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    Chucky Returns to Terrorize TV. His Creator Couldn’t Be Happier.

    There are many delightfully gruesome scenes that fans of the “Child’s Play” horror movies will devour in “Chucky,” the new show based on the popular franchise. The bloody death by dishwasher is a doozy.But newcomers to Chucky, the foul-mouthed killer doll who first terrorized viewers in 1988, might be more surprised by what happens in Episode 2. In it, Jake (Zackary Arthur), a 14-year-old boy who unknowingly purchases Chucky at a yard sale, is miffed that the little maniac has read his diary entries about his crush on a classmate, Devon (Björgvin Arnarson). That’s when Chucky tells Jake about his own queer and gender-fluid child.“You’re cool with it?” Jake asks.“I’m not a monster, Jake,” Chucky replies.He is a monster, of course — an icon of horror cinema with a seven-film canon. But Chucky is also a PFLAG dad.For Don Mancini, the gay man who created the Chucky character, “Chucky” (premiering Tuesday on USA and Syfy) is more than just the franchise’s first foray into episodic television. Its eight episodes offer a chance to pursue some deeply personal themes, including a gay boy’s puppy love, that he wasn’t able to explore when “Child’s Play” hit theaters 33 years ago.“I love the character of Chucky, and I don’t get tired of him,” said his creator, Don Mancini, pictured at his home in Los Angeles. “But in order to keep it alive this long, it can’t just be about a killer doll.”Michelle Groskopf for The New York Times“I wanted to create a final boy instead of a final girl,” said Mancini, 58, in a video call from his home in Los Angeles. “It’s not something I ever saw when I was Jake’s age. Fortunately the world has turned.”Television is no stranger to gay teenage characters in 2021; given the frank depictions of teen sexuality in shows like “Euphoria” and “Sex Education,” Generation Z might greet Jake’s desires with a yawn. Arthur, who recently turned 15, said in an email that it was “an honor to represent” L.G.B.T.Q. teenagers onscreen.“I would be friends with Jake,” he wrote.Mancini, who created the TV series, knows that Jake’s sexuality might rattle some horror fans. It would be, he said, as “if Frankenstein came out as bi.” He has received death threats from a fan who was upset to learn Mancini was gay.“But I’m in a position to do it, so why not?” he said. “The idea of causing some people’s heads to explode was catnip to me.”Buzz around “Chucky” has been building since 2018, when Mancini first announced the series. Production was delayed by a clash over rights to the Chucky character, a conflict that resulted in a 2019 “Child’s Play” reboot that Mancini wanted nothing to do with and that Chucky fans mostly disregard. (Mancini co-wrote “Child’s Play” and wrote the other six films that are considered part of the character’s canon, and directed three of them.) Then came the Covid-19 pandemic, which delayed shooting until March of 2021.An assortment of Chucky paraphernalia adorned Mancini’s home.Michelle Groskopf for The New York TimesA prop from “Bride of Chucky,” based on a character played by John Ritter.Michelle Groskopf for The New York TimesThe show’s earliest seeds, however, were planted long ago. Mancini grew up with his parents and four sisters in Richmond, Va., and he caught the horror bug watching the proto-queer Gothic soap opera “Dark Shadows.” He came out while studying film at U.C.L.A. in the ’80s; Mancini remembers hearing about fights over Cabbage Patch Kids at the time and thinking “about using a doll as a metaphor for marketing gone awry.”Two films from 1984 were touchstones: “Gremlins,” with its creepy animatronic creatures, and “A Nightmare on Elm Street.”“Freddy was a villain with a very distinct sense of humor, someone who could taunt victims verbally,” Mancini said in a 2019 oral history of “Child’s Play.” “I was quite consciously influenced by that with Chucky, the idea of an innocent-looking child’s doll that spouted filth.”Mancini could have enjoyed the global success of the “Child’s Play” franchise and called it a night. But even after several decades of Chucky, he wasn’t done.“I love the character of Chucky, and I don’t get tired of him,” he said. “But in order to keep it alive this long, it can’t just be about a killer doll.”After working in a couple of writers’ rooms (NBC’s “Hannibal” and Syfy’s “Channel Zero”), Mancini began thinking about a series as a way to take the Chucky-sphere in new directions — “in a subversive but positive way,” he said. In addition to its gay teen story line, a nonstarter for mainstream horror in 1988, “Chucky” also gives fans a long-requested childhood back story for Charles Lee Ray, the killer who supernaturally possesses Chucky.“Gremlins,” with its creepy animatronic creatures, and “A Nightmare on Elm Street” were touchstones for Mancini when he created the maniacal doll.Michelle Groskopf for The New York TimesWhat ultimately sold the networks on the show was authenticity, said Alex Sepiol, executive vice president for drama series at NBCUniversal Television and Streaming.“When he told us about centering this chapter of the story on a gay teen and how personal that was to him, we embraced the notion,” Sepiol wrote in an email.Once shooting finally began, in Toronto, it took about 100 days to complete. A group of six or seven puppeteers at a time worked in close quarters to bring Chucky to life — the doll is “99.5 percent puppet,” Mancini said — which made following coronavirus protocols extra important. (An actor sometimes performs as Chucky’s double.)Mancini’s preference for practical effects over computer-generated ones goes back to the first film.“I’m old school, but I think it’s much more fun to do things practically,” he said.The queerness of the series won’t surprise longtime Chucky fans: “Child’s Play” may be the queerest of the big horror franchises. A gay supporting character died a spectacular death — a horror badge of honor — in the fourth film of the series, “Bride of Chucky” (1998), which also signaled a pivot to campy horror-comedy. “Seed of Chucky” (2004) introduced Chucky and his bride, Tiffany (voiced by Jennifer Tilly), to their transgender child, who goes by Glen and Glenda (a shout-out to Ed Wood’s B-movie “Glen or Glenda”). Other gay characters appear in “Curse of Chucky” (2013) and “Cult of Chucky” (2017).“The idea of causing some people’s heads to explode was catnip to me,” Mancini said about the choice to make the new series’s protagonist an openly gay teenager. Michelle Groskopf for The New York TimesA view into Mancini’s home office.Michelle Groskopf for The New York TimesMancini enjoyed “consciously injecting” queer content into the films, he said, but “Chucky” is “the most autobiographical” work of his career. It’s there in small details, like the poster of the cast of “The Outsiders” that Jake has in his bedroom, the same one Mancini had as a kid. (Unlike Jake, Mancini did not hang it next to a Pride flag.)But there are darker memories embedded in “Chucky,” which follows the doll as he terrorizes Hackensack, N.J., in order to protect Jake from bullies. (It’s not as heroic as it sounds.) Mancini experienced bullying and abuse from his own father for being gay, he said; one particular scene from the pilot, in which Jake’s father (Devon Sawa) hits the boy during an argument over Jake’s sexuality, was particularly challenging.“The actors and crew were aware that this was very personal to me,” said Mancini, who wrote and directed that episode. “It was cathartic to see it acted out.”To help him swim in such emotional waters, Mancini brought back longtime collaborators from the “Child’s Play” universe, including Brad Dourif, the original voice of Chucky, and Alex Vincent, who reprises his role as Andy, Chucky’s young owner in the first two films.Also returning is Tilly, a close friend of Mancini’s and a major player in the franchise, having portrayed Tiffany in four films. (His chunky gold necklace that reads, “CHUCKY DADDY”? It’s from her.)Tilly said that she believed “all people who are disenfranchised” will feel seen in the show’s underdog through lines and complex family dynamics.“The show has really important lessons, but it’s not like an ‘After School Special,’” she added. “In its humanity, it’s going to show people how the world is and how to behave.” More

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    What’s on TV This Week: ‘Home Sweet Home’ and ‘Succession’

    A new series from Ava DuVernay debuts on NBC. And the third season of “Succession” begins on HBO.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Oct. 11-17. Details and times are subject to change.MondayNINE TO FIVE (1980) 10 p.m. on TCM. Jane Fonda, Dolly Parton and Lily Tomlin play secretaries who revolt against their revolting chauvinist of a boss (Dabney Coleman) in this classic office satire. When the New York Times critics Manohla Dargis and A.O. Scott included the film in their Weekend Watch column last year, they called it “a feminist lark with laughs, crude comedy, wafts of pot smoke and a catchy anthem written by Parton.”TuesdayCHUCKY 10 p.m. on Syfy and USA Network. How much of an origin story can a child doll have? Plenty, if that doll contains the soul of an adult serial killer. Chucky, the spooky doll first introduced in “Child’s Play,” the cult 1988 horror movie, gets his latest refresh in this new TV series. Unlike the 2019 big-screen rethink with Aubrey Plaza, which added an ostensibly brainy artificial-intelligence angle to the killer-doll tale, this new series has the original “Child’s Play” creator Don Mancini as its showrunner — so it should offer some more old-school scares. Syfy is debuting “Chucky” alongside another classically minded horror series, DAY OF THE DEAD, based on the 1985 George A. Romero film of the same name. The first episode of that series will air at 11 p.m. on Syfy and USA Network.A NIGHT IN THE ACADEMY MUSEUM 10 p.m. on ABC. Perhaps mercifully, this hourlong special has no relation to the “Night at the Museum” movies. Instead, the program gives a preview of the Academy Museum of Motion Pictures, the newly opened museum in Los Angeles that displays a history of Hollywood as seen by the Academy of Motion Picture Arts and Sciences. Tom Hanks and Laura Dern, both members of the museum’s board of trustees, will host the broadcast.WednesdayCMT ARTISTS OF THE YEAR 9 p.m. on CMT. Chris Stapleton, Gabby Barrett, Kane Brown, Kelsea Ballerini, Luke Combs, Mickey Guyton and Randy Travis are the honorees at this year’s CMT Artists of the Year event, an annual celebration of country music. Wednesday’s broadcast is slated to include performances from Barrett, Brown and Combs alongside other artists, including Yola, who will perform with Guyton.ThursdayKara Hayward in “Moonrise Kingdom.”Focus FeaturesMOONRISE KINGDOM (2012) 8:15 p.m. on HBO. Wes Anderson is set to return to theaters next week with “The French Dispatch,” his latest cinematic diorama. In the meantime, consider revisiting “Moonrise Kingdom,” Anderson’s tale of two 12-year-olds who run off into the wilderness together, and eventually reach a dreamy paradise. The film shows the pair’s adventure “with a beautifully coordinated admixture of droll humor, deadpan and slapstick,” Manohla Dargis wrote in her review for The Times. The messy humanity of Anderson’s characters, she wrote, is “rarely more deeply felt than in ‘Moonrise Kingdom,’” despite the fact that the film takes place in one of Anderson’s tidy, idiosyncratic realms. “Sometimes they’re called dollhouse worlds,” Dargis wrote, “though, truly, they feel more authentic than many screen realities.”FridayHOME SWEET HOME 8 p.m. on NBC. Home exchanges, the proto-Airbnb setup in which the members of one household swap places with those in another city as a means of traveling for cheap, can be a ripe source for drama. Ask most anyone who’s done one and you’ll likely hear tales of oddities found stashed away behind the Fritos in kitchen cabinets, or plumbing challenges, or any of the other bumps that can emerge when one family’s lifestyle is transplanted into a home set up for another’s. But you’ll also probably hear about the transcendent experience of essentially stepping into someone else’s life. The latter element is the focus of this unscripted series from the filmmaker Ava DuVernay. Each episode follows two families who swap houses for one week. The pairings are intended to set up each family for revelations about identity, and to challenge potential assumptions about race, religion, gender and other issues.LA FRONTERA WITH PATI JINICH 9 p.m. on PBS (check local listings). The chef and TV host Pati Jinich has long presented food as a tool of diplomacy. “In my kitchen, the border experience is an inspiration,” she said in a 2018 episode of her PBS series “Pati’s Mexican Table.” Her new travel series, “La Frontera,” expands on that notion; it focuses on food in border towns in Mexico and the southern United States, including El Paso and Juarez.ALL ABOUT EVE (1950) 11:45 p.m. on TCM. Bette Davis plays an aging Broadway star whose life is derailed by a young fan (Anne Baxter) in this drama. The film won several Oscars, including two for the writer-director Joseph L. Mankiewicz, who got statues for both his direction and his screenplay. (The film also won best picture.) The work of Mankiewicz’s screenwriter brother, Herman, will be on display on TCM earlier in the night in CITIZEN KANE (1941), which will air at 9:30.SaturdayTHOSE WHO WISH ME DEAD (2021) 8 p.m. on HBO. The active malevolence of two assassins is dwarfed by the passive lethality of a wildfire in this thriller from the writer-director Taylor Sheridan. The story centers on a smoke jumper, played by Angelina Jolie, whose path crosses with that of a boy (Finn Little) who is being tailed by killers (Aidan Gillen and Nicholas Hoult). They’re out to silence him because of a secret he learned from his forensic accountant father (Jake Weber). The pursuit takes them all through the Montana wilderness; it kicks into gear when the forest is set ablaze.SundayJeremy Strong in “Succession.”David M. Russell/HBOSUCCESSION 9 p.m. on HBO. The third season of HBO’s grotesquely lavish satirical drama “Succession” will arrive on Sunday night after being delayed a year by the pandemic. The delay presumably gave viewers some extra time to catch their breath after the gasp of a Season 2 finale, which once again cleaved the fictional members of the Roy family — wardens of a media empire — into warring camps. Don’t expect the time off to have lessened the tension. More