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      Carla Bley, Jazz Composer, Arranger and Provocateur, Dies at 87

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      Her music, which ranged from chamber miniatures to blaring fanfares, was suffused with a slyly subversive attitude.Carla Bley, an irrepressibly original composer, arranger and pianist responsible for more than 60 years of wily provocations in and around jazz, died on Tuesday at her home in Willow, a hamlet in upstate New York. She was 87.Her longtime partner in life and music, the bassist Steve Swallow, said the cause was complications of brain cancer.Ms. Bley’s influential body of work included delicate chamber miniatures and rugged, blaring fanfares, with a lot of varied terrain in between. She was branded an avant-gardist early in her career, but that term applied more to her slyly subversive attitude than to the formal character of her music, which always maintained a place for tonal harmony and standard rhythm.Within that given frame, Ms. Bley found plenty of room to confound expectations and harbor contradictions. In the 2011 biography “Carla Bley,” Amy C. Beal described her music as “vernacular yet sophisticated, appealing yet cryptic, joyous and mournful, silly and serious at the same time.”Certainly, few composers in Ms. Bley’s generation were as prolific or polymorphic in their output while projecting an identifiable point of view. She wrote elegant, drifting songs that became jazz standards, like “Ida Lupino” and “Lawns”; yearning, cinematic big-band pieces, like “Fleur Carnivore”; iconoclastic rearrangements of national anthems and classical fare; and unwieldy, uncategorizable projects like her jazz-rock opera “Escalator Over the Hill.”Originally issued on three LPs, “Escalator Over the Hill” was named album of the year by the weekly British publication Melody Maker in 1973, the same year it won a Grand Prix du Disque, France’s most prestigious award for musical recordings. With a surrealistic libretto by the poet Paul Haines, a cast including some of the era’s leading jazz renegades and vocals by Linda Ronstadt and Jack Bruce of the rock band Cream, it captured the woolly, insubordinate spirit of the age, just as it consolidated the elements of Ms. Bley’s style.That style could be a lot to take in, as John S. Wilson noted a decade later in The New York Times: “She made strong and dramatic use of darkly colored ensembles, of the tuba as a solo instrument or the core of a passage, of trombone solos that could be wildly broad and flatulent or warm and snuggling, of brass-band ensembles with a wry, ragged sound, of saxophones that came squirming up out of stolid fundamentalist ground to a shrill avant-garde ecstasy.”Ms. Bley’s portfolio as a leader included a big band stocked with some of the leading musicians in New York; a fusionesque sextet, whose ranks included Larry Willis on acoustic and electric piano and Hiram Bullock on guitar; and a chamberlike trio featuring Mr. Swallow and the saxophonist Andy Sheppard. She was the original conductor and arranger of the Liberation Music Orchestra, the revolutionary-minded ensemble formed by the bassist Charlie Haden in 1969, and continued to lead it in tribute after Mr. Haden’s death in 2014.When she was recognized as a National Endowment for the Arts Jazz Master in 2015, Ms. Bley expressed wonderment, still convinced of her fringe existence. “When I first toured Europe with my own band, the audience threw things at me — and I mean fruit mostly, but bottles too,” she said in 2016. “I loved it. Nobody else got fruit thrown at them. That’s so wonderful! Anything that happened that was out of the ordinary, I appreciated.”Ms. Bley at her home in Willow, N.Y., in 2016. “I’m a composer who also plays piano,” she once said, “and I sometimes feel I should wear a sign onstage saying ‘She Wrote the Music.’”Lauren Lancaster for The New York TimesBorn Lovella May Borg in Oakland, Calif., on May 11, 1936, Ms. Bley came to music largely through the ministrations of her father, Emil Carl Borg, a church organist, choirmaster and piano teacher. She was 8 when her mother, Arline (Anderson) Borg, died of heart failure.Ms. Bley’s childhood was dominated by church meetings rather than movies or pop culture. “I was doused in religion, soaked in it, terrified of going to hell,” she recalled in 1974. But she was also an instinctual nonconformist, and by her teens she had broken free of those religious moorings, initially to pursue an interest in competitive roller-skating.She first encountered jazz at age 12, via a concert by the vibraphonist Lionel Hampton. At 17, she hitchhiked across the country to New York City, epicenter of the jazz scene. She worked as a cigarette girl at Birdland, where the Count Basie Orchestra was often in residence. “I was just this girl from Oakland in a green dress I made myself, looking totally out of place, un-New Yorkerly, holding cigarettes,” she recalled. “I think I was noticeable.”One musician who took notice was the pianist Paul Bley. They married in 1957, and he encouraged her to write; most of her earliest compositions appeared on his albums. The noted composer George Russell provided further validation when he commissioned her to write for his sextet. Some of her other pieces, like “Ictus” and “Jesus Maria,” were recorded by the clarinetist and saxophonist Jimmy Giuffre’s trio, with Mr. Swallow and Mr. Bley.Jazz was undergoing a creative revolution in the 1960s — and, partly by association, Ms. Bley found herself at the turbulent center of an emerging avant-garde. She was a founder of the Jazz Composers Guild, which sought better working conditions for musicians. Though short-lived, it yielded a productive institution: the Jazz Composer’s Orchestra, which Ms. Bley formed with the Austrian trumpeter Michael Mantler. After she divorced Mr. Bley in 1967, she and Mr. Mantler married.Ms. Bley is survived by a daughter from that marriage, the vocalist, pianist and composer Karen Mantler, and by Mr. Swallow, her partner of more than 30 years.Ms. Bley in concert in Amsterdam in 1989.Frans Schellekens/Redferns, via Getty ImagesBy the late 1960s, Ms. Bley was widely recognized as a composer full of fresh ideas: The prominent vibraphonist Gary Burton featured her music exclusively on “A Genuine Tong Funeral,” an RCA release on which he led an ensemble that included Mr. Mantler, the saxophonist Gato Barbieri and the tuba and baritone saxophone player Howard Johnson, among others.Those and other musicians from the ranks of the Jazz Composer’s Orchestra formed the core personnel on “Escalator Over the Hill.” Though it was intended for release on a major label, Ms. Bley and Mr. Mantler grew disillusioned with label negotiations and formed JCOA Records to release it — along with the New Music Distribution Service, a pioneering nonprofit distributor for independent releases.After Ms. Bley received a Guggenheim fellowship for composition in 1972, she and Mr. Mantler formed another label, Watt. It released more than two dozen of her albums over the next 35 years, with distribution through ECM Records.Ms. Bley had more than fleeting contact with rock: In 1975 she joined a band with Mr. Bruce on bass and Mick Taylor of the Rolling Stones on guitar. And she wrote all the songs for “Nick Mason’s Fictitious Sports,” a 1981 album credited to Mr. Mason, the drummer in Pink Floyd, with lead vocals by Robert Wyatt, formerly of Soft Machine.During the 2010s, Ms. Bley focused a good deal of her energies on the Liberation Music Orchestra, preserving Charlie Haden’s musical vision as well as his commitment to left-leaning social activism: She included a new version of her late-’60s composition “Silent Spring” on the orchestra’s fifth album, “Time/Life,” released in 2016. As a performer she worked mainly with Mr. Sheppard and Mr. Swallow, touring internationally and releasing several albums for ECM.Ms. Bley outside her home in 2016.Lauren Lancaster for The New York TimesFeaturing some of Ms. Bley’s sparest and most beguilingly lyrical compositions, these albums — the most recent of which, “Life Goes On,” was released in 2020 — also naturally put a spotlight on her piano playing, which had long been a source of mixed feelings for her.“I’m a composer who also plays piano,” she told the German journalist Thomas Venker in 2019, “and I sometimes feel I should wear a sign onstage saying ‘She Wrote the Music.’”But speaking with The Times in 2016, Ms. Bley noted with satisfaction that the idiosyncrasies in her playing were her own:“There’s nobody that plays like me — why would they? So if I’ve had an influence, maybe it would be if they decided to play like themselves. In other words, the whole idea of not playing like anybody is a way of playing.” More

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      Suzanne Somers, Star of ‘Three’s Company,’ Is Dead at 76

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      She became famous for playing, as she put it, “one of the best dumb blondes that’s ever been done,” then became a sex-positive health and diet mogul.Suzanne Somers, who gained fame by playing a ditsy blonde on the sitcom “Three’s Company” and then later built a health and diet business empire, most notably with the ThighMaster, died on Sunday at her home in Palm Springs, Calif. She was one day away from turning 77.The cause was breast cancer, Caroline Somers, her daughter-in-law, said.“Three’s Company” first went on the air in 1977. The show told the story of two roommates — Chrissy Snow, a secretary, played by Ms. Somers; and Janet Wood, a florist, played by Joyce DeWitt — who welomed a man to join them as a third roommate: Jack Tripper, a culinary student played by John Ritter. Since their landlord would frown on an unmarried man living with two single women, the group pretended that Jack was gay.High jinks ensued. The show featured slapstick comedy, lighthearted misunderstandings and jokey one-liners.By the show’s fifth season, “Three’s Company” was one of the nation’s most popular sitcoms. Ms. Somers’s acrimonious contract negotiations with ABC became news. In 1982, The Times reported that she had wanted a raise to $50,000 from $30,000 an episode. In recent years, Ms. Somers repeatedly said that she had sought $150,000, in line with Mr. Ritter’s pay.She did not get the pay increase. Instead, she was fired.“I’ve been playing what I think is one of the best dumb blondes that’s ever been done, but I never got any credit,” she told The Times that year. “I did it so well that everyone thought I really was a dumb blonde.”Ms. Somers’s first notable role came in the 1973 film “American Graffiti.” She appeared only briefly, mouthing “I love you” to one of the stars, Richard Dreyfuss; the credits listed her as “Blonde in T-Bird.”But that scene was beguiling enough to earn her a spot on “The Tonight Show” with Johnny Carson, who, Ms. Somers recalled earlier this year in an interview with Page Six, introduced her as “the mysterious blonde in the Thunderbird from ‘American Graffiti.’”Ms. Somers in New York in 2020. After leaving “Three’s Company,” she appeared in many other television shows, including “Step by Step.”Mark Sommerfeld for The New York TimesAppearing on “The Tonight Show,” she said, got her the audition for “Three’s Company.”In the years after “Three’s Company,” Ms. Somers remained recognizable for frequent appearances in movies and on television, including the 1990s sitcom “Step by Step,” a stint co-hosting the television series “Candid Camera” and a wide variety of talk shows.But her later reputation sprang from her business acumen — which proved to be more formidable than ABC’s executives appreciated in 1980.She and her husband, Alan Hamel, made the ThighMaster, a workout device, one of the most recognizable products in infomercial history, thanks in part to Ms. Somers’s many leggy appearances alongside the product. The ads showcased her beauty and her advice that is “it’s easy to squeeze, squeeze your way to shapely hips and thighs.”More than 10 million units of the ThighMaster have been sold over the years at an average price of about $30, Caroline Somers said. She is not only Ms. Somers’s daughter-in-law but also the president of her mother-in-law’s company, which owns the ThighMaster and has overseen Ms. Somers’s other business and entertainment activities.In the mid-2000s, Ms. Somers was appearing on the Home Shopping Network for more than 25 hours every month. She was the pitchperson for everything from cowboy boots to waffle irons.Ms. Somers also wrote more than 27 books, including 14 best sellers, which tended to focus on issues related to the body and aging.Some of the methods she promoted — particularly bioidentical hormone replacement therapy, a treatment that she called “the juice of youth” for menopausal women — have often been criticized by doctors as unproven and possibly unsafe, even as the market for them has grown.The foundation of her business efforts was the sex positivity that she had embodied since “Three’s Company.”“A sexual person,” she told The Times for a profile in 2020, “is a healthy person.”Suzanne Marie Mahoney was born on Oct. 16, 1946, in San Bruno, Calif. Her father, Francis, had some success as an athlete but not enough for a lasting career, and he spent much of Suzanne’s youth working at a brewery. Her mother, Marion (Turner) Mahoney, was a medical secretary.Suzanne Mahoney was kicked out of a Catholic high school when nuns discovered love letters she had written. She graduated from Capuchino High School, a public high school, in San Bruno.She attended Lone Mountain College (which later became part of the University of San Francisco), but she dropped out after she discovered in 1965 that she was pregnant, and she married the baby’s father, Bruce Somers.They divorced in the late 1960s. Not long afterward, she worked as a prize model on a game show hosted by Alan Hamel, a frequent TV host. They quickly began dating and married in 1977.In addition to Caroline Somers and Mr. Hamel, Ms. Somers is survived by Bruce Somers, her son from her first marriage; two stepchildren, Stephen and Leslie Hamel; two siblings, Maureen Gilmartin and Dan Mahoney; two granddaughters; and four step-grandchildren.Ms. Somers was first diagnosed with an aggressive form of breast cancer more than 20 years ago. She pivoted from selling mainly jewelry, apparel and weight loss and diet products to focusing on organic skin care and cleaning goods, along with her promotion of hormones.She managed to sustain an energetic calendar of live performances. An autobiographical show on Broadway, “The Blonde in the Thunderbird,” was critically panned and closed after only 15 performances, but she had better luck in Las Vegas, where she enjoyed many years of song-and-dance gigs, featuring flamboyant costumes and no small amount of glitter.At the time of her Times profile in 2020, Ms. Somers had recently fallen from the private tram on her 93-acre compound in Palm Springs while partying with friends. Yet a reporter observed her at a spa in New York City managing the feat of walking with “a vampy strut” even while using crutches. More

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      Phyllis Coates, the First Lois Lane on TV’s ‘Superman,’ Dies at 96

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      She replaced Noel Neill, who had played Lois in two Superman movie serials; Ms. Neill in turn replaced her after one season.Phyllis Coates, who played the reporter Lois Lane, one of the most enduring characters in popular culture, in a theatrical film and the first season of the popular “Adventures of Superman” television series, died on Wednesday in Woodland Hills, Calif. She was 96.Her daughter Laura Press confirmed the death, at the Motion Picture & Television Fund’s retirement community.Ms. Coates was a busy if not well-known actress when she became the second onscreen Lois. Noel Neill had played the role in two 15-part movie serials, “Superman” (1948) and “Atom Man vs. Superman” (1950), in which Kirk Alyn played the Man of Steel.“But when there were talks about making a theatrical film — which would become ‘Superman and the Mole Men’ — Kirk Alyn didn’t want to do the role anymore,” Larry T. Ward, the author of “Truth, Justice & the American Way,” a biography of Ms. Neill, said in a phone interview. “He felt he had been typecast. So rather than just replacing Superman, they replaced the entire cast.”In “Mole Men” (1951), Lois and her fellow Daily Planet reporter Clark Kent, who is also Superman (George Reeves replaced Mr. Alyn in the role), witness the panic in a small town when two small, glowing, balding underground beings emerge from their home deep in an oil well.The “Adventures of Superman” TV series debuted the next year, with Ms. Coates, Mr. Reeves, Jack Larson as the cub reporter Jimmy Olsen and John Hamilton as Perry White, The Daily Planet’s cantankerous top editor.Ms. Coates’s Lois was serious and sometimes bullheaded. But she sometimes needed Superman to save her; Lois was an archetypal damsel in distress (and was even more so when Ms. Neill played her). This was the case when she was trapped in a mine, held on a ledge outside the newspaper’s building by a man who had strapped dynamite to himself, and captured by thugs smuggling fugitives into Canada.The series was not lavishly produced, as was evident in the characters’ wardrobes, which rarely changed.“Oh boy — I had one suit! One suit, and a double in case I got egg on it!” Ms. Coates told The Los Angeles Times in 1994 when she was cast as the mother of another Lois, Teri Hatcher, in an episode of “Lois & Clark: The New Adventures of Superman.” “George’s dresser dressed me. My makeup man was Harry Thomas, who made up every monster in Hollywood.”In a statement, Ms. Hatcher said, “I’m sure she was aware of how much the fans would enjoy that inside nod to her work on the original TV series.”Ms. Coates stayed through the show’s first season but did not return in the fall of 1953, Mr. Ward said, because she had a commitment to film a pilot, which was ultimately not picked up as a series.In the book “Science Fiction Stars and Horror Heroes” (2006), by Tom Weaver, Ms. Coates was quoted as saying that the producer of “Adventures of Superman,” Whitney Ellsworth, offered her “about four or five times what I was getting if I’d come back, but that she “really wanted to get out of ‘Superman.’”Ms. Press said that difficult working conditions and a desire to play other roles led Ms. Coates to leave the series.Re-enter Ms. Neill, who played Lois until the series ended in 1958.Mr. Reeves died of a gunshot wound a year later. The death was ruled a suicide.Ms. Coates “got a lot of fan mail,” her daughter said, “most of it for ‘Superman,’ but also for the westerns she did with Whip Wilson and Johnny Mack Brown.”Everett CollectionPhyllis Coates was born Gypsie Ann Stell on Jan. 15, 1927, in Wichita Falls, Texas, to William Stell, known as Rush, and Jackie Evarts. After graduating from high school, Gypsie moved to Los Angeles, where she was a chorus girl in shows produced by Earl Carroll and acted in sketches in a variety revue. She also performed on a European U.S.O. tour. In 1948, she signed a contract with Warner Bros.Ms. Coates’s credits include Alice McDoakes, the wife of Joe McDoakes (played by George O’Hanlon), in a long-running series of comedy shorts, with names like “So You Want to Be a Baby Sitter” and “So You Want to Get Rich Quick,” between 1948 and 1956. She was also the star of a serial, “Panther Girl of the Kongo” (1955), in which she rode an elephant; a guest star on episodes of TV series like “Gunsmoke,” “Rawhide” and “Perry Mason,” as well as “Leave It to Beaver,” which was directed by Norman Tokar, her husband at the time.“She got a lot of fan mail, most of it for ‘Superman,’ but also for the westerns she did with Whip Wilson and Johnny Mack Brown,” Ms. Press said.In addition to Ms. Press, Ms. Coates is survived by another daughter, Zoe Christopher, and a granddaughter. Her marriages to Richard Bare (who directed the McDoakes shorts), Robert Nelms, Mr. Tokar and Howard Press all ended in divorce. A son, David Tokar, died in 2011.In 1953, while she was still portraying Lois Lane, Ms. Coates told The Los Angeles Times that her 4-year-old daughter questioned (as many fans did) why Superman’s Clark Kent disguise fooled people, even though it was just a pair of glasses, a hat and a suit over his Superman outfit.Her daughter, Ms. Coates said, “just can’t understand why I can’t see through Superman’s disguise in the telecasts. She thinks I’m quite stupid about the whole thing.” More

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      Piper Laurie, Reluctant Starlet Turned Respected Actress, Dies at 91

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      She began as just another product of the studio system, but she went on to receive three Oscar nominations, win an Emmy and appear on Broadway.Piper Laurie, who escaped the 1950s Hollywood starlet-making machinery to become a respected actress with three Oscar nominations and an Emmy Award, died on Saturday at her home in Los Angeles. She was 91.Her manager, Marion Rosenberg, confirmed the death, The Associated Press reported.Ms. Laurie’s first Academy Award nomination was for best actress in “The Hustler” (1961), in which she played a lonely alcoholic who hooks up with a dissolute pool player played by Paul Newman. After a 15-year break from making movies, she earned a comeback nomination for her performance as the deranged religious mother of a telekinetic teenager (Sissy Spacek) in “Carrie” (1976). She received her third nomination for her role as the estranged mother of a young deaf woman (Marlee Matlin) in “Children of a Lesser God” (1986).Piper Laurie with Paul Newman in a scene from “The Hustler” in 1961. Her role in the film as a lonely alcoholic brought her an Oscar nomination as best actress.Silver Screen Collection/Getty ImagesJust before that, she had won an Emmy for “Promise” (1986), an acclaimed CBS movie about schizophrenia in which she played James Garner’s helpful ex-girlfriend. She received eight other Emmy nominations, including for her roles as the vengeful paper-mill manager on the original “Twin Peaks,” Rachel Ward’s sympathetic married friend in “The Thorn Birds” and the comically vicious mother of a coldhearted psychiatrist on the NBC sitcom “Frasier.”Ms. Laurie, whose birth name was Rosetta Jacobs, was 17 when Universal-International signed her as a contract player and gave her the screen name Piper Laurie — a change about which she had mixed feelings. It was the era of publicity gimmicks, an attempt to brand new performers, especially starlets, with fabricated, sometimes outrageous histories or habits. The studio was looking for an angle that had not been used before. A publicist on the set of a movie she was shooting observed a scene that involved putting flowers in a salad. The publicist decided to position her as the girl who ate flowers — orchids, rose petals, marigolds. And so she did, dutifully, for photographs and interviews. (“They didn’t taste so bad,” she told a United Press International reporter in 1991.)Publicity tours and stunts were so much a part of her career that in 1953, Collier’s magazine ran an article about how many she did — happily, the writer observed — and how much money her pictures were making for her employer.Behind her smile, however, Ms. Laurie was growing disillusioned.“Every role I played was the same girl, no matter whether my co-star was Rock Hudson or Tony Curtis or Rory Calhoun,” she told The New York Times in 1977, referring to the movies she had made while under contract with Universal. “She was innocent, sexual, simple — the less intelligent, the better, and complexity was forbidden.” She rebelled and broke her contract in 1956.As early as 1959, Ms. Laurie was brazenly frank in interviews about her experience. In one, published in The Tribune of Columbus in Indiana, she said, “If I’d continued in Hollywood, doing those old, insipid parts, I think by now I would have killed myself.”Piper Laurie in the movie “Carrie” in 1976 playing the deranged religious mother of a telekinetic teenager.United Artists/Archive Photos, via Getty ImagesShe decided to hold out for better movie roles, doing television and stage work for four years or so until eventually the right thing came along: “The Hustler.”Rosetta Jacobs was born in Detroit on Jan. 22, 1932, the younger of two daughters of Alfred Jacobs, a furniture dealer, and Charlotte Sadie (Alperin) Jacobs. Her grandparents were Jewish immigrants, from Poland on her father’s side and from Russia on her mother’s.When Rosetta was 6, she was sent to accompany her older sister, who was asthmatic, to a sanitarium in Southern California. Ms. Laurie wrote in her 2011 memoir, “Learning to Live Out Loud,” that she never understood why she had to go too. Her parents told her it was to “keep your sister company,” but in hindsight, she wrote, “They must have been suffering in ways they believed we couldn’t understand” and just couldn’t deal with parenthood at the time. Three years later, their parents moved to Los Angeles and had them released.Although Ms. Laurie hated those years in the sanitarium, she eventually saw them as having benefited her. “My exile had cultivated an imagination that grew like a giant, sheltering flower,” she wrote in her memoir. “It was a lifetime gift.”Rosetta was unusually anxious about public speaking, so she was given elocution lessons. Those led to small acting roles, and with her mother’s encouragement she found a part in a play presented by a low-profile theater company in Los Angeles, won a screen test in a local contest (but did badly on the test itself), took part in comedy sketches at a resort and eventually found an agent. She and another newcomer, Rock Hudson, signed seven-year movie contracts on the same day.Piper Laurie and Ronald Reagan at a Hollywood party in 1950. They dated for a time. Associated Press/Associated PressUniversal cast her in “Louisa” (1950), a romantic comedy in which she played Ronald Reagan’s teenage daughter. (They dated after filming was over.) Over the next four years, she appeared in a dozen films, including “The Prince Who Was a Thief” (1951), “Son of Ali Baba” (1952), “The Mississippi Gambler” (1953) and “Francis Goes to the Races” (1951), in which one co-star was a talking mule.After moving to New York in the mid-1950s, Ms. Laurie acted in Off Broadway stage productions and television dramas. But she did not make her Broadway debut until 1965, when she starred as the fragile teenage heroine, Laura, in a revival of Tennessee Williams’s “The Glass Menagerie,” with Maureen Stapleton and Pat Hingle. She returned to Broadway only once, in 2002, as part of the ensemble cast of “Morning’s at Seven.”Her later film career included “Tim” (1979), in which she played an older woman who has a relationship with a younger man who is mentally disabled (Mel Gibson, then 23, in one of his first films); Sean Penn’s drama “The Crossing Guard” (1995), starring Jack Nicholson; and “The Grass Harp” (1995), based on a Truman Capote novel.She also appeared in two horror movies, “The Faculty” (1998) and “Bad Blood” (2012); in both, she played a cult matriarch. In 2018, she appeared in two movies: “Snapshots,” a drama in which she played a grandmother with a secret past, and “White Boy Rick,” a crime drama starring Matthew McConaughey.Ms. Laurie had a long romantic relationship with the director John Frankenheimer, who directed her in the original live television version of “Days of Wine and Roses” in New York, but they never married. While promoting “The Hustler,” Ms. Laurie was interviewed by Joe Morgenstern, then an entertainment reporter for The New York Herald Tribune and later a film critic for Newsweek and The Wall Street Journal. They began dating and married in 1962.Piper Laurie and Joe Morgenstern, then an entertainment reporter, at his desk at The Herald Tribune in New York shortly after their engagement in 1961.John Lent/Associated PressThey stayed together for two decades and lived in Woodstock, in upstate New York, for much of that time. She did a handful of guest roles on television in the first years of their marriage, then disappeared from the screen altogether in 1966 until “Carrie” — which she originally thought was meant to be a comedy — came along a decade later. In between, she focused on her marriage; sculpture, which she studied at the Art Students League in New York; and a new daughter, Anna.“Being a mother and a stone carver really helped me to find my voice,” she told The Hollywood Interview, an entertainment blog, decades later. She and Mr. Morgenstern divorced in 1982. There was no immediate information on her survivors.When asked in a 2011 interview with the Archive of American Television what acting advice she would offer, Ms. Laurie said, “Sometimes I think I don’t know anything.” But she acknowledged that her childhood shyness may have helped her “learn to listen, really, deeply, fully.”Later, she told The Hollywood Interview, she learned the relationship between focus and fear by doing live television. “The moment we went live, suddenly the air changed in the room and I was totally focused,” she recalled. “The panic, the terror, the preference to have a truck hit me was gone.”It was even better than stage acting, she said: “Live TV had the intensity of three or four opening nights on Broadway all smacked together.” More

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      Mark Goddard, a Star of the ’60s Series ‘Lost in Space,’ Dies at 87

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      For three seasons, he and a family of five, a wily (and annoying) saboteur and a talking robot were marooned on a distant planet in the far-off future: 1997.Mark Goddard, the actor best known for playing Maj. Don West on the fanciful and popular 1960s science-fiction series “Lost in Space,” died on Tuesday at a hospice center in Hingham, Mass. He was 87.His son John said the cause was pulmonary fibrosis. Major West was the pilot of a spaceship carrying a family of five, a stowaway and a robot in the far distant future — the year 1997. On their way to help colonize a planet in the Alpha Centauri system, their ship went seriously off course, leaving the cast marooned on a different, inhospitable one (though luckily the atmosphere was suitable for human life).That set the stage for encounters with giant spiders, rock monsters, frog people, cyborg armies, space hippies, alien prisons, intergalactic beauty pageants and titanium shortages.The show — created by Irwin Allen, a producer later known for popular disaster films like “The Towering Inferno” — ran for three seasons (1965-68) on CBS. Major West was theoretically the romantic lead, a handsome single man in a uniform, and the first season hinted at a budding romantic relationship between him and the family’s oldest child, Judy (Marta Kristen). But that subplot soon faded into the background.For various reasons, including being scheduled opposite the new comic-book-like “Batman,” “Lost in Space” changed in the second and third seasons from a science-fiction project to a campy series that was more comedy than adventure.Mr. Goddard’s character no longer found himself setting up force fields, aiming his ray gun at rock-throwing giants, navigating rugged new planetary terrain or fending off kidnappers from another dimension. He was more likely to be left behind analyzing soil samples while Dr. Smith (Jonathan Harris), the saboteur stowaway, little Will (Billy Mumy) and the robot (Bob May, with the voice of Dick Tufeld) were off getting into trouble with a new creature or machine.Mr. Goddard’s co-stars on “Lost in Space” included, from left, Marta Kristen, Billy Mumy and Angela Cartwright.20th Century Fox Film Corp./Everett CollectionThe other regulars in the cast were Guy Williams and June Lockhart as the space-traveling parents and Angela Cartwright as their other daughter.Don was always the character most annoyed by Dr. Smith, and least sympathetic to him. He could be both hot-tempered and coldhearted, but he dutifully took a spacewalk, against his better judgment, to rescue Smith from the clutches of a seductive alien creature. If it had been up to him alone, he admitted, he would have let Dr. Smith drift through space for eternity.Major West was a role Mr. Goddard had taken reluctantly, not being a fan of science fiction. In his 2008 memoir, “To Space and Back,” he referred to his space uniform, his wardrobe for the show, as “silver lamé pajamas and my pretty silver ski boots.”Charles Harvey Goddard was born in Lowell, Mass., on July 24, 1936. He was the youngest of five children of Clarence and Ruth (Delaronde) Goddard. He grew up in nearby Scituate, Mass., where his father owned and managed the local five-and-ten-cent store.Chuck, as he was known at the time, attended Holy Cross College in Worcester, about 70 miles away, with no particular career ambition. He became interested in acting after appearing in one college play, George M. Cohan’s “Seven Keys to Baldpate.” In 1957, in the middle of his junior year, he transferred to the American Academy of Dramatic Arts in New York. Two years later, he moved to Los Angeles.He made his screen debut in a 1959 television movie that was meant to be a pilot for “The Joan Crawford Show.” (The series never happened.) He changed his first name to Mark at the suggestion of Chuck Connors, the star of “The Rifleman,” a western series on which Mr. Goddard made a guest appearance — no need to have two Chucks in the show’s credits.After only three weeks in town, Mr. Goddard was cast in a network series. He played Cully, the young deputy sheriff in the short-lived western “Johnny Ringo” (1959-60). A former sharpshooter at a carnival, Cully was brave enough to stand up to armed robbers and bloodthirsty bounty hunters but sensitive enough to be traumatized after killing a man for the first time.“All this time I’ve been handling guns and not knowing what they do,” Cully said after shooting a man dead in a saloon, in self-defense.From left, Mr. Goddard, Robert Taylor and Tige Andrews in a publicity photo for the crime series “The Detectives.” The New York Times described Mr. Goddard’s character as “a brash but efficient young police lieutenant.”Everett CollectionWhen “Johnny Ringo” ended after a year, Mr. Goddard joined the second season of “The Detectives,” a crime drama starring Robert Taylor. Mr. Goddard’s character, Sgt. Chris Ballard, was described by The New York Times as “a brash but efficient young police lieutenant.” “The Detectives” ended its run in 1962. Mr. Goddard’s next series, “Many Happy Returns” (1964-65), a comedy with Elinor Donahue, was also canceled after just a year. Then “Lost in Space” came along.When the show ended in 1968, he had difficulty finding acting jobs. He worked as an actors’ agent for a while, then had the opportunity to make his Broadway debut — in “The Act,” with Liza Minnelli, in 1977. Richard Eder of The Times said the production was “a first-rate cabaret show” but not really theater. It ran for eight months on star power alone.After that, Mr. Goddard appeared in a horror movie, “Blue Sunshine” (1978), and made guest appearances on several series. He entered the world of soap operas in the 1980s, appearing briefly on “One Life to Live” in 1981 and “General Hospital” in 1985 and 1986.Mr. Goddard was married three times. His marriage to Marcia Rogers (1960-68), a press agent at the time, ended in divorce, as did his marriage to the actress Susan Anspach (1970-78). In 1994 he married Evelyn Pezzulich, an English professor, who survives him. In addition to his son John, from that marriage, his survivors include two children from his marriage to Ms. Rogers, Melissa and Michael Goddard; two stepchildren from his marriage to Susan Anspach, Caleb and Catherine Goddard; two sisters, June Merrill and Patricia Panet-Raymond; and several grandchildren.In his 50s, Mr. Goddard went home again. Returning to college after 30 years, he earned a bachelor’s degree in communications and a master’s degree in education from Bridgewater State College in Massachusetts. In 1991, he became a special-education teacher in Middleborough, Mass.Even after he began teaching, he took a screen acting job every now and then. He made a cameo appearance in the movie version of “Lost in Space” (1998) and was seen in the more movie dramas “Overnight Sensation” (2000) and “Soupernatural” (2010). But he no longer thought of himself as an actor.“I had a wonderful life as an actor,” he told The Houston Chronicle in 1997. “But I didn’t want to be sitting around in Hollywood, kind of a halfway celebrity looking for his next job.”Bernard Mokam More

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      Rudolph Isley, an Original and Enduring Isley Brother, Dies at 84

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      He provided harmony vocals and the occasional lead. He also helped write some of the group’s biggest hits, including “Shout,” “Fight the Power” and “That Lady.”Rudolph Isley, who held dual roles in the influential vocal group the Isley Brothers as a mellifluous harmony singer and co-writer of many of their greatest hits, died on Wednesday at his home in Chicago. He was 84.He died in his sleep, his brother Ernie said, adding that he was unaware of any health issues his brother might have had.Mr. Isley spent much of his three decades with the Isley Brothers harmonizing with his brother O’Kelly in support of Ronald Isley’s lead vocals. But he also sang lead on some notable tracks. On “I’ve Got to Get Myself Together,” recorded in 1969, his gentlemanly tone gave the song a touch of grace. He also lent a suave lead to the group’s fleeting entry into the disco field, “It’s a Disco Night (Rock Don’t Stop),” which was a club hit in the United States in 1979 and reached the Top 20 in Britain.The Isley Brothers were always fashionable, and in the 1970s and ’80s Mr. Isley made a fashion statement of his own by wearing hats and furs and carrying a bejeweled cane, giving the Isleys added panache.He and his brothers wrote a number of pivotal hits, beginning with “Shout,” the group’s 1959 breakthrough, which applied the dynamic of gospel music’s call-and-response to a pop context. They also wrote the enduring political anthem “Fight the Power,” a Top Five Billboard hit, as well as the Top 10 pop hits “It’s Your Thing” and “That Lady.”The always fashionable Isleys (from left, Rudolph, Ronald and O’Kelly) in the 1970s.Michael Ochs Archives/Getty ImagesSixteen of the Isley Brothers’ albums cracked the Billboard Top 40, 13 were certified gold and nine went platinum or multiplatinum.In 1989, Mr. Isley retired from the mainstream music industry to pursue his long-deferred dream of a career in the ministry, although he continued to sing in church. He also recorded some gospel songs, and in 1996 released a religious album titled “Shouting for Jesus: A Loud Joyful Noise.” He and his brothers were inducted into the Rock & Roll Hall of Fame in 1992.Rudolph Bernard Isley was born on April 1, 1939, in Cincinnati, the second of six sons of Sallye (Bell) and O’Kelly Isley. He began singing in church as a child, and during his teen years he and three of the other older Isleys performed together and toured locally.”I have some very special memories of listening to music with my brothers when we were young,” Mr. Isley told the music journalist Leo Sacks for the liner notes to a 1999 boxed set that Mr. Sacks produced, “It’s Your Thing: The Story of the Isley Brothers.” He added: “Billy Ward and the Dominoes, now that was a group. We idolized them. We got our own thing together because we never lost that harmony group dynamic.”In the group’s early days, the eldest brother, Vernon, sang lead. He was killed at age 13 when the bicycle he was riding was struck by a car, and Ronald became the lead singer.The Isleys were still quite young when Rudolph, O’Kelly and Ronald moved to New York to pursue a record deal. Contracts with small labels led to one with RCA, one of the biggest in the business, in 1959, and shortly after that the Isleys wrote and recorded “Shout.” It sold over a million copies and came to be acknowledged as a rock ’n’ roll classic, spawning covers by Dion, Bruce Springsteen, Garth Brooks and many others. (It was also heard in “National Lampoon’s Animal House” and other movies.)In 1962, the Isleys had a Top 40 hit with their cover of “Twist and Shout,” written by Bert Berns and Phil Medley and originally recorded a year earlier by the Top Notes. Their recording provided a template for the far more popular version recorded by the Beatles in 1963.For a brief time in 1964, the Isley Brothers’ band included a young guitarist named Jimmy James, who would later be known as Jimi Hendrix.The Isleys signed with Motown in 1965. But despite the label’s reputation for generating hits, they had just one in their brief tenure there, “This Old Heart of Mine (Is Weak for You),” written by the label’s top songwriting team, Lamont Dozier and Brian and Eddie Holland (with Sylvia Moy). It reached No. 12 on the Billboard chart and No. 3 in Britain. Frustrated by Motown’s controlling approach, the brothers, in an unusual move for an African American act at the time, left the label to form their own, T-Neck Records, named after Teaneck, N.J., where they were based.Switching to a rawer and funkier style influenced by James Brown and Sly Stone, the trio found a new métier, and a new commercial connection. Their 1969 single “It’s Your Thing” rose to No. 2 on Billboard’s pop chart and No. 1 on the magazine’s R&B list.The Isley Brothers on the British television show “Ready Steady Go!” in 1964.Chris Ware/Keystone Features/Hulton Archive/Getty ImagesAt the start of the 1970s, the group expanded to include the two youngest siblings, Ernie and Marvin, along with Rudolph’s brother-in-law, Chris Jasper; all three contributed instrumental work, and Mr. Jasper also sang. The result was a mostly self-contained band, another rarity for Black artists of the day. Together, they pioneered a unique rock ’n’ roll-tinged brand of funk and soul. Over the years, their music covered a wide range of genres, from doo-wop to gospel to quiet-storm ballads.From 1973 through 1981, all the group’s albums went gold, platinum or multiplatinum. Most of the tracks on those albums were co-written by Mr. Isley and the other members.The group also scored a platinum album in 1986 with “Between the Sheets,” whose title track offered their sensual answer to Marvin Gaye’s “Sexual Healing.” Rudolph Isley shared lead vocals with his brother Ronald on two tracks of that album, the spacey funk number “Way Out Love” and the sensual grind “Slow Down Children.”With the rise of hip-hop, the Isleys’ classic material provided the source for more samples than any act other than James Brown and George Clinton’s Parliament-Funkadelic.The death of O’Kelly Isley from a heart attack in 1986 hit Rudolph particularly hard. The group’s next album, “Smooth Sailin’” (1987), featured just him and Ronald on the cover and was dedicated to O’Kelly. Two years later, Rudolph quit the music business.Still, the ever-resourceful, forward-looking group endured and made a successful comeback in 1996 with the album “Mission to Please,” buoyed by production and writing from R. Kelly. Rudolph Isley reunited with his brothers for one night in 2004, when the group was given a lifetime achievement honor at the BET Awards.In March, Rudolph sued his brother Ronald, claiming that he had sought to secure a trademark for the group under his own name exclusively. The suit claimed that the founding members were “at all times” a “common-law partnership.”Marvin Isley died in 2010 from complications of diabetes.In addition to his brother Ernie, Rudolph Isley’s survivors include his wife, Elaine Jasper, whom he married in 1958; their children, Rudy Jr., Elizabeth, Valerie and Elaine; his brother Ronald; and several grandchildren.“Music and faith, they just run through our blood,” Mr. Isley was quoted as saying in the “It’s Your Thing” liner notes. “I may have stopped singing pop music, but I will always be an Isley Brother.”Bernard Mokam More

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      Michael Chiarello, Chef and Food Network Star, Dies at 61

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      His culinary empire included several restaurants, an olive oil company, a winery and a retail business with a robust catalog.Michael Chiarello, a hard-working, TV-ready chef from California’s Central Valley whose culinary prowess and intuitive knack for marketing helped define a chapter of Italian-influenced Northern California cuisine and the rural escapism of the Napa Valley lifestyle, died on Friday in Napa. He was 61.His death, in a hospital, resulted from an acute allergic reaction that led to anaphylactic shock, said Giana O’Shaughnessy, his youngest daughter. The cause of the allergic reaction has not been identified.Mr. Chiarello was a member of a generation of Northern California chefs who by the 1980s had freed themselves from the conventions of continental cuisine. They swapped olive oil for butter when they served bread, and they used seasonal produce and locally made cheese and wine long before the term “farm to table” became a menu cliché.He would later get caught in the #MeToo movement, when two servers filed a sexual harassment lawsuit in 2016 against him and his restaurant company, Gruppo Chiarello. The case was settled out of court, but his reputation was tarnished and television opportunities dried up.Michael Dominic Chiarello was born on Jan. 26, 1962, in Red Bluff, Calif., in the Sacramento Valley, and raised surrounded by almond trees and melon fields 200 miles south in Turlock, a farming town built on the rich soil not far from Modesto.He was the youngest child of a couple with roots in the Calabria region of Italy. He credited his mother, Antoinette (Aiello) Chiarello, for his earliest culinary lessons. His father, Harry, was a banker who suffered a debilitating stroke when he was in his 40s.“We never had much money and always had to scrape by,” Mr. Chiarello told The St. Helena Star in 2006. “We foraged for our food. The kitchen table was our entertainment. If we had pasta with porcini mushrooms, we’d talk about how we picked them. How wet and rainy it was that day, or how the truck broke down. There was a story to all the food we brought home, and it made everything taste even better.”By 14, he was working in a restaurant in between wrestling practice and classes at Turlock High School. By 22, he had graduated from the Culinary Institute of America in Hyde Park, N.Y., and Florida International University in Miami, where he earned a degree in hotel and restaurant management.Even though he was starting to receive national attention for his cooking — he opened his first restaurant in Miami in 1984 and was named Food & Wine magazine’s chef of the year in 1985 — his father wasn’t pleased.“When I decided to be a chef, it wasn’t what it is today. It was just a trade, not sexy like today,” he said in the 2006 interview. “I remember my father was concerned about me. One of my brothers is a Ph.D., one an attorney. I was a cook. He’d say, ‘The family came all this way from Italy. He could have done that over there.’”Mr. Chiarello in 2005 after his Food Network show “Easy Entertaining With Michael Chiarello” won a Daytime Emmy Award.Mathew Imaging/FilmMagicMr. Chiarello caught the attention of Cindy Pawlcyn, who had recently been on the cover of Bon Appétit magazine for her restaurant Mustards Grill, a pioneering Yountville roadhouse with a giant wine list where the great winemakers of the era would walk in covered in farm dirt. She was looking for someone to run a new restaurant in St. Helena called Tra Vigne.Mr. Chiarello arrived for an interview wearing a chef’s neckerchief and brimming with ambition.“Michael was a very driven man; there was no doubt about that,” Ms. Pawlcyn said in a phone interview. “Tra Vigne was a good place to start, because Michael was outgoing and exuberant and could be charming on the spot. He met a lot of people there.”Indeed, Robert Mondavi and other top winemakers would become regulars, and guests often included culinary and Hollywood elite, from Julia Child to Danny DeVito.The restaurant was a jumping-off point for Mr. Chiarello’s empire, which would eventually include several restaurants, an olive oil company, a winery and a retail business with a robust catalog.Mr. Chiarello ran the Tra Vigne restaurant in St. Helena, Calif., until 2001. Robert Mondavi and other top winemakers would become regulars, and guests often included members of the culinary and Hollywood elite.Peter DaSilvaHe left Tra Vigne in 2001 to pursue a career in media and merchandise. His first TV show, “Season by Season,” debuted that year on PBS. And he opened NapaStyle, a website and a small chain of retail stores where he sold panini, flavored olive oil and other specialty foods, as well as cookware, table décor and wine from his own vineyard.He jumped to Food Network in 2003 with “Easy Entertaining With Michael Chiarello,” which landed him a Daytime Emmy Award. He would go on to compete on “Top Chef Masters” and was a judge on “Top Chef.”Mr. Chiarello wrote eight books, one of which, “The Tra Vigne Cookbook” (1999), was at one point as popular in Bay Area bookstores as Anthony Bourdain’s “Kitchen Confidential,” which came out shortly after.He was one of the first to see Napa Valley as a lifestyle and a brand, said the Northern California food writer and cheese expert Janet Fletcher, who wrote two books with him.“He really was a very good cook but also an amazing marketer and merchandiser,” she said, adding that “they didn’t come more charming or handsome.”“Walking through the dining room at Tra Vigne, you could just see the star power,” Ms. Fletcher said, “but there was substance, too. You wanted to eat every dish on his menu.”Mr. Chiarello was one of the first to see Napa Valley as a lifestyle and a brand, said the Northern California food writer and cheese expert Janet Fletcher, who wrote two books with him, including “The Tra Vigne Cookbook.”Chronicle BooksMr. Chiarello jumped back into the restaurant world in 2008, opening the casually elegant Bottega in Yountville. Five years later, he added Coqueta, a Spanish-focused restaurant on the Embarcadero in San Francisco, and in 2019 he expanded it to Napa.Sexual harassment claims dogged him. Two servers at Coqueta named him in a lawsuit in 2016, claiming that he presided over a sexually charged atmosphere, touched employees inappropriately and, among other things, made lewd gestures with a baguette.Mr. Chiarello vigorously denied the charges and vowed to fight them. The parties eventually settled out of court for an undisclosed sum.In addition to Ms. O’Shaughnessy, his daughter from his marriage to Ines Bartel, which ended in divorce, Mr. Chiarello is survived by two other daughters from that marriage, Margaux Comalrena and Felicia Chiarello; a son, Aidan Chiarello, from his second marriage, to Eileen Gordon; two brothers, Ron and Kevin Chiarello; and two grandchildren. A company spokesman said that Mr. Chiarello and Ms. Gordon were legally separated and in the process of divorcing when he died.Despite his outsize career, Ms. O’Shaughnessy said, Mr. Chiarello was a family man at heart who wanted to keep his family’s stories alive. He made a point of teaching his children how to make the gnocchi his mother taught him to make when he was 7, and he named various bottlings of wine from Chiarello Family Vineyards after his children.“In the restaurant business I lost a lot of time with my girls,” he said in 2006. “I don’t want that to happen again. I don’t want to be saying anymore that I should have spent more time with my children, more time with my wife. If I get hit by a bus, I don’t want my last thought to be about a wine deal I was doing with Walmart.” More

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      Russell Batiste Jr., the Drumming Heartbeat of New Orleans, Dies at 57

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      A pyrotechnic funk and R&B mainstay, he was a vital figure in his home city as a member of one of its celebrated musical dynasties.Russell Batiste Jr., a pyrotechnic drummer and scion of one of New Orleans’s most celebrated musical dynasties, whose furious style and genre-busting approach provided the rhythmic pulse for bands like the Meters and Vida Blue and musical artists like Harry Connick Jr., died on Sept. 30 at his home in LaPlace, La., outside New Orleans. He was 57.The cause was a heart attack, said his brother Damon Batiste, a former percussionist with the Batiste Brothers Band and a former producer for the New Orleans Jazz & Heritage Festival.As a member of a family that has put its stamp on New Orleans music for generations, Russell Batiste was a mainstay of the city’s funk and R&B scene, performing with a long string of prominent local bands like George Porter Jr. & Runnin’ Pardners, the Wild Magnolias and Dumpstaphunk.A multi-instrumentalist and songwriter, he pushed boundaries with the trio Vida Blue, named after the Cy Young Award-winning pitcher of the 1970s and ’80s. He formed the group in the early 2000s with Page McConnell, the keyboardist for Phish, and Oteil Burbridge, a bassist with the Allman Brothers Band. With its atmospheric blend of jazz, funk and electronica, the trio recorded three albums, starting with its debut release in 2002, and toured extensively in that decade.Even so, New Orleans was where Mr. Batiste’s music seemed to belong. His bands Russell Batiste & Friends and Russell Batiste and the Orchestra (sometimes spelled Orkestra) From Da Hood packed local clubs like the Maple Leaf Bar and Le Bon Temps Roule for years, channeling the city’s rich, diverse musical heritage.“He captured the spirit of Congo Square,” Damon Batiste said in a phone interview, referring to the New Orleans site where enslaved people were allowed to gather for music and dance in the early 19th century. “Everything he played was funk, but he blended in marching band, second line, Haitian, Cuban and African rhythms. He was playing to the spirits of our ancestors.”Playing with a ferocity that would sometimes shatter his foot pedals, he added, Mr. Batiste “was like lightning and thunder, all at the same time.”Even as a sought-after sideman on albums like Mr. Connick’s “She” (1994), Mr. Batiste said he was more interested in finding musical transcendence through collaboration than in gaining individual glory.Mr. Batiste in July at the Essence Festival in New Orleans. He was a multi-instrumentalist and songwriter.Erika Goldring/Essence, via Getty Images“Anybody can solo,” he said in a 2005 interview with Modern Drummer magazine. “Anybody can sit behind the drums and go nuts. Anybody can play riffs on the bass, and anybody can play songs on the piano. But playing music is when two or more people get together from out of nowhere and turn it into something.”David Russell Batiste Jr. was born on Dec. 12, 1965, in New Orleans, the oldest of three children of David and Patricia (Cummings) Batiste. His parents divorced in the early 1970s.Born into a family of musicians, young Russell seemed to have his course mapped out for him from an early age. His father played with soul luminaries like Jackie Wilson and Isaac Hayes in the 1960s and ’70s and was a member of the Meters, the seminal New Orleans funk band, before starting his own influential funk band, David Batiste and the Gladiators. It later merged into the noted family ensemble the Batiste Brothers Band, led by his brother Paul.Russell’s younger cousin Jon Batiste is the Grammy Award-winning pianist, singer and songwriter and former bandleader for “The Late Show with Stephen Colbert.”“When I was growing up, I’d see Russell at the Maple Leaf and his band the Orchestra From Da Hood,” Jon Batiste said in a recent television news interview. “He was our kind of blueprint.”Mr. Batiste earlier this year performing with his cousin Jon Batiste at the Maple Leaf, one of several New Orleans clubs that his bands packed over the years.Josh Brasted/WireImage, via Getty ImagesRussell did not take long to establish his identity within the family. He started gigging with the Batiste Brothers Band at local clubs when he was 6. “When I was 8 years old, I opened up for the O’Jays and the Drells and the Chi-Lites at City Park Stadium,” he said in a recent interview on the podcast “The Jake Feinberg Show.”At St. Augustine High School, Mr. Batiste played drums in the school’s nationally famous Marching 100 band.After graduating in 1983, he enrolled at Southern University at New Orleans, where he studied under the jazz saxophonist Kidd Jordan (who died in April). But he left college after two years to become the drummer for the singer Charmaine Neville (who comes from another New Orleans music family). He joined the Meters, which evolved into the Funky Meters, in 1989.By that time, however, Mr. Batiste was battling substance abuse, which impeded his career for a time, Damon Batiste recalled. “Imagine being a rock ’n’ roll star, and people loved to be around you and you’re naïve,” his brother said. “He didn’t have his family around him.” Russell found sobriety in the 1990s.In addition to his brother Damon, Mr. Batiste’s immediate survivors include his father; his mother, Patricia Johnson; his stepfather, Newman Johnson; his sisters, Tasha Batiste, Lakisha Johnson, Monique Santiago, Merinda Bell, Tish Allen, Eboni Batiste and Chanell Batiste; four other brothers, David Guys, Aaron Duncan, Jamal Batiste and Ryan Batiste; his sons, Christopher and Darryl; and a daughter, Nareal.Considering the family he came from, Mr. Batiste could never have imagined another career, he said late in life. “I was born with a pair of sticks in my hand,” he told Mr. Feinberg.Recalling an old family 8-millimeter home movie, he added: “I’m not even 1 yet, and I’m sitting on a lady’s lap behind a set of drums with a pair of sticks hitting the drums. That’s the way I was born, man. It was just in me.” More