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      Why Black Satire Is the Art Form for Our Absurd Age

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      Black American novelists, filmmakers and other writers are using comedy to reveal — and combat — our era’s disturbing political realities.LAST SPRING, DURING the Broadway revival of “Appropriate” (2013), Branden Jacobs-Jenkins’s sardonic drama about white family members returning to their ancestral plantation home in southeast Arkansas to bury their father, a rare moment of cross-racial candor transpired — not onstage but in the audience. In the third act, Bo, the middle-aged older brother played by Corey Stoll, unleashes a rant about the burdens of whiteness in 21st-century America. Even a passing acquaintance with the work of Jacobs-Jenkins, who’s a queer Black man, would condition theatergoers to understand the outburst as satirical exposure of a threadbare fallacy of racial innocence. “You want me to go back in time and spank my great-great-grandparents?” Bo says. “Or should I lynch myself? You people just need to say what it is you want me to do and move on! I didn’t enslave anybody! I didn’t lynch anybody!” The speech usually leaves audiences squirming. On this night, however, one person clapped.“They were clapping in earnest,” says Jacobs-Jenkins, as if Bo were “someone who’s genuinely out here now just telling his story — you know, ‘Found his letters and read each one out loud!’” Before the playwright, actors and audience could fully register what was happening, a voice called out from the darkened auditorium: “Are you serious right now?” For Jacobs-Jenkins, 40, the whole thing was a delicious disruption. “Part of what the work is doing is exposing these fissures inside of a community — these feelings that we’re encouraged, as we are with most conversations about race in our country, to nurse in private.” At its best, Jacobs-Jenkins says, the theater can become a space to “risk learning something we didn’t anticipate” about one another.Satire is the art of risk. It relies, after all, on an audience comprehending a meaning that runs counter to what the text reads, the screen shows or the comedian says. In this regard, it’s vulnerable to misinterpretation and to deliberate distortion. When that satire concerns race and when the audience is as diverse and as divided as the United States is today, those risks compound. Why hazard satire’s indirection when even the most straightforward language — the term “woke,” for instance, or the seemingly incontrovertible good of “equity” — is manipulated and weaponized against its original ends? Yet perhaps these are the conditions that demand satire most of all, meeting absurdity with absurdity.I spoke with Jacobs-Jenkins, whose new political family drama “Purpose” is now on Broadway, 10 days before Donald Trump was inaugurated as the 47th president of the United States, the same week that Trump gave a press conference at Mar-a-Lago in which he, among other things, called for renaming the Gulf of Mexico the “Gulf of America,” acquiring Greenland from Denmark and welcoming Canada as the 51st state. The way Jacobs-Jenkins sees it, “this is probably going to be one of the most difficult moments in recent memory to be an American, but it’s also going to be kind of the funniest — because come on! I think the question of this time will be: ‘Are you serious right now?’” The Black American satirical tradition, with its roots in the unfathomable dehumanization of slavery and the persistent pressures of racial discrimination, offers equipment by which all of us might better endure and even combat our lacerating realities.From left: the writer-director-actor Jordan Peele, the novelist Paul Beatty and the playwright Lynn Nottage.From left: Vivien Killilea/Getty for Imdb; Alex Welsh for The New York Times; Bryan Derballa for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Tony Hinchcliffe, the Trump Rally Comedian, Lands a Netflix Deal

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      Hinchcliffe’s set at Madison Square Garden in October drew sharp criticism after he described Puerto Rico as a “floating island of garbage.”The stand-up comedian Tony Hinchcliffe has landed a deal at Netflix months after angering people with his insults about Latinos and other minority groups at a New York rally when Donald J. Trump was running for president.The deal for three comedy specials under Hinchcliffe’s “Kill Tony” brand is part of an attempt by streaming services to appeal to Trump voters. Amazon Prime Video announced on Monday that several seasons of “The Apprentice,” the NBC reality show that bolstered Trump’s public profile in the early 2000s, would soon be available on the streaming service.Hinchcliffe’s specials will feature a mix of established comedians and surprise celebrity guests, Netflix said in a news release on Tuesday. The first special will be filmed at Comedy Mothership in Austin, Texas, and will arrive on the platform on April 7. Hinchcliffe will also receive his own stand-up special in the deal.Hinchcliffe is known for his “roast” style of comedy and his “Kill Tony” podcast, which is recorded live each week from Austin. He said in a statement that he was excited to share his show, which started with 12 audience members in 2013, with the world.“To think that I can pull a name out of a bucket and that person will be performing standup and an improvised interview on the largest streaming service in the world is both exciting and frightening,” Hinchcliffe said. “It’s the most spontaneous and improvised show that is out there and the creative freedom given to us by Netflix to keep the show in its pure form is a comedian’s dream.”Hinchcliffe was among the comedians who roasted the retired N.F.L. quarterback Tom Brady in a Netflix special last year that was viewed 13.8 million times in its first week on the streaming platform. His segment included homophobic remarks and comments about slavery.The comedian’s public profile grew even more in October after taking the stage at the Trump rally at Madison Square Garden, where he made insults and vulgar statements that leaned on offensive stereotypes about Jews, Latinos and African Americans. He received intense backlash after calling Puerto Rico a “floating island of garbage,” drawing condemnation from celebrities like Bad Bunny, Jennifer Lopez and Lin-Manuel Miranda. More

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      A Critic Whose Beat Is, on Occasion, a Laughing Matter

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      Jason Zinoman started writing about comedy for The New York Times in 2011, when the world of stand-up and improv looked a little different.Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together.Jason Zinoman, who has been the comedy columnist for The New York Times since 2011, stumbled into his role by accident.“It was just dumb luck,” said Zinoman, then a freelance theater critic for The Times who had just published a book on his longtime passion, the modern horror film. “But in retrospect, it makes sense to me: There are a lot of theatrical elements to comedy. And there’s a really fine line between horror and comedy.”Now, nearly 15 years after being approached with the offer to become a comedy critic for the paper, his beat has broadened: He joined The Times’s Culture desk full time in 2022 as a critic at large, covering movies, books, theater and of course, all things comedy. He has since written about naked stand-up comedy, Jewish artists wrestling with antisemitism and even the political power of former Vice President Kamala Harris’s laugh.“When I can find a theme that can tie together all these different cultural threads, that’s really satisfying,” said Zinoman, who has also written books about the comedians Dave Chappelle and David Letterman, whom he grew up watching on NBC.In a recent interview, Zinoman reflected on the evolution of comedy over the last decade. These are edited excerpts from that conversation.You are The Times’s comedy columnist, but you’ve also written about theater, film, politics and even sports. How would you describe your role as a critic at large?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      George Lowe, Kvetchy Voice of Cartoon Network’s Space Ghost, Dies at 67

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      He was the secret weapon behind a modern cult-classic series that reimagined the 1960s intergalactic superhero as temperamental talk show host.George Lowe, the actor who voiced the superhero-turned-talk-show-host Space Ghost on “Space Ghost: Coast to Coast” on the Cartoon Network for nearly two decades, died on Sunday in Lakeland, Fla. He was 67.His agent, Christy Clark, confirmed the death. His family said in a statement that Mr. Lowe had a challenging recovery after undergoing elective heart surgery in November.“Space Ghost: Coast to Coast” was the first fully original program for Cartoon Network and the spark that led to the creation of Adult Swim, the network’s late-night programming block. The show, which ran for 11 seasons from 1994 until 2012, reimagined Space Ghost, the title character from a 1960s Hanna-Barbera superhero cartoon, as a temperamental talk show host, in a new format that mixed animation and live action.Produced on a minimal budget, “Space Ghost: Coast to Coast” featured off-the-wall interviews with celebrity guests.Cartoon NetworkThanks to an enviable lineup of guests — Weird Al Yankovic, Beck and Sarah Jessica Parker were among the celebrities who made appearances — and decidedly off-the-wall interview questions (“Are you getting enough oxygen?” Space Ghost once asked Hulk Hogan), the show became a cult favorite among teenagers and young adults, helping launch Adult Swim into the stratosphere.At the heart of it all was Mr. Lowe. Dave Willis, a writer and producer on the show, said Mr. Lowe had a “big, booming movie-trailer voice” and approached the role like the morning drive-time D.J. he had been before he got into voice work. His relatable and highly entertaining kvetching, Mr. Willis said, helped shape Space Ghost’s new persona.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      No Diamonds Here, but These Gemstones Still Shine

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      For all the repellent narcissism of its members, the family of HBO’s “The Righteous Gemstones” has been a deeply humanizing example of evangelical Christian faith.An early scene in the coming season of HBO’s “The Righteous Gemstones” showcases the newest product in a long and somewhat troubled line of consumer goods from the fictional first family of televangelism.These “luxury” enclosures, called Prayer Pods, offer sanctuary from the din and prying eyes of public spaces, starting at $1 a minute. “A tiny little, eensy, teensy, weensy bit of Christ when you need him the most,” says Jesse Gemstone, the oldest of the three Gemstone children.But sales of the pod tank when word gets out that nonbelievers are using them to meet less virtuous, self-gratifying needs. On Reddit, people start calling them “squirt yurts.”The Prayer Pod is a signature plot device from the mind of Danny McBride, the “Gemstones” creator, who also stars as Jesse, a sometimes lovable blowhard and a legend in his own mind. Like his brother and sister, with whom he constantly bickers over control of the Gemstone empire, Jesse has been handed immense wealth and privilege but somehow thinks he deserves more.Since the show debuted in the summer of 2019, McBride has developed Jesse and the sprawling Gemstone brood into some of the most outrageous satirical characters on television. On Sunday, the story arc of the Gemstones bends toward its conclusion with the premiere of the fourth and final season and a plot twist introducing Bradley Cooper as the newest relative.From left, Kelton DuMont, Skyler Gisondo and Gavin Munn as the children of Amber and Jesse Gemstone (Cassidy Freeman and Danny McBride) in “The Righteous Gemstones.”Connie Chornuk/HBOWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In ‘Deli Boys,’ Two Actors Find Dream Roles Playing No One’s Hero

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      It had happened to Saagar Shaikh many times: He would audition for a part, get a callback, then never hear from anyone again. Later, when he would watch the show, movie or commercial he had auditioned for, the same guy always seemed to fill the role he had wanted.So perhaps it shouldn’t have surprised Shaikh when he got the bad news about “Deli Boys,” a new Hulu series about two pampered Pakistani American brothers who become entangled in a convenience-store crime ring. Shaikh had auditioned to play Mir, the buttoned-up business-school grad, and had even tested for the character.But now his manager was calling to tell him that the role had been offered to someone else.Was it Asif Ali, Shaikh asked? The manager sighed.“And here we are today,” Shaikh said last month, sitting within arm’s reach of Ali at a photo studio in Burbank, Calif. It was just a few weeks before the premiere of “Deli Boys” — which now stars them both. Ali had indeed gotten the role of Mir. But Shaikh wound up landing the other lead: the lazy, entitled, hard-partying brother, Raj.Shaikh and Ali play Raj and Mir, two sons of a convenience store mogul who discover that their father was also running a criminal operation. James Washington/Disney“Now I completely understand why he gets all the jobs,” Shaikh said of Ali, “because I worked with him for a whole season.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Late Night Recaps Zelensky’s Casual Friday at the White House

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      “I don’t see you asking Elon Musk if he owns a suit,” Seth Meyers said of the reporter who questioned Ukraine’s president about his attire.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Bad Fashion PoliceOn Friday, President Trump and Vice President JD Vance berated President Volodymyr Zelensky of Ukraine during a tense televised meeting at the White House. Things went bad after a conservative reporter asked why Zelensky hadn’t worn a suit to the Oval Office and whether he owned one.On Monday’s “Late Night,” Seth Meyers noted that Zelensky hadn’t been the only casually dressed visitor to the White House lately: “I don’t see you asking Elon Musk if he owns a suit, even though he shows up to cabinet meetings.”“People care about the cost of groceries and health care, not whether the president of Ukraine has ever been to a Men’s Wearhouse.” — SETH MEYERS“The guy’s the leader of a country that was invaded by Russia, and you’re grilling him like a fop at a garden party: ‘I have a question — is your stylist legally blind or just farsighted?’” — SETH MEYERS“Oh, Zelensky, you’re so poor and war-torn, you’re down to one Brooks Brother.” — JON STEWART“You’re so war-torn, you’ve given up the meaningless protocols of business attire.” — JON STEWART“His nation was invaded, he’s — against all odds — held off a much bigger army for three years, and we’re like, ‘And would it kill you to smile more, dress a little nicer? You’re a beautiful country, nobody would know! Show off what you got, know what I’m talking about? Maybe some of those rare metals I’ve been hearing something about.’” — JON STEWART“This poor man. They’re bombing every hospital in his country, he’s sitting there with the half-wit fashion police talking about what he is wearing.” — JIMMY KIMMEL“Everyone knows Donald Trump prefers his leaders shirtless and on a horse.” — JIMMY KIMMEL“Ukrainian President Zelensky was criticized for what he wore to the White House meeting on Friday, but, in his defense, most suits his size come with a sailor hat and a giant lollipop.” — GREG GUTFELD“So Friday, Zelensky entered the White House in his military fatigues and left with a boot up his [expletive].” — GREG GUTFELDThe Punchiest Punchlines (Real Housewives Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Colbert Has Little Sympathy for Trump Voters With Buyers’ Remorse

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      “The Late Show” host Stephen Colbert said that Trump voters keep coming back for the same unappetizing thing they’ve been served time and again.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Bad BusinessA new poll indicates that some Americans feel buyer’s remorse about voting for President Donald Trump.On Thursday’s “Late Show,” Stephen Colbert pointed out that it’s mainly because, after more than a month in office, Trump has yet to eliminate inflation, as he promised during his campaign to do on Day 1.“That was his claim. He said it over and over again, and now, on Day 38, they still think things are too expensive. Somewhere in Delaware, Joe Biden is shaking his head, chuckling to himself, and thinking, ‘Why did I come into this room?’ ” — STEPHEN COLBERT“One thing that continues to make consumers anxious is the high price of breakfast. And with bird flu, there’s no end in sight. According to experts, egg prices could jump 41 percent, meaning this year’s Easter egg hunt is going to be The Purge.” — STEPHEN COLBERT“It’s getting so expensive — this is true — that here in New York, some bodegas are selling individual eggs, known as ‘loosie’ eggs, to customers who can’t afford full cartons. Yum, loose egg! And if you can’t afford those, there’s a guy in the alley in the back.” — STEPHEN COLBERTColbert said he had limited sympathy for Trump supporters.“They ordered the turd soup and then said, ‘Waiter, there’s turds in my soup.’ Then they came back four years later and asked, ‘Y’all still have that turd soup?’” — STEPHEN COLBERTThe Punchiest Punchlines (Bad Sexist Jokes Edition)“So Jeff Bezos is launching a historic rocket mission in which Katy Perry, Gayle King and Lauren Sánchez will be the astronaut in an all-woman mission. They’re calling it the ‘Real Housewives of Mars.’ ” — GREG GUTFELD“The mission will last four hours, but the women are expected to take six weeks to get ready.” — GREG GUTFELD“Also, there will be a booster rocket following their spaceship carrying all their luggage — because they’re chicks.” — GREG GUTFELDThe Bits Worth WatchingThe actress Gabrielle Union talked about her role in the new all-star crime comedy “Riff Raff” on Thursday’s “Daily Show.”Also, Check This Out“This was the only way I could get invited,” O’Brien joked about his hosting duties.The comedian and former late night host Conan O’Brien feels nervous but excited about taking on the typically thankless role of hosting the Academy Awards. More