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    John Mayall, Pioneer of British Blues, Is Dead at 90

    Mr. Mayall was best known for recruiting and polishing the talents of one gifted young lead guitarist after another, starting with Eric Clapton.John Mayall, the pioneering British bandleader whose mid-1960s blues ensembles served as incubators for some of the biggest stars of rock’s golden era, died on Monday. He was 90. The death was confirmed in a statement on Mr. Mayall’s official Facebook page. The statement did not give a cause or specify where he died, saying only that he died “in his California home.”Though he played piano, organ, guitar and harmonica and sang lead vocals in his own bands with a high, reedy tenor, Mr. Mayall earned his reputation as “the godfather of British blues” not for his own playing or singing but for recruiting and polishing the talents of one gifted young lead guitarist after another.“Blues Breakers,” colloquially known as The “Beano” album, featuring Eric Clapton was the debut studio album by the English blues rock band John Mayall & the Bluesbreakers, was released in 1966.DeccaIn his most fertile period, between 1965 and 1969, those budding stars included Eric Clapton, who left to form the band Cream and eventually became a hugely successful solo artist; Peter Green, who left to found Fleetwood Mac; and Mick Taylor, who was snatched from the Mayall band by the Rolling Stones.A more complete list of the alumni of Mr. Mayall’s band of that era, known as the Bluesbreakers, reads like a Who’s Who of British pop royalty. The drummer Mick Fleetwood and the bassist John McVie were also founding members of Fleetwood Mac. The bassist Jack Bruce joined Mr. Clapton in Cream. The bassist Andy Fraser was an original member of Free. Aynsley Dunbar would go on to play drums for Frank Zappa, Journey and Jefferson Starship.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Eric Clapton’s Love Letters to Pattie Boyd Go Up for Sale

    Eric Clapton’s handwritten messages, being auctioned this week, shed light on how he wooed Pattie Boyd away from George Harrison and on the impassioned songs the affair inspired.One spring morning in 1970, the model Pattie Boyd was having breakfast at her ramshackle mansion in the English countryside when she received a letter marked “Urgent.”Inside the envelope was a short, lovesick note. “Dearest L,” the letter began, adding later, “It seems like an eternity since I last saw or spoke to you!” As Boyd read on, the note took on a desperate tone: “If there is still a feeling in your heart for me … you must let me know!”“Don’t telephone,” the emotional scribe added. “Send a letter … that is much safer.”The author signed off with a mysterious “E.”Boyd is selling a letter she received from Clapton in spring 1970 while she was married to Harrison.Christie’s Images Ltd.In a recent interview, Boyd recalled that she had assumed the letter was from a crazed fan and showed it to her husband, the Beatles guitarist George Harrison. Then she forgot about it — until a few hours later when the phone rang. It was Eric Clapton, the rock guitarist and one of Harrison’s friends.“Did you get my letter?” Clapton asked.More than 50 years after Clapton’s missive drew Boyd into one of rock music’s most mythic love triangles, the note is getting a moment in the spotlight. On Friday, Christie’s is auctioning over 110 items from Boyd’s archives, including the letter (with an estimated price of up to 15,000 pounds, or about $19,000), as well as photographs of Clapton and Harrison and handwritten song lyrics by both the rock greats.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Pete Brown, Who Put Words to ‘Sunshine of Your Love,’ Dies at 82

    A British Beat poet, he wrote lyrics for the band Cream and, after it broke up, continued to collaborate with Jack Bruce, the group’s lead singer and bassist.Pete Brown, a British Beat poet who wrote the lyrics to songs by the rock supergroup Cream, including the hits “White Room,” “I Feel Free” and “Sunshine of Your Love,” and who after the band’s breakup collaborated for nearly five decades with Jack Bruce, its lead vocalist and bassist, died on Friday at his home in Hastings, on the southeast coast of England. He was 82.His manager, Peter Conway, said the cause was cancer.Mr. Brown entered Cream’s circle at the request of Ginger Baker, the band’s drummer. They knew each other because Mr. Brown performed his poetry backed by jazz musicians and Mr. Baker had gotten his start in jazz combos; Mr. Baker asked Mr. Brown for help on the lyrics to the group’s debut single, “Wrapping Paper,” which preceded the release of “Fresh Cream,” its first album, in 1966.Mr. Brown quickly discovered a career-long writing partner in Mr. Bruce, whose fluid and propulsive playing provided counterpoint to Mr. Baker’s explosive drumming and the guitar pyrotechnics of Cream’s third member, Eric Clapton.In a short documentary about the making of “White Room” seen on Dutch television in 2018, Mr. Brown recalled, “It became evident that Jack and I had a chemistry, and when we wrote ‘I Feel Free,’ which was a big hit, so everyone went, ‘OK, that’s a team, let it roll.’”Mr. Brown did not provide the lyrics to all of Cream’s songs, but he was the group’s primarily lyricist. On its second album, “Disraeli Gears” (1967), he wrote the words to “Sunshine of Your Love,” a collaboration with Mr. Bruce and Mr. Clapton, as well as “Dance the Night Away” and two other songs.“White Room,” one of four songs he wrote with Mr. Bruce on the band’s third album, “Wheels of Fire” (1968), rose to No. 6 on the Billboard Hot 100 in 1968. It was the second-highest ranking a Cream single achieved; “Sunshine” had peaked at No. 5 earlier that year.“White Room” began as a poem Mr. Brown wrote, inspired by his stay some years earlier in an actual white room, in an apartment.“I had been semi-destitute, a semi-bum, living on people’s floors, and eventually I began to earn some money from songwriting, and the white room was the first place I moved into,” he told the culture website Please Kill Me in 2022. In the Dutch documentary he added that he had stopped drinking and taking drugs in the room and decided to be a “songwriter rather than an itinerant poet.”“White Room,” begins with these lines:In the white room with black curtains near the stationBlack roof country, no gold pavements, tired starlingsSilver horses ran down moonbeams in your dark eyesDawn light smiles on you leaving, my contentmentI’ll wait in this place where the sun never shinesWait in this place where the shadows run from themselvesMr. Brown in concert in 1970 in Copenhagen. He found his voice as a singer in the decade after Cream broke up, performing with a number of bands.Jorgen Angel/Redferns, Getty ImagesPeter Ronald Brown was born on Dec. 25, 1940, in Surrey, England, with World War II underway. His parents had moved there after fleeing London during the Blitz. His father, Nathan Brown, whose birth name was Nathan Leibowitz, and his mother, Kitty Cohen, sold shoes.Peter started writing poems as a teenager, fired up by the works of Dylan Thomas, Federico García Lorca and Gerard Manley Hopkins. But he detoured, at least temporarily, to journalism, which he studied for nine months in 1958 at the Polytechnic-Regent Street (now the University of Westminster) in London.He returned to verse and published his first poem in 1961 in Evergreen Review, the boundary-breaking literary magazine based in the United States that filled its pages with work by luminaries like Samuel Beckett, Jean-Paul Sartre, Allen Ginsberg, Henry Miller and William Burroughs.In one early poem, “Few,” composed under the fear of nuclear war, Mr. Brown wrote:Alone and half drunk hopefulI staggered into the bogsat Green Park stationand found 30 written on the wall.Appalled I lurched outInto the windy blaring Piccadilly nightthinking surely,Surely, there must be more of us than that.Over the next few years, he was a working poet. He was part of the First Real Poetry Band, which included the guitarist John McLaughlin, and he had a jazz poetry residency at the Marquee Club in London.In 1965, he and more than a dozen other poets from around the world, including Mr. Ginsberg, Lawrence Ferlinghetti, Gregory Corso, Michael Horovitz and Andrei Voznesensky, read their work at the International Poetry Incarnation, which filled Royal Albert Hall in London. On its website, the venue recalled the event as one “where beatniks met the emerging hippie culture.”The call for help from Mr. Baker jump-started a long songwriting career, first with Cream and then, when Cream split up after two years, with Mr. Bruce on his solo work. He wrote the lyrics to songs on nearly all of Mr. Bruce’s albums, from “Songs for a Tailor” (1969) to “Silver Rails” (2014). One of their collaborations, “Theme for an Imaginary Western,” became a staple in the repertoire of the band Mountain.“I was in awe of Jack,” Mr. Brown told The Guardian in an interview last month. But, he said, “Sometimes we had to have a rest from each other — two very big personalities in the same room sometimes wasn’t good, plus his addictions got in the way.”Mr. Brown, right, with Jack Bruce in 2005. The two began collaborating on songs when Mr. Bruce was the bassist and lead vocalist in Cream, and they continued writing together for nearly five decades.Brian Rasic/Getty ImagesMr. Brown found his own voice, as a singer, in the decade after Cream broke up. He performed with the bands Pete Brown & His Battered Ornaments, Piblokoto!, Back to the Front, Flying Tigers and Bond & Brown, which he formed with the British rock and blues musician Graham Bond. He also began a long songwriting collaboration in the early 1980s with the keyboardist Phil Ryan, a former member of Piblokto!, that produced several albums through 2013.He also helped write most of the songs on “Novum” (2017), Procol Harum’s last studio album. (He replaced Keith Reid, Procol Harum’s longtime lyricist, who died this year.)Mr. Brown’s autobiography, “White Rooms & Imaginary Westerns: On the Road With Ginsberg, Writing for Clapton and Cream — An Anarchic Odyssey” (2010), is being adapted as a documentary by the director Mark Aj Waters but has not yet been finished. Mr. Brown had recently been working on an album, “Shadow Club”; one of his collaborators was Mr. Bruce’s son Malcolm, an electric bassist like his father. (Jack Bruce died in 2014.)“We’ve naturally gravitated to each other,” Mr. Brown told The Guardian, adding that he was planning to write songs with Malcolm Bruce for his next album “as long as I can stay alive for a reasonable amount of time.”Mr. Brown is survived by his wife, Sheridan MacDonald; his daughter, Jessica Walker; his son, Tad MacDonald; and a grandson.Even after he began singing, Mr. Brown said, his admiration for Mr. Bruce initially led him to avoid singing the Cream songs he had helped write.“You know, ‘I’m not good enough,’” he told Dutch television. “Then I suddenly thought, ‘OK, I wrote those songs as well,’ and I thought, ‘It’s kind of about time I started singing some of these songs.’” More