Curb Your Enthusiasm (TV Program)

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    James B. Sikking, Actor Best Known for ‘Hill Street Blues,’ Dies at 90

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    His natural rectitude landed him roles on hundreds of TV dramas and comedies, including the beloved “Car Pool Lane” episode of “Curb Your Enthusiasm.”James B. Sikking, an actor who specialized in comically and threateningly stern men, died on Saturday at his home in Los Angeles. He was 90.The cause was complications of dementia, a spokeswoman, Cynthia Snyder, said in a statement.Mr. Sikking combined a soldier’s leanness and square jaw with a gentleman’s horn-rimmed spectacles and neatly combed hair. As a Federal Bureau of Investigation director involved in high-level power players in the 1993 movie “The Pelican Brief,” he looked the part.“I have that professional, intelligent look in my eye that hires me as doctors, lawyers, professional people,” he told The New York Times in 1988.Among hundreds of roles on television, Mr. Sikking was best known for playing Lt. Howard Hunter on the police drama “Hill Street Blues” (1981-87). The show won 26 Emmys, a record for a drama until “The West Wing,” which ran from 1999 to 2006, reached the same total. The show “paved the way for today’s golden era of TV drama,” The Los Angeles Times wrote in 2014, a claim that many other commentators have made as well.Mr. Sikking’s character, who appeared in every episode, was a pipe-smoking disciplinarian and weapons expert who, when alone at home, might whisper lovingly to a puppy.He based the character’s persona and even dress on a drill instructor he had during a stint in the Army. “He was so ‘army’ that it was maddening,” Mr. Sikking told the entertainment and lifestyle publication Parade in 2014. “And he had just gotten his second lieutenant bars and he worked our butts off and he was totally unbending.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jeff Schaffer and Susie Essman on the ‘Curb Your Enthusiasm’ Finale

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      In an interview, Jeff Schaffer and Susie Essman discuss why Larry David revived the polarizing “Seinfeld” finale. “We know what you thought of that, and we don’t care,” Schaffer said.With a parade of callbacks and a twist a quarter-century in the making, “Curb Your Enthusiasm,” the HBO series starring Larry David as a heightened version of himself, ended its 20-plus-year run on Sunday.The final episode, which referenced the polarizing 1998 finale of “Seinfeld,” David’s previous show, was replete with the usual out-of-bounds commentary and cranky fixation on minutiae; David and his co-stars — Jeff Garlin, Susie Essman, J.B. Smoove, Richard Lewis — do not, by creative mandate, change. (“I’m 76 years old, and I have never learned a lesson in my entire life,” David tells a child in the episode, in the opposite of a teachable moment.) In real life, though, the cast are longtime friends, and have weathered much together, including the death of Lewis, who played himself, in February.On Monday, Jeff Schaffer, the longtime executive producer and director, and Essman — who portrayed Susie Greene, the scene-stealing, expletive-hurling wife of David’s manager (Garlin) — got together for a post-mortem video interview about the series that, they said, changed their lives. Essman was in her home in New York, and Schaffer, who got his start as a writer on “Seinfeld,” was in the “Curb” offices in Los Angeles, where a sign on the wall behind him, hanging askew, read: “No defecation please.” (It was a prop from Latte Larry’s, the “spite store” that David’s character opened to malign a neighboring coffee shop, Schaffer said. “And it’s a sentiment I feel is as true now as it was then.”)Essman and Schaffer spoke about filming their final moments with Lewis, how the characters could live on, and why the “Seinfeld” finale idea led to the end of the series. These are edited excerpts from the conversation.When did you conceive of the finale?JEFF SCHAFFER It was July of ’22. We were writing the season — we weren’t that far — and we knew that we were starting with Georgia. [In the season premiere, David’s character gets arrested for giving a woman water while she waits to vote in defiance of a local election law.] When you start with a crime, one of the possibilities is a trial. So that was floating around, one of the many paths that we could go down.And we were just talking about a little story, of Larry not wanting to be involved in a kid’s lesson. We talk out the scene and distill it down to a few lines. In character, he said, “I’m 75 years old, I’ve never learned a thing in my life.” And that was the moment for us where we said, “Hold on a second, what if we just blew that up and just told everybody: ‘Larry’s never learned his lesson,’ and just did the ‘Seinfeld’ trial again?” Just owned it. Like, we know what you thought of that, and we don’t care. We’ve learned nothing. We’re going right at it. We’re steering the Titanic right back at the iceberg.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The ‘Curb Your Enthusiasm’ Series Finale Wraps Up Like ‘Seinfeld’: Review

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      Larry David’s HBO comedy ended on Sunday after 12 seasons. Longtime fans might have noticed similarities with a certain earlier sitcom.After 12 seasons, spread across 25 years, the HBO comedy staple “Curb Your Enthusiasm” ends with an episode that sees Larry David put on trial. Witness after witness testifies to Larry’s lifetime of selfish and antisocial behavior. The jury finds him guilty, of course.Then he gets out of jail on a technicality and goes home. Because that’s the only kind of ending that makes sense in “Curb”-world.In fact, even former “Curb Your Enthusiasm” fans who hadn’t watched the show in years — but dropped back in for the finale — probably could have predicted how it was going to end. David (the creator, not the character) has never varied much from the formula he introduced on HBO back in 2000, when he first started telling darkly farcical, often cringe-inducing stories about the twists and turns of modern manners, featuring a fictionalized, exaggerated version of himself: a ridiculously rich crank, living off the fortune he made cocreating the sitcom “Seinfeld.”The final episode pays off a story line that had run through the final season since the premiere, when Larry (the character, not the creator), gave an old acquaintance named Auntie Rae Black (Ellia English) a bottle of water while she was waiting in line to vote in Atlanta, in violation of a Georgia election law.It also validated the popular theory that the “Curb Your Enthusiasm” finale would reflect or at least reference the polarizing final episode of “Seinfeld,” which David wrote. With its trial setting, callbacks to earlier episodes and cameos from memorable past guest stars, the “Curb Your Enthusiasm” finale mirrored the basic premise of the “Seinfeld” one, with a few key tweaks, and Jerry Seinfeld played a key role.In the “Seinfeld” finale, the main characters were put on trial for violating a Good Samaritan law by failing to help a person in need. In the “Curb” finale, Larry is on trial for being a Good Samaritan; the voting line incident had made him a folk hero to voting rights advocates. But in the world of the show, the words “hero” and “Larry David” couldn’t remain closely linked for long — it causes too much cognitive dissonance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Curb Your Enthusiasm’ Finale Brings Memories of Divisive ‘Seinfeld’ Ending

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      As “Curb Your Enthusiasm” draws to a close, the “Seinfeld” co-creator gets another shot at ending a TV show.Larry David has long defended the “Seinfeld” finale. He’s often been its lone champion as critics, fans and the cast, including Jerry Seinfeld, have continued to lament the conclusion of one of television’s most successful, enduring sitcoms.On Sunday, David — the “Seinfeld” co-creator who left the show after its seventh season but returned to write the two-part finale, which aired on May 14, 1998 — will wrap up his other popular show: “Curb Your Enthusiasm,” the on-again, off-again 12-season HBO comedy that started in 2000. And, if the signs are to be believed, the final episode may pay homage to the much-maligned “Seinfeld” send-off.If you didn’t experience it, it’s a tall order to convey the hype that surrounded the end of “Seinfeld,” which took the gang out of New York City and landed them in a Massachusetts jail for violating a Good Samaritan Law. A trial included a parade of character witnesses, many of them wronged by the defendants over nine seasons, attesting to their unethical behavior. Jerry, George, Elaine and Kramer were found guilty of, as the prosecutor put it, “selfishness, self-absorption, immaturity and greed.”“Seinfeld” was at the peak of its popularity, a cultural juggernaut and still making record profits for NBC at the end of its run — about $200 million a year, according to advertising industry estimates at that time. Nonetheless, Seinfeld was ready to close shop, turning down an offer from the network that would have been the most lucrative deal ever extended to a television star.“We’ve all seen a million athletes where you say, ‘I wish they didn’t do those last two years,’” Seinfeld said at the time. “I wanted the end to be from a point of strength. I wanted the end to be graceful.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Are People Obsessed With TV Finales ‘Sticking the Landing’?

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      As “Curb Your Enthusiasm” gets ready to exit, it’s time to let go of the idea that a story’s ending determines its final score.Larry David is just fine with how “Seinfeld” ended. OK, I can’t read his mind — but “Larry David,” the version of himself he plays on “Curb Your Enthusiasm,” is cool with that much-maligned finale. He insisted on it, vehemently, during a season of “Curb” that was almost entirely about a fictional do-over of the landmark sitcom he created with Jerry Seinfeld.“We didn’t screw up a finale!” he insisted. “That was a good finale!”The actual Larry David may be sanguine about repeating the experience of “Seinfeld.” The 12th and final season of “Curb” has even been steering toward a similar scenario, with TV Larry facing a trial, much as his earlier series ended.But the rest of the viewership is more likely to look at the final episode the way we have become conditioned to view a series finale: as a high-stakes, legacy-defining challenge. Will we laugh with it or at it? Will it cement the series’s place in history or tarnish it? Will it — say it with me now — stick the landing?Ugh. There are plenty of clichés in TV criticism, and I am not immune to using them. But “stick the landing” is one that awakens my cantankerous inner Larry David — not just because it is an overused phrase, but because of what it says about art and endings and what matters in both.The term, of course, comes from gymnastics, part of a creeping sportsification of pop-culture criticism that has also given us assorted TV power rankings and myriad March Madness-style brackets. (Didn’t arts nerds spend enough time getting stuffed into lockers by jocks without having to live inside their language, too?)Applied to TV, sticking the landing suggests that a finale is the equivalent of a vaulter’s dismount. The concentrated force of narrative momentum is channeled into a moment of impact, and the series either hits the mat firmly or shatters a leg. It’s the difference between the thrill of victory and the agony of defeat.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      “Curb Your Enthusiasm” Was Larry David’s Book of Manners

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      Suppose you’re out at brunch and find yourself in a buffet line that a fellow diner does not appear to have noticed. He casually approaches with his plate and tries to serve himself. Do you A. join the hangry mob cursing him or B. rise to this man’s defense, because you can see that he’s holding a plate, which means he already waited in line and is now returning for another helping? If you’re Larry David, not only is the answer B. but the misunderstanding warrants, in your scratchy Brooklyn accent, a triumphant clarification: “That’s not how we do things here in America! We don’t wait for seconds! Never!”Listen to this article, read by Ron ButlerOpen this article in the New York Times Audio app on iOS.Larry knows from buffet breaches. He once caught someone pulling what he termed a chat-’n’-cut, gaining proximity to food by talking to someone with a choicer position in line. He doesn’t like it but is impressed anyway. (“I respect your skills.”) Another time, when a restaurant employee accuses him of violating its buffet policy by sharing his plate with his manager and main man, Jeff, a lawyer magically appears to clarify for the employee that after a diner purchases a meal what he does with it is his business. Justice — and brunch — have been served.But now let’s suppose that you’re a serious, middle-aged woman named Marilyn, and you’ve decided to host dinner for your new beau’s closest friends, and the guests include this Larry David, whom you’ve already had to shoo from the arm of one of your comfy chairs. The group raises a glass and toasts your hospitality — well, everybody except you know who. Susie, who is married to Jeff and clearly finds Larry as much of an irritant as you’ve begun to, asks, “You can’t clink, Larry?” Why should he? “Because it’s a custom that people do, which is friendly and nice.” Larry takes a sip of water and asks the most peculiar question: “What is this, tap?” It is. His response? “Surprised you don’t have a filter.” Do you A. serve him your coldest glance and witheringly reply, “You have no filter,” or B. ask him to leave your home? If you’re Marilyn, you do both.Susie Essman, who has been the show’s true superego, and Larry David in Episode 5 of Season 12.Warner Brothers DiscoveryThese stories hail from “Curb Your Enthusiasm,” which is scheduled to deliver its final episode on April 7, after 12 seasons and 24 years on HBO. In each incident, bald, bespectacled, wiry, wealthy Larry has stepped out of line, once physically, to defend or offend. I went back and watched the whole series and would like to report that television has never had anything like this show, nothing as uncouth and contradictory and unhinged and yet somehow under a tremendous amount of thematic control, nothing whose calamity doubles as a design for living. It presents the American id at war with its puritanical superego. Sometimes Larry is the one. Sometimes he’s the other. The best episodes dare him to inhabit the two at once, heretic and Talmudist.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      J.B. Smoove of ‘Curb Your Enthusiasm’ Thinks You Should Get Out More

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      Although he plays a sort of permanent houseguest on “Curb Your Enthusiasm,” “I tell young people all the time to go places,” he says.J.B. Smoove has been here before.“This is almost like the old ‘S.N.L.’ story,” he said, referring to when he lost his writing job on “Saturday Night Live” in 2006. “Something has to go away for something to come in.”This time, what’s ending is “Curb Your Enthusiasm,” on which he plays Leon Black, Larry David’s foulmouthed houseguest who never left.What’s coming in is Smoove Season.“Larry might be ready to hang them up,” he said. “I’m ready to take them off. This is my time to introduce all things that I love” — among them, producing and his new lines of watches and hat boxes. “I think there’s something really interesting about building something that you’re always building. It is never finished.”In fact, Smoove still isn’t certain that this 12th and final season of “Curb” is actually its last.“I never know what the temperature is because as the world keeps changing, Larry keeps thinking of ways to get us through it and explain it to us in his way,” Smoove said on a video call before talking about sharp suits, cigar cars and his beloved R.V. These are edited excerpts from the conversation.1Close DancingMy wife, Shah, calls me Twinkle Toes. I started in a dance crew when I was younger. And man, I’ve been dancing my whole life. My wife and I, any event we go to, we are literally the life of the party. We like dirty dancing. We like to do our little moves. And we dance even better when we know people are watching us.2Suits, Shoes, ShadesThat is the J.B. look right there. I would wear a suit every day if I could. It forces your posture. You have to purposefully have your suit to the point where you have to breathe in and then you button your top button and you don’t exhale for the rest of the night. If that belly is sticking out, you are not doing that suit justice.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      With Richard Lewis, Kvetching Was Charismatic

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      The comedian gave his Jewish neurotic persona a nervy cool even as he threw his whole body into his comedy.In the 1980s, Jewish characters were scarce on television. There were broadcasters (Howard Cosell) and the occasional talk show host (Joan Rivers), but no Jews leading a cast on prime time. Then in the final year of the decade, that changed, and a glut of anxious men arrived, kvetching, quipping and dating shiksas.Jackie Mason had his own sitcom, short-lived; Jerry Seinfeld had his, a classic. Then the following year, Rob Morrow played a Jewish doctor fish-out-of-watering in Alaska on “Northern Exposure.” But to my young Jewish eyes, none of them was as charismatic as Richard Lewis on the sitcom “Anything but Love.”Constantly grappling with a thick mane of hair, he played a smart Chicago journalist who charmed his love interest, played by Jamie Lee Curtis, whose royal status back then was derived from being pursued by an only slightly more relentless man in “Halloween.” Whereas Michael Myers paced calmly in a silly jumpsuit, Lewis bellyached in moody black outfits. For those who know him as the cranky friend of Larry David on “Curb Your Enthusiasm,” it may be a surprise that Richard Lewis, who died at 76 this week, cut a seductive figure: clever, cool, darkly morose.“Anything but Love” didn’t have the inspired absurdity or cutting wit of “Seinfeld,” and it began with the most sentimental theme song in the history of television. (Second place: “Family Ties.”) But Lewis brought a nervy energy that pushed against the saccharine instincts of network sitcoms. If he seemed like a new kind of Jewish neurotic comic, he built this persona in comedy clubs. His stand-up was full of stories about his love life that somehow managed to be self-deprecating and glamorous. He once told David Letterman, “The woman I’m with now insisted on having intercourse only with a raven on her shoulder.”William Knoedelseder’s book “I’m Dying Up Here,” about stand-up in the 1970s, presents Lewis as the Lothario of the scene, dating stars like Debra Winger and once picking up a Danish baroness at the Improv in Manhattan with this line: “I’ll take you out for a tuna fish sandwich anywhere in the city.” It worked.Lewis belonged to a class of young stand-ups, like Seinfeld and Bill Maher, who were influenced by the acerbic Everyman persona of Robert Klein. But Lewis eventually developed a frenetic, jazzy style that also owed something to chaos agents like Mel Brooks and Robin Williams. His jokes were delivered with rollicking energy, making misery a full-body exercise, slumping, pacing and, most of all, gesticulating. His comedy had choreography, a visual language of pointing, air-sawing and face clasps. To say he talked with his hands seems insufficient. His whole body never shut up.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Richard Lewis and Larry David’s Lifelong Friendship

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      The two comics were born three days apart in the same Brooklyn hospital, and their paths never stopped crossing. They became the best of friends — in their own way.If ever a Hollywood friendship was destined to be, it might have been the one between the comics Larry David and Richard Lewis, who died from a heart attack on Tuesday at 76. They were born just three days apart in 1947 at the same Brooklyn hospital. When they were 12, they met at summer sports camp, and instantly detested each other. That would set the tone that would define their friendship — and their onscreen relationship — for the rest of their lives.“I disliked him intensely,” Lewis told The Spectator last year, calling the young David cocky and arrogant. “When we played baseball, I tried to hit him with the ball. We were archrivals. I couldn’t wait for the camp to be over just to get away from Larry. I’m sure he felt the same way.” (He did. “We hated each other,” David said during a 2002 interview.)About a decade or so later, they found themselves performing at the same New York comedy club — both honing their similar brand of neurotic humor — but didn’t recognize one another at first. Later that same night, something clicked inside Lewis: “I looked at his face, and I said, ‘There’s something about you, man, that spooks me.’” With that, their memories were jogged.“We became instant best friends,” David said of Lewis during that 2002 interview, at the Paley Center for Media. In 2010, talking with Howard Stern, Lewis said, “When I became a comic, he loved my work, and I loved his work.”“For most of my life, he’s been like a brother to me,” David said of Lewis in a statement on Wednesday, shared by HBO. “He had that rare combination of being the funniest person and also the sweetest. But today he made me sob and for that I’ll never forgive him.”David was not available for questions on Thursday morning.Last month, Lewis spoke to The Times’s Melena Ryzik about those early days. “Without sounding too pompous about it, I always dug comedians who were the same onstage as they were offstage,” Lewis said, referring to David. “There wasn’t too much fake stuff going on, they didn’t create a character, they were just who they were.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More