Cheadle, Don

Subterms

    Latest story

    150 Shares28 Views

    In ‘The Big Cigar,’ a Black Panther Stars in a Fake Movie

    by

    This new series is based on the unlikely true story of a Hollywood producer who used a bogus film production to help Huey Newton flee to Cuba in 1974.When the movie producer Bert Schneider met the Black Panther Party leader Huey P. Newton, he swooned.Schneider, who had helped revolutionize the movie industry (and made a lot of money) as a producer of films like “Easy Rider,” wanted to shake up things off the screen as well. He saw Newton, who had already done a prison stint for the killing of a police officer — Newton denied that he shot the officer, and the conviction was eventually overturned — as the real deal, a star on the front lines of the actual revolution.Their unlikely partnership is now the heart of the new limited series “The Big Cigar,” premiering April 17 on Apple TV+. It’s a caper about how Newton (played by André Holland) fled to Cuba in 1974 after he was arrested and charged with the murder of a prostitute (also a crime he claimed he didn’t commit). Schneider (Alessandro Nivola) ponied up cash and logistical assistance, including a fake film production, to help Newton escape.Holland and Alessandro Nivola, as Bert Schneider, in “The Big Cigar,” which is based on a true story.Brendan Adam-Zwelling/Apple TV+“Cigar” tells a wild tale with shootouts and chases and a couple of strange bedfellows: a Black revolutionary on the run and a well-coiffed Hollywood power player looking to bankroll him. Even as it takes some liberties with the facts, the series reflects the ties that existed between some counterculture entertainment figures and radical organizations of the ’60s and ’70s.“We didn’t see it as a story of Hollywood patting itself on the back,” Jim Hecht, the writer and an executive producer, said in a video interview. “There was a time when people actually did put their bodies on the line and do things for a cause that they believed in. They took personal risks to do things that were political.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    More stories

    • 150 Shares199 Views

      in Movies

      Don Cheadle, Lindsay Lohan and Other Stars Share Their Favorite Holiday Movies

      by

      Don Cheadle, Hong Chau, Leslie Odom Jr., Zoey Deutch and Lindsay Lohan explain what films they turn to at this time of year.How do actors entertain themselves when they gather with family and friends for the holidays? They watch movies, just like the rest of us. Here, a few of the stars from this season’s releases talk about the films that have become longstanding seasonal traditions, and the others they hope will one day.Hong ChauThis season the actress can be seen in “The Whale” and “The Menu.”Her favorite: “The Shop Around the Corner” (1940), Ernst Lubitsch’s romantic comedy with Jimmy Stewart and Margaret Sullavan as seemingly antagonistic clerks in a Budapest store.Why: It’s just got everything. It is set during Christmastime, even though it’s not a typical holiday movie. It’s a workplace comedy. It’s a romantic comedy. And even the supporting characters are all memorable, and the comedy is just timeless. I really love Pepi [William Tracy as a comically cocksure delivery boy], oddly. I like that he wins in the end, and he’s taking over for the Jimmy Stewart character, basically. If they ever do a sequel, he should be the main character. And the music is romantic and sweet, even that little song in the bit about the cigar box. I like being transported whenever I watch a movie. And getting to be in that shop full of wonderful little items, and having all of the signage in Hungarian, does that. I wish I could be in there and just get to examine and touch everything.My daughter is 23 months and I think it will be a good one for her. She actually watches a lot of older movies, like “Singin’ in the Rain” and the “That’s Entertainment” compilation. So she has seen a lot of Fred Astaire and Ginger Rogers and Gene Kelly and Debbie Reynolds.Don CheadleTerry Jones, left, Graham Chapman and Michael Palin in “Monty Python and the Holy Grail,” a favorite of the Cheadles.Sony PicturesThis season the actor can be seen in “White Noise.”His family’s favorites: “Monty Python and the Holy Grail” (1975), the medieval send-up directed by Terry Gilliam and Terry Jones, and “Dr. Strangelove” (1964), Stanley Kubrick’s Cold War satire starring Peter Sellers.Why: I don’t really have a “put us in the spirit of Christmas” movie. I mean, the low-hanging fruit is “It’s a Wonderful Life,” which is a great movie, and if it’s on, I’m going to watch it. But the ones that we would somehow always end up watching when my kids were home on Christmas break — they’re adults now and out of the house — are “Monty Python and the Holy Grail” and “Dr. Strangelove.” Neither are holiday movies, but they always seem to find their way onto our TV.Every character that Peter Sellers played in “Dr. Strangelove” was hilarious. The president, the captain, the Nazi doctor — they are all insane. And for “Monty Python,” it’s the whole cast. My kids know all the lines forwards and backwards, and we sometimes text each other out of the blue. “What makes you think she’s a witch?” “Well, she turned me into a newt!” “A newt?” “I got better.” They’re both just great movies, very funny in very different ways. And they’re dark, which fits my family’s brand of humor.Zoey DeutchTaylor Momsen and Jim Carrey in “How the Grinch Stole Christmas,” Zoey Deutch’s holiday go-to.Ron Batzdorff/Universal PicturesThis season the actress can be seen in “Something From Tiffany’s.”Her favorite: “How the Grinch Stole Christmas” (2000), Ron Howard’s live-action remake of the animated Dr. Seuss classic, starring Jim Carrey as the holiday killjoy.Why: “How the Grinch Stole Christmas” came out when I was 7. I remember watching it for the first time and not knowing who I was more jealous of, Jim Carrey or Taylor Momsen. I wanted to be both the Grinch and Cindy Lou Who at the same time. They were filled with humor and heart and everything in between. I loved everything about the world that was created and how it was executed. The story, the costumes, the music, the camera movements, the direction, the set design, the acting. I find myself going back to it every year and marveling at how original and fun and moving it is.Lindsay LohanThomas Sangster as a boy in love and Liam Neeson as his stepfather in “Love Actually,” a film Lindsay Lohan often returns to.Peter Mountain/Universal StudiosThis season the actress can be seen in “Falling for Christmas.”Her favorites: “Love Actually” (2003), Richard Curtis’s relationship comedy; “Miracle on 34th Street,” the 1994 remake (from director Les Mayfield) about a department-store Santa; and “Elf” (2003), the Jon Favreau-directed comedy with Will Ferrell as Santa’s helper.Why: I love the movie “Love Actually.” It’s just really heartwarming. That scene when Hugh Grant dances [through 10 Downing Street] is hysterical. And Liam Neeson’s story line with his son, where he runs through the airport as his crush is leaving on a plane, always gets me crying.And then “Miracle on 34th Street.” When I was really young, I remember I watched it at my Grandma Sullivan’s house with her and I was sitting on the floor. I remember this actually very well. It just made me want to be in Christmas in New York City and the whole meeting Santa thing.Especially during the holidays, I always like to reminisce, and whenever I’m with family, we go to “Elf” at some point. That’s why it was special to do “Falling for Christmas.” My sister got to play a little role and she did a song. I was lucky to have my husband come to the set, and it’s the first time he’d seen me acting. It was very sentimental. I’ve never done a Christmas movie, so this is a special feeling because it’s something that I’ll be able to show our kids.Leslie Odom Jr.Macaulay Culkin in “Home Alone,” which Leslie Odom Jr. has watched since he was a child.20th Century FoxThis season the actor can be seen in “Glass Onion: A Knives Out Mystery.”His favorite: “Home Alone” (1990), the Chris Columbus comedy with Macaulay Culkin as Kevin, left behind by his family.Why: I was 9 or 10 when I first saw it — the same age as Kevin — and he was the perfect avatar for every boy who wanted to be as clever as he was when he took down the bad guys. And who maybe wanted to escape from their parents for even a day. The movie has all the traditional trappings of the season: snow and fire, wreaths hung on the door, pizza night, late-night packing for early flights the next morning. It’s a record of all we love about the holidays. All that stresses us out about the holidays. It’s portrayed with honesty and real charm and so ends up being a classic story that stands the test of time. And the score, by John Williams, is so signature. It has just as much to do with the overall effect of that film as the great performances and the great set pieces and gags.My kids are 5 and 1½, and they’re a little too young to understand it. But one day, I hope we’ll watch it together. And I’ll tell you: When they spend the night with their grandparents, my wife and I have our own fun home alone. It’s good for the parents, too.Now I’m working on my own Christmas movie: “The Exorcist.” More

    • 113 Shares189 Views

      in Movies

      ‘No Sudden Move’ Review: Don’t Forget the Motor City

      by

      Don Cheadle and Benicio Del Toro star in Steven Soderbergh’s new film, a Detroit-set period thriller with a lot on its mind.On an ordinary Monday morning in Detroit, three masked man show up at a handsome brick house on a tree-lined street. Once inside, two of them hold a mother and her children at gunpoint while their colleague accompanies the man of the house, a midlevel accountant at General Motors, on an urgent errand. It’s the mid-1950s, which means the cars are big and curvy, the men mostly wear hats and neckties, and the women are mostly wives, secretaries or mistresses.Nobody involved — not the intruders or their victims — knows entirely what’s going on. The viewer of “No Sudden Move,” whose comparatively pleasant task is to connect a whole lot of intricately arranged dots, is in good company. The guys who stay behind in the house, Curt (Don Cheadle) and Ronald (Benicio Del Toro), have been hired by an impatient fellow named Mr. Jones (Brendan Fraser) for the supposedly simple job of armed babysitting. Before the morning is over, they learn that other, more elaborate agendas are involved: the petty grudges of organized crime bosses; the voracious ambitions of the automobile industry; the imperatives of American postwar power and prosperity.And also, hovering over all of it, the preoccupations of the director, Steven Soderbergh. In the current phase of his dizzyingly protean career, Soderbergh is both an intrepid genre filmmaker and an impassioned practitioner of the cinema of ideas. “No Sudden Move,” from a script by Ed Solomon (who wrote all three “Bill & Ted” movies), is for the most part a tight and twisty against-the-clock crime caper with an obvious debt to Elmore Leonard (and a family resemblance to Soderbergh’s great Detroit-set thriller “Out of Sight”). It also has things to say — at times a little too speechily — about race, real estate, capitalism and power.Those things are interesting, but maybe not as interesting as the people who say them. The story is about the sometimes lethal pursuit of cash and information, but the film’s single greatest asset is its cast. Curt and Ronald, small-timers who are skilled and smart but also out of their depth, are the focus of the action, which means that you spend a lot of time with Cheadle and Del Toro as they act out a high-stress — and yet low-key — buddy comedy.Ronald, a bit of a drinker and a bit of a racist, moves through the world as if dancing to a sad melody that only he can here. Curt, just out of prison with sorrows of his own, has the quick wit and jumpy intensity of a survivor. Each has fallen afoul of a local crime boss, which is bad for them but lucky for us, since the big shots are played by Ray Liotta and Bill Duke.There’s more, notably David Harbour as the pathetic G.M. accountant and Amy Seimetz as his seething wife. An entire melodrama of marital malaise and sexual secrecy is folded into their scenes, even as “No Sudden Move” suggests a Coen brothers movie with a sincere social conscience in place of the ambient cynicism. Most of the characters are semi-competent players in a game that is rigged against them, and you hope that at least some of them will play their bad hands well enough to break even.The movie itself is nearly flawless in its professionalism, which is both a virtue and a limitation. The costumes (by Marci Rodgers) and production design (by Hannah Beachler) create a museum-quality panorama of the Motor City in its glory years, even as the script points out some of the cracks in the burnished surfaces. The precision and grace of the actors I’ve already named extend all the way through the ensemble — through Jon Hamm (as a skeptical lawman), Frankie Shaw (as a G.M. secretary with skin in the game), Julia Fox (as Ronald’s paramour) — to at least one potential surprise I don’t need to spoil.In keeping with the automotive themes, everything runs like a well-oiled machine, which is also to say that a crucial, hard-to-define element — of soul, of spontaneity, of messiness or inspiration — is missing. The object that sets the plot in motion is a set of highly coveted blueprints, which at one point needs to be torn in half. The schematic for “No Sudden Move” remains perfectly intact, and the thing itself works pretty much according to the specifications. A consumer-rating agency would give it high marks for safety and efficiency, but it never leaves the showroom.No Sudden MoveRated R. Bloodshed and salty talk. Running time: 1 hour 55 minutes. Watch on HBO Max. More