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    Sean ‘Diddy’ Combs’s Nine Lives

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    For decades, he occupied a special stripe of the celebrity stratosphere. Now the man who helped turn rap into a global concern has escaped a sex-trafficking conviction.For the last two months, Sean Combs — once the most powerful executive in hip-hop, and one of the most recognizable global avatars of American cool — had been reframed as a full-time defendant.Facing trial in federal court on charges of sex trafficking, racketeering conspiracy and transporting people for prostitution, he seemed diminished — a powerful man brought low by those he had allegedly harmed, an avatar of how even the loftiest realms of celebrity might not offer a buffer against accountability. It appeared as if Combs’s life, his career, his public image would forever be changed. That his career had reached a cul-de-sac of his own making.On Wednesday, though, Combs was found not guilty on all charges apart from transportation to engage in prostitution, the least serious of them.If the time since late 2023 — when Combs’s ex-girlfriend Casandra Ventura (the singer Cassie) filed a civil suit against him, which he settled in one day — has prophesied a fall from grace for Combs, Wednesday’s verdict demonstrated the opposite: that even several weeks of grim testimony from his intimates, employees and others about how he flaunted power and resources to bend them to his will was not compelling enough to completely knock him from his perch.Combs largely escaped the fate of some other high-profile entertainment figures who have been held accountable in the #MeToo era. Had he been convicted across the board, he likely would have faced a full reputational shattering like Harvey Weinstein, once the most powerful man in film, who has been imprisoned on federal sex crimes since 2020. Or R. Kelly, once R&B’s most formidable and popular star, who has been in prison since 2022 on sex-trafficking and racketeering charges. Combs would have been a villain who once was famous, not the other way around.Instead, it’s possible that these charges and this trial might end up being viewed as a blemish on his résumé, another tragedy that registered only as a speed bump.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Much Do Celebrities Make From Fashion Deals?

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      And what’s in it for the brands? As the industry’s model for working with public figures shifts, the power dynamics are becoming increasingly unclear.On Friday in Paris, the Northern Irish designer Jonathan Anderson will show his first collection as the creative director of the French fashion house Dior. During his previous, 11-year tenure as the creative director of the Spanish brand Loewe, Anderson became known for his avant-garde sensibility and dedication to craft — but also for his unique ability to turn the internet’s so-called boyfriends (those young actors and musicians who are lusted over online with possessive familiarity) into bona fide celebrities.In the front row of Anderson’s fall 2024 Loewe men’s wear show in Paris were the established actors Jamie Dornan, Andrew Garfield and Nicholas Hoult, but also, seated with equal prominence, emerging ones, including Drew Starkey, who was set to star in “Queer” (the 2024 Luca Guadagnino movie for which Anderson oversaw the costumes), and Josh O’Connor and Mike Faist, who would soon appear as romantic leads in Guadagnino’s film “Challengers,” a film that helped them reach mainstream heartthrob status, and with which Anderson was also involved as a costume designer. The following June, at Anderson’s final Loewe men’s runway show, the rising actors Kit Connor, Evan Peters and Enzo Vogrincic sat front row — suggesting, based on the strength of the designer’s track record, that they too would also soon become leading men. For Loewe, it was a display of cultural currency; for the actors, it was free publicity.It used to be that an association with a brand was, if not a career-killer, then certainly not chic for an actor. It was hard to be taken seriously as both an artist and a de facto fashion model. But in recent decades, the rise of social media and the expansion of the fashion industry have blurred the lines between model, actor and influencer. Back in the 1980s, the Italian fashion house Armani began dressing Hollywood celebrities, including, most notably, Richard Gere for his role in the 1980 movie “American Gigolo.” But gone are the days when one megastar served as a company’s global face. Today brands adopt a multitiered system of ambassadors that includes international stars, yes, but also up-and-comers and influencers. While these cliques are often described by their members and parent brands as “family,” and frequently represent a genuine affinity, they are also carefully constructed to maximize a company’s exposure on red carpets and billboards — but also very specific corners of TikTok. Now, as this business decision solidifies into standard practice, the question is, Who ultimately wields the power, the celebrities or the brands?Until 2010, “a few brands had ambassadors, but it was mainly for fragrance,” says Ben Cercio, the founder of a consulting agency specializing in brand strategy and communications with clients including the French fashion house Givenchy. But with the launch of Instagram that year, a shift occurred: companies began to engage not just with major actors but also with “microinfluencers” — online personalities with less than 100,000 followers — to reach their audiences early on. And because social media has accelerated the rise to fame, whenever a new talent in any field emerges from the crowd, “every brand wants to get its hands on them,” says Cercio. Now an ingénue like the actress Mikey Madison, who starred in last year’s “Anora,” might have a dozen offers from brands immediately after making a buzzy debut at a festival like Cannes, suggesting that it’s often the young actors, rather than the brands, who are in control. When Madison accepted her Oscar for best lead actress in March, she wore a custom look from Dior.A Calvin Klein billboard featuring the actor Jeremy Allen White in New York’s SoHo neighborhood, photographed in 2024.© Richard B. Levine/AlamyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kim Woodburn, British TV’s No-Nonsense ‘Queen of Clean,’ Dies at 83

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      She was a blunt and bossy domestic dominatrix on the series “How Clean Is Your House?” honing a persona as the rudest woman on reality television.Kim Woodburn, the platinum-haired, trash-talking darling of British reality television who found fame as a domestic dominatrix in the long-running series “How Clean Is Your House” and in other shows of the mean TV genre, died on Monday. She was 83.Her death, after a short illness, was announced in a statement by her manager. It did not specify a cause or say where she died.Ms. Woodburn had been working in Kent, England, as a live-in housekeeper for a Saudi sheikh when her employment agency asked her to audition for a new Channel 4 reality show. The idea was that she and Aggie MacKenzie, a brisk Scottish editor at the British version of Good Housekeeping magazine, would invade the houses of slobs, hoarders and other housekeeping failures and teach them how to mend their messy ways.She was 60 years old at the time, and she nailed the audition, which involved scrutinizing a young woman’s grimy flat in West London.“Well, this is a flaming comic opera, isn’t it,” Ms. Woodburn declared in the woman’s terrifyingly filthy kitchen, as she recalled in her 2006 memoir, “Unbeaten: The Story of My Brutal Childhood.” “You look so clean yourself, and yet you live like this. Talk about fur coat, no knickers!”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Tom Cruise to Receive an Honorary Oscar

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      The film industry will honor Tom Cruise this fall with an Honorary Academy Award for lifetime achievement, along with the choreographer Debbie Allen and the production designer Wynn Thomas.Despite his death-defying stunts as the spy Ethan Hunt, Tom Cruise has yet to land an Oscar for any of the eight installments of the “Mission: Impossible” franchise. His portrayal of the sports agent Jerry Maguire in 1996 earned him a nod from the film academy for best actor, and as a producer he was up for best motion picture in 2023 with “Top Gun: Maverick.”But his career has not included a golden Oscars statuette. Until now.In November, Cruise will receive an honorary Oscar at the Governors Awards, alongside the production designer Wynn Thomas, and the choreographer and actress Debbie Allen, the Academy of Motion Picture Arts and Sciences announced on Tuesday.Dolly Parton, the singer and actress, will be presented with the annual Jean Hersholt Humanitarian Award for her charitable works.The honorary awards, in their 16th year, are given out by the academy’s board of governors to recognize “extraordinary distinction in lifetime achievement” in the film industry or “outstanding contributions” to the state of filmmaking. They will be presented months before the main Oscars ceremony in March and will not be televised.This time the awards celebrate four “individuals whose extraordinary careers and commitment to our filmmaking community continue to leave a lasting impact,” the academy president, Janet Yang, said in a statement.Cruise, 62, was first nominated for an Academy Award in 1990 for his portrayal of Ron Kovic, a Vietnam War veteran, in the biographical film “Born on the Fourth of July.” He has received three other nominations since then, for “Jerry Maguire,” “Magnolia,” and “Top Gun: Maverick.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Justin Bieber Is ‘Standing on Business’ in Paparazzi Video

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      A video of the singer’s heated discussion about privacy with a group of photographers has been widely shared, sometimes without the full context of the situation.Justin Bieber is making headlines again.In videos circulating across social media and news outlets, Mr. Bieber is shown having what appears to be a heated exchange with a photographer last Thursday outside Soho House in Malibu, Calif.In the days since, fans have been speculating about his well-being and whether his social media posts, many of which could be read as fairly aggressive, have been a reaction to the incident.So what happened outside Soho House?The most widely shared section of the lengthy video shows Mr. Bieber, in a blue hooded sweatshirt, holding a flashlight next to his face, asking the photographer, “It’s not clocking to you that I’m standing on business, is it?”The phrase “standing on business,” which can mean taking responsibility, but can also mean not backing down, is part of a larger conversation the singer has with what appears to be a group of paparazzi. Over the course of the discussion, he repeatedly expresses concern about how clips of the interaction could be misrepresented.“You’re provoking me — you’re going to take this video out of context like you always do,” Mr. Bieber says, somewhat muffled by the voices of paparazzi assuring him they will not.After that exchange, which is kept at a fairly even tone, the interaction becomes more heated. Mr. Bieber, growing increasingly frustrated, fires off numerous expletives and repeatedly asks the paparazzi why they are “trying to provoke” him.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How Jon Bernthal Became Hollywood’s Most Dependable Bruiser

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      When Jon Bernthal was cast as a petty drug dealer in “The Wolf of Wall Street,” Martin Scorsese’s 2013 white-collar crime epic, the actor wasn’t even supposed to have many lines. But Bernthal went into that film intending to take his shot. So he came in for a wordless B-roll scene in which the script had him lifting weights in a backyard, asked the second-unit director to mic him and riffed for 45 minutes. Scorsese wasn’t there that day, but here’s what he saw in the footage: a shirtless Bernthal curling dumbbells, tormenting some teenage boys with a baseball bat and peacocking his virility. “Bring some of them chicks around here sometime,” he says. Then Bernthal makes a brilliant little decision about his tough guy’s whereabouts. “Hey, Ma, we got chicken or what?” he yells toward the house. “Ma!” There was no “Ma” in the script. No one even said he lived with his mother.The role introduced Bernthal as an excellent character actor. Since then, he has become the guy who shows up onscreen unexpectedly, delivers the most memorable performance in a scene or two and then vanishes. This is perhaps why he’s so often playing dead men in flashbacks. He’s the dramatic center of gravity in FX’s “The Bear,” appearing just once or twice per season as the deceased family patriarch, and the tragic romantic in the 2017 Taylor Sheridan film “Wind River.” Bernthal was so good in “The Accountant,” an improbable 2016 Ben Affleck-led movie about an autistic accountant turned gunslinger, that the filmmakers made this year’s sequel a two-hander.Bernthal has had leading roles too, most notably in “We Own This City,” the HBO miniseries about Baltimore police corruption in which the actor’s performance was criminally overlooked. But for the most part, he has carved out a career of supporting roles. So it made perfect sense when he told me that one of his favorite movies is “True Romance,” Tony Scott’s 1993 adaptation of Quentin Tarantino’s first script. Christian Slater may have been the lead, but it was the supporting characters played by Gary Oldman, Brad Pitt and Dennis Hopper who stole the film. “There are so many people who are in it for a scene or two,” Bernthal said, “but you could have made a movie about any one of those characters.”We were having breakfast in Ojai, Calif., where Bernthal lives. The previous day, he returned from New York where he was promoting “The Accountant 2.” Before that he was in Greece and Morocco, filming a role in “The Odyssey” with Christopher Nolan, which is perhaps the greatest honor that can be bestowed on a dramatic actor these days. In front of him was a pile of egg whites, spinach, fruit and gluten-free toast. “I’m like a gorilla,” he said. “I eat a lot.”Most actors, once they get lead roles, are advised to turn down anything smaller. But Bernthal is allergic to strategizing about how to become a leading man or listening to agents and managers who want to find him a “star vehicle.” The only real mistake he made in his career, he told me, happened because he let that sort of thinking get in his head. But he has switched agents since then. He knows he has become the guy who everyone calls for a favor, but then again “The Bear” was a favor. And that turned into one of the most rewarding experiences of Bernthal’s career. The intensity he brought to the role won him an Emmy, and now he has even co-written an episode in the upcoming season. “I can’t imagine deciding what you’re going to do in this super-tenuous field while being so dependent on some businessman’s strategy,” he said.Jon Bernthal, right, with Jeremy Allen White and Abby Elliott in the 2023 episode of “The Bear” that earned him an Emmy.Chuck Hodes/FX, via Everett CollectionWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Book Review: ‘Waiting for Britney Spears: A True Story, Allegedly,’ by Jeff Weiss

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      In a scrappy new memoir, Jeff Weiss blurs fact and fancy as he recounts his stint as a bit player in the celebrity-industrial complex.WAITING FOR BRITNEY SPEARS: A True Story, Allegedly, by Jeff WeissIn 2023, the pop princess Britney Spears published her autobiography, “The Woman in Me.” In its pages, Spears had choice words for the paparazzi who pursued her at the heights and depths of her fame. She described them as enemy combatants, the ghosts in a Pac-Man game, sharks who sensed blood in the water. They were, she wrote, “an army of zombies” who treated her with “disregard” and “disgust.”She hated them. She feared them. Jeff Weiss, by his own account, was one of them.In the 2000s, Weiss worked as an occasional reporter for a couple of tabloids. (He was also cited for trespassing on Brad Pitt’s property, ostensibly at the bidding of People magazine.) He details these exploits — with grandiosity and rue — in “Waiting for Britney Spears: A True Story, Allegedly.” It is not a novel, not yet a memoir. A roman à clef? Probably. Autofiction? Sure. It is also, in its most engaging moments, a bedazzled biography of Spears herself, as glimpsed across the dance floor, or through a long lens.Weiss, if you believe him, first met Spears when he sneaked into the “ … Baby One More Time” video shoot, which was held at his Venice, Calif., high school. The first glimpse of a pigtailed Spears ensorcelled him. A few years later, sprung from college and lightly adrift, Weiss found himself flung into her orbit again. Zhuzhing his résumé and shushing his qualms, Weiss persuaded a tabloid to hire him as a Hollywood party and celebrity reporter. (Context clues suggest that the tabloid was Star; in the book, Weiss calls it Nova.)This is a book that wears its antecedents on its sleeve, or perhaps low on the brow, like a Von Dutch hat. There’s new journalism here and gonzo journalism, as well as more literary stabs at the mournfulness of F. Scott Fitzgerald and the contempt of Nathanael West. Parts of the book read like a retread of “Miss Lonelyhearts,” doused in apple martinis. Other sections suggest link-rotted LiveJournal entries. In broad strokes, it is a story of a young man’s disillusionment, a West Coast “Sweet Smell of Success,” if success smelled like Victoria’s Secret body mist.These strokes are indifferently compelling. Weiss falters in building stakes or sympathy for the self he describes. A 22-year-old college grad distracted from working on his novel? Oh no! And there is a cloying quality to his repeated insistence that he is too pure, too talented to do the work of a tabloid reporter. Many of us who make a life in journalism have done as bad or worse, without ever expensing our drinks.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kyle Chan Is the Jeweler to Reality TV Stars

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      Kyle Chan is no stranger to Bravo viewers, and his work can be seen on celebrities, TV shows and even in an Oscar-winning film.Eagle-eyed Bravo viewers may know him as the man behind three different “Vanderpump Rules” engagement rings, or as the beleaguered best friend of the disgraced reality TV villain Tom Sandoval. But when Kyle Chan started selling handmade jewelry at the Downtown Los Angeles Art Walk in 2010, he had no idea that he would one day parlay his small stall into a luxury jewelry business famous for its connection to the world of reality stars.Mr. Chan immigrated from Hong Kong to the United States when he was 13, and started making jewelry after taking a class in high school. “I fell in love with it, but I just didn’t have the money to continue, so I started all kinds of odd jobs,” Mr. Chan said in a phone interview. “I was a waiter. I was working at an airline. I did hair and makeup.”Eventually, he scored a job at a small jewelry boutique, which he managed for seven years before moving into wholesale. Then, in the early 2010s, he met Kyle Richards, the longtime star of the Bravo reality show “The Real Housewives of Beverly Hills.” It was then that his career really took off.“She and her four daughters would always go to the Pasadena Rose Bowl Flea Market, so that’s how I met her,” Mr. Chan said. “She was very kind, and she would buy my jewelry, even though I would insist I’d give it to her for free. But she said, ‘No, no, no, I’d like to buy it, I want to show support.’”When Mr. Chan opened a retail store, some of his celebrity friends came out to support him, including, left to right, Jesse Montana, Ariana Madix, Tom Sandoval, Tom Schwartz and Scheana Shay.Robin L Marshall/Getty ImagesMs. Richards started wearing his pieces on the show, which premiered in October 2010, and posting about them to her millions of followers. When he graduated from making silver and gold-filled pieces into more luxury fare, she began carrying his designs at her since-shuttered Beverly Hills boutique, Kyle by Alene Too.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Miley Cyrus Told Us to Ask Her Anything

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      Miley Cyrus’s entire life has been shaped by fame. Born at the height of her father Billy Ray Cyrus’s celebrity, she spent her childhood at his sold-out country concerts. At 13, she became a star herself — and an important part of the Disney machine — as the titular lead in “Hannah Montana,” playing a regular girl by day and a pop star by night and becoming a cultural touchstone for millennial kids.By the time Cyrus left the show, she already had dozens of Billboard Hot 100 hits, but industry and tastemaker respect was harder to come by. As with many former female child stars, her transition to adulthood in the public eye was marked by controversy (twerking with Robin Thicke at the 2013 Video Music Awards) and judgment (the Parents Television Council condemned the performance), which she looks back on today with some bitterness at how she was treated.Now 33, Cyrus is one of pop’s reigning female queens, a status cemented by her first Grammy win for her 2023 megahit “Flowers.” Her ninth studio album, “Something Beautiful,” has just been released, and she says it’s her attempt to reimagine what “beautiful” means — her beloved grandmother’s death, for instance, or the emotion of rage, which she told me is beautiful because “it lets you know you’re alive.” We also spoke at length about her close relationship with her mother, Tish Cyrus-Purcell, her repaired relationship with her father and how she has learned to protect herself in a world that is still fascinated by everything she does. But we started by talking about the first time I interviewed her, when her candor and openness quite honestly freaked me out.The Grammy-winning singer on overcoming child stardom, accepting her parents and being in control.Subscribe: Apple Podcasts | Spotify | YouTube | Amazon | iHeart | NYT Audio AppYou know, I’ve interviewed you before. You look really familiar to me.No, we never saw each other because I was at NPR. The voice!I was a new host back then. I hadn’t done a lot of celebrity interviews, and you came on and said: “Ask me anything. Anything at all.” And I had no idea what to do with that. I just froze and thought, I don’t know what to ask Miley Cyrus if she’s saying, “Ask me anything.” Would you say something like that now? I think I would say something like that now, but maybe paying a little closer attention. But yeah, you can ask me anything. I’ve learned that I’m in control. The worst that happens is I just leave the room — say, “I’ll be right back,” and then don’t come back. More