Caird, John

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    The People Reimagining ‘Spirited Away’ With Puppets

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    Hayao Miyazaki’s classic film is now onstage, brought to life with elements including a nearly 20-foot-long dragon.“Everyone Who Made This Happen” takes a look at the outsize teams of artists and creative types it often takes to produce a single work.Number of people involved: Around 70, including 30 performers.Time from conception to opening night: Four years and three months.There was never any doubt as to whether the director John Caird’s stage adaptation of “Spirited Away” would incorporate puppets. They were part of his original pitch to Hayao Miyazaki, the writer and director of the beloved 2001 animated film, in which the heroine, Chihiro, and her parents are transported to another world populated by a colorful cast of Japanese spirits and gods. The questions were, which characters should be puppets, and how would they look and work? Toby Olié, 39, the show’s puppetry designer and director, sketched some initial ideas. Then, in 2021, he and Caird; Caird’s co-adapter and wife, Maoko Imai; the set designer Jon Bausor; and six performer-puppeteers held a two-week workshop in a church hall in East London, during which they explored staging with foam and cardboard prototypes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Spirited Away’ Review: Impressed, but Not Transported

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      A stage production of the beloved Studio Ghibli movie is big on spectacle, but rarely grabs the heart.There’s big, and then there’s “Spirited Away,” a show on a scale that few theater productions attempt.Adapted from the venerated Studio Ghibli film by Hayao Miyazaki, the British director John Caird’s stage iteration was first seen in Miyazaki’s native Japan in 2022 and has now traveled to the London Coliseum — the West End’s largest theater — where it runs through Aug. 24.Performed in Japanese, with many of the original cast members along for its British premiere, the production has size, sweep and opulence to spare. Length, too: At just over three hours, the stage version runs nearly an hour longer than the film. I can’t remember a foreign-language production given such a long run on a London stage — which itself speaks to the international cachet of this title.What’s missing, though, is human connection. The story of “Spirited Away” gets lost amid the spectacle, and, exciting though it is to watch, the show rarely grabs the heart.The show arrived in London after a run in Japan in 2022.Johan PerssonBoth the stage and screen versions introduce so many characters that you sometimes need a road map to keep track. Aficionados of the material will note the brilliance with which characters are brought to three-dimensional life by the genius puppet designer, Toby Olié, and his hard-working team.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More