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    ‘Dirty Angels’ Review: Women on a Mission

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    In this heavy-handed action movie, Eva Green plays a Marine who leads a squad trying to rescue schoolgirls in Afghanistan.The action thriller “Dirty Angels” — a fictional story about a group of soldiers who set out to rescue kidnapped schoolgirls in Afghanistan held hostage by members of the Islamic State, or ISIS — suffers from the discord between the real-life conflicts that make up its setting and the cartoonish characters who propel its plot.It opens by introducing its villain: Amir (George Iskandar), a smirking ISIS member who will soon lead the capture of the schoolgirls. He kills indiscriminately, but in case that isn’t enough to telegraph his terror, an ominous score overlays his every move. Who could stop him but our hero, Jake (Eva Green, grunting her lines)? She’s a steely Marine, who was once held captive by ISIS and joins the women-led recovery mission to avenge her former unit.The director, Martin Campbell (“Casino Royale”), uses his genre pedigree to assemble a series of bloody shootouts that build the women’s squad-goals morale while establishing their toughness. They even elect to ditch names — too girlie, surely — in favor of “functions”: Mechanic (Rona-Lee Shimon), the Bomb (Maria Bakalova), Shooter (Emily Bruni), Geek (Jojo T. Gibbs).But while the movie flouts traditional gender roles, it easily plays into stereotypes about race and religion. The saviors speak English and the terrorists speak Pashto; in one sequence, the commandos slip into enemy territory by donning niqabs as disguises. The title, presumably a gesture at the rescue team being female but ruthless, is at least accurate: For much of her time onscreen, Green is covered in grime.Dirty AngelsRated R for brutal violence. Running time: 1 hour 44 minutes. In theaters and available to rent or buy on most major platforms. More

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      ‘Memory’ Review: Getting Too Old for This

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      In this action thriller, Liam Neeson plays an assassin struggling with Alzheimer’s disease. It’s not as interesting as it sounds.The premise of “Memory,” the latest action thriller from the “Casino Royale” director Martin Campbell, is fascinating: Liam Neeson plays Alex Lewis, an aging assassin struggling with Alzheimer’s disease. As Alex seeks vengeance against a child trafficking operation in El Paso, he becomes increasingly unpredictable to the F.B.I. team tracking him, led by the contemplative agent Vincent Serra (Guy Pearce). Unique premise aside, “Memory” is an absurd slog. Its plot clichés and wooden performances are far more enduring than its narrative.This is a remake of the 2005 Belgian film “The Memory of a Killer,” which was a critical success. “Memory,” then, is yet another embarrassing American adaptation. It plays as if the worst episodes of “Law and Order: Special Victims Unit” have all been processed in a blender and then stretched to nearly two hours long. The script, by Dario Scardapane, is threadbare in some parts and redundant in others. Its treatment of female characters is, at best, bleak. There are multiple pauses for eye roll-inducing genre fare, like a violent police interrogation or a shot of the grizzled Agent Serra staring out a window and drinking scotch. The American characters are performed almost entirely by British or Australian actors, a choice that might be less noticeable in a film not set in Texas.Neeson is fine and gets to hit his standard action movie beats, like growling out threats and bedding a much younger woman. But he’s also surprisingly underutilized — the film shifts focus to Agent Serra early on, leaving Alex and his disability to languish in the shadows. Whatever appeal this film had in its original iteration has been sapped out, leaving a story that, when not completely vexing, is either mind-numbing or hilarious by accident.MemoryRated R for bullets in brains and damsels in distress. Running time: 1 hour 54 minutes. In theaters. More

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      ‘The Protégé’ Review: Ladykiller

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      Maggie Q and Michael Keaton play characters that get turned on by termination in this monumentally silly action movie.“The Protégé,” — a lady-assassin movie whose heroine is as indestructible as the genre clichés surrounding her — might profit from the unexpected presence of Michael Keaton, but not by much.An ultraflexible Maggie Q plays Anna, rescued as a child from Vietnam by Moody (an underused Samuel L. Jackson) and trained to follow in his contract-killer footsteps. When it appears that Moody has been offed, Anna embarks on a vengeance spree that will unearth a seductive villain named Rembrandt (Keaton) and a ragtag biker gang led by Robert Patrick, who seems understandably uncertain of his character’s motivation.The silliness in Richard Wenk’s script is epic. Anna is no everyday executioner, but a cat-loving, cupcake-making bookstore worker who knows her way around a first edition. She’s the kind of gal who can go from torture chamber to dinner table with nary a blemish, and she does, flirting with Rembrandt over the size and capabilities of their respective firearms. Who knew waterboarding could give you such a glow?Plot credibility, of course, is the least important aspect of movies like this, which are all about attitude, lethal accessories and generic, smart-mouth dialogue. (When someone says, “Yeah, that’s not going to happen,” you know it will occur almost immediately.) Shot mainly in and around Bucharest, Romania, “The Protégé” has little to distinguish it except a director, Martin Campbell, with competent action chops and a penchant for pairing violence with make-out music.Kudos to Q, though, for a performance anchored in classy disdain for the baloney around her. If there’s a sequel following her and Keaton’s characters in couples therapy, I might be forced to buy a ticket.The ProtégéRated R for risible romance and creative slaughtering. Running time: 1 hour 49 minutes. In theaters. More