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    10 Unforgettable Songs From 1999 Movies

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    Listen to tracks by the Chicks, Aimee Mann, Blink-182 and more linked to moments in a monumentally interesting — and busy — year of cinema.Julia Roberts offering a hint of what happens in “Runaway Bride.”Paramount PicturesDear listeners,For the past few weeks, my colleagues in The Times’s movies section have been running a highly entertaining series called “Class of 1999,” celebrating the 25th anniversary of a monumentally interesting — and busy — year of cinema.At the box office, the final year of the millennium truly had it all: era-defining horror (“The Sixth Sense,” “The Blair Witch Project”), boundary-pushing comedy (“Being John Malkovich,” “Election”), enduring art-house favorites (“Eyes Wide Shut,” “Magnolia”) and fodder for future dorm-room posters (“Fight Club,” “The Matrix”). It was, as Wesley Morris puts it in a delightful new essay summing up what some have called the “Best. Movie. Year. Ever.,” a time of “range, volume, abundance, deluge.” It was the year of both “The Phantom Menace” and “The Spy Who Shagged Me.” Of Americans “Pie” and “Beauty.” But, most importantly for our purposes, it had a killer soundtrack.Today’s playlist is a sonic tribute to the movies of 1999, culled entirely from soundtracks released that year. It’s got some names you’ll still recognize (Madonna, Blink-182, the Chicks) and some (Imperial Teen, Harvey Danger) that remain time-stamped in the late ’90s.I wanted to limit myself to songs released in 1999, which means that a few of the year’s most memorable musical moments (the Pixies song forever linked with the end of “Fight Club,” the Eurodance anthem that plays during the startling conclusion of Claire Denis’s masterpiece “Beau Travail”) must go unmentioned, except for the mentioning I just did there. I’ve also omitted a few of the most obvious and overplayed choices: I do not think I need to remind you of Sixpence None the Richer’s swoony “She’s All That” theme “Kiss Me,” or of that end-of-the-Willennium indulgence “Wild Wild West.”Still, I hope this playlist makes you feel like Austin Powers in reverse, aurally transported back to the brink of Y2K. Naturally, it’s oozing with nostalgia, but I think you may actually be surprised at how many of these tracks still hold up 25 years later.Also! Since we already determined last week what the song(s) of the summer are, I want to hear what your personal song of the summer was. Maybe it was an old song that you discovered (or rediscovered), or a newer song that provided the perfect soundtrack to your season. Here is a submission form where you can share your pick with me. We may use your response in an upcoming edition of The Amplifier.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      My Starting Five Songs From Boston and Dallas

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      Catch the N.B.A. Finals spirit with Erykah Badu, Pixies, Kelly Clarkson and more.Erykah Badu, repping for DallasErik Carter for The New York TimesDear listeners,Last night marked the start of the 2023-2024 N.B.A. Finals, a best-of-seven matchup between the Boston Celtics and the Dallas Mavericks. As a long-suffering and perpetually annoying fan of the Philadelphia 76ers, I do not really have a horse in this race*, but I also have an excess of energy I would normally reserve for rooting for one of these two teams. I have decided to put that energy to productive use by making a playlist of music by artists from both Boston and Dallas.Consider these musicians my starting five from each city. Both Boston and Dallas have rich and varied musical histories, as you’ll hear in this playlist’s blend of rock, pop, country, R&B, blues and hip-hop. It features bona fide superstars (the Texan Kelly Clarkson; the Dorchesterite Donna Summer) and influential legends (Dallas’s own Stevie Ray Vaughan; the Beantown art-rockers the Pixies). Sure, there are some omissions, but these are just my personal starting fives — and given how many times the ABC broadcast played “Sweet Emotion” when throwing to commercial last night, you’ve probably already hit your Aerosmith quota for the week.Game 1 was quite anticlimactic, with Boston blowing out Dallas 107-89, so hopefully the human Golden Retriever that is Luka Dončić will be able to galvanize his Mavericks into giving us a more competitive series. And if not, well, there’s always this playlist.She knows the highest stakes,Lindsay*Beyond an inborn and semi-irrational distaste for all Boston sports teams, of course.Listen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Timeline of Toby Keith’s Biggest Songs and Career Moments

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      The singer-songwriter was known for anthems, and political stances, that alternated between confrontation and big-tent populism.Toby Keith first drew recognition beyond country music as the artist behind the divisive post-9/11 rallying cry “Courtesy of the Red, White and Blue (The Angry American).” But the singer-songwriter, who died Monday at the age of 62 after a battle with stomach cancer, appeared to view himself as a unifying force. “As far extreme as I seem,” he said in 2003, “I’m probably catching the average Joe in the middle better than anybody.”Keith topped the country chart 20 times with a catalog of sturdily built anthems including those that romanticized the cowboy’s life and traded on the big-tent appeal of a favorite bar and the charms of drinking beer out of a “Red Solo Cup.” His robust voice was just as adept at conveying rueful heartache as it was at carrying riled-up swagger, and his surprisingly shaded political stances showed a similar range and savvy. Here’s a look back at some of his biggest hits and most prominent moments during a three-decade career.1993‘Should’ve Been a Cowboy’Keith topped the U.S. country chart with his debut single, in which he longed for a life spent “wearing my six-shooter, riding my pony on a cattle drive,” and tipped his Stetson hat to legendary screen cowboys like Roy Rogers, Gene Autry and U.S. Marshal Matt Dillon of “Gunsmoke.” But the song was hardly the first rodeo for Keith, who had spent years playing the honky-tonk circuit in and around his native Oklahoma after high school. The 6-foot-4 musician also worked at an oil field — an experience that, he later reflected, “made a man out of me” — and played semipro football. He would come to view his winding path to success as a blessing.“If I’d come out of the box with my first No. 1 hit at 21, instead of when I was 29, I probably wouldn’t have appreciated it because I wasn’t mature enough then,” he said in 2012. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Former Dixie Chicks Member Laura Lynch Dies

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      Lynch, who was dismissed from the band in 1995, died in a car crash in Texas on Friday, the authorities said.Laura Lynch, a founding member of the country music group the Dixie Chicks, died in a car crash on Friday, according to the authorities. She was 65.The death and Lynch’s identity were confirmed by Nikol Endres, a justice of the peace in the area.Lynch, of Fort Worth, was driving east on Route 62 near Cornudas, Texas, about 70 miles east of El Paso, when a pickup truck that had been heading west crossed into her lane and struck her pickup truck head on, the Texas Department of Public Safety said. She was pronounced dead at the scene.After being raised on her grandfather’s ranch in Texas, Lynch, a bassist, founded the Dixie Chicks, now known as the Chicks, in Dallas in 1988 with Robin Lynn Macy, and sisters Emily Strayer and Martie Maguire.The original lineup only had two albums together: the debut “Thank Heavens for Dale Evans” in 1990 and “Little Ol’ Cowgirl” in 1992.In an interview with National Public Radio that aired in 1992, Lynch referred to the band’s music as “cowgirl music.”“Our brand of cowgirl music is a mixture of old-time country music, bluegrass music, acoustic,” she said. “We all sing three-part and four-part harmony. We throw in some instrumentals, some country swing. That’s our brand of cowgirl music.”Macy left the band in 1992. The next year, the remaining trio released “Shouldn’t A Told You That,” and began to experience moderate success. In 1993, the band played at an inaugural ball for President Bill Clinton.But in 1995, Lynch was dismissed from the group and replaced by Natalie Maines.“We were facing going on our seventh year, we were starting to re-evaluate things,” Maguire told The Fort Worth Star-Telegram in 1996. “We were making a future decision.”Added Maguire: “What do we want to do in the future, where do we want to be in five years? I don’t think Laura really saw herself on the road five years from now.”On social media, the Chicks called Lynch a “bright light” whose “infectious energy and humor gave a spark to the early days of our band.”“Laura had a gift for design, a love of all things Texas and was instrumental in the early success of the band,” the Chicks said. “Her undeniable talents helped propel us beyond busking on street corners to stages all across Texas and the mid-West.”Information about survivors was not immediately available.After leaving the Dixie Chicks, Lynch went on to become a public relations officer with the University of Texas Southwestern Medical Center in Dallas, according to The Star-Telegram.Lynch told The Associated Press in 2003 that she took up oil painting and spent much of her time raising her daughter.“It was worth it,” Lynch said of her time in the band. “I’d get anemic all over again to do it.” More