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    ‘Hello Tomorrow!’ Review: It’s Only a Paper Moon

    This comedy about hustlers selling lunar condos launches with visual pizazz. The emotions take longer to land.“The moon belongs to everyone,” declared “The Best Things in Life Are Free.” This was an easy enough sentiment to sing in 1927, before anybody planted a flag up there.In “Hello Tomorrow!,” a 10-episode comedy starting Friday on Apple TV+, Jack Billings (Billy Crudup), a traveling real-estate salesman, would like to offer you different terms. The moon, or at least a piece of it, can be yours for zero down and $150 a month, courtesy of Brightside Lunar Residences. Just don’t look too closely at the fine print.Is he selling a chance at a better life, or just a load of green cheese? What’s striking is not only how well Jack, with his spit-shined zeal, sells his earthbound customers on his blue-sky pitch; it’s how deeply he believes himself. “Hello Tomorrow!” spins out a galaxy of deceptions both personal and professional, devised by Jack and those around him, to show how the most powerful and important lies are the ones you tell yourself.The first thing that catches your eye about “Hello Tomorrow!” is, well, everything. While its conflicts are familiar — too much so, at times — it is visually unlike anything you’ve seen on TV outside “The Jetsons.” The creators, Amit Bhalla and Lucas Jansen, have conceived an alternative, future-past Earth that looks like an illustrator was hired to design a space-themed malt-shop menu in 1955 and got hopped up on bennies.Tin-can robots in avocado green and goldenrod yellow float about serving drinks and spraying shrubbery. Deliveries arrive to ticky-tacky suburban houses in a hover-van “driven” by a cartoon-video bird. A paperboy pulls a wagon that shoots today’s news out of pneumatic cannons.Some things haven’t changed, however: Money is still green and foldable and the source of heartache. The rich still get richer, and now they also have the moon as a luxury playground. To everyone else it’s a taunt, one more shiny thing that someone else gets to touch.The opening scene plays like a Buck Rogers burlesque of the “Mad Men” pilot. Jack sidles up to a miserable barfly (Michael Harney) and fires up his pitch, producing a rock from his pocket that he says came all the way from the lunar Sea of Serenity. “Wow,” his mark says. “That,” answers Jack, “is the one word none of us can live without.”From left, Dewshane Williams, Nicholas Podany and Hank Azaria play Jack’s sales team.Apple TV+Jack himself leads a distinctly wow-less life, as do his sales associates. Eddie (Hank Azaria) is an unlucky gambler who believes that “desperation is a salesman’s greatest asset.” Herb (Dewshane Williams) is an anxious expectant father of twins. Shirley (Haneefah Wood), Jack’s right-hand woman, sees through his upbeat blarney but is herself cheating on her husband with Eddie.Jack’s own personal secret is Don Draper-sized: He abandoned his wife and baby years ago. When a tragedy brings Jack to his old hometown, he longs to reconnect with his now-grown son, Joey (Nicholas Podany), the only way he knows how: deceitfully, by offering Joey a sales job without identifying himself as Joey’s father. That lie, and the questionable machinations of the moon-condo business, are the twin nuclear reactors that power the first season.“Hello Tomorrow!” is a hell of a looker. Its midcentury-modern version of steampunk — chromepunk? — is packed with analog-tech wonders like self-popping popcorn buckets at a ballgame. But the early episodes left me wondering if there was anything behind its polished facade.“Pleasantville”-style spoofs of 1950s suburbia have been done to death. The society of “Hello Tomorrow!” is not exactly Eisenhower-era America; on the one hand, it’s casually racially integrated, but on the other, women still hold pre-Betty Friedan housewife roles. There are vague references to a past “war” and hints that automation has cost some people their jobs and purpose, but no explanation of how technology has made the world so small while leaving America so homogeneous.In general, “Hello Tomorrow!” breezes past the world-building, hoping, not unlike Jack, that you’ll get too caught up in the pretty pictures to worry about the details. And damned if it doesn’t work, some of the time.Crudup is marvelously cast, letting Jack’s inner aches occasionally slip past his practiced smile. (Among a slew of quirky supporting performances, Susan Heyward is an absolute pip as Herb’s shrewd wife, Betty.) The season builds screwball momentum as Jack and company try to outrun the consequences of their choices.But the series is so stylized, not just in the design but also in the performances and the “Guys and Dolls” dialogue, that the characters often feel cartoony and unconvincing. Alison Pill, as a customer determined to expose Jack as a fraud, is like a black-and-white floor-wax commercial come to life. The sales staff’s various personal conflicts are weightless and one-note.Alison Pill stars as a customer convinced that Jack is a fraud.Apple TV+What is thoroughly, achingly real is the pervasive theme of lies and why people tell them. Falsehoods are an effective plot engine, of course, but here they are also about character; they’re the sad, sleazy cousins of wishes.The deeper you get into Jack’s business and personal deceptions, the more you realize that every character here — even the most upright — is lying to someone, or to themselves, in the sad belief that voicing the lie can somehow make it true. Underneath the show’s sleek shine is a story of beat-up dreamers trying to convince themselves that, with one lucky break, they might lasso the moon.You could ask whether they might be better off being honest with themselves, just as you could ask whether Jack couldn’t make a simpler living by selling some nice encyclopedias. But “Hello Tomorrow!” suggests that deceptions, self- and otherwise, are the rocket fuel that keeps us moving through an otherwise indifferent universe. “What’s life without a dream to make it go down easy?” Jack asks. It’s the oldest story under the sun. More

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    Billy Crudup Makes the Sale in ‘Hello Tomorrow!’

    Billy Crudup’s father, Thomas Henry Crudup III, was a gambler, a hustler, an occasional loan shark and a bookie of questionable gift. Sometimes on the way to his son’s weekend soccer practice, he would stop the car on an interstate shoulder and deal king crab out of the trunk. He sold red-and-white-striped umbrella hats, coffee additives, Farrah Fawcett posters, an inflatable ice chest.“Which is not a flotation device,” the younger Crudup clarified in a video call on a weekday afternoon in January.Despite two and a half decades in entertainment, this Crudup, 54, has lived a somewhat more conventional life governed by rigorous professional ethics. The risks he takes are mostly artistic. To watch his early films — “Stage Beauty,” “Without Limits,” “Almost Famous” among them — is to see a performer making audacious choices, executed with deep feeling and meticulous control.He’s an indifferent gambler. (The actor Hank Azaria, a poker buddy, confirmed this: Crudup, a performer who often trades in inscrutability, apparently has no poker face.) Then again, his whole career has been a kind of gamble, a long game. Though he has movie star looks, he bet that they wouldn’t last, and so the parts he took, often character parts, were designed to secure career longevity by demonstrating his aptitude and range.In one way, he lost that bet. As I broke it to him, his looks have held up very well. “I appreciate that,” he said, strong-jawed and elfin beneath a Yankees cap. “A lot of niacin and B-root.” (Niacin and B-root? “Those are the first two things that came into my head,” he said.)But in another way, it paid off: In his 50s, he is enjoying the best roles of his life. Since 2019, he has played Cory Ellison, a bright-eyed, coldblooded network news exec in the Apple TV+ series “The Morning Show.” Now he has added Jack Billings, a fast-talking slickster who heads a lunar time-share concern in “Hello Tomorrow!,” another Apple TV+ show, which debuts on Feb. 17.In “Hello Tomorrow!,” Crudup’s character leads a team selling lunar properties in a development called Brightside. (With Haneefah Wood and Hank Azaria.)Apple TV+An evangelist, a huckster, a consummate salesman, Jack reminds Crudup of his father, who died in 2005. Traveling salesmen are akin to gamblers, Crudup argued, always playing the odds, always counting on the big win.“I get to be in some proximity to my dad, by playing a version of him,” Crudup said.There are two narratives that people like me tend to spin around Crudup: that fame has always eluded him and that he never wanted it anyway. He acknowledges that both are somewhat true. He didn’t avoid mainstream projects (see: “Watchmen”), as long as he could play flawed and fractured characters within them.But while acting is a kind of selling, Crudup has always resisted selling himself. For years, he wore his own clothes to award shows. He mostly skipped the talk show circuit. He has tried to keep his personal life private. (“Billy Crudup has a personal life?” his friend and “Morning Show” co-star Jennifer Aniston joked.) A decade or two ago, he would have submitted to an interview like this, if he submitted at all, only out of contractual obligation and under sufferance. A New York Times writer, interviewing him in 2004, wrote, “He shields his life from would-be inspectors as if it were a nuclear facility in North Korea.” This avoidance was partly in service of that gamble. He wagered that a public persona would make receding into roles more difficult. “I figured the more people knew about me, the harder it would be for me to convince them that I was somebody else,” he said. Avoiding publicity was, he said, “a protective mechanism.”It was also a way to protect himself when the tabloids swarmed. In 2003, Crudup left his girlfriend, Mary-Louise Parker, to pursue a relationship with his “Stage Beauty” co-star, Claire Danes. He has not spoken publicly about this, just as he doesn’t speak about what seems to be his current relationship, with the actress Naomi Watts. He could set a few records and Wikipedia pages straight, he said. But he prefers not to.“Because that’s a lifelong pursuit, constantly trying to manage how people think about me as opposed to thinking about my work,” he said.The work has been consistent, but in the 2010s it became less visible. In films like “Jackie,” “20th Century Woman” and “Spotlight,” he inhabited characters so fully that he didn’t seem to be acting at all. It was easy to admire his performances without thinking much about them. That changed with “Harry Clarke,” a 2017 Off-Broadway play about a diffident, pansexual con artist. The play has a dozen roles. Crudup played all of them.Leigh Silverman, who directed the play, was surprised at how much Crudup struggled during rehearsals. In his films, he had made it look so easy. “I was so captivated, really, by his suffering, and his continuing to show up every day,” Silverman said in an interview. But during previews, Crudup began to suffer less, abandoning himself to the various roles, switching fluently between them. To anyone watching him alone onstage, his reach and capacity were irrefutable, as was his charisma.“He’s both holding you at a distance and beckoning you forward, which is so sexy,” Silverman said.In “The Morning Show,” Crudup (with Jennifer Aniston) plays a charismatic news executive. “Billy has an intensity to him, an energy to him, that felt really right for the character,” Kerry Ehrin, the original showrunner, said.Apple TV+One of those watchers was Aniston, who immediately turned to her producing partner, Kristin Hahn, and told her that Crudup had to be in “The Morning Show.” Cory had been originally envisioned as a 30-year-old villain. But when Crudup flew out to Los Angeles to meet with Kerry Ehrin, the original showrunner, she was quickly convinced.“Billy has an intensity to him, an energy to him, that felt really right for the character,” Ehrin said.Cory is staunch in his determination to win the ratings game. But there’s a volatility to the man, an unpredictability. “The Morning Show,” like “Harry Clarke” before it, allows Crudup to live in the contradictions that have made him a thrilling performer: his boldness and precision, his childlike enthusiasm married to a coolness that borders on opacity. Crudup enjoys these tensions. His co-stars do, too.“It’s electric,” Aniston said of acting opposite him. “Every time, I’m going, Oh, I wonder what’s going to happen next?”This electricity impressed Amit Bhalla and Lucas Jansen, the creators and showrunners of “Hello Tomorrow!” Set in a retrofuturist world in which hovercrafts are a given and travel to the moon commonplace, the show centers on a group of salesmen hawking lunar properties in a development called Brightside. They’re led by Crudup’s Jack, who attacks the project with missionary zeal. Other actors had shown interest in the role. They’d seen Jack as a smoothie, a charmer. Jansen recalled Crudup’s take: “He said, ‘Oh, this guy isn’t a salesman; he’s a priest.’”The truth about those lunar properties remains elusive though much of the season. What’s important is that Jack believes in them, and his belief is so unswerving and sincere that it has a way of inspiring those around him.“Jack’s a genuine believer that providing somebody with a little bit of hope during the day is a true commodity worth valuing,” Crudup said.Here are some of the things that make Jack a good salesman: his energy, his flexibility, his superlative people skills. These are qualities Crudup’s father shared. They are also among the abilities that make Crudup a great actor. Like an actor, Jack is selling people on a story. He believes in the dream so that others can believe it, too.Crudup has generally sought to avoid publicity. “I figured the more people knew about me, the harder it would be for me to convince them that I was somebody else,” he said.Philip Cheung for The New York Times“Good salesmanship is truly believing what you’re saying,” Crudup said. And Crudup has that belief. It’s why he can deliver a line like “Chaos, it’s the new cocaine” in “The Morning Show” with absolute conviction. It’s why his Jack can conjure intimacy even when surrounded by computer-generated automatons.“Sometimes giving folks a new dream to dream can make all the difference,” Jack says. And in Crudup’s mouth it sounds just about plausible.His co-stars Azaria and Haneefah Wood noticed this early in the shoot, during a scene in which Jack delivers a seminar-style version of his moonage daydream. Even having read the script, Azaria found himself weeping during the performance. His character, an insider on Jack’s team, would not have wept.“I had to hide from the camera that he had made me cry,” Azaria said.After the director called cut, Wood, who plays the team’s savvy accounts manager, approached Crudup. “And I was like, ‘[Expletive] you, Billy,’” she recalled. “‘Now my game has to step up so far, to be on just the same level.’”“But he gives you that energy,” she added. “He gives you the desire to just want to go all the way.”Whether or not Crudup has gone all the way, he has come pretty far. His career has been the opposite of a Ponzi scheme: He put the work in early on and he kept working. It’s only now, in these rich continuous roles, that he is seeing the return on his investment. And knowing he has made good has allowed him to hold himself a little more lightly. He’ll wear anyone’s shirt to an awards show now, he told me.“I feel less protective because I’ve been able to establish the career that I hoped to,” he said. Raking in the chips feels good. Maybe not as good as cornering the highway king crab market, but pretty good all the same.“It is miraculous to me,” he said. More