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    Phyllis Dalton, Oscar-Winning Costume Designer for Historical Epics, Dies at 99

    Phyllis Dalton, a British costume designer whose unflinching attention to detail earned her Oscars for “Doctor Zhivago” and “Henry V” and acclaim for her emotive, striking costumes in “Lawrence of Arabia,” died on Jan. 9 at her home in Somerset, England. She was 99.The death was confirmed by her stepson, James Barton.Ms. Dalton’s keen eye was most apparent in period dramas and historical epics. She was known for her subtlety, crafting clothing that blended seamlessly into each film’s era.“Anyone can make a smart frock,” she said in a brochure that was handed out during a 2012 British Academy of Film and Television Arts tribute to her. “It’s much more difficult to make people from the past who are wearing ordinary clothes look real.”Phyllis Margaret Dalton was born on Oct. 16, 1925, in Chiswick, a suburb of London, to William John Tysoe Dalton, who worked for the Great Western Railway, and Elizabeth Marion (Mason) Dalton, who worked at a bank. Phyllis began studying costume design at Ealing Art College at 13 and later became a code breaker in the Women’s Royal Naval Service at the facility at Bletchley Park, a role she once said she considered “unbelievably boring.”One of Ms. Dalton’s earliest stints in wardrobe was on the 1950 crime melodrama “Eye Witness.” She honed her skills working on costumes for Alfred Hitchcock’s 1956 remake of “The Man Who Knew Too Much,” Robert Rossen’s “Island in the Sun” (1957) and Carol Reed’s “Our Man in Havana” (1959). In the 1960s, she completed two of her most renowned designs three years apart, dressing entire armies for “Lawrence of Arabia” (1962) and “Doctor Zhivago” (1965).After 50 years of experience on more than 40 feature films, including “The Princess Bride” (1987), she earned her last credit on Kenneth Branagh’s adaptation of “Much Ado About Nothing” in 1993.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Zakir Hussain, Peerless Indian Tabla Player, Dies at 73

    Considered a national treasure in his homeland, the percussionist transcended genres and brought classical Indian music to a global audience.Zakir Hussain, a peerless Indian tabla player who transcended genres and brought classical Indian music to a global audience, died on Sunday. He was 73.He died of idiopathic pulmonary fibrosis, a chronic lung disease, in San Francisco, where he lived, his family said in a statement.Considered a national treasure in his native India, Mr. Hussain won four Grammy Awards and collaborated with a range of superstar artists that included the cellist Yo-Yo Ma, the jazz master Charles Lloyd, the sitarist Ravi Shankar and George Harrison of the Beatles.He was born Zakir Allaraka Qureshi on March 9, 1951, in Bombay, now Mumbai. His father was the tabla master Alla Rakha Qureshi, better known as Alla Rakha or sometimes Allarakha. Zakir’s mother, Bavi Begum, changed his surname to Hussain a few days after he was born, on the advice of a Muslim saint, he said.Mr. Hussain was a child prodigy who began performing concerts on the tabla by age 7 and was touring by age 12, according to the U.S. National Endowment for the Arts, which gave him a fellowship.Both father and son were given the honorific Ustad, which means master. Together, they helped elevate the status of the tabla, a pair of Indian drums played by hand, from an accompanying instrument to one played by virtuosos. In 2009, Zakir Hussain performed four sold-out concerts at Carnegie Hall in New York.Earlier this year, he won Grammy Awards for contemporary instrumental album, global music album and global music performance. In 2009, he won the best contemporary world music album award.Mr. Hussain is survived by his wife, Antonia Minnecola; his daughters, Anisa Qureshi and Isabella Qureshi; his brothers, Taufiq Qureshi, and Fazal Qureshi, also tabla players; and his sister, Khurshid Aulia, according to his family.A complete obituary will follow.Alexandra E. Petri More

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    Conan O’Brien’s Parents Die 3 Days Apart

    Thomas O’Brien, an epidemiologist, and Ruth O’Brien, a lawyer, juggled successful careers with raising six children, including the comedy star.The parents of Conan O’Brien, the longtime late-night television host and a star in the comedy world, died this week within days of one another.Thomas Francis O’Brien, 95, an epidemiologist, and Ruth Reardon O’Brien, 92, a lawyer who made strides for women in the legal field, both died at their home in Brookline, Mass., according to the Bell O’Dea Funeral Home. Dr. O’Brien died on Monday, and Ms. O’Brien, died on Thursday.Happy families are not exactly a common topic in comedy. The parents of Conan O’Brien, 61, were not only celebrated in their respective fields but by the most well-known of their six children.Conan O’Brien credited his father with introducing him to comedy and described him in an interview this week in The Boston Globe as “the funniest guy in the room.” He added that his father had a “voracious appetite for ideas and people and the crazy variety and irony of life.”Ruth R. O’BrienThomas F. O’Brien, M.D.Bell O’Dea Funeral HomeThomas O’Brien spent most of his career at what is now Brigham and Women’s Hospital in Boston, where he was the first director of the infectious diseases division, and was on faculty at Harvard Medical School. He also was a co-founder of the Collaborating Centre for Surveillance of Antimicrobial Resistance for the World Health Organization. He became known for his work around antibiotic-resistant bacteria.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Martial Solal, French Jazz Piano Virtuoso, Is Dead at 97

    Mr. Solal, who also wrote music for films and symphony orchestras, was revered in Europe and hailed in the United States on his rare visits there.Martial Solal, Europe’s pre-eminent jazz pianist, who recorded dozens of startlingly original albums in a career of almost three quarters of a century and who wrote scores for numerous films, including Jean-Luc Godard’s masterpiece “Breathless,” died on Thursday in Versailles, France. He was 97.His death, in a hospital, was announced by Rachida Dati, France’s minister of culture.Mr. Solal, who was born in Algeria, was 34 when he performed his first concert at the landmark Salle Gaveau concert hall in Paris, his adopted home, in 1962. He was 91 when he took the same stage in 2019 for his farewell concert.The two performances were bookends to an extraordinary career in which he recorded countless albums and wrote music for solo piano, big bands and symphonies, including four concertos for piano and orchestra, as well as the film scores.Although he was little known in the United States, the critic Francis Davis, writing in The New York Times in 2001, said that Mr. Solal “might be the greatest living European jazz pianist — and is at least the equal of any in the United States.”In 2010, John Fordham, the chief jazz critic of The Guardian, called him “France’s most famous living jazz artist.”Mr. Solal was admired as much for his technical virtuosity as for his exploratory improvisations. Critics compared him to the great jazz pianist Art Tatum, and his playing at times echoed (without imitating) the likes of Duke Ellington and Thelonious Monk. But he blazed his own path, combining spare melodic lines with lush chordal passages in a style the French newspaper Le Monde described as “cutting through his music with the precision of a goldsmith.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Amazing Kreskin, Mentalist and 1970s TV Star, Dies at 89

    His display of mysterious mind-reading powers on TV made him a pop culture phenomenon in the 1970s.George J. Kresge, who as the entertainer the Amazing Kreskin used mentalist tricks to dazzle audiences as he rose to fame on late-night television in the 1970s, died on Tuesday in Wayne, N.J. He was 89. A close friend, Meir Yedid, said the death, at an assisted living facility, was from complications of dementia.Kreskin’s feats included divining details of strangers’ personal lives and guessing at playing cards chosen randomly from a deck. And he had a classic trick at live shows: entrusting audience members to hide his paycheck in the auditorium, and then relying on his instincts to find it — or else going without payment for a night.George Joseph Kresge Jr. was born in Montclair, N.J., on Jan. 12, 1935, and became known professionally as either the Amazing Kreskin or just Kreskin. As a child he was drawn to both magic and psychology, he said, and by the time he was a teenager he was performing mentalist tricks for audiences.His star rose in the 1970s and early 1980s when he was a regular guest on the talk show circuit. He made dozens of appearances on “The Tonight Show Starring Johnny Carson” — 88 according to some sources — and was also seen on “The Mike Douglas Show” and “Late Night with David Letterman,” among other shows. (In the 21st century, he appeared on “The Tonight Show” when Jimmy Fallon was the host.)With other famous guests, he played psychological tricks that looked like magic: asking people to put their fingers on objects that would seem to move, for example, or guessing what card had been pulled from a deck.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Martin Benson, Regional Theater Impresario, Dies at 87

    South Coast Repertory, which he founded with a partner, was a major force in Southern California theater. He directed more than 100 of its productions.Martin Benson, a founder and longtime artistic director of South Coast Repertory, a nationally renowned regional theater in Southern California that won a Tony Award in 1988, died on Nov. 30 at his home in Huntington Beach, Calif. He was 87.Justin Krumb, his stepson, said the cause was probably a heart attack.Mr. Benson and David Emmes, friends and former theater students at San Francisco State College (now University), started South Coast Repertory in 1964 and developed it as a home for classic works and newly commissioned plays and musicals. As Orange County’s first professional theater, it filled a void.“We’ve always been a theater of literature,” Mr. Benson told The New York Times in 1988. “Shaw, Synge, Wilde and new playwrights.”South Coast’s many world premieres included Margaret Edson’s Pulitzer Prize-winning “Wit,” Donald Margulies’s “Sight Unseen,” Craig Lucas’s “Prelude to a Kiss” and Richard Greenberg’s “Three Days of Rain” — all of which went on to Off Broadway and Broadway runs. Sam Shepard’s “True West,” with Ed Harris and John Ashton, made its Southern California premiere in 1981. Ten of Mr. Greenberg’s plays were commissioned by South Coast and had their premieres there.Mr. Benson directed 119 productions and won seven Los Angeles Drama Critics Circle Awards: three for plays by George Bernard Shaw, whose works he specialized in, and the others for “Wit,” Arthur Miller’s “The Crucible,” John Millington Synge’s “The Playboy of the Western World” and Sally Nemeth’s “Holy Days.”Mr. Benson, left, in an undated photo with David Emmes, with whom he founded South Coast Repertory, and Jerry Patch, the company’s resident dramaturg.Glenn Koenig/Los Angeles Times, via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Michael Cole, ‘Mod Squad’ Actor, Dies at 84

    Mr. Cole, who played the wealthy Pete Cochran, had been the last of the show’s three stars still living.Michael Cole, the actor best known as Pete Cochran, the last of three actors who played hip, young undercover police officers on ABC’s hit show “The Mod Squad,” died on Tuesday. He was 84.A cause of death was not given. His death was confirmed by Christy Clark of the Stewart Talent Agency, which represented Mr. Cole.Mr. Cole was a young, struggling actor when he achieved overnight success on the police crime drama “The Mod Squad,” which ran on ABC from 1968 to 1973 and co-starred Peggy Lipton and Clarence Williams III.“The Mod Squad” was one of the first prime-time series to acknowledge the hippie counterculture and an early example of multiracial casting. It centered on three hippies in trouble with the law, who avoid jail time by joining the police department and working undercover. Mr. Cole was cast as Pete Cochran, a wealthy kid who was kicked out of his parents’ house for stealing a car. Mr. Williams played Linc Hayes, and Ms. Lipton played Julie Barnes.The trio gave the show one of its taglines: “One black, one white, one blonde.”The show became a runaway hit, tackling racism, abortion, the Vietnam War and drug abuse. It launched Mr. Cole, whose Hollywood résumé was thin, to fame.Clarence Williams III, Michael Cole and Peggy Lipton while shooting “Mod Squad” outside the Los Angeles County Museum.Bettmann — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Steve Mensch, President of Tyler Perry Studios, Dies at 62

    Mr. Mensch, a longtime supporter of the film industry in Georgia, died in a plane crash on Friday in Florida, according to officials.Steve Mensch, a film executive in Georgia who pushed for state policies to support the industry and who was the president of Tyler Perry Studios, died in a plane crash in Florida on Friday. He was 62.Mr. Mensch was the sole occupant of a small-engine fixed-wing aircraft that crashed on Highway 19 in Homosassa, Fla., just after 8 p.m. on Friday, according to the Citrus County Sheriff’s Office. The Federal Aviation Administration and the National Transportation Safety Board are investigating the crash.Mr. Mensch worked at Tyler Perry Studios for more than eight years, managing the 330-acre studio in Atlanta that was once home to Fort McPherson, a U.S. military base that closed in 2011, according to the company.Mr. Perry, the actor and entertainment mogul whose movies and television shows often depict the lives of Black Americans, bought the decommissioned base for $30 million in 2015.The lot has been a host to many of Mr. Perry’s projects, like “Boo! A Medea Halloween,” featuring Mr. Perry in his comedic role. Since his breakout role as Madea, Mr. Perry has appeared in nearly 50 shows and movies, including “Don’t Look Up” and “Gone Girl” and has over 70 producer credits, according to IMDb.Other shows and films have been shot at his studio, including “Pitch Perfect 3,” “The Walking Dead” and “Black Panther.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More