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      in Television

      On ‘S.N.L.,’ Luigi Mangione Is Busting Out All Over

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      As Chris Rock hosts, the man charged in the UnitedHealthcare shooting dominates this week’s riffs on the news.The 50th season of “Saturday Night Live” continues to provide the show with opportunities to revive many of its long-running characters. Last week, it was the Church Lady; this week, it was Nancy Grace, the TV personality and frequently outraged true-crime commentator, who has been frequently impersonated on “S.N.L.” over the years by cast members including Ana Gasteyer and Amy Poehler.On this outing, Grace was played by Sarah Sherman as she commented on the outpouring of online support for Luigi Mangione, who was charged in the fatal shooting of the UnitedHealthcare chief executive Brian Thompson.“What is going on in this country?” Sherman declared. “Y’all, this man is not a sex icon, OK?”She added, “And yet, folks online are posting things like — am I reading this right? — ‘Luigi got that BDE.’ Really? I hope ‘BDE’ stands for Behavior Dat’s Evil.”Sherman went on to interview guests including Kenan Thompson, playing a regular customer at the Pennsylvania McDonald’s where Mangione was arrested.“Well, Nancy, I’ve been eating McDonald’s every day for three years,” Thompson said. “I got Type 10 diabetes. Blue Cross? Bitch, I got blue foot. You know what my health insurance plan is called? Hoping it goes away.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 88 Shares119 Views

      in Television

      Conan O’Brien’s Parents Die 3 Days Apart

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      Thomas O’Brien, an epidemiologist, and Ruth O’Brien, a lawyer, juggled successful careers with raising six children, including the comedy star.The parents of Conan O’Brien, the longtime late-night television host and a star in the comedy world, died this week within days of one another.Thomas Francis O’Brien, 95, an epidemiologist, and Ruth Reardon O’Brien, 92, a lawyer who made strides for women in the legal field, both died at their home in Brookline, Mass., according to the Bell O’Dea Funeral Home. Dr. O’Brien died on Monday, and Ms. O’Brien, died on Thursday.Happy families are not exactly a common topic in comedy. The parents of Conan O’Brien, 61, were not only celebrated in their respective fields but by the most well-known of their six children.Conan O’Brien credited his father with introducing him to comedy and described him in an interview this week in The Boston Globe as “the funniest guy in the room.” He added that his father had a “voracious appetite for ideas and people and the crazy variety and irony of life.”Ruth R. O’BrienThomas F. O’Brien, M.D.Bell O’Dea Funeral HomeThomas O’Brien spent most of his career at what is now Brigham and Women’s Hospital in Boston, where he was the first director of the infectious diseases division, and was on faculty at Harvard Medical School. He also was a co-founder of the Collaborating Centre for Surveillance of Antimicrobial Resistance for the World Health Organization. He became known for his work around antibiotic-resistant bacteria.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      36 Things That Stuck With Us in 2024

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      The movie scenes, TV episodes, song lyrics and other moments that reporters, critics, editors and visual journalists in Culture couldn’t stop thinking about this year.The Last Scene in a Film‘Challengers’Mike Faist in “Challengers.”MGMReal tennis, like real dancing, happens when the body is rapt and alive, where visceral sensation takes over and the only thing left is the crystallization of every nerve and muscle, both aligned and on edge. That last match was a dance.— More

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      in Television

      Move Over, Charlie Brown: Lessons From ‘The Boondocks’ Christmas Special

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      One of the most beloved holiday traditions that doesn’t involve gift-giving is “A Charlie Brown Christmas.” The 1965 animated special, depicting the trials of the titular sad sack and a crew of kids wearied beyond their years by commercialism, has inspired repeat viewings and countless appraisals, including in The New York Times. But the genre of Christmas specials it inspired, including “How the Grinch Stole Christmas!” and “Frosty the Snowman,” largely leaned away from Charlie’s melancholy and toward a wholesome belief in the righteous power of the holiday spirit.Almost 60 years ago, “A Charlie Brown Christmas” dared to ask: What’s more Christmas-y than acknowledging the weight of the holiday? Four decades later, “A Huey Freeman Christmas,” a standout episode from the first season of “The Boondocks,” did the same.“The Boondocks,” Aaron McGruder’s satire about an aspiring young Black revolutionary and his rapscallion brother, was a comic strip I read every morning in junior high. It offered me a two-minute solace from the estrangement I felt from the rituals of Catholic school, the mainstream tastes of my classmates and the bits of mid-2000s culture that I was told I should like. I remember coming to believe that social and political critique was a way to understand that distance, and “The Boondocks” television series, which aired from 2005 to 2014 (with some long breaks between seasons), was just lowbrow hilarious enough for a 12-year-old loner to start giving form to that malaise.The chaotic satire that had captivated me also coursed through the show, so I dutifully tuned in when the Christmas episode debuted. It starts out like a sendup of “Charlie Brown”: Huey, a 10-year-old with outsize activist ambitions, tries his hand at directing a school play. When he finds his cast dancing instead of rehearsing, as Charlie Brown did, he immediately fires them with the backing of his teacher, a white man whose enthusiasm for Kwanzaa is a punchline. In another plot thread, Riley, Huey’s brother, writes a letter to Santa Claus. But it’s a threat: He didn’t get the car rims he had asked for, and the debt is due.None of the characters have a Bible passage memorized to sort them out when things inevitably get out of hand. Riley spends most of the episode waging a one-boy war against mall Santas with an airsoft gun, and Huey leverages the contract he finagled from his teacher to nab the services of Quincy Jones (voiced by Mr. Jones himself), Denzel Washington and Angela Bassett for his play, titled “The Adventures of Black Jesus.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares169 Views

      in Television

      Jamie Foxx’s ‘What Happened Was…’ and Other Comedy Specials to Watch

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      The show is both an act of gratitude and a stand-up special. It’s one of four new comedy hours worth checking out.The latest batch of comedy specials worth watching starts with a much anticipated one from Jamie Foxx and includes hours from Matthew Broussard, Anthony Jeselnik and Fortune Feimster.Jamie Foxx ‘What Had Happened Was …’(Stream it on Netflix)In April 2023, news broke that Jamie Foxx had been hospitalized in Atlanta with what his daughter described on Instagram as a “medical complication.” Not much else was revealed, and in the vacuum of information, rumors spread. When a photo of Foxx appeared online, some conspiracy-minded types called it a clone. Katt Williams even jokingly questioned and made fun of his “mysterious illness.”Now Foxx says he wants to set the record straight. Speaking in a theater a few hundred yards from the hospital where he says his life was saved, Foxx enters wearing sunglasses but takes them off quickly to wipe away tears. He says he experienced a brain bleed, suffered a stroke, temporarily lost the ability to walk and doesn’t remember 20 days of his life. It’s a moving performance that feels like part of a growing trend of how comics deal with medical catastrophe.Tig Notaro did a famous hour about flirting with death not long after she got a cancer diagnosis. Keith Robinson also turned his two strokes into irreverent comedy. Foxx’s special is a much more polished production and sentimental affair. He tells a few jokes, pays tribute to his family repeatedly (he brings two daughters onstage) and preaches the virtues of prayer and comedy (“If I could stay funny, I could stay alive”). His most amusing moments involve his gift for impressions, including a riotous imagining of Denzel Washington if he, like Foxx, needed help going to the bathroom in a hospital. Foxx also does an excellent Katt Williams. But this isn’t a stand-up special so much as a celebration, an act of gratitude and the kind of emotive video often posted on Instagram.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares159 Views

      in Television

      Best Comedy of 2024: Nikki Glaser, Ronny Chieng,’ ‘English Teacher’ and More

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      Jon Stewart made “The Daily Show” must-see TV again, Theo Von had a memorable moment with Donald Trump, and Nikki Glaser broke through.Joe Rogan jumped to the front of the conservative media establishment. Netflix went in deeper on live comedy, while Disney entered the stand-up market. Katt Williams beefed even more than Kendrick Lamar and Drake. John Mulaney and Taylor Tomlinson became talk show hosts. It was an eventful year in comedy. Here are some highlights.Comedian of the YearNikki GlaserIn 2024, the stalwart comic Nikki Glaser finally broke big. The flashiest examples were her scene-stealing Tom Brady roast set and getting tapped to host the Golden Globes. But her new HBO hour provided more substance. Wearing a glittering dress and a strategic smile, she performs showbiz cheer, but underneath that shimmering facade is not just an ace club comic, but a restless artist exploring darker terrain. Glaser gets underestimated because she’s filthy. But she can go high as well as low, cover universal subjects and meta comedy analysis, do hilarious character work (look out Instagram moms) and brainy jokes. This relentlessly funny hour is bleaker than it looks, digging into suicide, rape and the apocalypse, and in a year when it seemed like everyone had a comic take on why you shouldn’t have kids, hers was the funniest.BEST SPECIAL‘Ronny Chieng: Love to Hate It’Ronny Chieng has always been an inspired hater. His intricately funny bits have long applied a spiky intelligence and distinctive jackhammer delivery to the zeitgeist. His very funny new hour represents a departure and a maturation. It has his characteristic social commentary, which feels timely even though it was shot before the election, but what makes this his best is that it also hits more personal notes, getting introspective without losing its fiery comic momentum.BEST STAND-UP ACTING‘English Teacher’Brian Jordan Alvarez in “English Teacher.”Steve Swisher/FXSo many shows are hurt by casting stiff stand-ups instead of funny actors, but not this one. Its comedians (Carmen Christopher, Langston Kerman) all shine, but the real standout is Sean Patton, a terminally underrated comic whose turn as a crude, if unexpectedly sensitive, gym teacher provides the beating heart of the show.BEST POLITICAL SPECIAL‘Ramy Youssef: More Feelings’The first time I thought the Democrats might lose the White House this year was after seeing Ramy Youssef talk about feeling abandoned by the party at a Brooklyn show early this year. His moody and thought-provoking hour arrived during the heat of the protests over the war in Gaza and engages with its raging politics without having his wry, minor-key sensibility pushed aside. It was a righteous and assured hour that expressed itself not through blunt polemic but elusiveness, metaphor and argument.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares129 Views

      in Music

      At the Kennedy Center, a Send-Off to Biden and Questions About the Future

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      A bipartisan crowd honored Francis Ford Coppola, the Grateful Dead, Bonnie Raitt, Arturo Sandoval and the Apollo Theater. Some wondered if Donald J. Trump would attend next year.The arrival of the president to the center box is typically a pro forma affair each year at the Kennedy Center Honors. But President Biden’s arrival on Sunday night carried the tinge of a Washington on the verge of change.President-elect Donald J. Trump did not attend any of the honors events during his first term, in a sharp break with tradition. So the question of whether Sunday night might be the last time the commander in chief attends for the next four years was front and center as celebrities, artists and officials gathered to pay tribute to the arts.“I was talking to people backstage, and they’re going to try to get as many of these Honors in place now before the inauguration,” David Letterman joked as the audience roared with laughter.This year the center honored the filmmaker Francis Ford Coppola, the beloved rock band the Grateful Dead, the Cuban American jazz trumpeter and composer Arturo Sandoval, the singer and songwriter Bonnie Raitt and the landmark Apollo Theater, in Harlem.Queen Latifah, hosting the celebration, said, “We find hope in heartache and hard times, and now more than ever, we need artists to help us uncover our shared truths, one story, one rhythm, one lyric at a time.”Bonnie CashThe host, Queen Latifah, told the crowd that artists “find hope in heartache and hard times, and now more than ever, we need artists to help us uncover our shared truths, one story, one rhythm, one lyric at a time.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares189 Views

      in Theater

      Marvin Laird, Musical Presence on and Off Broadway, Dies at 85

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      He conducted Broadway shows and worked with Bernadette Peters. But he was probably best known for writing the music for the darkly comic “Ruthless!”Marvin Laird, a conductor for Broadway musicals and for performers like Bernadette Peters who also composed the music for “Ruthless!,” the campy, award-winning Off Broadway show about a girl who will do anything — including kill — to star in a school play, died in a hospital on Dec. 2 in Bridgeport, Conn. He was 85.His partner in marriage, Joel Paley, said his death, in a hospital, was caused by complications of an infection.Mr. Laird was the assistant musical director for a summer stock production of “Gypsy” in Lambertville, N.J., in 1961 when he met Ms. Peters, who was 13 and was playing two small roles.“He was just the most energetic, charismatic fellow you’d ever want to meet,” Ms. Peters said in a phone interview.He later conducted the orchestras for her concerts and for two Broadway revivals in which she starred: “Annie Get Your Gun” in 1999 and “Gypsy” in 2003. When Ms. Peters appeared in a revival of “Follies” in 2011, he was the associate conductor.“The orchestras loved him,” Ms. Peters said. “He had a great sense of humor and they respected his musicianship.” She added: “He knew what I was going to do before I did it. I don’t sing a song the same way twice; it’s whatever happens to the song. And Marvin could get the whole orchestra to breathe with him.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More