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    ‘Moonshot’ Review: Found in Space

    Cole Sprouse and Lana Condor have a meet-cute en route to Mars in the young adult rom-com “Moonshot,” streaming on HBO Max.Christopher Winterbauer’s future-set “Moonshot” is built around a familiar, hard-to-resist premise, most often found in sitcoms but with roots in 1930s screwball comedies: a man and a woman who don’t get along must pretend to be romantically involved for the purpose of an elaborate ruse, the advancement of which gradually brings them closer together until they fall in love for real.The man is Walt (Cole Sprouse), a guileless, accident-prone barista who yearns to visit Mars, and the woman is Sophie (Lana Condor), an anxious Ph.D. candidate en route to Mars herself. When Walt stows away on Sophie’s space shuttle, he assumes the identity of her longtime boyfriend Calvin (Mason Gooding), and manages to embroil her in the deception. The trip to the red planet takes a month. Walt and Sophie have to spend it sharing quarters, keeping up amorous appearances, and (of course) exchanging the kind of witty banter and increasingly lustful glances that in a rom-com are the foundation of any budding relationship.The romance proceeds as it always does in these kinds of movies, with the interstellar setting accounting for little in the way of innovation. That’s OK. It’s a sturdy, versatile trope, no less appealing for being predictable, and with the right balance of flirty antagonism and latent sexual tension, the payoff is certainly satisfying. Sprouse and Condor’s fraught, teasing dynamic — Sprouse the bumbling doofus with rakish charisma, Condor the irritable perfectionist begrudgingly charmed by him — draws out their natural chemistry. Sprouse plays it a touch broad, veering sometimes from endearing to goofy. But Condor is note-perfect, and Winterbauer directs with a light, playful touch, giving the movie an energy that’s nimble and vibrantly sexy.MoonshotRated PG-13 for mild language and sexual innuendo. Running time: 1 hour 44 minutes. Watch on HBO Max. More

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    Lana Condor Says Goodbye to ‘To All the Boys’

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixLana Condor said she wanted to show her character “stepping into the world as a young woman choosing herself for the first time.”Credit…Ricardo Nagaoka for The New York TimesSkip to contentSkip to site indexExit InterviewLana Condor Says Goodbye to ‘To All the Boys’The actress discusses being one of the few Asian-Americans to headline a rom-com and pushing to make Lara Jean more independent.Lana Condor said she wanted to show her character “stepping into the world as a young woman choosing herself for the first time.”Credit…Ricardo Nagaoka for The New York TimesSupported byContinue reading the main storyFeb. 12, 2021, 2:31 p.m. ETThe first two films in the Netflix trilogy “To All the Boys I’ve Loved Before” pretty much checked every box on the teen rom-com boy-drama bingo card: a boy next door, a boy doomed to be on the losing end of a love triangle and, most important, the boy who helps hatch a fake dating plot that inevitably becomes … not so fake.So when it came time to film the final installment, Lana Condor, who plays Lara Jean, the girl at the center of it all, was just about ready for a change of pace: “It’s called ‘To All the Boys,’” the actress, 23, said in a Zoom interview on Monday. “It’s been about the boys. From Day 1. We get it.”“To All the Boys: Always and Forever,” which begins streaming Friday, sets aside Team Josh and Team John Ambrose and Team Peter in favor of Team Lara Jean, as she finds herself on the brink of some major life decisions with high school graduation approaching. She’s come a long way from the hopeless romantic who wrote down her feelings in sweeping love letters rather than acting on them, a habit that set off the antics of the first film when the letters inadvertently made their way to their recipients.Condor in character as Lara Jean, in the final installment of the trilogy.Credit…Sarah Shatz/NetflixA lot has changed for Condor, too. She became a star overnight with the first installment, in 2018, and post-“To All the Boys,” she’s set to star in and executive produce a new comedy series for Netflix.But first, after several years of a whirlwind work schedule, she’s focused on settling into her new home in Seattle with her boyfriend, the actor Anthony De La Torre, and her dog, Emmy. As she prepares to say goodbye to the character that has defined her career so far, Condor discussed what it means to be one of the few Asian-American actresses to headline a romantic comedy and why the Lara Jean of “Always and Forever” is her favorite. These are edited excerpts from the conversation.This time last year, you surprised fans at the Paris Theater in New York for a screening of the second film of the trilogy — an experience that seems pretty foreign now. How does it feel looking back?That was really emotional and made me feel just overwhelmed with joy. I’ve put so much of myself into these movies because I love them. And they’ve also changed my life. But looking back, I was running on fumes at that point, because it was shooting the movies back-to-back and then going on the big press tour. I wish that I had taken it all in and really been present.Before auditioning, Condor read the novel the first film was based on. She remembers thinking, “This is an Asian-American girl falling in love and this is something we need to see.”Credit…Ricardo Nagaoka for The New York TimesWhat was making this last film like for you?I remember thinking, “How did I get here?” I wanted nothing more than to finish it the way that I would be super proud of Lara Jean. So I was just hellbent; I was constantly talking to the director and the producers and writers and everyone like, “You guys, we need to show her stepping into the world as a young woman choosing herself for the first time.”It was a crazy emotional experience, because the last few years have been the greatest ups and the greatest downs of my life. [She has said she felt burned out after the first film.] I love the movies, the friends I made in the movies, the story — I love the color scheme of our movies, the pinks and the teals. So knowing it’s the last time I’ll be in the bedroom, the last time I’ll be in the school, all these things that I’ve been spending so much time in in the past three years, is emotional. I’m going to miss it a lot.What was it like filming in Korea?We went during typhoon season. So I was like, who thought of this? But it was amazing. We were just shooting touristy things, so we got to shoot at all locations that we would have gone to as normal tourists. We would meet people on the street and people would walk into the shot as we’re filming and just be like, “Oh hi! I love your movie!” And we’d be like, “You’re in it.”Condor and Noah Centineo in “To All the Boys I’ve Loved Before,” the first film in the series.Credit…NetflixHow did you feel about the way Lara Jean’s story came to an end?Something I’m the most proud of is she never really loses her weird little -isms and quirks, and she never loses or changes her personality. That’s really hard not to do when you’re in high school. Yes, the Lara Jean we see in the third movie is a grown Lara Jean, and she’s different in that she has life experience now, but ultimately the things that make her her, she never let go of.Did you get to keep any of the clothes?Did I get to keep any of the clothes? No. Did I steal the clothes? Yes. We spent hours and hours for every outfit making it perfect, because we saw from the first movie that girls actually went out to buy the outfits.In the third movie, they have this bowling jersey that we mimic from “The Big Lebowski,” so I have that. I have the hatbox, which is not a piece of clothing, but I wasn’t going to leave the set without it. I have this blue silk jacket that she wears during a scene with Peter [in Part 1] when she’s talking about people leaving — “The more people you let into your life, the more that can walk right out.” I love that. I took a pair of jeans, which is not exciting, but it’s very hard to find a good pair of jeans.The movies are based on Jenny Han’s books, and it’s fun spotting her cameos in each film — what has your relationship with her been like for the past few years?She’s like my sister. We’re always on the phone for hours and hours. When we first were talking years ago, she said, “I just want you as Lana and as a young Asian-American girl to have the same opportunities that Jennifer Lawrence as Katniss would have or Kristen Stewart as Bella from ‘Twilight.’” And that was before we even knew we would have three movies. I’ve never had anyone say that to me, particularly as an Asian-American actress — almost to the point where I was like, is that even possible?Next up for Condor is a Netflix comedy series that she’s set to star in and executive produce.Credit…Ricardo Nagaoka for The New York TimesWas that representation aspect top of mind for you when making the movies? Did it add any extra pressure?I read the book immediately before the audition, and that’s when I was like, OK, this I have to have. Because this is an Asian-American girl falling in love and this is something we need to see.But when we were making the movies, it almost was like I was just being Lana. Because ultimately, it’s about a young girl falling in love and showing that anyone can fall in love. So I think that it was in my mind, but it also wasn’t. Because I don’t walk around in life like, Asian Lana going to the store, Asian Lana going to pick up food, Asian Lana walking my dog.We’ve reached the end of what Jenny Han has written for Lara Jean. But do you see a scenario in which we might see more of this story unfold, or in which you might play this character again?I think never say never. [But] the third is all I know. To me, that’s the ending. But I would really like to see Lara Jean and Peter in their mid- to late 20s. Like they’ve gone through college, and I want to see what they’re like in the work space. I have this dream that Lara Jean is working in some realm of literature, I don’t know, in New York, writing, living her life. Because I personally have this feeling that they’re going to try to make it work in college, but they’re going to have to grow separately to be fully ready to come together.But I know for a fact that they’re going to get married; they’re going to live happily ever after. I just think they might need to grow as individuals first. And then I’d love to see them meeting each other again — she’s like at a cafe writing an article for a newspaper she’s working for, and he happens to be there, and they meet again in a new way where they’re older and developed. That would be so cool. If it happens, you heard it here first.AdvertisementContinue reading the main story More

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    ‘To All the Boys: Always and Forever’ Review: Love Sweet Love

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘To All the Boys: Always and Forever’ Review: Love Sweet LoveThis final installment of the Netflix rom-com trilogy is earnest, bright-eyed and without a hint of cynicism.Noah Centineo and Lana Condor in “To All the Boys: Always and Forever.”Credit…Katie Yu/NetflixFeb. 11, 2021To All the Boys: Always and ForeverDirected by Michael FimognariComedy, Drama, Romance1h 49mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.Levain’s double-chocolate cookies, Magnolia’s chocolate cupcakes: Among friends and family, I’m known as a notorious sugar fiend, a connoisseur of New York’s most seductive cavity-causers. And yet even my mighty sweet tooth has met its match in the form of a cinematic sweetmeat: “To All the Boys: Always and Forever.”The final installment of the Netflix rom-com (adapted from the book by Jenny Han) about a high school romantic’s secret love letters and her faux-fling-turned-real-thing with a popular jock finds our star couple in their senior year. It’s a seminal time in the life of these teens, Lara Jean Covey (Lana Condor) and Peter Kavinsky (Noah Centineo); there’s a journey to Korea, promposals, college acceptances, a cross-country trip to a beautifully mask-less New York City (where Levain and Magnolia make cameos) and a wedding. Lara Jean and Peter are still going strong and have a plan for college: They’ll both go to Stanford, natch. But when Lara Jean is rejected from Stanford and starts considering the other shapes her future could take, happily ever after gets a bit more complicated.[embedded content]“This is a little dramatic, even for you,” says Kitty (Anna Cathcart), Lara Jean’s little sister and professional heckler, observing the conflict. But that’s also this trilogy’s modus operandi: Its drama consists of adolescent trifles that never have real stakes, especially in the eyes of those who have left high school far behind. It doesn’t matter if you can see the tiny heartbreaks and grand gestures of love from a thousand miles away. “Always and Forever,” directed by Michael Fimognari with candy-cute sets, distressingly stylish costumes and vivacious cinematography, doesn’t have a hint of cynicism. Like Lara Jean herself, this bright-eyed pubescent lovefest is an earnest romantic, admiring every rote route to “I love you.” (The references to “Say Anything” and “Pride and Prejudice” are almost too much.)Condor and Centineo are as endearing as ever, like a teenage dream come to life, and both carry their characters’ rocky moments with ease. The main conflict, which is approached with a slow simmer (“Always and Forever” takes its time parading its lovers), sets up our heroine at a crossroads that, if this were another film, might have led to something more profound and surprising. Independence and personal growth vs. prioritizing a relationship at the cost of one’s self: This is the choice when a couple graduates past the little love notes and locker gifts of early infatuation.“To All the Boys” ultimately gets to have its cake (or, rather, cookies, in Lara Jean’s case) and eat it too, and even at its most saccharine I can’t fault it for committing fully to what it is. I’m no fan of Valentine’s Day unless it’s a heart-shaped confection, but for those who are, “To All the Boys” is a light but satisfying dessert.To All the Boys: Always and ForeverNot rated. Running time: 1 hour 49 minutes. Watch on Netflix.AdvertisementContinue reading the main story More