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    Popcast (Deluxe): Morgan Wallen, Indie Sleaze and ‘Survivor’

    Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicWelcome to Popcast (Deluxe), a new weekly video show hosted by Jon Caramanica and Joe Coscarelli that breaks down essential pop culture. This week’s episode includes segments on:Morgan Wallen, the country singer who continues to top both the Billboard album chart and the Hot 100 despite the postponement of several dates on his stadium tour because of a vocal cord injuryThe Dare, a rising star of New York neo-electroclashThe Hulu documentary “Queenmaker,” about early 2000s It Girls and the blogs that alternately fawned over and savaged themThe season finale of “Survivor,” in which a gaggle of star-level outcasts made it to the end of the gameNew songs from YoungBoy Never Broke Again and Lana Del Rey More

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    Morgan Wallen’s ‘One Thing at a Time’ Earns a 12th Week at No. 1

    The Nashville star’s latest album will be challenged next week by an older one: Taylor Swift’s “Midnights,” which was rereleased as a deluxe version with bonus tracks.The country superstar Morgan Wallen continues to dominate the Billboard album chart. His latest release, “One Thing at a Time,” holds No. 1 for a 12th straight week, surpassing a milestone by Whitney Houston and marking the longest chart-topping run for a country album since Billy Ray Cyrus three decades ago.The 36-track “One Thing at a Time,” which first arrived at the top of the Billboard 200 chart in early March, remains undefeated after three full months. In its latest week, it had the equivalent of 129,000 sales in the United States, including nearly 163 million streams and 6,000 copies sold as a complete package, according to the tracking service Luminate. Since the album came out, it has been streamed 2.8 billion times in the United States.Last week, Wallen tied a chart feat by Houston, whose 1987 album “Whitney” spent its first 11 weeks at No. 1. The last album to debut at No. 1 and hold there for a longer stretch is Stevie Wonder’s “Songs in the Key of Life,” which had 13 weeks in 1976 and 1977.As a country album that has made it to No. 1 on the all-genre Billboard 200, “One Thing” has also now surpassed Taylor Swift’s “Fearless,” which logged a total of 11 weeks there in 2008 and 2009. The last country album to have a longer run on the main chart was Cyrus’s “Some Gave All” — which included the ubiquitous “Achy Breaky Heart” — in 1992. (It opened at No. 4 and then notched 17 consecutive weeks at the top.)Wallen’s song “Last Night” also clinches the No. 1 spot on the Hot 100 singles chart for an eighth week.How much longer can Wallen hold the No. 1 album? His next major challenger is not a new release, but Swift’s “Midnights,” which came out in October and racked up a total of five weeks at No. 1. (This week it is in third place.) With a new deluxe version of the album, including extra tracks like a version of “Karma” featuring Ice Spice, “Midnights” has a shot at retaking No. 1 on the next chart.Also this week, SZA’s “SOS” rises five spots to No. 2, propelled by its release on vinyl and CD. Wallen’s last LP, “Dangerous: The Double Album,” is No. 4. Dave Matthews Band’s new “Walk Around the Moon” opens at No. 5 with the equivalent of 44,000 sales. More

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    Morgan Wallen Joins an Elite Club With 11 Weeks at No. 1

    The country star’s chart run with “One Thing at a Time” puts him in a league with Whitney Houston, Stevie Wonder and the “Titanic” soundtrack.There was snow on the ground when Morgan Wallen’s “One Thing at a Time” arrived at No. 1 in early March. Now, in balmy late spring, the country superstar’s latest LP is racking up its 11th consecutive week on the chart — a feat that puts Wallen in the company of Whitney Houston and Stevie Wonder.The 36-track “One Thing at a Time” has been a streaming blockbuster since it came out, and its numbers have cooled only modestly since then. Week after week, it has fended off competition from the likes of Ed Sheeran, Metallica and two members of BTS to remain music’s most popular album. In its latest week, “One Thing” had the equivalent of 134,500 sales in the United States, including 165 million streams and 8,000 copies sold as a complete package, according to the tracking service Luminate.Long runs on the Billboard 200, the magazine’s flagship album chart, are not unheard-of. Bad Bunny, Drake and the “Frozen” soundtrack have all notched a total of 13 weeks; Taylor Swift has gotten 11 twice before. But none of those were for consecutive streaks, which are far more rare.According to Billboard, the last album to hold No. 1 for at least 11 weeks in a row was the “Titanic” soundtrack, which reigned for 16 back in 1998. But the last to spend its first 11 weeks at the top — to open at No. 1 and hold there 10 more times — came in 1987 with Houston’s “Whitney,” which featured hits like “I Wanna Dance With Somebody (Who Loves Me)” and “So Emotional.” Before that, Wonder’s “Songs in the Key of Life” logged its first 13 weeks at No. 1 back in 1976 and 1977.Wallen’s accomplishment surpasses even his own record, after the singer’s “Dangerous: The Double Album” topped the chart for its initial 10 weeks in early 2021. That run came amid an industrywide rebuke after Wallen was caught on video using a racial slur, resulting in his temporary disappearance from radio and streaming playlists.Also this week, the Jonas Brothers open at No. 3 with “The Album,” while the hyper-prolific Louisiana rapper YoungBoy Never Broke Again comes in at No. 4 with “Richest Opp,” his third release to reach the Top 10 this year alone — the last time just three weeks ago.Swift, whose triumphant stadium tour comes to MetLife Stadium in East Rutherford, N.J., for three shows this weekend, is No. 2 with her latest, “Midnights,” and SZA’s “SOS” is No. 5. More

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    How Bailey Zimmerman Charmed Nashville

    NASHVILLE — The spoils of fame are coming fast for the emerging country star Bailey Zimmerman. The Texas singer-songwriter Cody Johnson gave him a standing offer to come ride horses at his ranch. The Nickelback frontman Chad Kroeger flew him on a private plane to his home in Canada to spend some time writing songs. The guitar whiz Gary Clark Jr. and the singing ex-rapper Jelly Roll partied with him backstage at the CMT Awards.Recently, Kid Rock had him over for dinner at his ranch outside Nashville.“He freestyled for us at dinner and we went in and he showed us his pool and his bowling alley and all his guns,” Zimmerman said last month, still a little awe-struck, enthusiastically sipping a Bacardi and Coke at the bar at Topgolf. “He let me do a TikTok in one of the bars!”Zimmerman, 23, is boisterous and amiable, openhearted and still a little stupefied by it all. Only two and a half years have passed since he first posted a clip of himself singing one verse of an original song — his first ever — to TikTok, went to bed, and woke up to a million views. Now, he’s got the No. 1 song at country radio, “Rock and a Hard Place”; is the first opening act on the current Morgan Wallen stadium tour; and is on the cusp of releasing his debut album on Friday, the comfortably bruising and appealingly bruised “Religiously. The Album.”But this is how Nashville works now, at least sometimes. Social media is increasingly dictating how country music is evolving, and sometimes that’s in unexpected, lightly chaotic directions.“I never wanted to be, like, ‘country,’” Zimmerman said earlier that day, at the East Nashville home belonging to his producer Austin Shawn, where he records all of his music, cutting vocals in a closet. “Whatever I want to make that day, that’s what I want to be. Some days you’ll see me in penny loafers and then sometimes you’ll see me in Air Force 1s.”He was indeed wearing Air Force 1s, gray ones. (He started sporting them — he tries not to wear the same pair twice — when his manager suggested he needed to step up from the Vans he used to favor.) He’d paired them with a lightly distressed denim jacket and jeans. His longish, tousled hair was swept back under a black cap with a BZ logo (which he’d later sign and give to the Topgolf staff for a charity auction) and a BZ diamond pendant on a chain around his neck.“You know, I can go to a farm and put boots on and take care of 500 head of cattle and do all that,” he said. “But I just don’t, like, act ‘country’ I guess. You know what I’m saying?”Zimmerman is a modern country star in a hybrid mold. He has a rigorously raspy voice, and sings with power he’s mainlined from his primary influences, many of which are rock acts: Nickelback, Three Days Grace, Foo Fighters and, most crucially, the Southern-rock bruisers Hinder — bands that specialize in puffed-chest emoting. Zimmerman’s favorite band is the melodic hard rock outfit Tesla. (He recently enthusiastically posted a video online of the frontman Jeff Keith singing the hook of “Rock and a Hard Place.”)“The TikTok and the Instagram, me doing that every day, that is the brand, of course,” Zimmerman said. Eric Ryan Anderson for The New York TimesAt Topgolf, the music was blasting loudly and the songs Zimmerman had the most electrified reaction to were the pop-punk anthem “My Own Worst Enemy” by the sleaze-rock band Lit, and the unruly glam plosion “Time to Pretend” by MGMT.But he is also clearly an inheritor of Nashville’s recent crop of shaggy-at-the-edges superstars — singers like the powerhouse Luke Combs, or the genre’s reigning titan, Wallen, who have collectively iterated beyond the boyfriend and gentleman country of the mid-2010s, and whose songwriting and commitment to genre mark them as somewhat more traditional than the bro-country breakouts of the early 2010s.Shawn said that “the door has been opened” by artists like Combs and Wallen, “even people like Zach Bryan and Tyler Childers.” Shawn, who produced or co-produced every song on the album, added, “Is he a country singer? Or a rock singer? Or a folk/Americana singer with a little bit of a gritty edge?”Those lines are blurry in Nashville’s contemporary mainstream. Given that pre-existing context, Zimmerman has floated to the top of Nashville’s rising class with remarkable ease and speed. The ascent has been even more remarkable given his starting point. Zimmerman is from Louisville, Ill., a town in the Southern part of the state with a population of just over 1,000 and proximate to not much. (“A two-hour drive to get to a mall to go school shopping.”) His father owned a trucking business and repossessed vehicles; his mother owned the family car dealership with Zimmerman’s grandfather and uncle.When Zimmerman struck out on his own, he took on some of the hardest physical labor available: working on natural gas pipelines in West Virginia. “The gnarliest most chaotic work,” he said. “Screaming, yelling, breaking stuff. Hard hats, walkie talkies, whatever they had in their hands, they’d chuck it at you. Like, you’d walk home with black eyes, bruises from people chucking drinks on you and just belittling you.” On one particularly unpleasant assignment, he was fired in a series of events that included a coffee thrown in his face, a broken shovel wielded as a weapon and a brawl in the living room of his abode that smashed the coffee table.Even still, he maintains a soft spot for the work. “I was so into pipeline, man. Like, I loved working hard. I’ve always loved working hard. Like, I loved getting my hands dirty and coming home and having oil on my face,” he said. “I just felt like, man, there’s no possible way I’m going to ever make it out of this. I’m going to be 65, 70 years old, hips broken, back broken, still have nothing to show for it.”He moved home and began custom building lifted trucks — pickup trucks with super tall wheels — and posted videos about them on TikTok, eventually amassing a respectable 60,000 followers. In his earliest TikToks, his hair is prim and short, and he has braces on his teeth.One day in late 2020 Gavin Lucas, a high school acquaintance who wrote songs, heard Zimmerman singing on Snapchat and was impressed. For a couple of weeks, they fiddled around and eventually, on Christmas night, wrote a verse for a new song. The resulting TikTok changed both of their lives — Zimmerman resigned from his union the following day. Within a couple of weeks, they had finished the song — the rowdy country-rock number “Never Comin’ Home” — Googled information on how to record songs, and driven to Nashville to cut it in a real studio, splitting the $3,000 cost. (Zimmerman borrowed his half from his mother.)Attention came at a disorienting speed. When Zimmerman first met Chief Zaruk, an industry insider who would become one of his managers, “I thought he was the mayor of Nashville, ’cause that’s how everybody introduced him on the Zoom call,” Zimmerman said. “I’m just like, man, why is the mayor of Nashville trying to sign me? This makes no sense.”But the kismet continued. “Morgan was one of the first artists I ever met. He was walking up to Big Loud just randomly,” Zimmerman said, referring to offices for the label and management company. “And he was like, ‘Hey man, I’m a big fan of your song ‘Fall in Love.’ And I’m like, holy crap!” He continued, “Morgan has just been such a big part of my life since 2015, since 16, ‘Up Down,’ ‘Chain Smokin’’ and ‘Spin You Around.’ All that stuff has just been my life.”Zimmerman currently has the No. 1 song at country radio, “Rock and a Hard Place.”Eric Ryan Anderson for The New York TimesLast October, he released his debut EP, “Leave the Light On,” which remains in the Top 50 of the all-genre Billboard album chart. This is owing to his success at radio, but also to Zimmerman’s relentless presence on TikTok and Instagram. He is his own best promoter, and his success underscores how even Nashville, the most hidebound of music industry towns, is increasingly powerless against the tide of social media.Lucas said that Zimmerman’s attitude has been crucial to the speed of his success. “I love how excited he gets and how much he jumps the gun,” he said of Zimmerman’s no-brakes ascent. “I don’t think we’d be where we are today if Bailey wasn’t that enthusiastic. I know we wouldn’t.”“The TikTok and the Instagram, me doing that every day, that is the brand, of course,” Zimmerman said. “That is the company. And now it’s like, whoa, whoa, whoa, label, hold on. I now have an avenue of my own to make me successful by myself.” That said, TikTok provides, and TikTok takes away, as seen in Zimmerman’s first true public fumble — a viral video of him singing woefully off-pitch at a recent concert. But rather than duck it, Zimmerman posted through the embarrassment, apologizing for his misstep and taking his lumps with a sense of humor and as much enthusiasm as when he posts about a new song.“I heard a saying the other day, and I’m living by that now,” he said. “Dogs don’t bark at parked cars.”And so he’ll keep speeding. Sometimes literally, in the white 2023 Corvette with a red interior that he bought in cash after “Fall in Love” went to No. 1 at country radio, his first splurge. (He also has an even taller truck than his old one that’s in the shop being built to spec.)“I try to keep my sins to a limit, of course, always,” he said. “But of course, dude, I cuss every day. I drink, I smoke, I harm my temple.” And so he’s also taken to the trappings of being a star who needs to perform at a high level — vitamin IV drips, injections of the anti-inflammatory treatment N.A.D.+ and cryotherapy. He’s put both of his parents on his payroll, and is trying to encourage his uncle Brent, whose guitar Zimmerman used to practice on as a child, to become a full-time songwriter.Unexpected things keep happening to him — most recently, it’s the chaotic cross-genre collaboration on the soundtrack of the upcoming “Fast X” film “Won’t Back Down,” with the Irish crooner Dermot Kennedy and the prolific rapper YoungBoy Never Broke Again, making for a trio of blood-letter vocalists — but Zimmerman still prefers to operate as if there are no guarantees.He recalled playing one of his first songs for his father. “You need to chase this,” he said his father told him.“He’s like, ‘I wasted my whole life not chasing nothing, man. You need to chase something.’” More

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    Morgan Wallen Postpones Six Weeks of Shows After Vocal Cord Injury

    The country superstar, who has held No. 1 on the Billboard album chart for nine straight weeks, said the pause was recommended by his doctors.Morgan Wallen, the chart-dominating country star, is postponing six weeks of shows on his current tour, saying in a statement on Tuesday that he had injured his vocal cords and that the pause was recommended by his doctors.“I performed three shows last weekend in Florida and by the third one I felt terrible,” Wallen said in a video posted on social media. “So I went in and got scoped yesterday, and they told me that I reinjured my vocal cords and that I have vocal fold trauma. Their advice is that I go on vocal rest for six weeks, so that’s what I’m going to do.”He also announced that he would not perform as scheduled at the Academy of Country Music Awards show this Thursday, where he is up for entertainer of the year.A spokeswoman for Wallen said that 14 shows would be postponed, starting with a planned date in Hershey, Penn., on May 18, and including two shows at MetLife Stadium in East Rutherford, N.J. The tour is set to resume on June 22 at Wrigley Field in Chicago.Rescheduled dates will be announced.Last month, Wallen canceled a stadium show at the University of Mississippi shortly before he was to take the stage, saying that he had lost his voice. Even so, angry fans took to social media to complain.Wallen has held the No. 1 spot on Billboard’s album chart for the last nine weeks with his 36-track new album, “One Thing at a Time,” which has now been streamed about 2.3 billion times in the United States alone. His last LP, “Dangerous: The Double Album,” was No. 1 for 10 weeks two years ago, even amid an industry rebuke — including his temporary removal from country radio playlists — after he was caught on video using a racist slur.In his statement on Tuesday, Wallen said: “They told me that if I do this the right way, I’ll get back to 100 percent, and they also said that if I don’t listen and I keep singing, then I’ll permanently damage my voice.”“So for the longevity of my career,” he added, “this is just a choice I had to make.” More

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    Morgan Wallen’s ‘One Thing at a Time’ Notches a 9th Week at No. 1

    The country superstar held off a release from the K-pop group Seventeen to maintain his streak atop the Billboard 200. Ed Sheeran will challenge him next week.Morgan Wallen, the country superstar who dominates streaming, holds the No. 1 spot on the Billboard album chart for a ninth consecutive week, fending off a formidable challenge from the K-pop group Seventeen.Wallen’s latest, “One Thing at a Time,” notched the equivalent of 138,000 sales in the United States in its latest week out, according to the tracking service Luminate. That total is a composite number that includes 174 million streams of the 36-track LP and 5,500 copies sold as a complete package.The last release to post at least nine weeks in a row at No. 1 was Wallen’s previous LP, “Dangerous: The Double Album,” which ruled for 10 weeks without interruption in early 2021. (Since then, SZA’s “SOS” had 10 nonconsecutive times at the top, and Bad Bunny’s “Un Verano Sin Ti” had 13.) More than two years later, “Dangerous” remains a hit, landing at No. 5 this week, its 118th time in the Top 10.With Ed Sheeran on deck for next week’s chart with his new album, “-” (pronounced “Subtract”), this chart could represent the end of Wallen’s winning streak, at least on the album chart. His song “Last Night” holds at No. 1 on the Hot 100 singles chart, its fifth time as the top track.Also this week, Seventeen opens at No. 2 with the equivalent of 135,000 sales of its six-track mini-album “FML.” It came out in a flurry of digital and physical variations. Those included multiple CD editions with goodies like lyric books, photos and stickers, and 17 downloadable versions, which included “exclusive digital signed covers” featuring each of the group’s 13 members.Altogether, Seventeen sold 132,000 copies of “FML” as a complete package, and had four million streams for the week.Taylor Swift’s “Midnights” is in third place this week, and SZA’s “SOS” is No. 4.“Desvelado” by the group Eslabon Armado opens at No. 6, which Billboard said is the highest-charting album of regional Mexican music in the history of the chart. “Desvelado” had the equivalent of 44,000 sales in the United States, including nearly 64 million streams. More

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    Did the Rock & Roll Hall of Fame (Gasp) Get It Right?

    Hear songs from the class of 2023’s seven inductees, including Sheryl Crow, Missy Elliott and Willie Nelson.Perhaps making the Rock Hall made Sheryl Crow happy (which can’t be that bad).Rebecca Smeyne for The New York TimesDear listeners,I don’t have much reverence for the Rock & Roll Hall of Fame — a shadowy and arbitrary institution founded by record executives and music industry influencers who have historically hewed to a pretty narrow definition of rock ’n’ roll. However, this year’s inductees, which were announced earlier this week, represent one of the strongest classes in recent memory.This calls for a playlist.The group of seven artists who will join the institution in November contains both overdue legends (Willie Nelson, the Spinners) and iconoclastic innovators (Kate Bush, Rage Against the Machine). It’s a bit more diverse than the normal Rock Hall class, which isn’t saying much: According to the writer Evelyn McDonnell, who has long been covering the Hall’s glaring biases, women make up just 8.63 percent of its inductees. The great Missy Elliott will make history this year as not just the first female rapper to make it in, but also the first Black female artist inducted in her first year of eligibility. Such achievements are worth celebrating — as Elliott did, in an exuberant series of tweets — but we should also bemoan the fact that they took so long to happen in the first place.In sequencing today’s selections, I found some common threads: the way Bush and Elliott share an imaginative and ambitiously artful approach to composition; the way George Michael updates the intricate soulfulness of a group like the Spinners for the more self-aware ’90s; a certain sneer in Sheryl Crow’s delivery that, when it hits in a certain way, echoes the grit of Rage’s Zack De La Rocha.Purists can debate whether or not any of these artists can be classified as “rock,” but I prefer the more exciting definition Ice Cube put forth in his speech when he was inducted with the rap group N.W.A in 2016. “Rock ’n’ roll is not an instrument; rock ’n’ roll is not even a style of music,” he said. “Rock ’n’ roll is a spirit. Rock ’n’ roll is not conforming to the people who came before you, but creating your own path in music and in life.”Listen along on Spotify as you read.1. Kate Bush: “The Big Sky”This year marked the fourth time Bush has been nominated for the Rock Hall, but it’s likely that the recent, “Stranger Things”-inspired resurgence in the popularity of “Running Up That Hill (A Deal With God)” finally pushed her over the edge. You’ve probably heard that song plenty in the past year, so how about a less ubiquitous — but just as great — track from that same 1985 album, “Hounds of Love”? The 1-2-3-punch of “Running Up That Hill,” the title track and this one, “The Big Sky,” just might be one of the most visionary opening stretches of any pop album. (Listen on YouTube)2. Missy Elliott, “Work It”Sometimes the obvious choice is the correct choice. The hallucinatory “Work It” isn’t exactly an obscure B-side in Missy’s discography, but it’s one of the most obvious examples of her brash, otherworldly genius as both an M.C. and a producer, and of the gloriously outré sounds she was able to smuggle into the mainstream. Who else could run a chorus backward and still make its nonsense syllables sound so infectious? (Listen on YouTube)3. Rage Against the Machine, “Bulls on Parade”Does this mean the RATM superfan Guy Fieri is a Rock Hall voter? I kid. Rage is probably the most traditionally rock-leaning artist among this year’s inductees — which is certainly saying something, since “traditional” isn’t a word I’d normally use to describe this band’s politics or sound, its most recognizable hits (like the pummeling “Bulls on Parade”) included. (Listen on YouTube)4. Sheryl Crow, “Leaving Las Vegas”It feels weird to call any of the singles on Crow’s huge debut album “Tuesday Night Music Club” underrated, but … I think this one actually is? Sure, “All I Wanna Do” has been overplayed to oblivion, and “Strong Enough” has proved an important touchstone for a younger generation of female musicians like Haim and boygenius — but “Leaving Las Vegas” has bars. Her delivery of the line “There’s such a muddy line between the things you want and the things you have to do” (!) kills me every single time. (Listen on YouTube)5. The Spinners, “Could It Be I’m Falling in Love”The air is a little bit lighter in a Spinners song than it is back down here on Earth. Bobby Smith’s lead vocal seems to float just a few inches above the rest of the track, leaving no doubt about the answer to the question he poses in this timeless 1972 hit, by a group neglected by the Motown machine that rose to prominence anyway in its own time. (Listen on YouTube)6. George Michael, “Freedom! ’90”Some days, this is my answer to that impossible question, “What’s the best pop song of all time?” But any day of the week I’d tell you it’s the best song ever written about being a pop star — that strange contract between performer and fan that Michael knowingly interrogates from inside the machine and finally sets ablaze in a liberatory chorus. He more than deserves a place in the Rock Hall; I just wish he could have lived to attend his induction. (Listen on YouTube)7. Willie Nelson, “Tower of Song”Earlier this year, the newly 90-year-old Nelson beat out a bunch of young whippersnappers like Maren Morris, Miranda Lambert and Luke Combs to win the best country album Grammy for “A Beautiful Time.” It’s a lovely record with some strong original material, but the track I keep returning to is his lived-in rendition of Leonard Cohen’s wryly majestic “Tower of Song.” If this cover passed you by when the album first came out, well, you’re in for quite a treat. (Listen on YouTube)Pause for the chant,LindsayThe Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“Did the Rock & Roll Hall of Fame (Gasp) Get It Right?” track listTrack 1: Kate Bush, “The Big Sky”Track 2: Missy Elliott, “Work It”Track 3: Rage Against the Machine, “Bulls on Parade”Track 4: Sheryl Crow, “Leaving Las Vegas”Track 5: The Spinners, “Could It Be I’m Falling in Love”Track 6: George Michael, “Freedom! ’90”Track 7: Willie Nelson, “Tower of Song”Bonus tracksJoe Kwaczala and Kristen Studard host the highly entertaining podcast “Who Cares About the Rock Hall?,” which strikes a balance between appropriately irreverent skepticism (both are professional comedians) and Kwaczala’s encyclopedic knowledge of Rock Hall history. Every year, they do an in-depth episode about each of the nominees; I found out about the show when they kindly asked me to talk Dolly Parton with them last season. Their episode about this year’s class of inductees was especially great, if full of playful jabs at my queen Crow (I forgive, but will take this opportunity to link to one more Sheryl banger).And, as always, check out our weekly Playlist for the latest songs worth your time. Today we’ve got fresh tracks from the post-punk legends Bush Tetras, the D.J.-turned-electro-pop-singer-songwriter Avalon Emerson and more. Listen here. More

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    Rock & Roll Hall of Fame 2023: Kate Bush, Missy Elliott, Willie Nelson

    Rounding out the far-from-traditional class of 2023: George Michael, Sheryl Crow, Rage Against the Machine and the Spinners.The reclusive (but freshly relevant) experimental pop singer Kate Bush, the one-of-one rapper Missy Elliott and the 90-year-old country stalwart Willie Nelson are among this year’s genre-spanning inductees to the Rock & Roll Hall of Fame. The organization behind the museum and annual ceremony announced the lineup on Wednesday, underlining how the new class reflected “the diverse artists and sounds that define rock & roll.”Rounding out the seven acts voted in by more than 1,000 artists, historians and music industry professionals are the pop singer George Michael, who died in 2016; the 1970s soul group the Spinners, who had been nominated three times prior; the platinum-selling 1990s pop-rock singer Sheryl Crow; and the politically rambunctious rap-rock band Rage Against the Machine, who crossed the threshold after its fifth time on the ballot.The Rock Hall ceremony will be held on Friday, Nov. 3, at Barclays Center in Brooklyn.Furthering a pattern that has taken shape in recent years — following steady criticism against the Rock Hall for its lack of inclusion, especially among race and gender lines — none of the musicians inducted this time fit neatly into the most narrow strictures of what constitutes rock. But as the genre and the institution continue to evolve, those behind the scenes have proved increasingly welcome to honoring rappers, pop singers and country artists like Dolly Parton, who attempted to remove herself from consideration last year but was voted in anyway.In a statement accompanying the induction announcement on Wednesday, John Sykes, the chairman of the Rock & Roll Hall of Fame Foundation, said, “We are honored that this November’s induction ceremony in New York will coincide with two milestones in music culture; the 90th birthday of Willie Nelson and the 50th anniversary of the birth of hip-hop.”Nelson — who celebrated his birthday over the weekend with a concert featuring Neil Young, Miranda Lambert and Snoop Dogg — had been eligible for the Rock Hall since 1987, 25 years after the release of his first commercial recording and six years before he was inducted into the Country Music Hall of Fame. Like Michael, best known for hits like “Faith” and “Freedom! ’90,” this was Nelson’s first time on the ballot.Bush, who has not released an album in more than a decade, had been nominated three times prior. But she may have received a boost thanks to renewed interest in her music since last year, when a placement in the Netflix show “Stranger Things” sent her 1985 single “Running Up That Hill (A Deal With God)” back onto pop radio and to a new peak of No. 3 on the Billboard Hot 100.Elliott will become the first woman in rap to be included in the Rock Hall, following previous recognition for artists like Run-DMC, Beastie Boys, N.W.A, Public Enemy and Jay-Z. “I want to say this is HUGE not for just me but all my Sisters in HIPHOP,” she wrote in a string of tweets on Wednesday. “this door is now OPEN to showcase the hard work & what many of us contribute to MUSIC. I have cried all morning because I am GRATEFUL.”Voters passed over more traditional rock bands on the latest ballot like Soundgarden, the White Stripes, Iron Maiden and Joy Division, as well as the singer-songwriters Warren Zevon and Cyndi Lauper. The rap group A Tribe Called Quest also failed to make the cut.Yet outside of those inducted as performers, the ceremony this fall will also celebrate the hip-hop pioneer DJ Kool Herc and the guitarist Link Wray (awarded for “musical influence”); the singer Chaka Khan, the composer and producer Al Kooper and the songwriter Bernie Taupin (for “musical excellence”); and the “Soul Train” creator, producer and host Don Cornelius (posthumously receiving the Ahmet Ertegun award for executives). More