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    Janice Burgess, Nickelodeon Executive and ‘Backyardigans’ Creator, Dies at 72

    Ms. Burgess oversaw the production of “Blue’s Clues” and drew on her own childhood for “The Backyardigans,” in which five cartoon animals imagine their yard as a place of otherworldly adventure.Janice Burgess, a longtime Nickelodeon television executive who sought to promote children’s curiosity and sense of play for decades, overseeing popular shows like “Blue’s Clues” and “Little Bill” and creating her own musical children’s show, “The Backyardigans,” died on Saturday in hospice care in Manhattan. She was 72.Her death was confirmed by Brown Johnson, a longtime friend and the creator of Nick Jr., who said the cause was breast cancer.In “The Backyardigans,” five cartoon animals — Tyrone, Tasha, Pablo, Austin and Uniqua — imagine their backyard as a place of adventure, traversing deserts, oceans, jungles, rivers and outer space while dancing and singing to music.With the series, Ms. Burgess hoped to help children use their imaginations to have fun. In 2004, Ms. Burgess said in an interview with The New York Times that the idea for the show stemmed from memories of playing in her own childhood backyard in Pittsburgh.“I really remember it as a wonderful, happy, safe place,” she said. “You could have these great adventures just romping around. From there, you could go anywhere or do anything.”Ms. Burgess drew on her own experience playing in her childhood backyard in Pittsburgh to create “The Backyardigans.” “I really remember it as a wonderful, happy, safe place,” she said.Nick Jr.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    2024 New York International Children’s Film Festival Preview

    A range of films, many of them animated, some hilarious, some serious, bubble up at this year’s festival in New York, where kids can vote for awards.One of the cinematic highlights of the 2024 New York International Children’s Film Festival could be described, at least partly, as a wild-goose chase. Or, more precisely, a domestic-hen chase.That animated feature, “Chicken for Linda!,” follows a guilt-stricken single mother trying to buy the main ingredient of her daughter’s favorite dish. But since grocers are on strike in their French city, the desperate mother steals a live hen. The bird flees from her car’s trunk to a watermelon truck to the space behind an armoire, with adults and children, including the high-spirited young daughter, Linda, in hot pursuit.A simple farce? Not exactly. The film, by Chiara Malta and Sébastien Laudenbach, also includes time shifts, a singing ghost, an exploration of memory and multiple references to death — that of Louis XVI and Linda’s beloved father, as well as the chicken’s potential demise. Done in loose, almost abstract animation, the movie, which is billed as the festival’s “centerpiece spotlight,” is about as far as an audience can get from typical commercial children’s fare.It is also exactly the kind of unusual work to expect at the festival, which begins on Saturday and continues on weekends through March 17 with a slate of 18 feature presentations and more than 70 short films. About three-quarters of those titles are animated.“I think when you see live action, you’re very enraptured with someone else’s story,” Maria-Christina Villaseñor, the festival’s programming director, said in an interview. But with animation, she added, “you’re very excited also about your own, because I think you’re paying attention to the medium, you’re paying attention to the way that artists are using different techniques and different storytelling approaches. That really forefronts the idea of creativity and possibility.”Villaseñor and Nina Guralnick, the festival’s executive director, did not set out to focus on animation this year, but found that those films were often the most interesting. Ever since the festival’s founding in 1997, it has shown its audience — cinemagoers as young as 3 and as old as 18 — work that they’re unlikely to see anywhere else, including features that have previously been shown almost exclusively at festivals for adults.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Abbott Elementary’ Teaches Reading, Writing and Roll Camera

    Each season of the ABC sitcom employs about 150 children. Its core curriculum: schooling Hollywood in what a show with child actors can be.Willis Kwakye has attended the same school since 2021. He’s 13 now, an eighth grader, a veteran, someone who knows his way around the classrooms and the cafeteria. And sometimes, when he’s in his uniform with a math worksheet in front of him, “I can even think it’s real school for a little bit,” he said.His classmate Arianna White, also 13, knew just what he meant. “It feels a lot like school, except we’re just filming and there’s a lot of cuts,” she said.Kwakye and White were speaking, via video call, from a classroom on the set of “Abbott Elementary.” (They were in one of the real classrooms, where child actors complete their mandated three hours of instruction per work day.) The Emmy-winning ABC sitcom mockumentary has recently matriculated for a third season and already been renewed for a fourth. Set in a fictional K-8 school in Philadelphia — though actually filmed in Los Angeles — it requires the presence of about 150 school-age children each season.In any given episode, those kids can be seen raising their hands in class, scurrying past each other in the hallways, giggling at their teachers’ antics. But “Abbott Elementary” diverges from most scripted series involving children in two significant ways: The show uses its child actors sparingly, giving them a handful of lines per episode and only requiring their presence one or two days each week. And for the most part, it lets them be kids.“Having kids just be themselves actually looks really good in our world,” Quinta Brunson, the series creator and star, said in a recent phone interview.Willis Kwakye, center, in an episode of “Abbott Elementary.” Tyler James Williams, a star of the show, said, “Part of being a child actor comes with a certain amount of trauma,” and “Abbott” aims to avoid that.Gilles Mingasson/ABCWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Super Bowl Broadcaster With Slime and Swagger

    Nate Burleson spent 11 seasons playing in the N.F.L. He now balances several TV assignments, and will announce the Super Bowl with SpongeBob SquarePants.Nate Burleson, far removed from the 11 seasons he spent toiling in the National Football League, pulled up his shirt to wipe sweat from his forehead during a well-deserved break.Burleson was in a buzzing laboratory with green slime-filled industrial containers, recording Nickelodeon’s “NFL Slimetime” days after explaining the challenge of overcoming turnovers on “The NFL Today,” the CBS football show that was in Baltimore for the A.F.C. Championship Game. Hours before the Nickelodeon taping, he had provided updates about the widening conflict in the Middle East on “CBS Mornings,” the network’s flagship morning newscast.After a productive but unglamorous football career, Burleson, 42, has found high-profile success in the television industry. Now he faces a daunting schedule this week in Las Vegas, where the Kansas City Chiefs and San Francisco 49ers will face off in the Super Bowl.Burleson is setting 1:30 a.m. alarms to anchor “CBS Mornings” from the Las Vegas Strip throughout the week. And on Sunday, he will announce Nickelodeon’s first alternate Super Bowl telecast for children, changing into a suit and racing down Allegiant Stadium’s elevator with help from security to join his “NFL Today” colleagues for halftime analysis.“I never played in a Super Bowl, so I feel like this is my Super Bowl,” Burleson said.Tony Dokoupil, left, Gayle King and Burleson on “CBS Mornings.” Burleson impressed producers with the energy he brought to segments while guest hosting.Mary Kouw/CBSNickelodeon’s alternate telecasts are an attempt to attract younger viewers by infusing N.F.L. games with augmented-reality animations on the field — yes, there will be plenty of virtual slime — and incorporating popular cartoon characters. Burleson will call the Super Bowl with the voice actors for SpongeBob SquarePants and Patrick Star. (Jim Nantz and Tony Romo are announcing the traditional broadcast on CBS.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How a Culture Editor Covers the Kids’ Entertainment Beat

    Laurel Graeber, who has covered kids’ entertainment at The Times for nearly three decades, shared her favorite stories and interviews from the beat.Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together.Laurel Graeber grew up loving the theater and museums. But she never thought she would write about them for The New York Times — or that she would do so for nearly three decades.“I was an editor, but I always wanted to write,” said Ms. Graeber, who helped lead the Culture desk’s copy department for more than 10 years before she retired from full-time work in 2017. “And when the freelance assignment of writing our weekend kids’ entertainment column became open, I said yes.”She has written regularly about culture for young people for nearly three decades, spotlighting the best activities that parents or caregivers can do with children each weekend in New York City. She also writes features on new television shows, movies, museum exhibitions and podcasts for kids.“What I find most enjoyable is stuff for adults that’s also good for kids, but not necessarily geared toward them,” Ms. Graeber said in a recent interview.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    5 Children’s Movies to Stream Now

    This month’s picks embrace the holiday season, including an installment of the “Diary of a Wimpy Kid” franchise and a remake of “The Velveteen Rabbit.”‘Diary of a Wimpy Kid Christmas: Cabin Fever’Watch it on Disney+.The latest release in Jeff Kinney’s mega-successful “Diary of a Wimpy Kid” franchise of books, movies and merchandise (Tote bags! Board games! Stress balls!) is this animated holiday tale in which a middle schooler, Greg Heffley (voiced by Wesley Kimmel from “The Mandalorian”), gets trapped in his house with his family when a blizzard blows into town. Just before he got snowed in, Greg and his BFF, Rowley (Spencer Howell), accidentally damaged a snowplow after sending a giant snowball rolling down a hill. Greg and Rowley flee the scene, and Greg spends his time cooped up worrying that he’ll be caught by the authorities and won’t get the video game he covets for Christmas. Luke Cormican (“Teen Titans Go!”) directed this animated film, and Kinney wrote the screenplay. There’s enough humor, tension and relatable family dynamics to keep both longtime “Wimpy Kid” fans and little ones who are new to the series entertained.‘Merry Little Batman’Watch it on Amazon Prime.The director Mike Roth (“Regular Show”) brings a slight punk rock aesthetic to this animated tale of a young Damian Wayne (voiced by Yonas Kibreab), the 8-year-old son of Batman and Talia al Ghul, who longs to become a superhero like his father. In this iteration of the DC legend, Batman/Bruce Wayne (Luke Wilson) is a bearded, flannel-wearing, overprotective hipster dad who rid Gotham of all crime before his son was born. When Batman gets a mysterious call about an emergency on Christmas Eve, his trusty aide, Alfred (James Cromwell), helps him suit up, and little Damian is all alone at home (yes, there are plenty of nods to “Home Alone”). Soon it’s time for Damian to stop goofing around, so he puts on his golden utility belt and goes out to fight crime like his father taught him to. He meets villains like the Joker (David Hornsby) and Bane (Chris Sullivan), and learns that, as his dad tells him, being a superhero takes “focus, responsibility and sacrifice.” The rollicking energy and comedy make this film, produced by Warner Bros. Animation, a superhero holiday movie that kids — and their bearded hipster parents — should have fun watching.‘Dashing Through the Snow’Watch it on Disney+.This one may not go down in history as a holiday classic, but it has enough over-the-top goofiness to entertain school-age kids while you bake a pie or do some work over the winter break. Eddie Garrick (Chris Bridges, known as Ludacris) is a Scrooge of a dad. He can’t stand carolers, and he’d much rather celebrate Juneteenth or Arbor Day than Christmas, a.k.a. “the chicken wing of holidays.” Eddie is a social worker in Atlanta whose family was burgled by a mall Santa when he was a kid — hence his hatred for the holiday. He’s now reluctantly separated from his wife, Allison (Teyonah Parris, “The Marvels” and “Candyman”), so he’s spending Christmas Eve with his adorable daughter, Charlotte (Madison Skye Validum), who just loves Santa. This being a pretty silly, predictable tale, you will not be on pins and needles waiting to see if Garrick comes to embrace the holiday spirit, but Bridges is compelling enough to hold your attention. The comedian Lil Rel Howery is Nick/Santa, a character who may be another burglar or derelict but who also may be the real St. Nick. Oscar Nuñez plays a villainous politician, and Mary Lynn Rajskub, Marcus Lewis and Ravi Patel are his goons. Tim Story (“Barbershop,” “Think Like a Man”) directs this film from a script by Scott Rosenberg (“Venom”).‘The Velveteen Rabbit’Watch it on AppleTV+.This special, which combines live action and animation, brings Margery Williams’s classic 1922 story to a new generation. A shy, lonely boy named William (Phoenix Laroche) becomes even more timid when his family moves to a new town where he knows no one. William gets a stuffed Velveteen Rabbit for Christmas, and the two become fast friends. One night when William goes to sleep, the rabbit (voiced by Alex Lawther, “Andor”) comes alive and meets the other toys in the playroom, including Wise Horse, voiced by the Oscar-nominated actress Helena Bonham Carter. William’s real world is live action; the rabbit’s is stop-motion animation. When William and the rabbit interact, it’s an illustrated realm that brings their worlds together. Long before “Toy Story,” Williams’s tale depicted the deep bond between children and their most cherished toys, revealing truths about friendship and love. It’s all very sweet and a bit earnest, which means it’s perfect holiday-season viewing. Tom Bidwell (“My Mad Fat Diary”) wrote the script, and Jennifer Perrott and Rick Thiele directed.‘A Christmas Mystery’Watch it on Max.The small, fictional town of Pleasant Bay, Ore., is scandalized when Santa’s magical golden sleigh bells — the community’s prized possession — go missing. A young boy found the bells a century before, and ever since, they have been on display in the local museum. The citizens believe that the bells bring peace and luck to the town. Because George (Drew Powell) has a history of theft and is a janitor at the museum, he is accused of stealing the town treasure. He has a son, Kenny (Santino Barnard), whose best friend, Violet (Violet McGraw, “M3gan”), recruits friends to help her find the actual thief and get George home for Christmas; after all, it was her father (Eddie Cibrian), the town sheriff, who arrested George. There’s a “Goonies” vibe happening, with the kids on a quest to solve a mystery since the adults don’t have a clue. If George isn’t the culprit, maybe it’s the museum director, Mr. Martin (Oscar Nuñez from “Dashing Through the Snow”) or the shifty Mayor Donovan (Beau Bridges). The story, writing and performances are a bit hokey, but that shouldn’t stop youngsters from rooting for Violet and her friends to save the day. More

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    LeVar Burton’s New ‘Sound Detectives’ Podcast Urges Children to Listen

    The actor is engaging young audiences again with “Sound Detectives,” a comic mystery podcast that teaches the art of listening.LeVar Burton has spent much of his career encouraging children to read. Now he is urging them to listen — really listen.They can develop that skill, along with an ear for mysteries, in “Sound Detectives,” a new podcast for audiences of elementary-school age that is part whodunit, part science exploration and part comic adventure. Co-produced by SiriusXM’s Stitcher Studios and LeVar Burton Entertainment, “Sound Detectives” features Burton as a fictionalized version of himself, an inventor with the same name.“In a certain sense, ‘LeVar Burton’ has reached iconic status,” Burton said in a phone conversation. “And it’s fun for me to lean into that.” He added, “It’s also an opportunity for me to introduce ‘LeVar’ to another generation.”Many adults recognize Burton as the actor who played Kunta Kinte in “Roots” and Geordi La Forge on “Star Trek: The Next Generation.” More recently, fans pushed for him to be named the host of “Jeopardy!,” a role for which he very publicly campaigned. But to large numbers of today’s parents, he is most familiar from their own childhoods as the host of the Emmy-winning public television series “Reading Rainbow,” which explored books for young readers from 1983 to 2006.“LeVar Burton Reads,” his literary podcast for adults, has been downloaded more than 54 million times, according to SiriusXM.Ariel Fisher for The New York TimesThe LeVar Burton of the 10-part “Sound Detectives,” which debuted on Wednesday — SiriusXM will release a new episode every week thereafter — is an audiophile planning to open a magnificent institution, the Museum of Sound. But he discovers that sounds are becoming separated from their sources and going missing.To resolve the crisis, he hires a Philip Marlowe-style sleuth, Detective Hunch, and sends him an assistant in the form of one of his own inventions: Audie, a 3-foot-5-inch-tall walking, talking ear. In each episode, Hunch and Audie must analyze an errant sound, identify it and return it to its origins, while also trying to unmask the Sound Swindler, the human culprit who is causing the disappearances.“Sound Detectives” is the real LeVar Burton’s first podcast for children, but he stressed that he did not see it as a long-awaited return to young people’s entertainment. “I don’t feel like I’ve ever left it,” he said. Burton, 66, who has remained active in children’s literacy through founding Skybrary, a digital library of e-books and videos, said he had not ruled out a young listener’s version of “LeVar Burton Reads,” his SiriusXM literary podcast. (According to the company, it has been downloaded more than 54 million times since its premiere six years ago.)But what appealed to him about “Sound Detectives” was that he did not have the burden of being the podcast’s sole maker or its star. The independent producers Joanna Sokolowski and Julia Smith (Smith is also the producer of “LeVar Burton Reads”) created the podcast and developed it with Burton before pitching it to Sirius XM. “Sound Detectives” focuses more on the private eye — and the accompanying ear — than on the famous voice that gives them their missions.To large numbers of today’s parents, Burton is most familiar as the host of the public television series “Reading Rainbow,” which explored books for young readers from 1983 to 2006.PBSBurton also admired the plan for each episode’s end: Once the missing sound is returned, young listeners hear an on-location interview with real experts who deal with it in their work.The podcast “appeals to the innate curiosity in a child about the world around them,” Burton said, and “it introduces them to parts of the world that they might not have yet been exposed to. And those are the key precepts that were the drivers to ‘Reading Rainbow.’”“Sound Detectives” visits places like Yellowstone National Park, the NASA Jet Propulsion Laboratory and the streets of Bangalore (now Bengaluru), India. When creating the missing-sound mystery for each half-hour episode, Smith and Sokolowski said in a video interview that they sometimes started with a site they found intriguing, and at other times with a sound. The sounds they chose can be challenging to identify; one example was recorded on Mars.“We hadn’t heard of another show that was dealing exclusively with sound as, like, the main narrative driver for a podcast,” Sokolowski said. “And it just seemed like a wonderful way to not only engage kids in the format, but also in the method and delivery and style and every aspect of the show.”Although the podcast industry is undergoing retrenchment, “Sound Detectives” is entering a children’s market that seems nowhere near saturation, said Megan Lazovick, a vice president at Edison Research, an analytics company in Somerville, N.J.Edison’s first national study of the children’s market (conducted recently with the advocacy organization Kids Listen) found that 29 percent of children ages 6 to 12 had listened to a podcast the previous month. That figure rose to 42 percent if their parents had also listened to one.Lazovick predicted that Burton’s association with “Sound Detectives” would be a big draw for parents. She mentioned how the new “Disney Frozen: Forces of Nature” podcast capitalized on the popularity of the “Frozen” film and its offshoots. “In the kids’ space, bringing in brands that are already trusted is sort of a no-brainer,” she said.Adam Sachs, SiriusXM’s senior vice president for entertainment, comedy and podcast programming, said that Burton was also a “huge factor” in the company’s commitment to the project.“Not only is he just a great podcast talent to work with, and we have a great track record with him,” Sachs said, “but he also has so much experience working in the kids’ content space that this sort of felt like the perfect opportunity for us to dip our toe in.” (SiriusXM declined to disclose the budget for “Sound Detectives.”)The podcast “appeals to the innate curiosity in a child about the world around them,” Burton said.Ariel Fisher for The New York TimesSokolowski, who has a background in documentaries (among them, the films “Ovarian Psycos” and “Very Semi-Serious”), and Smith, who has experience in comedy (including the podcasts “Judge John Hodgman” and “Bubble”), are both parents who wanted “Sound Detectives” to be as layered as possible. In addition to investigating physics and acoustics, the podcast includes information on auditory biology (even most adults probably aren’t aware that the ears influence taste) and one episode that examines how deaf people experience sound as vibration.The two women, who wrote the scripts with Isabelle Redman Dolce, also decided that the dialogue would be partly improvised.“I like the energy that it brings, and the ideas that will sort of come forth that would probably never emerge in any other way,” Smith said. They sought actors with improv experience, and Vinny Thomas, who voices Detective Hunch, proved to be an authority on animal characteristics (like the fact that whale sharks lead solitary lives).“Hunch is kind of like an eccentric uncle,” Thomas said, “and what eccentric uncle isn’t a know-it-all?”Jessica McKenna, who portrays the ever-curious Audie, improvised song interludes as well as lines, using her skills to collaborate with the composer Adam Deibert on the jazzy “Sound Detectives” theme. “It’s a really goofy niche I’ve carved out for myself,” she said.In addition to being an ear, Audie personifies a child who is maybe “solving the case before the adult,” Sokolowski said.The creators of “Sound Detectives,” who have built a podcast website with related sleuthing activities, intend young listeners to become just as engaged as Audie in the season-long investigation.“One of the attractive exercises that we’re engaging in here is getting kids to listen critically to the world, right?” Burton said. “To use their powers of discernment, which is one of my favorite words.” More

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    From ‘The Exorcist’ to ‘Bambi,’ These Movies Messed Us Up as Kids

    Our first horror movie is often a memory imprinted on our brain and, for some of us, our heart.How young is too young to watch a scary movie?With Halloween approaching, we asked you, the reader, to share your experiences of this rite of passage. Nearly 1,000 people responded with indelible memories; for some, watching a scary movie at a young age inspired a lifelong love of horror movies.Among those we heard from, the most common ages to be exposed to a hair-raising movie seemed to be from 7 to 10, peaking at age 8. But many were also freaked out as teenagers and even as adults.You watched them at the local movie theater; on a black-and-white television; at your neighbor’s house when your parents thought you were being closely supervised; with an older sibling who let you tag along; or with a grandparent who thought the PG-rated “Poltergeist” was a great choice for movie night.“The Exorcist,” William Friedkin’s horror masterpiece that turns 50 this year, was mentioned most frequently as your first scary movie, followed by “The Wizard of Oz,” “The Birds” and “Psycho.” But even Disney’s 1942 animated film “Bambi” traumatized many.You also had us looking up lesser-known, eerie cinematic moments: the “wheelers” in “Return to Oz” (1985); the creepy hearse driver’s smile in “Burnt Offerings” (1976); the haunted organ music in “The Ghost and Mr. Chicken” (1966); and Large Marge’s jolting transformation in “Pee-wee’s Big Adventure” (1985). We also appreciated the crisp, black-and-white splendor of Gort the robot in “The Day The Earth Stood Still” (1951) and the unexpectedly heart-wrenching ending to the Japanese Kaiju movie “Rodan” (1956).Here are some of our favorite responses.‘The Exorcist’ Still Haunts You”The Exorcist” was mentioned most frequently as your first scary movie.Warner Bros.“My parents were watching it, and it was back when TV only had like five or six stations over the airwaves. This was in a cabin in rural Michigan on a B&W set. I remember my parents telling me it was better to watch it to the end and see the resolution. Later that night, my father got food poisoning and was throwing up a lot. After watching that movie, I thought he was possessed.”— Bill Lester of Long Beach, Calif., on seeing the film at age 7.“My parents did not know and would not have approved. I am now 53 years old so we did not even own a VCR. A babysitter brought one over for the weekend, and we watched not only ‘The Exorcist’ but also ‘Deliverance’ (was our babysitter Hannibal Lecter?).”— Jeff Knops of Seattle, on seeing the film at age 9.“I was so frightened that I pulled the hood of my jacket over my head so that I didn’t have to watch it. It didn’t work. The sounds of the movie scared me just as much. I couldn’t sleep for months. Later I snuck into it a second time in order to overcome my fear. It was equally traumatic.”— Jay Frisch of New York, who sneaked into a theater to watch it at age 13.“My mother’s boyfriend would take me and my 5-year-old sister to horror movies. This was in the ’70s, when you could take kids to terrible movies at second-run theaters, apparently. He told us we were going to see “Benji,” the dog movie. This was not recognized as abuse back then. Many things were not. My sister still has nightmares about it — she’s 51 now.”— Jodi Peterson of Central Illinois, Ill., on seeing the film at age 8.Sketchy SupervisionDon’t let the Blob touch you!Paramount Pictures“One girl of 14 who had been tasked with watching me for the day suggested we all watch ‘The Ring.’ She called my mom to ask for permission, but my mom had misunderstood and thought I’d be watching ‘Lord of the Rings.’”— Holly of Arlington, Mass., on seeing “The Ring” at age 9.“My parents had absolutely forbidden me to watch this movie. Uncharacteristically, they forgot to tell the babysitter. In my memory, I barely slept a wink. I could not go to my parents for comfort, because they had forbidden me to watch the film. I could not go to my sister for comfort because she would certainly inform my parents. So there I lay, rigid, hypervigilant and terrified.”— Tess Tyson of Gig Harbor, Wash., on seeing “The Birds” at age 6.“My mother was out and my 10-year-old cousin was watching me. ‘The Blob’ was on the Friday Night Frights. He made the judgment call I could watch it with him, rather than risk missing any of it by putting me to bed.”— Eric Gansworth of Tuscarora Nation Indian Territory, Tuscarora, N.Y., on seeing “The Blob” at age 5.“I was spending the night with my friend Matt. His mom was at a party so it was just the two of us in the house. Matt’s house had HBO, which meant scary movies in all their R-rated glory. Ten-year-old machismo made us eager to watch. So we watched it. Jiffy Pop and Coke were consumed. Super fun! But THEN when it was time to go to bed, Matt said, “I’m going to sleep in my mom’s bed and wait for her to come home,” leaving me alone in his room in a sleeping bag. I was petrified. Absolutely petrified.”— Jason Heck of Belton, Mo., on seeing “Halloween II” at age 11.You Call These Children’s Movies?!The Wicked Witch of the West, played by Margaret Hamilton, fueled many of your nightmares.MGM“My earliest and most vivid encounter with sheer terror took place in a movie theater when I was 3 years old. It was at the Fresh Pond Cinema in Cambridge, Mass., not during a showing of ‘Cujo’ or ‘It,’ but another dog and clown horror classic (masquerading as a kids’ movie), ‘Air Bud.’ Still indelible in my memory is a particular scene in which the sottish, spiteful clown re-emerges intent on snatching Buddy, our endearing, basketball-dunking dog pal, away from his newfound, but kind, young companion. Even now, I’m not sure what was scarier: watching the clown reappear on the screen, or the deafening, collective cry of fear that erupted from me and the rest of the audience of toddlers.”— Clare Goslant of Cambridge, Mass., on seeing “Air Bud” at age 3.“The wicked witch was the most terrifying thing I had ever seen. I screamed and shut my eyes every time she appeared. That same year, after I had watched ‘The Wizard of Oz,’ I was cast as a wicked witch in my second-grade play. I cried and cried when I came home. I had wanted to play the fairy princess. My mother taught me how to cackle. And she said I’d be the star of the show. She was right.”— Cathy Arden of New York, on seeing “The Wizard of Oz” at age 7.“It was supposed to be a children’s movie, but the scene of Bambi’s mother dying in a forest was something I found terrifying!”— Carter Bancroft of Huntington, N.Y., on seeing “Bambi” at age 5.“My older sister and I were dropped off at the big movie theater for the Saturday matinee. She left me all by myself and went off with her girlfriends. This was before parental helicopter-ing. ‘The Wizard of Oz’ would later be broadcast annually on TV. Kids were able to cuddle with grown-ups in the safety of their own home, with the happy songs, cute little Munchkins and Dorothy’s funny friends. There’s no place like home. That’s a whole different process than I experienced, and it was a whole different picture for me. It was not so much my young age, but watching a family movie in that wild setting, having such a powerful effect on my senses, made it my first scary movie. I was scarred for life.”— Don Feiler of Mattituck, N.Y., on seeing “The Wizard of Oz” at age 5.‘Innocent’ FearJamie Lee Curtis as Laurie Strode in “Halloween II.”Universal Pictures“The menacing, manic Caligari with his long white hair and elongated hat terrified me as he danced around the tilted landscape and jagged windows. I could not wait for it to be over and for the threatening nonsense to stop. When it was, and my heart stopped racing, I realized I just had my first experience of art.”— Kathleen Brady of New York, on seeing “The Cabinet of Dr. Caligari” at age 14.“I’m sure I played it cool in front of my friends, but I laid in bed that night filled with dread, fear and regret. Michael Myers was coming for me. I finally went into my parent’s bedroom and woke up my mom and told her what was necessary at the moment — I wasn’t feeling well and needed her help. She took my temperature and tucked me back into bed and I think could tell I just really needed her right then. She sat on my bed and read me stories from a book she kept at her own bedside until the screams of Jamie Lee Curtis were replaced by the laughter of Erma Bombeck, and I was able to drift off to sleep. To this day I’ve never told my mom the truth of why I needed her that night. Maybe she knew all along. But I’m sure it was the last night of her soothing one of her babies to sleep.“My mother is now 90 years old and her senior living facility is showing Hitchcock’s ‘Rear Window’ this weekend. I’m planning to go watch it with her and perhaps afterward we will drink hot tea, finally tell this story, and read her Erma Bombeck book to distract us from any lingering fear. And isn’t that why we watch scary movies? They play out our fears and anxieties on the screen and remind us to find safety in those people and places who make us feel loved.”— Beth Martinez of Austin, Texas, on sneaking into a showing of “Halloween II” at age 14.“The sheer volume of spiders haunts me to this day. I am now a horror cinephile, but that movie wrecked me. The climax has spiders pouring out of the walls, the pipes, the television screen. And when it ended, I experienced this crazy sense of euphoria and pride at having survived something so terrifying. Unfortunately, it also instilled a lifelong fear of all things creepy and crawly — but honestly? I’ve been chasing the high of that first horror movie my whole life.”— Andrew Gombas of Queens, N.Y., on seeing “Arachnophobia” at age 8.“Being frightened by things that can’t really happen is both thrilling and teaches you perspective. Now that I’m grown up, I have a hard time watching scary movies because of all of the scary things that have happened to me in real life. I miss that ‘innocent’ fear.”— Erin Walla of Norway, Mich., on seeing “Horror of Dracula” at age 7.What Were My Parents Thinking?“Here’s Johnny!” is one of the classic phrases spoken by Jack Nicholson in “The Shining.”Warner Brothers“I actually watched this with my dad. Forty-three years later, I continue to jokingly ask, ‘Why did you think this was a good idea?’”— Derik Frederiksen of Seattle, on seeing “The Shining” at age 6.“The fact that no one in the room thought it was a bad idea for a child to be watching gave me true Gen X cred.”— Lynwood Lord, Media, Pa., on seeing “Alien” at age 9.“Why the title didn’t give them pause, I’ll never understand. I had my eyes covered through most of it, so I didn’t see much of the film; the soundtrack was scary enough. When the movie ended, the lights came up in the theater, and still, the stunned crowd sat silent, no one moving. I couldn’t understand why no one was running out of there, and in my little-kid, high-pitched voice, I yelled out, ‘Let’s get out before it starts again!’”— Joey Moskowitz of Paradise Valley, Ariz., on seeing “Psycho” at age 5.Skeptical, but Still ScaredSadako in “Ringu,” the Japanese original of “The Ring.”Basara Pictures“I remember being scared but also dubious of the entire premise of the movie. I just didn’t believe it was plausible for you to run for your life and the guy to catch up with its leisurely stroll.”— Eva Edith of Wasco, Calif., on seeing “Halloween IV” at age 8.“I remembered the scene of Sadako crawling out of the television set very vividly. The only scene that I covered my eyes was when they played the ‘cursed video’ that would give you a call after you’d seen it. Funnily enough, my mom also looked away from the screen. We were a superstitious Asian family, so we weren’t taking any chances.”— Ryan Oquiza, Ashburn, Va., on seeing “Ringu” at age 7.“I remember trying to act cool and not scared, surrounded by my newfound middle school peers. I still had to hide my eyes sometimes. The scene where the demon pops up behind the dad scarred me for life. I had to keep my bedroom door open with the TV on in the next room for the next six months. I swore my house was haunted after that movie.”— Sheridan Posschelle of Denver, on seeing “Insidious Part 1” at age 13. More