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    How ‘Back to Black’ Recreated Amy Winehouse’s Look

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    In the biopic “Back to Black,” Marisa Abela wears some of the singer’s actual clothes, but the hair and makeup team chose to tone the signature beehive down.Few looks are as distinctive as Amy Winehouse’s was. The singer’s sweeping eyeliner, tottering heels and disheveled beehive are still instantly recognizable, 13 years after her death.In the new biopic “Back to Black,” Marisa Abela plays the star from the beginning of her music career until her final days. She wears mini skirts with girlish ruffles and small kitten heels to begin with, before adopting her distinctive pinup aesthetic as she dives deeper into the music industry and her self-destructive habits.Peta Dunstall, left, the makeup and hair designer for “Back to Black,” working on Abela’s hair on set. Dean Rogers/Focus FeaturesThe film takes its title from Winehouse’s second album, and “when we get to ‘Back to Black’ Amy, it’s more sexy,” the film’s costume designer, PC Williams, said. “There was a big change in the way she presented.”To recreate this, the production team studied many real-life images of Winehouse. But there were also some intentional changes: They were making “a piece of cinema as opposed to creating a documentary,” Williams said. Here is a closer look at the process.Towering HairAbela as Amy Winehouse in “Back to Black.”Dean Rogers/Focus FeaturesThe real Amy Winehouse performing at the Riverside Studios in London 2008.Peter Macdiarmid/Getty Images for NARASWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      ‘Bridgerton’s’ Nicola Coughlan on Her Season 3 Glow Up

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      The stars of the Shondaland series, streaming on Netflix, are given very different looks when they’re promoted from the supporting cast — a phenomenon fans have dubbed “the Bridgerton glow-up.”When the actress Nicola Coughlan joined the cast of Shondaland’s period costume drama “Bridgerton,” as the young socialite and secret gossip pamphleteer Penelope Featherington, the hair and makeup artist Marc Pilcher informed her that the creative brief they had for her character was only one word: “dowdy.”Penelope, the demure youngest daughter of the domineering matriarch Lady Portia Featherington, was to be done up in garish pastel dresses and gaudy jewelry, with a hairdo clogged with curls — none of it particularly flattering. “For the first two seasons, the objective, in the nicest way, was not meant to make me look nice,” Coughlan said in a recent interview. “A lot of the Featherington aesthetic was a ‘more is more’ approach.”A supporting player through the show’s first two seasons, Penelope is the main character of Season 3, which begins streaming May 16 on Netflix. And as she has moved into the spotlight, her entire style has been altered: a transformation that fans of the show refer to as the “Bridgerton glow-up.”Gone are the canary-yellow gowns and tacky headpieces. She’s now wearing milder colors and less ostentatious jewelry, and her hairstyles are looser and more elegant. In short, she is no longer dowdy. “At the first fitting for Season 3, I got teary-eyed,” Coughlan said. “It felt like a ‘Pretty Woman’ moment. They were finally going to let me shine.”In Season 1, the brief for Nicola Coughlan’s character was a single word: “dowdy.”Liam Daniel/NetflixIn Season 3, as the leading lady, Coughlan gets a romantic look that showcases Penelope’s growing confidence.Laurence Cendrowicz/NetflixThis kind of stylistic reinvention has become common practice on a series known for rotating actors in and out of its sweeping ensemble, and adapting their appearances accordingly. “When the transition is made from side character to leading character, we think a lot about what story it is we’re trying to tell,” the showrunner and executive producer Jess Brownell explained. When it comes to styling, she said, “it’s a lot more heady when it comes to the main characters.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Sofia Coppola’s Latest Release? A Lip Balm With Augustinus Bader.

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      The tinted balm was inspired by products that the filmmaker confected as a girl to achieve the “berry-stained lips” of a character in a Roman Polanski movie.As a girl, Sofia Coppola liked to melt down her lipsticks, mixing colors and consistencies to make a tint that conformed to her aesthetic ideal.She was after the look of Tess, the titular character in Roman Polanski’s 1979 film adaptation of the novel “Tess of the d’Urbervilles,” portrayed by Nastassja Kinski. In one scene, Ms. Coppola recalled, the character was nibbling on strawberries “that left her with perfectly berry-stained lips.”That tint, it turns out, is the cosmetic expression of a subtlety that has long been Ms. Coppola’s hallmark as a filmmaker, writer and director. From an early age, she brought her coolly observant, hyper-feminine sensibility to movies like “The Virgin Suicides,” her first film, released in 1999, “Lost in Translation,” “Marie Antoinette” and, most recently, “Priscilla,” Ms. Coppola’s adaptation of Priscilla Presley’s memoir, “Elvis and Me.”The style of her work is all of a piece, Ms. Coppola, 52, said on Monday in a phone interview; her taste, for the most part, is genteelly uncompromising. “I’m making a world,” she stressed, “that I want to look at and share.”With each of her projects, Ms. Coppola, the daughter of the Hollywood titan Francis Ford Coppola and the late artist and filmmaker Eleanor Coppola, aims to create a sense of intimacy. Her low key, insistently gauzy aesthetic can be seen in her films’ costumes and interiors — and now, of all things, in a series of tinted lip balms.The balm is offered in three tints — pink, coral and berry — that Ms. Coppola said suit her complexion.Melodie McDanielMs. Coppola produced the new line in collaboration with Augustinus Bader, a popular skin care brand that she uses. Some months ago, she approached its eponymous founder — a German doctor and professor whose clinic in Leipzig caters to wealthy clients seeking to delay the effects of aging — asking if he would introduce a bit of color to his lip balm. To her surprise, he agreed.The Augustinus Bader x Sofia Coppola lip balm that they developed, priced at $43, is offered in pink, coral and an earthy shade of plum: tints akin to those Ms. Coppola confected in her childhood bedroom.Those colors suit Ms. Coppola’s complexion, she said, explaining that she prefers using subtle makeup to enhance her full lips and aquiline features. She likes the way she looks even more, she added, “when the lighting is right.”Ms. Coppola’s passions for beauty and fashion run deep, and have been informed by her stint as an intern at Chanel in Paris in the 1980s, as well as by her presence in the front rows at fashion shows of New York designers like Anna Sui and her friend Marc Jacobs in the ’90s and early 2000s.She also founded a clothing brand, Milk Fed, in the mid ’90s, that was known for kiddie-proportioned, slogan-bearing T- shirts, jackets and dresses. Today, the label is produced and sold in Japan, but vintage original items, coveted by a new generation of Ms. Coppola’s acolytes, can go for hundreds of dollars on eBay.No stranger to collaboration, Ms. Coppola directed a commercial promoting Mr. Jacobs’s Daisy Dream fragrance in 2014, and last year she teamed with Barrie, a Scottish knitwear label owned by Chanel, on a collection of cashmere sweaters, jumpsuits, pants and blazers.She feels no need to justify such projects. “They are an extension of what I do in films,” she said.“I love collaboration,” Ms. Coppola added with conviction. “But in the end, you get what you want.” More

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      in Music

      Ad Nods to Taylor Swift and Football, Drawing Cheers and Criticism

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      A Cetaphil commercial showed a father and daughter connecting over football and the music superstar. But a social media influencer said the idea was stolen from her.When an advertisement for Cetaphil lotion was released online days before the Super Bowl, it drew rave reviews for a narrative that evoked a familiar story for parents, football fans and followers of Taylor Swift.In the commercial, a father unsuccessfully tries to interest his teenage daughter, who’s distracted by something on her phone, in a football game. She goes to her bedroom to complete her skin-care routine — using Cetaphil on her face. She then walks downstairs to see her father watching a football game while wearing a white jersey bearing the No. 89. The announcer can be heard saying, “Well folks, there she is, the most famous fan at the game,” drawing a smile from the daughter.The father, sensing an opportunity, later walks into her room with a red No. 13 jersey for her and jokingly applies cream to his face before imploring her to come and watch the game. She goes downstairs, lays her phone on the coffee table and curls up next to her father. The ad ends with them wearing their jerseys on the couch and laughing. An on-screen message reads, “This season, dads and daughters found a new way to connect.”Though it does not directly mention Taylor Swift, the ad is a nod to how the music superstar’s relationship with the Kansas City tight end Travis Kelce was said to have gotten more fathers and daughters watching N.F.L. games together this season. The No. 13 and No. 89 jerseys were implicit references to Ms. Swift’s “lucky number,” 13, and her (and Mr. Kelce’s) birth year, 1989. And the father in the ad wore friendship bracelets, as do many of Ms. Swift’s fans.Users on social media reacted positively to the ad, drawing connections to their own lives. One TikTok user who posted the ad said it “has me in tears.” On X, fan accounts for Ms. Swift lauded the commercial, and one user said, “as the daughter of a football coach and a die-hard Swiftie, I adore this.”But on Friday night, a woman who has a popular TikTok account, Sharon Mbabazi, said the company had stolen the idea for the ad from her. On her social media accounts, she shared a TikTok post from September in which she is doing her makeup when her stepfather walks in and tells her about Mr. Kelce’s surge in Instagram followers, jersey sales and popularity since his relationship with Ms. Swift became public.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Marie Irvine, Makeup Artist to Marilyn Monroe, Dies at 99

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      Late in Ms. Monroe’s life, Ms. Irvine was her go-to makeup artist in New York City. Earlier this month, she became a TikTok sensation.Marie Irvine was 99 years old when a chapter in her long-ago career became a TikTok sensation. During a crucial period late in Marilyn Monroe’s life, Ms. Irvine had been her makeup artist in New York City. When a TikTok star learned her story, it blew up the internet.In 1958, Life magazine commissioned Richard Avedon to reimagine Ms. Monroe as the screen and stage sirens Clara Bow, Marlene Dietrich, Theda Bara, Jean Harlow and Lillian Russell. It was Ms. Irvine who assisted with her makeup — turning her into Ms. Russell’s candy-box pinup, and Ms. Dietrich’s steamy Lola Lola from the film “The Blue Angel.”It ran in the Dec. 22 issue of the magazine, with a piece written by Ms. Monroe’s husband at the time, the playwright Arthur Miller, with the headline, “My Wife Marilyn.” He described the photos “as a kind of history of our mass fantasy, so far as seductresses are concerned.”And when Ms. Monroe, having been sewn into her skintight sequined gown, sang a breathless “Happy Birthday” to President John F. Kennedy at a Democratic fund-raiser at Madison Square Garden in May of 1962, it was Ms. Irvine who prepared her beforehand in Ms. Monroe’s apartment on East 57th Street, and then rushed to the Garden later with the star’s drop earrings, because she had left them behind.Erin Parsons, a 45-year-old makeup artist and TikTok star with a passion for vintage makeup and Ms. Monroe, had read of Ms. Irvine’s small part in these iconic moments, and she tracked her down to learn more. And when she posted about her search on Jan. 8, her video went viral.More than a million people have viewed it, and it has accrued more than 1,600 comments. One woman was particularly moved by the $125 fee Ms. Irvine had charged for her services on the night of the Garden event, the equivalent of more than $1,200 today. (Ms. Parsons had a photo of the bill, an artifact which sold at auction for $1,152, and showed it in her video.)“We stan a queen that knows what her skills were worth!” the commenter wrote. “I bow down.”Ms. Irvine circa 1967. She helped transform Marilyn Monroe into stars like Marlene Dietrich and Jean Harlow for Richard Avedon’s famous Life magazine shoot in 1958.Courtesy Horan family, via Charlotte BentleyMs. Irvine died a week after Ms. Parsons’ post, on Jan. 15, at a care facility in Sarasota, Fla. Her daughter, Jane Bentley Sullivan, announced her death.Ms. Irvine was not the architect of Ms. Monroe’s signature look. Her sleepy, bedroom gaze, articulated by the swoop of her liquid eyeliner; her bright red moue; and that beauty mark were the star’s own creations, conceived with her longtime West Coast-based makeup artist, Whitey Snyder. Her fans and fetishists, from Norman Mailer to Ms. Parsons’ audience, knew that she used a secret blend of three shades of lipstick and a gloss made with Vaseline. Mr. Mailer spends a page describing it in his 1973 biography, “Marilyn.”Ms. Irvine met Ms. Monroe because she was an on-call makeup artist to Mr. Avedon in the 1950s, and he hired Ms. Irvine to help with the Life magazine project. It took three months to complete, largely because of Ms. Monroe’s erratic schedule.“We could shoot it only when Marilyn felt like it,” Ms. Irvine told an interviewer in 2014. “Sometimes it was in the middle of the night with a short notice. One time it was such a short notice, that I couldn’t find a babysitter so Marilyn said, ‘Bring your baby to the set.’”(That was Ms. Sullivan, who was 9 months old at the time.)“So it was like a family atmosphere,” Ms. Irvine added. “She told me how much she wanted a baby.”Ms. Irvine was self-effacing and discreet. Her earliest clients were society figures, like Thelma Foy, the daughter of Walter Chrysler, the automobile magnate, a swan who often appeared in Vogue and on an annual list of the 10 best-dressed women in the United States. When Ms. Foy became ill with leukemia, Ms. Irvine’s role shifted from preparing her for photo shoots to helping her hide the ravages of cancer. Ms. Foy died of the disease in 1957, in her early 50s.Marie Irvine was born on Dec. 16, 1924, in Pawling, N.Y., in Dutchess County, the only child of William and Theresa (Brendlin) Irvine. She attended a one-room schoolhouse through grade school. She moved to New York City in her late teens and trained to be a secretary at the Katharine Gibbs School — otherwise known as Katie Gibbs to generations of white-gloved young women — but found the prospect of secretarial work too boring.She found a job at Elizabeth Arden, at the flagship salon with the distinctive red door at 691 Fifth Avenue that served the ladies of the carriage trade, where she became a beauty adviser and color specialist for the company.Toward the end of World War II, Ms. Irvine met a naval officer at Delmonico’s restaurant when he was on leave; they married in 1947. In addition to her daughter, Ms. Sullivan, Ms. Irvine is survived by a son, who requested anonymity for himself and his father, whose name he shares, and two grandchildren. Ms. Irvine’s husband died in 1994.When her daughter was born in 1957, Ms. Irvine left Elizabeth Arden and became a freelance makeup artist, working for photographers like Mr. Avedon, Irving Penn, John Rawlings and Harold Krieger. She did commercial work, too, notably coating the actors who played the Jolly Green Giant, the mascot created to sell canned vegetables, in layers of green greasepaint.In the late ’60s, Ms. Irvine and her family moved from Queens to Essex County, N.J. Her husband, general counsel for a security firm, did not want his wife to continue working, so she retired — and learned to drive at 44.Once she left the fashion world behind, she rarely spoke of it.Ms. Parsons, the TikTok star, had many questions for Ms. Irvine that she was unable to answer before her death. She hoped the former makeup artist could illuminate the histories of the sort of esoterica that transfix Monroe obsessives: For instance, did Robert Champion, a hairdresser who was at the Garden when Ms. Monroe sang, really touch up her makeup and blot her lips with a tissue (an artifact that belongs to the Ripley’s Believe It Or Not! Museum in Orlando, Fla.)? Did Ms. Irvine recognize a gold lipstick tube that once belonged to Ms. Monroe that Ms. Parsons had won at auction for $15,625?Ms. Irvine was pleased she’d had her own moment of fame, though she wished, as she told her daughter, that the attention came when she had more energy to pursue it.“I told her that the important thing was that it had happened at all,” Ms. Sullivan said. “She was an original and one of a kind laboring in obscurity to create many beautiful images with the pioneering photographers of the 20th century. After all, how many 99-year-olds who attended one-room schoolhouses go on to be TikTok stars?” More

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      in Television

      Reggie Wells, Makeup Artist for Oprah Winfrey and Other Black Stars, Dies at 76

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      At a time when cosmetic brands did not cater to Black women, Mr. Wells found a niche working with Black stars and models who had struggled to find makeup options for their skin tones.Reggie Wells, who parlayed a background in fine art into a trailblazing career as a makeup artist for Oprah Winfrey, Whitney Houston, Beyoncé, Michelle Obama and other Black celebrities, died on Monday in Baltimore. He was 76.His death was confirmed by his niece Kristina Conner, who did not specify a cause or say where he died.For Mr. Wells, every face was a canvas to explore. One of his most famous clients was Ms. Winfrey, for whom he worked as a personal makeup artist for more than 20 years at the height of her television career.“Reggie Wells was an artist who used his palette of talent to create beauty no matter the canvas,” Ms. Winfrey said in a statement. “He always made me feel beautiful. Ooo my, how we’d laugh and laugh during the process. He was an astute observer of human behavior and could see humor in the most unlikely experiences.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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      in Music

      Debbie Gibson Is Not Going to Get Stuck in the Past

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      The pioneering pop singer on her beauty and wellness journey.Debbie Gibson, the pop singer who shot to fame in the late 1980s with “Electric Youth,” is still making new music. She has an album out in August, “The Body Remembers,” her first in 20 years, and is performing in Las Vegas (at the Venetian) to boot. “Electric Youth” may have influenced fashion (her signature headwear) and beauty (Electric Youth perfume) for a certain generation, but Ms. Gibson, 50, is living firmly in the moment. “I never stay back in the day because today is today, and that’s how I approach life,” she said. Here, her current take on beauty products and wellness regimens.She’s a Morning PersonI joke that I if I was not in entertainment, I would be a farmer. I’m down with the sun and up with the sun. I did half the vocals of my new album by 5 a.m. in my nightgown. I do try to linger in bed with my dogs, three boy dachshunds. That snuggle time with puppy kisses for me is everything.I need breakfast within a half-hour of waking up. I’m a basic eggs, orange juice and coffee person. On a decadent day like today, it’s an almond croissant.Mad Scientist Skin CareI’m kind of a mad scientist with my skin regimes. I do what I need on that day. I love micellar water for cleansing. I just got the Soap & Glory Triple Action Jelly Eye Makeup Remover. I also have this Tarte Knockout Tingling Treatment. It’s got glycolic in it. It really wakes my skin up. I also love the Tatcha brand — the deep cleanse and the moisturizer.Basically I try to use fragrance-free lines now. My life really took a turn 10 years ago when I got Lyme. I started to have chemical sensitivities I never had before. My skin especially reacts to sunscreen. Now I use the Derma-E Sun Defense Mineral Oil-Free baby sunscreen.I have this Biossance Squalane + Glycolic Renewal Mask, and yesterday I got this Youth to the People Superclay mask at Sephora. I also love oils on my face. I live in Las Vegas, and it is so dry here — my hair won’t even grow past a certain point now. I have several oils that I rotate. I use the Farsáli Rose Gold Elixir. I also have the Tarte Maracuja Oil. I used to go for a super-matte look — I was a Broadway girl. It was my pasty New York era. Now I’m a glowy skin and makeup person.Glow OnI use multiple bases. Here I’m a mad scientist again. I have a Make Up For Ever stick, and I have the Ultra HD liquid base. I have some discoloration, some melasma on my jawline. I have to go a little heavier there. I love the L’Oréal Miracle Blur for my forehead lines. Obsessed. I don’t like a lot under my eyes — it brings out my lines if I’m tired. Sometimes I’ll use the Charlotte Tilbury Hollywood Flawless Filter and blend it into my base. I love a highlighter by Melt Cosmetics — it’s a peach color and so pretty.I used to do a lot of contour under my cheekbones, but not anymore. I like my cheeks to show through my makeup now. Another go-to is my Lime Crime trio of highlighters. There’s a glowy pale peach that I love. I love all my glow!I use the Urban Decay waterline pencil and the 24/7 pencils. I line the inside top of my eye with a darker color and a lighter color on the top lash line. I like the look of a liner inside my lower lashline, but it irritates my eyes. If it’s a “I’m going to suffer for beauty” kind of day, that’s what I do.I have the Huda Beauty Rose Gold eye shadow palette. My favorites are the Fling and Rose Gold colors. I love the Stila Glitter & Glow eye glitter in Diamond Dust. I saw this brand Dear Dahlia on Instagram, and now I use their liquid shadow Paradise Shine Eye Sequins in Muse. I also have Fenty Beauty sheer white shimmer that you can put on top of your whole lid. I just love shimmer, shimmer, shimmer.My brows have gotten so thin. If you’re a young girl out there, and you’re going through a breakup, don’t take it out on your brows. I remember the tweezing session that changed my life. I have a sandy/taupe brow powder.I’m a lash fanatic. Lashes are the best! I immediately feel like a pop star if I put some lashes on. I use high-end lashes and pharmacy lashes. I have Ardell Wispies and I love Velour, which are at Sephora. If I’m going onstage, I’ll double up lashes. For mascara, I’m into good old Maybelline Great Lash. Then there’s Too Faced Better Than Sex mascara if I want more. That’s a fun one.I just bought two Pat McGrath lip glosses I’m so excited about. I like to do MAC Spice liner and a gloss on top. MAC also has this nude lip pencil color that’s like a nudish Brigitte Bardot liner that I love, too.Hair IssuesAge doesn’t matter for me in a lot of areas, but at 48 my hair started to change in texture. Now I’m 50. There’s gray in my hair — I have base and highlights. Twice in my life I got bonded extensions, and within 48 hours I had them removed. At the end of the day, I just like to feel natural. There are so many other ways to turn on the glam. I need a great wig in my life.I love Keranique Scalp Stimulating Shampoo. It has a mint scent. I alternate that with Desert Essence Fragrance-Free Shampoo, which is super gentle. I also have Original Sprout Leave-In Conditioner. And my manager just turned me onto the K18 hair mask. I also use the Philip B. Detangling Toning Mist.But my favorite thing to do, my kitchen hack, is to use avocado oil cooking spray in my hair. I spray my hands and do a piece-y thing at my ends. It gives it such an amazing texture.Making Peace With LinesI had gotten Botox twice in my 30s, and then the third time I did it — I think I was around 40 — I got this horrible reaction. I think it’s because I didn’t know then that Lyme was on board, and my body couldn’t handle it. I’ve accepted the fact that if you’re an expressive person, you’re going to have lines and flaws. I celebrate it all at this point. I’m not going to jeopardize my health just so I can freeze some lines.Diet PuzzlesFor a long time, I was scared of food because of Lyme. I didn’t know much then. I had to do food allergy and sensitivity tests. I was super, super strict, eating organic proteins, veggies and low glycemic fruits. I’m happy to say I know what works for me now. I’ve built my body back up to the point where nothing is going to take me completely down.I’ve been working with a dietitian since I was 17. I referred her to Janet Jackson and Paula Abdul. She’s amazing — Lisa Giannini. She has so many great tricks, and she’s very into gut health. It’s about learning your own health and diet puzzle.Learning to RelaxI used to do three-hour workouts before a dance rehearsal! I was like an Olympic athlete. Since Lyme, I do just enough movement to be fit, but I can’t use up all my reserve. I did get a Peloton, and I do love it so so much. I also have an elliptical machine, and I do my own made-up version of a workout with light weights and a Pilates ring. And I do a whole lot of walking with my dogs.I try to do things that feel flowy. I discovered Kundalini yoga from this woman on YouTube, Sat Dharam Kaur, who does these amazing breathing exercises. I used to be addicted to that super-sore, I-can’t-walk-the-next-day feeling. It did me a lot of damage. I’m a more-is-more kind of person, but my body is, like, “Sorry, you have to learn moderation.”I think everybody has a journey — we all have edges we’re trying to contain — but I think one of the biggest lessons I’ve learned is that I’m not people-pleasing anymore. I have no problem saying I need to take a self-care day. More

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      in Music

      Alicia Keys Figures Out Her Skin

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      @media (pointer: coarse) { .at-home-nav__outerContainer { overflow-x: scroll; -webkit-overflow-scrolling: touch; } } .at-home-nav__outerContainer { position: relative; display: flex; align-items: center; /* Fixes IE */ overflow-x: auto; box-shadow: -6px 0 white, 6px 0 white, 1px 3px 6px rgba(0, 0, 0, 0.15); padding: 10px 1.25em 10px; transition: all 250ms; margin-bottom: 20px; -ms-overflow-style: none; /* IE 10+ */ […] More