More stories

  • in

    Angela Bofill, R&B Hitmaker With a Silky Voice, Dies at 70

    Starting in the late 1970s, she scored multiple hit singles, including “This Time I’ll Be Sweeter” and “I Try,” but multiple strokes in the 2000s ended her career.Angela Bofill, a New York-bred singer whose sultry alto propelled a string of R&B hits in the late 1970s and early ’80s before strokes derailed her career in the 2000s, died on Thursday in Vallejo, Calif. She was 70.Her death, at the home of her daughter, Shauna Bofill Vincent, was announced in a social media post by her manager, Rich Engel. He did not specify a cause.With a silky blend of Latin, jazz, adult-contemporary and soul, Ms. Bofill is best remembered for jazzy love songs like “This Time I’ll Be Sweeter” and funk-inflected pop numbers like “Something About You.” Armed with a three-and-a-half-octave range, her voice was “as cool as sherbet, creamy, delicately colored, mildly flavored,” as Ariel Swartley wrote in Rolling Stone magazine in 1979.Starting in 1978, Ms. Bofill logged six albums in the Top 40 of the Billboard R&B charts, with five of them crossing over to the Top 100 of the pop charts. She also scored seven Top 40 R&B singles, including “Angel of the Night,” (1979) and “Too Tough” (1983).Angela Tomasa Bofill was born on May 2, 1954, in New York City to a Puerto Rican mother and a Cuban father and grew up in the Williamsburg neighborhood of Brooklyn, in Manhattan and in the West Bronx. She started writing songs as a child.By her teens, she was already showing off her vocal chops in a duo with her sister Sandra and a group called the Puerto Rican Supremes, and also as a member of the prestigious All-City Chorus, a group composed of top high-school singers in the city’s five boroughs.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Sean Kingston Arrested on Fraud and Theft Charges After Raid at His Home

    Mr. Kingston, a singer and rapper, best known for his 2007 hit single “Beautiful Girls,” was taken into custody on Thursday. His mother was also arrested.The singer and rapper Sean Kingston was arrested in California on Thursday, hours after a SWAT team raided his home in Broward County, Fla., and took his mother into custody, the authorities said.Mr. Kingston, 34, whose real name is Kisean Anderson, and his mother, Janice Turner, 61, both face “numerous fraud and theft charges,” the Broward County Sheriff’s office said in a statement.Search and arrest warrants were served at Mr. Kingston’s home in Southwest Ranches, Fla., on Thursday.Amy Beth Bennett/South Florida Sun-Sentinel, via Associated PressMr. Kingston was still in his teens when his debut single, “Beautiful Girls,” spent four weeks at No. 1 on the Billboard Hot 100 chart in 2007. He has since collaborated with Justin Bieber, Nicki Minaj and Wyclef Jean, but he has kept a lower profile in recent years.Mr. Kingston, who was arrested in Fort Irwin, Calif., and his mother could not be reached for comment and it was not immediately clear if they had lawyers. Mr. Kingston’s representatives did not respond to a request for comment. It was not immediately clear on Friday if he and Ms. Turner were still in custody.“People love negative energy!” Mr. Kingston posted on Instagram before his arrest. “I am good and so is my mother!..my lawyers are handling everything as we speak.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    ‘The Beach Boys’ Review: How to Make Good Vibrations

    This Disney documentary looks at the family ties and sweet harmonies that turned a California band into a popular treasure.The wholesome ocean-breeze look of the Beach Boys could make the group a punchline if it weren’t for their sweet sunshine sound. The origins of their intricate harmonies undergird “The Beach Boys,” a Disney documentary directed by Frank Marshall and Thom Zimny that notes obstacles in the band’s career but mostly tries to keep the good vibrations going.Brian, Dennis and Carl Wilson grew up in a musical household in Hawthorne, Calif., and eventually pooled their ample talents with a cousin, Mike Love, and a friend, Al Jardine. As told through a patchwork of polite interviews and mostly mundane clips from performances, the rise of their music was fueled by four-part harmonies, surf culture and entrancing orchestration not unlike Phil Spector’s Wall of Sound.Brian, who hated touring, was the band’s homebody musical mastermind, and he could imbue their pop with an outsider’s moods, while the Wilsons’ father, Murry, put on the pressure as their manager. Snippets from “Pet Sounds,” their landmark 1966 album, never fail to rejuvenate the movie. But after a while, you get the sense of a band that stopped growing, though the movie traces a fruitful competitive streak with the Beatles.Any deviations from the film’s obligatory timeline tour are very welcome, like a mortifying studio recording of Murry holding forth, and it’s a treat to hear the esteem for Brian among the Wrecking Crew, the storied group of session musicians. And for the pop romantics among us, the Beach Boys can still cast a spell with those four little words: Wouldn’t it be nice?The Beach BoysRated PG-13 for drug material and brief lapses into unsunny language. Running time: 1 hour 53 minutes. Watch on Disney+. More

  • in

    Susan Backlinie, First Shark Attack Victim in ‘Jaws,’ Dies at 77

    Ms. Backlinie, a stunt woman, appeared in the terrifying opening scene of the 1975 blockbuster in which a great white shark attacks.The actress and stunt woman Susan Backlinie, whose portrayal of a violent death as the first shark attack victim in the opening scene of the blockbuster movie “Jaws” terrified moviegoers, died on Saturday. She was 77.Ms. Backlinie died at her home in California, her agent, Sean Clark, said on Sunday. He said she had a heart attack.“Jaws,” the 1975 movie directed by Steven Spielberg, memorably features Ms. Backlinie in a scene in which she played a skinny-dipper, Chrissie Watkins, who runs along the beach and dives into the water for a nighttime swim.The placid scene is shattered as she is suddenly pulled under the water. She screams while being violently thrashed by an unseen great white shark and tries desperately to cling to a clanging buoy only to be pulled below the water one final time.For the scene, Ms. Backlinie was secured to a harness, according to The Daily Jaws website. The Palm Beach Post reported that Ms. Backlinie was wearing a pair of jeans with metal plates stitched into the sides with cables attached.Susan Backlinie getting prepared for her memorable opening scene from “Jaws.”MPTV, via ReutersWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Bill Holman, Whose Arrangements Shaped West Coast Jazz, Dies at 96

    His economical, linear writing helped define the sound of Stan Kenton’s band. He also led his own 16-piece ensemble for many decades.Bill Holman, an arranger and composer whose work with Stan Kenton, Gerry Mulligan and other jazz greats established him as a transformative figure in the cool jazz sound associated with 1950s California, died on Monday at his home in the Hollywood Hills section of Los Angeles. He was 96.Kathryn King, his stepdaughter, announced the death.Mr. Holman’s longtime collaboration with Mr. Kenton, first as a saxophonist in his band and later as an arranger, provided the foundation of his reputation, but he also went on to arrange for Maynard Ferguson, Count Basie, Peggy Lee, Tony Bennett, Michael Bublé and many others, and to lead his own 16-piece ensemble.He won three Grammy Awards — for his arrangements of “Take the A Train” (1988) for Doc Severinsen’s band and “Straight, No Chaser” (1998) for his own, and for his original composition “A View From the Side” (1996) — and contributed compositions and arrangements to seven other Grammy-winning records, including Natalie Cole’s “Unforgettable” (1991). He received a total of 16 Grammy nominations.Mr. Holman was known for his economical, linear arrangements, which used elegant counterpoint and dissonance to enliven both old standards and his own works. Reared on the big bands of the 1930s and ’40s, he helped Mr. Kenton and others from that era make the transition to a more energetic sound in the postwar years.He was already an innovative arranger when he was in his 20s, creating new avenues that jazz would pursue over the following decades. And yet, while he was often imitated, his unique style remained easily recognizable, even on pieces that he ghostwrote for other arrangers.Mr. Holman in 1999. He won three Grammy Awards, two for arrangements and one for his original composition “A View From The Side.”Lawrence K. Ho/Los Angeles TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    NewJeans Asks U.S. Court for Help Finding YouTuber in Defamation Case

    The request by NewJeans is the latest effort by the K-pop industry in its struggle to stem rumors on platforms based outside South Korea.NewJeans, one of the biggest K-pop acts, has asked a federal court in California to order Google to release the identity of the person behind a YouTube account that the members say is spreading defamatory statements about them.The group said that a YouTube user with the handle @Middle7 made the statements in dozens of videos that were viewed more than 13 million times, according to the court filing. The group’s lawyer, Eugene Kim, wrote that the account had also engaged in “name-calling or other mocking behavior” targeting NewJeans. The videos “continue to inflict significant reputational damage,” according to the filing.The move, made on March 27, is the latest example of K-pop stars responding to the pressures they face from the fervid online fan culture in South Korea. The request, if granted, would allow the group to sue the YouTube user in South Korea for defamation and insult, which are criminal offenses in the country.“We regularly take legal action for violations of artists’ rights,” Ador, the management agency for NewJeans, said in a statement, confirming that it was pursuing a case against the videos.Mun Hui Kim, a lawyer representing NewJeans in South Korea, declined to comment. Google did not respond to requests for comment. The YouTube account’s owner could not be reached.NewJeans, which has five members, reached No. 1 on the Billboard 200 list last year with its second album, “Get Up,” as part of the newest generation of South Korean girl groups dominating K-pop.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Why Is Sean Combs the Subject of a Homeland Security Investigation?

    The department has a division that often directs inquiries into sex trafficking allegations, like those cited in recent lawsuits against Mr. Combs.The raids of Sean Combs’s homes in Los Angeles and the Miami area this week raised a barrage of questions about the nature of the inquiry, which a federal official said was at least in part a human trafficking investigation.The government has said little about the basis for the search warrants, but the raids came after five civil lawsuits were filed against Mr. Combs in recent months that accused him of violating sex trafficking laws. In four of the suits women accused him of rape, and in one a man accused him of unwanted sexual contact. Mr. Combs, a hip-hop impresario known as Puff Daddy and Diddy who has been a high-profile figure in the music industry since the 1990s, has vehemently denied all of the allegations, calling them “sickening.” Officials have not publicly named him as a target of any prosecution.As the civil suits against Mr. Combs illustrate, the term human or sex trafficking has a broader meaning in the law than perhaps the more popularly understood image of organized crime and forced prostitution rings.“Traditionally you think of trafficking as a pimp who has a stable of victims and then is trafficking them in the traditional sense of the word, for money,” said Jim Cole, a former supervisory special agent with Homeland Security Investigations who oversaw human trafficking cases, “but there are lots of forms of trafficking.”The breadth of trafficking investigations has grown with the recent uptick in sexual abuse claims and the use of the internet by traffickers. Homeland Security Investigations often leads such criminal investigations, although the department is most commonly associated with immigration and transnational issues.In the current inquiry, federal investigators in New York have been interviewing potential witnesses about sexual misconduct allegations against Mr. Combs for several months, according to a person familiar with the interviews. Some of the questions involved the solicitation and transportation of prostitutes, as well as any payments or promises associated with sex acts, the person said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More