Deaths (Obituaries)

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      in Music

      Pankaj Udhas, Bollywood Singer and Maestro of the Ghazal, Dies at 72

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      His soulful renditions of ghazals, or traditional love poems, were featured on the soundtracks of hit Bollywood movies and moved generations of Indians.Pankaj Udhas, a singer from India whose soulful renditions of ghazals, or lyric love songs, were a cornerstone of many Bollywood films over his decades-long career, died in Mumbai on Monday. He was 72.His death was announced on social media by his daughter Nayaab Udhas. She did not specify the cause, saying only that he had died after a prolonged illness.Mr. Udhas moved generations of people in India and the Indian diaspora by singing ghazals, the lyric poems that have been written for centuries in Persian, Hindi, Urdu, Turkish and other languages. He also worked as a playback singer, the term for a vocalist who recorded tracks offscreen for actors to lip-sync over.Mr. Udhas became a stalwart in the Indian music industry through both his discography of more than 50 albums and the enormous success of the movies in which he sang.But his true passion, he said in a 2018 talk organized by Google, was the ancient lyric form.“My heart was always with ghazals,” he said. “Cinema, though it was an attraction,” he added, “it was never the first choice.”Padmashri Pankaj Udhas was born on May 17, 1951, in Jetpur, a city in the western Indian state of Gujarat, several Indian news media outlets reported. His father, Keshubhai Udhas, played the dilruba, a traditional Indian stringed instrument. His mother, Jeetuben Udhas, sang. And both of his brothers, Manhar and Nirmal, became professional singers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      Chris Gauthier, ‘Once Upon a Time’ and Hallmark Movies Actor, Dies at 48

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      Mr. Gauthier appeared in dozens of television shows and films, including “Freddy vs. Jason” and “Watchmen.”Chris Gauthier, a prolific actor known for his roles in the television shows “Once Upon a Time” and “Eureka,” died on Friday. He was 48.Tristar Appearances/Event Horizon Talent, which represented Mr. Gauthier, said in a statement that he died “after a brief illness.” His representatives did not say where he died.Mr. Gauthier, who was born in Britain and grew up in Canada, had roles in more than 20 movies, including “Freddy vs. Jason” in 2003 and “Watchmen” in 2009. He also appeared in dozens of television shows, including “Smallville,” “Charmed” and “A Series of Unfortunate Events,” according to IMDb, and in several short films.He was best known for playing William Smee in “Once Upon A Time,” a series that blended real life and fantasy in the fictional town of Storybrooke, Maine, where storybook characters live, trapped by an evil queen. Mr. Gauthier appeared in 14 episodes as Smee, who is based on the “Peter Pan” character Mr. Smee, Captain Hook’s first mate.Mr. Gauthier also played Vincent, a cafe owner, on the science fiction TV series “Eureka.” He appeared in 67 episodes of that show, from the pilot episode and through Season 5, according to IMDb.In an interview in 2021, Mr. Gauthier said that he started acting in school plays and that he acted in amateur and professional theater during high school.“I was always a ham, trying to be a funny guy,” he said.Chris Gauthier was born on Jan. 27, 1976, in Luton, England. He said in an interview in 2020 that he moved to Canada when he was 5 and grew up in a small town in British Columbia.“There wasn’t a lot going on there in terms of film and television,” he said. “So for me, it was about just the love of acting. It wasn’t about money. It wasn’t about anything but the sheer love of acting.”His acting career onscreen began in 2000, when he appeared in an episode of the TV series “Cold Squad.” His first two film credits were in 2002 for small roles in “40 Days and 40 Nights” and “Insomnia.”His television roles were largely limited to appearances in one or a few episodes until “Eureka” premiered in 2006. The show takes place in the fictional Pacific Northwest town of Eureka, where many of the world’s brightest minds live in an odd collective that produces technological inventions the rest of the world does not know about.Among his more recent credits, Mr. Gauthier had appeared in seven episodes of the western drama “Joe Pickett.”Information about his survivors was not immediately available.He said in the 2021 interview, his partner encouraged him to move to Vancouver to pursue an acting career in television and film.“I wasn’t super-duper motivated because I was happy doing plays,” he said of the move. “But I was like ‘OK,’ and it worked out.” More

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      in Music

      Roni Stoneman, Country Music’s ‘First Lady of the Banjo,’ Dies at 85

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      A featured player on ‘Hee Haw’ and member of the famed Stoneman Family, she was the first woman to play modern bluegrass banjo on a phonograph record.Roni Stoneman, a virtuoso banjo player, mainstay of the country music television show “Hee Haw” and one of the last surviving members of the Stoneman Family, a renowned Appalachian string band, died on Thursday at her home in Murfreesboro, Tenn. She was 85.Her death was confirmed by Julie Harris, a family friend. No further details were available; a cause was not given.Ms. Stoneman made her mark in 1957 with her driving instrumental version of “Lonesome Road Blues,” which made her the first woman to play modern bluegrass banjo on a phonograph record. Also known as “Going Down the Road Feeling Bad” and often including lyrics, the song was included on a compilation album of three-finger, five-string banjo numbers in the style popularized by Earl Scruggs.Ms. Stoneman’s greatest claim to fame, though, came 16 years later, when she joined the cast of “Hee Haw,” entertaining millions while proving herself to be a rustic comedian on a par with Minnie Pearl and June Carter Cash.From left, Marianne Gordon, Roni Stoneman and Cathy Baker, from the cast of “Hee Haw” in 1978. Ms. Stoneman played the gaptoothed character Ida Lee Nagger on the show for almost two decades.CBS, via Everette CollectionHer most amusing, and enduring, character on the show was the gaptoothed “Ironing Board Lady,” Ida Lee Nagger, a beleaguered housewife whose feckless husband never lifted a finger to help her. A case of art imitating life, she said, the skit drew on a time in Ms. Stoneman’s life when, as a young housewife and mother of four children, she fell on hard times and had to take in washing to feed her family.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Joan Holden, 85, Playwright Who Skewered Rich and Powerful, Dies

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      As the principal writer for the Obie-winning San Francisco Mime Troupe, she created iconoclastic left-wing satire that courted both chuckles and outrage.To Joan Holden, a fiercely left-wing playwright for the award-winning San Francisco Mime Troupe, life in a capitalist society offered almost too many targets: conniving politicians, labor-squashing industrialists and masters of war looking to profit by spreading conflict around the globe, to name just a few.As the theater collective’s principal playwright from 1967 to 2000, she largely trafficked in satire, collaborating on loose-limbed lampoons and melodramas like “Ripped Van Winkle,” about a 1960s hippie who conks out for decades after a monster L.S.D. trip and awakens to find himself trapped in a nightmare of yuppie greed and materialism in the 1980s.Even in the troupe’s broadest farces, the point was to make audiences chuckle their way to political enlightenment.Ms Holden during an event staged by her San Francisco Mime Troupe in 1969. Audiences needed little background to figure out the group’s leftist political leanings. via Holden family“I write plays about things I’m pissed off about, usually attacking people in power,” she said as part of a panel on humor in 1999, as reported in her obituary in The San Francisco Chronicle. She described humor as “the revenge of the powerless.”“Physically, I can’t get at these people,” she said, but she “can expose them to ridicule. Maybe I can’t slay the dragon, but I can make him look silly.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      ‘Peetah’ Morgan of Reggae Band Morgan Heritage Dies at 46

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      Known as “Peetah,” he and other children of the singer Denroy Morgan formed the group Morgan Heritage in the 1990s.Peter Anthony Morgan, the lead singer of the reggae band Morgan Heritage, a Grammy Award-winning group that was formed by children of the singer Denroy Morgan and came to be known for its varied influences and tight vocal harmonies, died on Sunday.He was 46, The Associated Press reported. Mr. Morgan’s family confirmed his death in a statement on the band’s social media platforms. The statement did not mention his age or provide a cause of death.Mr. Morgan, known as “Peetah,” started Morgan Heritage with seven of his siblings in the 1994. The band later became a quintet.For some early albums, including “Protect Us Jah” (1997) and “Don’t Haffi Dread” (1999), Morgan Heritage worked with Bobby Digital, one of Jamaica’s most influential producers. Before a show at New York City’s Irving Plaza in 1999, a New York Times music critic wrote that the band “holds on to the 1970s reggae traditions of harmony singing and thoughtful messages.”But Morgan Heritage was more than a throwback to an older era of reggae. AllMusic.com described its sound as a blend of “elements of roots reggae, lovers rock, soul, R&B, calypso, gospel, dub, and on occasion, funk and dancehall.”Several Morgan Heritage albums had deep runs on the Billboard reggae charts. One of them, “Strictly Roots” won for best reggae album of the year at the 2015 Grammy Awards. The band’s album “Avrakedabra” was up for the same award two years later, but lost out to “Stony Hill” by Damian Marley, a son of Bob Marley.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Lee Hoyang, Prolific K-Pop Producer and Songwriter, Dies at 40

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      Professionally known as Shinsadong Tiger, he created the upbeat, catchy and danceable musical style that defined K-pop in the early 2010s.Lee Hoyang, a prolific producer and songwriter of South Korean pop music who was professionally known as Shinsadong Tiger and who helped create some of the biggest K-pop hits of the 2010s, died in Seoul on Friday. He was 40.His management agency confirmed his death in a statement. It did not mention the cause of death, but said that a private funeral was being held in Seoul. The agency, TR Entertainment, did not respond to an emailed request for comment. A police detective in Seoul also confirmed Mr. Lee’s death, but would not disclose further details. Mr. Lee was often credited with shaping the musical style that defined K-pop in the early 2010s: catchy, upbeat and repetitive with a strong hook. He produced many commercially successful songs throughout the decade, mostly for young female artists. Among the hits were “Roly-Poly” and “Bo Peep Bo Peep,” both by T-ara; “NoNoNo” by Apink; and “Bubble Pop!” by HyunA.“He created an exciting, funky, beat-driven K-pop style that continues to be repeated over and over again,” said Do Heon Kim, a pop music critic in South Korea. “There is no place where his influence hasn’t been felt.”Mr. Lee was born on June 3, 1983, in Pohang, a city on South Korea’s southeastern coast. With no formal music education, he immersed himself in music starting in middle school, when he played in a band and remixed songs with his friends, he said in an interview in 2011.He debuted as a songwriter in 2004, when he produced a song called “Man and Woman” for the South Korean pop band the Jadu, he said. The song, which had a pulse of Brazilian bossa nova, was released in 2005.Mr. Lee’s career took a downturn in the late 2010s as his music came to be increasingly regarded as repetitive and he was faced with plagiarism accusations, which he denied, Mr. Kim said. The songwriter focused more of his energy on producing and helped form the girl groups EXID, which debuted in 2012, and Tri.be, which debuted in 2021.Jin Yu Young More

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      in Theater

      Robert Macbeth, Founder of Harlem’s New Lafayette Theater, Dies at 89

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      He created a vibrant space for actors and playwrights that became a seedbed for the emerging Black Arts Movement of the 1960s and ’70s.Robert Macbeth, a rising Black actor in the New York theater scene, was sitting in a Greenwich Village bar in September 1963, getting a drink before going onstage for an Off Broadway improv show. The evening news played in the background.“I happened to look up and there was a flash, and the flash was about the four little girls getting killed in Birmingham,” he said in a 1967 interview, recalling the bombing of the 16th Street Baptist Church in Birmingham, Ala. “And there I was, sitting in a Village bar, with a Scotch in my hand.”He went onstage that night, and, rather than following the show’s loose routine, he began shouting, walking up and down the aisles, getting in the faces of the mostly white crowd.“I must have scared the audience half to death,” he recalled in the interview. But rather than absorb his message, they seemed to take it as entertainment: “They loved it, but that wasn’t the idea.”Mr. Macbeth, distraught over his inability to convey his anger and sadness, stopped acting after that night in 1963 and, in his words, went into “exile” from the stage. He worked in a bookstore, taught acting classes and tried to process the violent changes rippling through Black America in the 1960s.Slowly, an idea took form: Black actors and playwrights could never be fully effective in white-dominated spaces. They needed their own. So, in 1967, he gathered together a troupe of more than 30 actors and artists to open the New Lafayette Theater in Harlem.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Jimmy Van Eaton, Purveyor of the Sun Records Beat, Dies at 86

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      His drumming lent spontaneity and imagination to the unfettered sound of seminal rock ’n’ roll records by Jerry Lee Lewis and others.Jimmy Van Eaton, who played drums on epoch-defining hits, including Jerry Lee Lewis’s “Great Balls of Fire” and “Whole Lotta Shakin’ Goin’ On,” and lent spontaneity and imagination to the unfettered sound of the influential Memphis label Sun Records, died on Feb. 9 at his home in Tuscumbia, Ala. He was 86.His daughter Terri Van Eaton Downing said the cause was complications of kidney disease.Mr. Van Eaton’s impeccably deployed accents and fills were heard not just on Mr. Lewis’s recordings but also on popular singles by Charlie Rich (“Lonely Weekends”), Johnny Cash (“Guess Things Happen That Way”) and others. He toured with Roy Orbison and Conway Twitty and, as the de facto house drummer at Sun, played on “Raunchy,” the bluesy instrumental by the saxophonist Bill Justis that reached the Top 10 in 1957.Mr. Van Eaton in an undated photo. What he played with Jerry Lee Lewis, he said, was “a shuffle with a backbeat” and not a straight 4/4 beat.Country Music Hall of Fame and MuseumMr. Van Eaton, who was sometimes billed as J.M., was a full-time musician only briefly, from the mid-1950s to the early 1960s, and performed sporadically after that before settling into a career as a financial adviser. His influence, though, was abiding and deep — especially his momentous work with Mr. Lewis, which had an impact comparable to that of other groundbreaking rock ’n’ roll drummers like Earl Palmer and Hal Blaine.“A lot of people try to copy” the sound of those Jerry Lee Lewis records, Mr. Van Eaton was quoted as saying in “Good Rockin’ Tonight: Sun Records and the Birth of Rock ’n’ Roll,” by Colin Escott and Martin Hawkins. But, he added, they can’t do it because what he played was “a shuffle with a backbeat” and not a straight 4/4 beat.“I never could play that straight country shuffle,” Mr. Van Eaton continued. “Maybe for eight or 16 bars, but after that I start falling off the stool. I’ve got to concentrate, and when you concentrate, you lose the feeling.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More