James CaruthersIn 2018, he and Kathryn, who once worked as his assistant, decided to fix up the place and live there themselves. When the minimalist style of the first designer they hired didn’t align with Brolin’s vision — “Neutral makes no sense to me at all,” he says — Kathryn suggested they reach out to Louisa Pierce and Emily Ward, known professionally as Pierce & Ward. (Coincidentally, it was Ward’s partner, the actor Giovanni Ribisi, who had nearly outbid Brolin to buy the house.) The duo understood Brolin’s taste for what he calls “nutty kaleidoscope” and “Old World European busyness”: The walls of the residence are painted or papered in powdery colors, floral motifs and stripes; a playroom for the couple’s two daughters — Westlyn, 5, and Chapel, 3 — has been made to resemble the berth of a ship; the living and dining rooms are decorated with worn leather armchairs, creaky wooden tables and sun-faded kilim rugs. Except for the fake Academy Award in a closet that they use as a wet bar — and Brolin’s casual mentions of “Clooney’s place in the South of France” and “Momoa’s hundred motorcycles” — there’s barely any suggestion of Hollywood. “I was so in their face in the beginning [of the renovation],” he says about Pierce and Ward. “I’d send them hundreds of photographs. And then I thought, ‘The more I try to affect this whole thing, the worse it’s going to get.’ So I backed off.”Jay Miriam’s “The French Girls” (2019) hangs in the guesthouse’s pool table room.Ryan James CaruthersIn the living room, Holmes’s “Behind Golden Bars 2” (2021).Ryan James CaruthersWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More
