Deaths (Obituaries)

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      in Movies

      Barry Newman, Star of the Cult Film ‘Vanishing Point,’ Dies at 92

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      Panned when it was released in 1971, the movie gained acclaim decades later. Mr. Newman also starred on TV in the legal drama “Petrocelli.”Barry Newman, whose terse integrity and understated rebelliousness made the 1971 movie “Vanishing Point” an enduring hit in the annals of American cinema about the open road, died on May 11 in Manhattan. He was 92.The death, in a hospital, which was not widely reported until this week, was confirmed by his wife, Angela Newman. While seeking treatment for back pain, she said, he came down with a lung infection that spread to his spine and heart.Mr. Newman was briefly a leading man in movies and television in the 1970s. He starred as a Harvard-educated defense attorney who moved to a small Southwestern town to work criminal cases in the 1970 feature film “The Lawyer,” and he reprised the character, Tony Petrocelli, in an NBC legal drama, “Petrocelli,” which ran from 1974 to 1976.Two decades later, he returned to prominence as a character actor, with small roles in memorable movies like Steven Soderbergh’s “The Limey” (1999); “Bowfinger,” also in 1999, alongside Steve Martin and Eddie Murphy; and “40 Days and 40 Nights” (2002), a romantic comedy starring Josh Hartnett.But Mr. Newman’s most notable performance was undoubtedly in “Vanishing Point.”In that film, he played Kowalski, a one-named car-delivery driver who makes a bet with his drug dealer while buying Benzedrine: If he can make it from where they are in Denver to San Francisco in about 15 hours, then Kowalski gets the amphetamines for free.“Vanishing Point” then becomes one long psychedelic car chase. Kowalski skillfully evades highway cops, nonchalantly accepts his deification by a rhapsodic radio D.J. named Super Soul (played by Cleavon Little), and befriends a succession of slender hippie-ish blondes. From conversations among police officers and Kowalski’s own flashbacks, we learn about his past as a decorated Vietnam War veteran, frustrated police officer and demolition derby racer.The bulk of the movie replaces dialogue with the sounds of a revving car engine, a police siren and a shredding electric guitar. The camera is often trained on Mr. Newman’s face — its shaggy hair, stubble, righteous sideburns, sharp jawline and watery blue eyes — as he stares ahead resolutely but wearily at desert highways that never seem to end.The other star of the movie is Kowalski’s car, a souped-up white 1970 Dodge Challenger that can go up to 160 miles per hour. It remains fairly pristine even as it kicks up enough dust to confound the highway patrols of several Western states.With characters making druggy proclamations about “the last American hero to whom speed means freedom of the soul,” the movie did not initially attract critical praise. Roger Greenspun, reviewing it for The New York Times, called it “a dumb movie that is nothing but an automobile chase,” and added, “I suspect that Barry Newman really can act, though in ‘Vanishing Point’ all he needs is a driver’s license.”Yet it is now regularly featured on lists of the best American road movies, car movies and action movies. Bruce Springsteen and Steven Spielberg have both ranked “Vanishing Point” among their favorite films.“It became a cult film without me even realizing it,” Mr. Newman told the movie journalist Paul Rowlands in 2019. “To this day, I’m always being asked to talk about it somewhere.”Barry Foster Newman was born on Nov. 7, 1930, in Boston, where he grew up. His father, Carl, managed the Latin Quarter nightclub. Barry visited on Sundays and saw performances by Frank Sinatra, Sammy Davis Jr., Milton Berle and others. His mother, Sarah (Ostrovsky) Newman, worked a variety of jobs, including saleswoman at Filene’s Basement and ticket seller at a movie theater.Mr. Newman earned a bachelor’s degree in anthropology from Brandeis University in 1952. He then served in the Army until 1954, playing saxophone and clarinet in a military band.Several years later, while studying for a master’s degree in anthropology at Columbia University, Mr. Newman tagged along with a friend to an acting class being taught by Lee Strasberg. He was “mesmerized,” he told Mr. Rowlands, and soon began pursuing a career as an actor.He married Angela Spilker in 1994. They divorced in 2007 but got back together and remarried in 2018. She is his only immediate survivor.Mr. Newman lived in the same apartment in Midtown Manhattan from 1962 until his death.In portraying both the quick-witted lawyer Petrocelli and the stoic hot-rodder Kowalski, Mr. Newman became known for characters with opposing types of masculinity. That paradox, he told Mr. Rowlands, inspired him to take on the part of Kowalski in the first place.“I had just done ‘The Lawyer,’ where I was speaking nonstop for 90-odd minutes, and I got the script for ‘Vanishing Point,’” he said. “I wasn’t even thinking of the idea of the film or the existentialism of the character — I just thought it would be interesting to do a part where I am playing the antithesis of the character I had just played.” More

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      in Television

      The Iron Sheik, Villainous Hall of Fame Wrestler, Is Dead

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      Khosrow Vaziri drew on his Iranian heritage to create a caricature of a Middle Eastern villain and became one of the most memorable heels in wrestling history.The Iron Sheik, a Hall of Fame wrestler who became a villainous star in the 1980s, facing off against Hulk Hogan and teaming up with a wrestler who claimed to represent the Soviet Union, died in his sleep early Wednesday morning at his home in Fayetteville, Ga. He was either 81 (according to his passport) or 80 (according to him).The death was confirmed by his managers, Page and Jian Magen, who said they did not know the cause.Foreign-style heels are a time-honored tradition in professional wrestling, and the Iron Sheik, whose legal name was Khosrow Vaziri, became one of the most recognizable of them all.The Sheik drew loosely on his Iranian heritage to build a caricature of a Middle Eastern villain. He wore a thick mustache, boots with curled toes, and kaffiyeh, Middle Eastern head scarves — which are not generally worn in Iran.At the height of the Sheik’s infamy, and in the wake of the Iran hostage crisis in 1979, he often stomped into the ring waving an Iranian flag emblazoned with the face of Ayatollah Ruhollah Khomeini, then Iran’s supreme leader, to take on stereotypically American wrestlers.The Sheik’s signature move was the camel clutch, in which he sat on an opponent’s back, locked his fingers beneath the other wrestler’s chin and pulled up. His unfortunate opponent’s spine seemed to bend like a drawn bow.In 1983 the Sheik defeated Bob Backlund to win the World Wrestling Federation championship. But his time with the title was short.About a month later, on Jan. 23, 1984, the Sheik defended his title against Hulk Hogan, then a relatively new face in the World Wrestling Federation (now known as WWE), in front of a sold-out crowd at Madison Square Garden.The match seemed to be going the Sheik’s way, and he trapped Hogan in a camel clutch. But Hogan stood up with the Sheik on his back and slammed him into a corner pylon.The Sheik flopped to the mat. Hogan launched off the ropes, leaped into a leg drop on the Sheik and then pinned him. It was the first of Hogan’s six WWE championships and the beginning of Hulkamania.The defeat continued to sting even decades later, the Sheik, very much in character, told WWE in an interview in 2014.“Hulk Hogan, only thing he had was luck,” he said. “I have one bad night, I lost my belt.”Sgt. Slaughter was a regular opponent for the Sheik, who lost a major match to him at Madison Square Garden later in 1984.The next year the Sheik teamed up with Nikolai Volkoff, a heel supposedly wrestling for the Soviet Union (he was actually from Croatia), and went on to win the World Tag Team Championship at the inaugural Wrestlemania.The Sheik also dialed up his character’s anti-American rhetoric. He often snatched the microphone from an announcer and shouted “Iran No. 1! Russia No. 1!”Then he would glare at the audience, shout “U.S.A.!” and spit on the ground.The audience reaction could be so vicious that despite his ferociousness in the ring, the Sheik sometimes feared for his safety.Keith Elliot Greenberg, a wrestling historian and writer, said in a phone interview that he thought fans sometimes believed the Sheik’s character too much.“The reality was he was actually a very loyal American, and was grateful to the United States for the opportunities it afforded him,” Mr. Greenberg said.The Iron Sheik in action against Chavo Guerrero in the 1980s.George Napolitano/MediaPunch, via Associated PressHossein Khosrow Ali Vaziri was born in Damghan, a town about 200 miles east of Tehran. His birth date appeared as March 15, 1942, on his passport, but he was not certain that it was accurate and celebrated his birthday on Sept. 9. His parents, Ghassem and Maryam Vaziri, owned a farm that grew pistachios, grapes and other crops.When he was a boy, his family moved to Tehran and opened a wrestling gym where some of Iran’s foremost wrestlers trained. He grew up immersed in the sport.Vaziri became a talented wrestler, and his prominence helped him secure a job as a bodyguard for the family of the shah of Iran. But after the Olympic gold medal-winning wrestler Gholamreza Takhti died under mysterious circumstances in 1968, perhaps for displeasing the shah, Vaziri left Iran for the United States and settled in Minneapolis.He wrestled with an amateur club in Minnesota, winning an Amateur Athletic Union Greco-Roman wrestling tournament in 1971, and served as an assistant coach for the U.S. Olympic team in 1972 and 1976 before making the transition to full-time professional wrestling.Vaziri trained under Verne Gagne, the promoter of the American Wrestling Association. The idea for the Iron Sheik came from Mary Gagne, Verne’s wife, Mr. Greenberg said, though Vaziri experimented with other versions of the character over the years.In 1975 he married Caryl Peterson, who survives him. He is also survived by their daughters, Nicole and Tanya; a sister; and five grandchildren.During the 1980s the Sheik started using drugs and drinking heavily. In 1987 he and Hacksaw Jim Duggan — a babyface, as good-guy wrestlers are known — were arrested on the New Jersey Turnpike after police officers found cocaine and marijuana in their car.The Sheik appeared in a match as an ally of Sgt. Slaughter’s in 1991, and in 1997 he managed another wrestler, the Sultan. But his professional career mostly dried up as his drug use accelerated in the 1990s. He struggled with substance abuse for a long time, but according to an article Mr. Greenberg wrote for Bleacher Report in 2013, he had more recently been able to stay off drugs, except for an occasional beer.In 2003 his daughter Marissa, 27, was killed by her boyfriend, Charles Reynolds. Vaziri said that he contemplated attacking Mr. Reynolds with a razor blade in court, Mr. Greenberg wrote, but that his family kept him from doing it. Mr. Reynolds was sentenced to life in prison. He died in 2016.In 2005 the Iron Sheik was inducted into the WWE Hall of Fame.Beginning in the early 2000s, the Sheik brought a less inhibited version of his character to Howard Stern’s radio show to rant about different wrestlers. He threatened to sodomize rivals like Hogan and used homophobic slurs to describe the Ultimate Warrior.In more recent years the Sheik’s diatribes appeared on social media. His managers often posted profanity-laced messages in all capital letters on a Twitter account that has nearly 650,000 followers. A recent one just said “HOGAN,” preceded by an expletive.But, the Sheik allowed in 2014, things were more civil when he met Hogan outside the ring.“Nobody talk bad about the past,” he said. “I get along with him.”Alain Delaquérière contributed research. More

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      in Music

      George Winston, Pianist With a Soothing ‘New Age’ Sound, Dies at 74

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      His top-selling records for the Windham Hill label helped define a genre that took off in the 1970s, but his interests also included Hawaiian guitar and the Doors.George Winston, who during decades when pop and rock dominated the musical landscape became a best-selling musician by playing soothing piano instrumentals in a style that was often described as new age but that he liked to call “rural folk piano,” died on Sunday in Williamsport, Pa. He was 74.His publicist, Jesse Cutler, said the cause was cancer. Mr. Winston, who lived in the Bay Area, had dealt with several cancers for years while continuing to record and perform; he credited a 2013 bone marrow transplant with extending his life. He was staying in Williamsport near where his tour manager lives, Mr. Cutler said.Mr. Winston released his first album, “Ballads and Blues,” in 1972, but it was “Autumn,” released in 1980 on the fledgling Windham Hill label, based in Palo Alto, Calif., that propelled his career. It consisted of seven solo piano compositions that were, like most of his music, inspired by nature. They bore simple titles — “Sea,” “Moon,” “Woods” — and hit a sweet spot for many listeners. Sales soared into the hundreds of thousands.“By attuning his emotions to the serenity, order and power of nature rather than to the violently frenetic tones of our contemporary cityscape,” Lee Underwood wrote in a review in DownBeat, “Winston provides us with a perfect aural and psychological antidote to the urban madness.”Mr. Winston continued the calendar theme with two 1982 albums, “December” and “Winter Into Spring,” and again with a 1991 release, “Summer.” His 1994 record, “Forest,” won a Grammy Award for best new age album — a category that was relatively new at the time — and he was nominated four other times.The calendar theme that Mr. Winston established with the album “Autumn” in 1980 was continued in 1982 with “December” and “Winter Into Spring.”Those nominations were evidence of the range of his musical interests. Two — for “Plains” (1999) and “Montana: A Love Story” (2004) — were for best new age album, but he was also nominated for best recording for children for “The Velveteen Rabbit” (1984; Meryl Streep provided the narration) and for best pop instrumental album for “Night Divides the Day: The Music of the Doors” (2002).Mr. Winston recorded two albums of the music of Vince Guaraldi, the jazz pianist best known for composing music for animated “Peanuts” television specials. In 2012, he released “George Winston: Harmonica Solos,” and in 1983 he created his own label, Dancing Cat Records, to record practitioners of Hawaiian slack-key guitar, a genre he particularly admired.He never cared much for efforts by critics and others to pigeonhole his music or his musical interests.“I think putting a label on music is the most useless endeavor,” he told United Press International in 1984, “except for putting a name on religion.”George Otis Winston III was born on Feb. 11, 1949, in Hart, Mich., near Lake Michigan, to George and Mary (Bohannon) Winston. His father was a geologist, and his mother was an executive secretary.He grew up in Mississippi, Florida and Montana. He said that his years in Montana were instrumental in instilling the profound appreciation of nature and the changing seasons that later inspired his music. Even after he left the state to live in other places, including on the West Coast, he would return occasionally to be re-energized.“I am very grateful for having spent a lot of time growing up in this beautiful state,” he wrote in “Montana Song,” a 1989 essay posted on his website, “and I can say that the modest, workable level I have managed to get to, both musically and spiritually, would not have been possible without the inspirations and feelings I get from Montana now, and from my memories of growing up there.”Mr. Winston took piano lessons as a child but didn’t stick with it. Hearing the Doors’ debut album in 1967 reawakened his musical interest.“When I heard the first song on Side One, ‘Break On Through (to the Other Side),’ to me it was the greatest piece of music I’d ever heard,” he said in a 2004 interview.The playing of the Doors’ organist, Ray Manzarek, inspired him to take up the organ, which he played alongside fellow students at Stetson University in Florida in a group called the Tapioca Ballroom Band. But in 1971 he became enthralled by recordings of Fats Waller from the 1920s and ’30s and decided that piano was his future.He was mostly self-taught, although he studied for a time with James Casale, a jazz pianist in Miami.“He got me straight on chords, music theory, the basics,” Mr. Winston told The Charleston Daily Mail of West Virginia in 2005.Mr. Winston in 2004. Critics sometimes found his playing unsophisticated or repetitive, but he sold millions of albums and drew enthusiastic audiences wherever he played. Reed Saxon/Associated PressMr. Winston, who is survived by a sister, said he was also influenced by the music of two New Orleans pianists, Professor Longhair and James Booker. All of his influences merged into the style he called rural folk piano, a term he came up with to encompass music that, as he said on his website, “is melodic and not complicated in its approach, like folk guitar picking and folk songs, and has a rural sensibility.”Critics sometimes found his piano work to be unsophisticated or repetitive, but he sold millions of albums and drew enthusiastic audiences wherever he played. His concerts generally included a charitable component, benefiting food banks or other causes.Mr. Winston knew his music wasn’t for everyone, and he was self-deprecating about that.“One person’s punk rock is another person’s singing ‘Om’ or playing harp,” he told The Santa Cruz Sentinel of California in 1982. “It’s all valid — everybody’s got their own path. I wouldn’t want to sit around and listen to me all day.”Jay Gabler, writing on the website Your Classical in 2013, summed up Mr. Winston’s appeal and skill.“Love him or hate him,” he wrote, “George Winston is the kind of artist who demonstrates what fertile ground there is to be trod in the vast open spaces among musical genres.” More

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      in Theater

      John Beasley, Late-Blooming Actor Known for Playing Sages, Dies at 79

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      A former railroad clerk, he didn’t became a full-time actor until his 40s, but he made up for lost time in films like “Rudy” and TV shows like “Everwood.”John Beasley, who left his job as a railroad clerk in his mid-40s to pursue acting full time, bringing an understated power to films like the inspirational 1993 football movie “Rudy” and television series like the WB drama “Everwood” and the TV Land comedy “The Soul Man,” died on May 30 in Omaha. He was 79.His son Michael said his death came after he was admitted to a hospital for liver tests, but he did not specify a cause.Mr. Beasley’s tenure at the Union Pacific Railroad marked just one stop on a long journey toward a Hollywood career. “I was a longshoreman,” he said in a 2002 interview with The Associated Press. “I even worked one day as a bill collector and knew that wasn’t for me. All I wanted to do was be an actor.”His perseverance paid off. Mr. Beasley became an in-demand character actor in the 1990s and went on to appear in nearly 70 movies and television shows, often playing steady, dignified men of integrity.He first drew notice for his work with Oprah Winfrey in four episodes of “Brewster Place,” a short-lived spinoff of the 1989 television movie “The Women of Brewster Place,” based on a novel by Gloria Naylor about the intertwined lives of Black women living in tenements on a dead-end street.He also earned plaudits for his work in “The Apostle,” a 1997 film starring Robert Duvall (who also wrote and directed) as Sonny, a fiery Pentecostal preacher who flees trouble with the law to start over in Louisiana. “John Beasley is especially good as the retired Black preacher who is suspicious of Sonny at first,” Janet Maslin wrote in a review for The New York Times. “‘I tell you what,’ he says, ‘I’m going to keep my eye on you. And the Lord keep his eye on both of us. And we all three keep an eye out for the Devil.’”His many other film credits included the 1992 family hockey comedy “The Mighty Ducks,” starring Emilio Estevez; the 1999 John Travolta drama “The General’s Daughter”; the 2002 Ben Affleck terrorism thriller “The Sum of All Fears”; and the 2014 gore-fest “The Purge: Anarchy.”He is perhaps best remembered for his role as a kindly school-bus driver on “Everwood,” which starred Treat Williams as a New York neurosurgeon who starts a new life in the mountains of Colorado after his wife dies in a car accident. Mr. Beasley was in every episode from the show’s debut in 2002 until it ended in 2006.Starting in 2012, Mr. Beasley also turned heads for five seasons on “The Soul Man” as the father of the R&B star turned preacher played by Cedric the Entertainer.Last fall, Mr. Beasley scaled a personal peak as a stage actor with a prominent role as the older incarnation of Noah, the love-struck male protagonist, in a musical adaptation of the 1996 Nicholas Sparks novel “The Notebook,” and the 2004 film based on it, at the Chicago Shakespeare Theater. He died before the production could make its anticipated move to Broadway.John Beasley was born on June 26, 1943, in Omaha, the oldest of five sons of John Wilfred Beasley, who owned an electrical supply business, and Grace (Triplett) Beasley.He was active in theater in high school, and after graduating he briefly studied the subject at the University of Nebraska Omaha before dropping out to join the Army.After being discharged, he married Judy Garner. She survives him. In addition to his son Michael, Mr. Beasley is also survived by another son, Tyrone; his brothers Gary, Steven and Leon; and six grandchildren, including the basketball player Malik Beasley.By 1968, he had became active in the civil rights movement, and he ended up moving his family to Philadelphia because of threats he faced after participating in protests of policing practices in Omaha’s Black community.After returning with his family to Omaha in the early 1970s, he kept his acting dreams alive by appearing in industrial films and stage productions, honing his talent locally before being cast in regional theater roles in Minneapolis, Chicago and Atlanta. Through it all, however, he stayed focused on his home life — and on Omaha.“We were going through some ups and downs early in our relationship, my wife and I,” Mr. Beasley said in an interview last year with American Theatre magazine. “There were things to work through — and we did. I felt it would be better for me to stay here with my wife and family. It turned out to be the best decision I made.” More

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      in Movies

      Pat Cooper, Comedian of Outrage, Is Dead at 93

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      He built his act on making fun of his Italian American heritage. He later publicly insulted stars he had worked with, including Frank Sinatra and Howard Stern.Pat Cooper, the stand-up comic who made outrage his act, progressing from mocking Italian American families like his own to publicly insulting celebrities like Frank Sinatra and Howard Stern, died on Tuesday night at his home in Las Vegas. He was 93.The death was announced in a statement by his wife, Emily Conner.For more than 50 years, Mr. Cooper, clad in a tuxedo and Clark Kent spectacles, ranted comedically about his background, his family, the people who he felt had wronged him and just about anything else that bothered him.He developed the act, laced with sound effects, in small clubs in Baltimore and New York in the 1950s, and it proved a novelty at the time, when there were far more Jewish than Italian American comedians making jokes about their families and their culture.He broke through with an appearance on “The Jackie Gleason Show” in 1963, then became a regular opening act for entertainers like Sinatra, Bobby Darin, Tony Bennett, Jerry Lewis and Sammy Davis Jr. at clubs and casinos, including the Copacabana in Manhattan and the Sands in Las Vegas. He appeared on television shows hosted by Merv Griffin, Dean Martin and Mike Douglas, and released several albums, most memorably “Spaghetti Sauce and Other Delights” (1966).The title of that album was a parody of Herb Alpert & the Tijuana Brass’s “Whipped Cream and Other Delights” (1965), whose cover depicted a woman apparently clothed only in whipped cream. Mr. Cooper’s cover depicted him slathered in marinara sauce, apparently naked but for a mound of spaghetti.“I got a genuine Italian mother — four feet eleven,” Mr. Cooper said during a typical routine, included on his album “Our Hero” (1965). “She has a bun over here, knitting needle over here, gold tooth over here, mole over here.”“She says, ‘Put garlic around your neck, it keeps away the evil spirits,’” he continued. “I ain’t got no friends, what spirits?”Mr. Cooper’s 1966 album cover was a spoof of one put out by Herb Alpert & the Tijuana Brass the year before.J.P. Roth CollectionAudiences laughed at the Italian stereotypes, but an Italian American anti-defamation group did not get the joke and threatened to sue him. (No suit was ever filed.)Mr. Cooper’s act had dire consequences in his personal life. He became estranged from his parents and siblings, then from his first wife, Dolores Nola, and his children. He said they could not stand his success.“The only way I can beat them, I made fun of them,” Mr. Cooper said in an interview for this obituary in 2014.Later in his career he let the world know when he thought that stars had wronged him. In “How Dare You Say How Dare Me!” (2011), a memoir he wrote with Rich Herschlag and Steve Garrin, he accused Paul Anka of never saying hello when they did more than 50 shows together and then firing him for bringing it up. He claimed that an inebriated Johnny Carson once urinated on his foot in a men’s room, and that after loudly objecting with an expletive, he was not invited back on Carson’s “Tonight Show.”Another time, opening onstage for Sinatra, Sinatra asked him to remove a joke from his set. As Mr. Cooper told The Daily News of New York in 1997, he replied, “Hey, Frank, do I tell you what songs to sing?” Sinatra fired him.During an interview with the talk show host Tom Snyder on NBC in 1981, Mr. Cooper castigated Dionne Warwick, Tony Bennett and Lola Falana, saying they did not treat their opening acts respectfully. When Mr. Snyder asked whether Mr. Cooper might be jealous, he denied it. “I want to stop the nonsense of some of the stars in my business who think they own a Pat Cooper,” he said.“We’re comics,” he added. “We’re not dogs.”His agent called him afterward and told him that he was finished in show business. But Mr. Cooper disagreed, and the episode actually raised his profile.“Everybody thought I lost my career — I raised my price!” he said in the 2014 interview. “In those days that was a terrible thing to say, what I did. Now it’s a reality show!”Howard Stern, drawn to Mr. Cooper’s vitriol, invited him on his radio show in the mid-1980s. But perhaps predictably they had a falling-out. Mr. Stern put Mr. Cooper’s estranged son, Michael, and his former wife on the air, and Mr. Cooper refused to interact with them. Then Mr. Cooper began berating Mr. Stern. Mr. Stern stopped having him on the show.Mr. Cooper continued performing at clubs and casinos and at Friars Club roasts until he retired in 2012. And he continued to insist that the industry had treated him poorly. “They don’t want me because I say what’s on my mind,” he said, “and they punish it.”Mr. Cooper in Las Vegas, where he made his home, in 2005 at a screening of “The Aristocrats,” a popular documentary about the world’s dirtiest joke. He also appeared with Robert De Niro as a mobster in the hit comedy “Analyze This” and its sequel, “Analyze That.” Bryan Haraway/Getty ImagesPasquale Vito Caputo was born on July 31, 1929, in East Flatbush, Brooklyn, and raised in the Midwood and Red Hook sections of the borough. His father, Michele, was a bricklayer, and his mother, Louise (Gargiulo) Caputo, was a homemaker. He did not have a happy childhood.“I think I broke a record in my neighborhood — I think I must have run away 14 times,” he said. “People don’t run away from good homes.”He tried to escape, seeking to join the Marines, the Air Force and the Navy, but he was rejected from each branch because of “hammerhead toes,” he wrote in his memoir. He was drafted into the Army in 1952 and stationed at Fort Jackson, S.C., but he was soon discharged, because of his disruptive behavior, according to Mr. Cooper.He then returned to New York, where he married Ms. Nola and had two children with her. He also began developing his act while supporting himself by driving a cab. “I was a stand-up comic who happened to be sitting down at the time,” he said.Mr. Cooper Americanized his name while performing in the Catskills in the early 1960s, a decision that further infuriated his family. The Oxford English Dictionary says that he coined the term “Bada-bing,” heard during a routine titled “An Italian Wedding” on the “Our Hero” album. (Mr. Cooper himself did not claim authorship.)He went on to appear alongside Robert De Niro as a mobster in the hit comedy “Analyze This” (1999) and its sequel, “Analyze That” (2002), which also starred Billy Crystal; and alongside many other comedians in “The Aristocrats” (2005), the acclaimed documentary about the world’s dirtiest joke.Mr. Cooper’s first marriage ended in divorce in 1961. He almost never saw his children, Michael and Louise Caputo, again. Michael Caputo wrote a book about their poor relationship and appeared on the talk show “Geraldo” in 1990 to discuss what he saw as his father’s neglect.Mr. Cooper called in to “Geraldo” to argue that he was not at fault, and to castigate his son.“Let me tell you something, I don’t have to be your father, you’re not that thrilling,” Mr. Cooper said, adding, “And I don’t want to be your father.”The show’s host, Geraldo Rivera, interrupted him, saying: “Pat, enough, enough. You’re upsetting me even.”Mr. Cooper’s second wife, the singer Patti Del Prince, died of cancer in 2005. He married Ms. Conner in 2018. In addition to her, he is survived by his children from his first marriage as well as a daughter from his second marriage, Patti Jo Weidenfeld; three sisters, Grace Ferrara, Carol Caputo and Marie Caputo Mangano; and five grandchildren.Mr. Cooper said his son Michael had tried to reconcile with him over the years. He remained uninterested.“He said, ‘Well, now I want’ — what’s it? — ‘closure,’” Mr. Cooper said. “I said, ‘Well, then get a closet.’” More

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      in Music

      Astrud Gilberto, ‘The Girl From Ipanema’ Singer, Dies at 83

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      It was the first song she ever recorded. And it played a key role in making the Brazilian sound known as bossa nova a phenomenon in the United States.Astrud Gilberto, whose soft and sexy vocal performance on “The Girl From Ipanema,” the first song she ever recorded, helped make the sway of Brazilian bossa nova a hit sound in the United States in the 1960s, died on Monday. She was 83.Listen to This ArticleFor more audio journalism and storytelling, More

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      in Television

      Anna Shay, Star of Netflix’s ‘Bling Empire,’ Dies at 62

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      A Los Angeles socialite and heiress to a defense contractor, she lived most of her life in private before joining a reality show.Anna Shay, an heiress and Los Angeles socialite who became a breakout star of the Netflix reality show “Bling Empire,” has died. She was 62.Her family confirmed her death to The Associated Press in a statement, which said the cause was a stroke. It was not immediately clear when or where she died.“It saddens our hearts to announce that Anna Shay, a loving mother, grandmother, charismatic star, and our brightest ray of sunshine, has passed away,” said the statement provided to The A.P. “Anna taught us many life lessons on how not to take life too seriously and to enjoy the finer things. Her impact on our lives will be forever missed but never forgotten.”“Bling Empire,” which ran for three seasons on Netflix starting in 2021, centered on wealthy Asian and Asian American fun seekers in Los Angeles and was billed as the real version of the movie “Crazy Rich Asians.” Ms. Shay appeared in 22 episodes, according to the Internet Movie Database.Jeff Jenkins, who produced the show and other reality hits like “Keeping Up With the Kardashians,” praised Ms. Shay’s performance in an interview with Town & Country magazine in 2021.“I consider it a personal gift that she agreed to participate,” he said. “But it’s also a gift to everybody watching.”Ms. Shay’s presence on the show was that of a sometimes intimidating, but well-loved matriarch. “Anna is nice to people,” Guy Tang, another cast member, said in one episode, “but you cross her line, she’s going to cut you.”Born in Japan, Ms. Shay was the daughter of Ai Oizumi Shay, who died in 2015, and Edward Albert Shay, who died in 1995. Her parents moved the family to Los Angeles from Tokyo in 1968, according to several news reports.Her father founded the defense contractor Pacific Architects and Engineers, which she and her brother Allen Shay sold to Lockheed Martin in 2006 for an estimated $700 million.Ms. Shay said on the show that she had been married and divorced four times.“I always meet people and then we become friends and that’s it,” Ms. Shay said, adding that all four spouses brought adventure to her life. (She met one of them when she was learning to fly helicopters, she said). Getting ready for a blind date on “Bling Empire,” she said she was open to marrying a fifth time. Ms. Shay never publicly shared her spouses’ identities.She is survived by a son, Kenny Kemp. A full list of survivors was not immediately available.Ms. Shay in a scene from “Bling Empire,” which ran on Netflix for three seasons.Netflix/Netflix, via Associated PressAfter the news of Ms. Shay’s death, her co-stars and other friends expressed their grief and posted tributes on social media.“We spent most of the pandemic together, slaying it on Rodeo Dr., grocery shopping, making Japanese plum wine and doing silly things,” Kane Lim, a fellow cast member who said he forged an off-camera friendship with Ms. Shay, wrote on Instagram.“You had a nonchalance about you that was mesmerizing,” he wrote. “I was lucky to get to know the real you.”She was known on “Bling Empire” for her personal style, a love for cooking and cutting zingers. In her first scene, she is seen sledgehammering a wall in her closet while wearing a red ball gown and a sparkling diamond necklace. When a friend asked what she was doing, she dryly answered, “I’m fixing my closet.”Ms. Shay was always surrounded by a security detail, including at her vast estate in Beverly Hills, something she said she had been used to from an early age as a member of a wealthy family.“My father, he was extremely protective as I was growing up,” Ms. Shay said on the show.Even though she spent much of her final years in front of cameras, she remained somewhat of a mystery. “Anna Shay can reach you, but you can’t reach Anna Shay,” Kelly Mi Li, another “Bling Empire” star, said on a podcast last year.“She was something special,” Pep Williams, an art photographer in Los Angeles, wrote on Facebook. “We used to race Ferraris and Lamborghinis from Beverly Hills to Palm Springs. So many good times just hanging out at the house talking about life, cars, and photography.”This spring, Netflix canceled “Bling Empire” as well as its spinoff, “Bling Empire: New York.”Mostly, Ms. Shay exuded a sense of confidence among the gossip and drama that the reality show inspires. “I don’t feel this need to compete,” she said in one episode. “I find it fiercely annoying.” More

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      Ama Ata Aidoo, Groundbreaking Ghanaian Writer, Dies at 81

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      A playwright, novelist and poet, she was a leading African writer who explored the complexities faced by modern women living in the shadow of colonialism.Ama Ata Aidoo, a Ghanaian playwright, author and activist who was hailed as one of Africa’s leading literary lights as well as one of its most influential feminists, died on Wednesday. She was 81.Her family said in a statement that she died after a brief illness. The statement did not specify the cause or where she died.In a wide-ranging career that included writing plays, novels and short stories, stints on multiple university faculties and, briefly, a position as a cabinet minister in Ghana, Ms. Aidoo established herself as a major voice of post-colonial Africa.Her breakthrough play, “The Dilemma of a Ghost,” published in 1965, explored the cultural dislocations experienced by a Ghanaian student who returns home after studying abroad and by those of his Black American wife, who must confront the legacies of colonialism and slavery. It was one of several of Ms. Aidoo’s works that became staples in West African schools.Throughout her literary career, Ms. Aidoo sought to illuminate the paradoxes faced by modern African women, still burdened by the legacies of colonialism. She rejected what she described as the “Western perception that the African female is a downtrodden wretch.”Her novel “Changes: A Love Story,” which won the 1992 Commonwealth Writers’ Prize for best book, Africa, portrays the psychic and cultural dilemmas faced by Esi, an educated, career-focused woman in Accra, Ghana’s capital, who leaves her husband after he rapes her and lands in a polygamous relationship with a wealthy man.In this work and many others, Ms. Aidoo chronicled the fight by African women for recognition and equality, a fight, she contended, that was inextricable from the long shadow of colonialism.“Our Sister Killjoy” was Ms. Aidoo’s debut novel.Her landmark debut novel, “Our Sister Killjoy, or Reflections From a Black-Eyed Squint” (1977), recounted the experiences of Sissie, a young Ghanaian woman who travels to Europe on a scholarship to better herself, as such a move was traditionally described, with a Western education. In Germany and England, she comes face to face with the dominance of white values, including Western notions of success, among fellow African expatriates.As a Fulbright scholar who spent years as an expatriate herself, including stints as a writer in residence at the University of Richmond in Virginia and as a visiting professor in the Africana studies department at Brown University, Ms. Aidoo too experienced feelings of cultural dislocation.“I have always felt uncomfortable living abroad: racism, the cold, the weather, the food, the people,” she said in a 2003 interview published by the University of Alicante in Spain. “I also felt some kind of patriotic sense of guilt. Something like, Oh, my dear! Look at all the problems we have at home. What am I doing here?”Whatever her feelings about life abroad, she was welcomed in Western literary circles. A 1997 article in The New York Times recounted how her appearance at a New York University conference for female writers of African descent “was greeted with the kind of reverence reserved for heads of state.”Although she never rose to hold that title, she had been Ghana’s minister of education, an appointment she accepted in 1982 with the goal of making education free for all. She resigned after 18 months when she realized the many barriers she would have to overcome to achieve that goal.Ms. Aidoo’s novel “Changes: A Love Story” won the 1992 Commonwealth Writers’ Prize for best book, Africa.After moving to Zimbabwe in 1983, Ms. Aidoo developed curriculums for the country’s Ministry of Education. She also made her mark in the nonprofit sphere, founding the Mbaasem Foundation in 2000 to support African women writers.She was a major Pan-Africanist voice, arguing for unity among African countries and for their continued liberation. She spoke with fury about the centuries of exploitation of the continent’s natural resources and people.“Since we met you people 500 years ago, now look at us,” she said in an interview with a French journalist in 1987, later sampled in the 2020 song “Monsters You Made” by the Nigerian Afrobeats star Burna Boy. “We’ve given everything, you are still taking. I mean where will the whole Western world be without us Africans? Our cocoa, timber, gold, diamond, platinum.”“Everything you have is us,” she continued. “I am not saying it. It’s a fact. And in return for all these, what have we got? Nothing.”Christina Ama Ata Aidoo and her twin brother, Kwame Ata, were born on March 23, 1942, in the Fanti village of Abeadzi Kyiakor, in a central region of Ghana then known by its colonial name, the Gold Coast.Her father, Nana Yaw Fama, was a chief of the village who built its first school, and her mother was Maame Abba Abasema. Information about Ms. Aidoo’s survivors was not immediately available.Her grandfather had been imprisoned and tortured by the British, a fact she later invoked when describing herself as “coming from a long line of fighters.”She said she had felt a literary calling from an early age. “At the age of 15,” she said, “a teacher had asked me what I wanted to do for a career, and without knowing why or even how, I replied that I wanted to be a poet.”Four years later, she won a short story contest. On seeing her story published by the newspaper that sponsored the competition, she said, “I had articulated a dream.” More