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      Lara Parker, a Memorable Witch on ‘Dark Shadows,’ Dies at 84

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      Her three-dimensional portrayal of a character who was also a vampire helped the Gothic soap opera develop a cult following.Lara Parker, who found small-screen fame in the 1960s and ’70s as a beguiling and vengeful witch on the popular Gothic soap opera “Dark Shadows,” died on Oct. 12 at her home in Topanga, Calif. She was 84.The cause was cancer, said Kathryn Leigh Scott, a friend and fellow “Dark Shadows” actress.“Dark Shadows,” seen daily on ABC from 1966 to 1971, was a departure from standard soap opera fare, blending romantic intrigue with horror and science fiction. The show chronicled a wealthy and eccentric Maine family dealing with the usual soap melodramas — but also time travel, ghosts, werewolves and vampires.With her icy beauty and elegant demeanor, Ms. Parker proved coolly seductive in her primary role among several on the show, Angelique, an 18th-century servant girl and witch who puts a curse on a wealthy shipping scion, Barnabas Collins (Jonathan Frid) after he spurns her for Ms. Scott’s character, Josette, turning him into a vampire and dooming the two to carry on a tempestuous cycle of passion and revenge as they time-hop through history.Despite the pulpy premise, Ms. Parker brought a complexity to her role. “I played her as somebody who was much more of a tragic figure, who was desperately, desperately in love,” she said in a 2016 interview with Den of Geek, a pop culture website.In doing so, Ms. Parker, whose character also dabbled in vampirism, and Mr. Frid helped expand the two-dimensional portrayals of vampires and witches seen in old Hollywood B-movies.“When you’re invited into someone’s living room in a show that is essentially bodice-ripping horror, you have to make yourself palatable to the household, which in those days mostly meant housewives and children,” Ms. Scott said in a phone interview. “Lara and Jonathan did that by bringing a dimension of vulnerability, so you cared about the characters as people, not just evil forces. In that way, ‘Dark Shadows’ was really the granddaddy for all contemporary vampire films.”As the show grew in popularity, Ms. Parker found herself continually recognized by loyal viewers on the streets — although not always in ways she expected. “I used to get on the subway platform when school let out at 3:15 in the afternoon,” Ms. Parker said during a television appearance in the early 1990s, “and instead of the fans coming up and asking for an autograph, they would run.”Ms. Parker brought a complexity to her portrayal of Angelique. She played the character, she said, as someone “who was desperately, desperately in love.”Everett CollectionLara Parker was born Mary Lamar Rickey on Oct. 27, 1938, in Knoxville, Tenn., to Albert and Anne (Heiskell) Rickey. Her lineage included the Confederate general James Longstreet and L.Q.C. Lamar, a Mississippi statesman who achieved a national profile as a congressman, senator and Supreme Court justice after the Civil War.Ms. Parker, who went by the name Lamar, grew up in Memphis, where she attended Central High School, and eventually earned a scholarship to Vassar College, where she studied philosophy, before transferring to Southwestern (now Rhodes College) in Memphis.She later studied speech and drama in a master’s program at the University of Iowa and had several lead roles at a repertory theater in Pennsylvania before moving to New York City. Within two weeks, she was in the cast of “Dark Shadows.”After the show went off the air, Ms. Parker moved to Los Angeles, where she turned her attention to prime-time television, appearing on “Hawaii 5-0,” “Kung Fu,” “Baretta,” “The Incredible Hulk” and other shows, as well as several television movies. She also had a powerful, if brief, role as a prostitute who tries to revive a client after he has a heart attack in the 1973 feature film “Save the Tiger,” for which Jack Lemmon won the Academy Award for best actor.Still, Ms. Parker’s relationship with the show that made her famous was far from over: “Dark Shadows” become an enduring cult favorite to new generations of horror fans, and Ms. Parker fed their obsession after turning her attention to writing. In 1998, she published “Dark Shadows: Angelique’s Descent,” the first of her four novels inspired by the show, which chronicled the early life of her character.She also helped revive the show on the big screen, appearing, along with her former co-stars Ms. Scott, Mr. Frid and David Selby, in a cameo role in the 2012 feature-film version of “Dark Shadows,” directed by Tim Burton and starring Johnny Depp as Barnabas, with Eva Green as Angelique.Ms. Parker’s survivors include her husband, Jim Hawkins; two sons, Rick and Andy Parker; a daughter, Caitlin Hawkins; and a grandson.In the years following her breakout role, Ms. Parker discussed the significance of the show, which in her view helped modernize — and sexualize — the vampire figure in the years before “Twilight.” To her, this seemed only natural.“The bite itself is like the act of sex,” she once said. “There is penetration, and there is pleasure and there is abandonment.”“The story of the vampire goes back to before the Egyptians, before the Greeks, and exists in every single culture,” she added. “Why is it so widespread? Not because it’s true, but because it contains the truth of our fears and our desires.” More

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      Marina Cicogna, Italy’s First Major Female Film Producer, Dies at 89

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      A countess from an influential Italian family, she charted her own course and produced films by the likes of Pasolini and Zeffirelli.Marina Cicogna, an Italian countess who became her country’s first major female film producer, guiding to the screen celebrated films by Pier Paolo Pasolini, Franco Zeffirelli and Elio Petri, died on Nov. 4 at her home in Rome. She was 89.Her death was announced by La Biennale di Venezia, the organizer of the Venice Film Festival. No cause was given.Rising to prominence in an era when the only female names on film posters were often those of actresses, Ms. Cicogna (pronounced chi-CONE-ya) became one of the most powerful women in European cinema, as both a producer and a distributor.She started from a lofty perch. Her maternal grandfather, Count Giuseppe Volpi di Misurata, was an industrialist and statesman who served various government roles, including as Italy’s minister of finance under Mussolini. He also founded the Venice Film Festival. In the mid-1960s, when Ms. Cicogna was in her early 30s, she and her brother Bino took control of her family’s production and distribution company, Euro International Films.Even so, she faced challenges: working with imperious male auteurs; earning the respect of the country’s left-leaning cultural leaders despite her titled upbringing; and openly dating women as well as men at a time when such topics were rarely discussed in public by figures of authority.Ms. Cicogna in 2009. She brought prominent films to the screen, including Pier Paolo Pasolini’s “Medea” and “Teorema,” as well as Elio Petri’s “Investigation of a Citizen Above Suspicion,” which won the 1971 Academy Award for best foreign-language film.Nick Harvey/WireImage, via Getty ImagesNor was her path as a woman always easy. “At the time I didn’t think about it,” she said in an interview with The Hollywood Reporter Roma this year. “But at the end of the day, yes, the intention to put you down was there, definitely.”Among the prominent films she produced or distributed were “Medea” (1969), Pasolini’s hypnotic reimagining of the Euripides tragedy, starring the opera singer Maria Callas; “Teorema” (1968), also directed by Pasolini, in which Terence Stamp plays an enigmatic stranger who seduces, one by one, members of a wealthy family in Milan; “Brother Sun Sister Moon” (1972), Zeffirelli’s lush retelling of the life of St. Francis of Assisi; and “Investigation of a Citizen Above Suspicion,” Petri’s Kafkaesque thriller, which won the Academy Award for best foreign-language film in 1971.Ms. Cicogna also had three films at the 1967 Venice Film Festival, including Luis Buñuel’s “Belle de Jour,” starring Catherine Deneuve as a Paris housewife who secretly works at a bordello, which won the festival’s highest prize, the Golden Lion. In addition, she put her stamp on the proceedings by throwing a lavish party that became festival lore.“I didn’t give a big ball, but rather said that everyone could dress as they wanted, as long as they were in white and yellow or white and gold,” Ms. Cicogna said in a 2013 interview with T, The New York Times’s style magazine. “I sent two small Learjets, one to Corsica to pick up Elizabeth Taylor and Richard Burton, and the other to Rome to pick up Jane Fonda and Roger Vadim.”Such obvious displays of wealth would go out of fashion following the leftist student uprisings in Europe in 1968. “You couldn’t have a big party without hurting people’s feelings,” she continued. “You couldn’t go around with a Rolls-Royce without being thrown eggs at.”Ms. Cicogna, center, with the actresses Gina Lollobrigida, left, and Jane Fonda at the lavish party the countess threw for the 1967 Venice Film Festival. The party became festival lore.Giorgio Lotti/Mondadori, via Getty ImagesCountess Marina Cicogna Mozzoni Volpi di Misurata was born on May 29, 1934, in Rome, the daughter of Count Cesare Cicogna Mozzoni, a banker, and Countess Annamaria Volpi di Misurata, who purchased Euro International Films, ultimately handing control over to her children.Growing up, Ms. Cicogna was a cinema lover who mingled among the children of David O. Selznick, the producer of “Gone With the Wind,” and other film heavyweights at the Venice festival.After an education in Italy, she enrolled at Sarah Lawrence College in Bronxville, N.Y., where she roomed with Barbara Warner, whose father was the Hollywood film mogul Jack Warner. During a school break, Ms. Warner invited her to California.“I never went back,” Ms. Cicogna told T. “I stayed for three months in California at the Warners’.”She later studied photography in the United States, brokering her platinum connections to shoot luminaries like Ezra Pound and Marilyn Monroe in candid moments.Her early forays into the film business included distributing a 1967 West German film, “Helga.” “It was the first time you saw a birth, a woman producing a child, on film,” she told T. “I decided we should publicize it. We put ambulances at the exit of the film, saying that people would faint when they saw that.”Ms. Cicogna in 1967 with the director Luis Buñuel, whose “Belle de Jour” won the Venice festival’s highest prize, the Golden Lion.Giorgio Lotti/Mondadori Portfolio, via Everett CollectionShe was at times linked romantically with the likes of Warren Beatty and Alain Delon, but she also spent decades in a relationship with Florinda Bolkan, a Brazilian model and actress.After they split, she began a long relationship with Benedetta Gardona, a woman more than two decades her junior, whom Ms. Cicogna legally adopted for financial reasons. Ms. Gardona remained her companion until Ms. Cicogna’s death. (Complete information on survivors was not immediately available).Ms. Cicogna looked back on her career highlights of the 1960s and ’70s in the 2021 documentary “Marina Cicogna: La Vita e Tutto il Resto” (“Life and Everything Else”), directed by Andrea Bettinetti, as well as her autobiography, “Ancora Spero: Una Storia di Vita e di Cinema” (“I Still Hope: A Story of Life and Cinema”), published this year.Still, in a 2017 video interview, she expressed regret that she had not remained in the film business. “If I had to look back, I should have never stopped producing, although Italian cinematography has not been the same since. It’s not so great,” she said, adding: “I am also a person who is very torn between the European rather lazy aesthetic way of life and the American more creative, more active way of life.”“I’ve been more European than active,” she said. “I haven’t done as much as I should have done. But I can’t say I’m sorry. That’s the way it was, and that’s it.” More

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      Yuri Temirkanov, Conductor Who Celebrated Russia’s Music, Dies at 84

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      Immersed in his native land’s repertoire — Tchaikovsky, Rachmaninoff, Prokofiev — he drew bold, rich sounds from the world’s major orchestras. In Russia, he was adored.Yuri Temirkanov, a well-traveled Russian conductor steeped in his country’s bygone musical culture, died on Nov. 2 in St. Petersburg, the city where he held sway for over 30 years. He was 84.His death was announced by both the St. Petersburg Philharmonic, where he was music director from 1988 to 2022 — his tenure began when it was still the Leningrad Philharmonic — and the Baltimore Symphony Orchestra, where he was music director from 2000 to 2006. A close associate in Baltimore said Mr. Temirkanov had had heart trouble and had died in a care facility.When he was a boy, Prokofiev had held his hand; in his prime, he was artistic director of one of the world’s great opera companies, the Kirov, in what was then Leningrad, taking that post before he was 40; and in his later years, he consulted with Shostakovich, conducted some of the world’s major orchestras, and was the object of almost cultlike adoration in his native land.At a glittering memorial service for him on Sunday in the columned hall of the St. Petersburg Philharmonic, his coffin lay open as the orchestra played Tchaikovsky.In the Russian repertoire with which he was most closely associated — Tchaikovsky, Rachmaninoff, Prokofiev — Mr. Temirkanov drew bold, rich sounds from his orchestras, each phrase laden with meaning. But he also found subtleties in the understated works of Haydn.Critics praised his ability to shape extended lines with minimal hand gestures — he eschewed the baton — but were puzzled by what some called his unpredictability and inconsistency. And he created an uproar in 2012 when he declared to a Russian interviewer that women shouldn’t be conductors because it was “counter to nature.” A woman, he explained, “should be beautiful, likable, attractive. Musicians will look at her and be distracted from the music!”His handpicked associate conductor in Baltimore, Lara Webber, said in a phone interview that those words were “completely incoherent with the experience I had.”Mr. Temirkanov, she said, was a “really supportive boss” and a “tremendously empathetic humanist.”Mr. Temirkanov largely tried to steer clear of politics; he once insisted to the British critic Norman Lebrecht that while living in the Soviet Union he never joined the Communist Party. But he told the critic Time Smith of The Baltimore Sun in 2004 that President Vladimir V. Putin was a “very good friend, very good.” Mr. Smith noted that Mr. Temirkanov had successfully lobbied Mr. Putin for funding and that he was the first recipient of a new medal created by the president.Mr. Temirkanov after his farewell concert with the Baltimore Symphony Orchestra at Joseph Meyerhoff Symphony Hall in Baltimore in 2006.Brendan Smialowski for The New York TimesGregory Tucker, who had become close to Mr. Temirkanov as publicity director for the Baltimore orchestra, said that as Russian orchestras faced financial crisis in the post-Soviet era, Mr. Temirkanov “had a very frank discussion with Putin, that if the state doesn’t step up, these institutions won’t survive.”To his American associates, Mr. Temirkanov was a mysterious but compelling presence, a visitor from the lost world of the Soviet Union’s last years and a disciple of old modes of music instruction that now barely exist. The Baltimore Sun critic Stephen Wigler noted in 1999 that Mr. Temirkanov “doesn’t own a TV set and doesn’t even know how to drive a car.”He spoke English but hardly used it, and he did not go out of his way to cultivate audiences, though those who knew him in Baltimore said that this was less a sign of aloofness than of shyness.“My back must be to the audience, not to the orchestra,” he told The Sun. “When I conduct, I am like an actor, I am talking to the audience, but the words belong to the composer, and I am just the vessel through which they pass.”In 2005, the critic Anne Midgette wrote in The New York Times: “‘Unpredictable’ is a word that has consistently cropped up in assessments of Mr. Temirkanov’s work. And it seems to apply not only to his conducting — which he does without a baton, using circular hand motions that can seem enigmatic to outsiders — but also to his musical tastes and, indeed, to the man in general.”He was known to audiences around the world. Over his career he variously conducted the Berlin Philharmonic, the Vienna Philharmonic, the Staatskapelle Dresden, the London Philharmonic, the London Symphony, the Royal Concertgebouw Orchestra in Amsterdam and the Chicago Symphony Orchestra, among other ensembles.His arrival in Baltimore was greeted with some astonishment: A world-class conductor was coming to an orchestra that, although considered good, was not in the country’s top five. The city had “landed a big one,” a Sun editorial said in 1997. The tone was set for an awed and respectful relationship.For the musicians who played under Mr. Temirkanov in Baltimore, the experience was unlike any they had had with any other conductor.“He was very much into expressiveness, through hands and body movements,” Jonathan Carney, the Baltimore Symphony’s concertmaster, said in a phone interview. “It was like a ballet, watching him. He was not into controlling an orchestra. He was trying to entice us to go into a certain direction. For me, it was like watching a poet on the podium.”That Mr. Temirkanov used few words only added to his aura and helped create a “certain almost fear that you would have,” Michael Lisicky, the orchestra’s second oboist, recalled. Yet, he said by phone, “he would sing the phrase back to you. Everything, when he sang it back to you, it made sense.”“You never knew what he was thinking,” Mr. Lisicky said. “He kind of gives you these hand gestures, as if he was blessing you.”In an interview from his home in Prague, the pianist Evgeny Kissin, who played with Mr. Temirkanov many times over the years, said simply, “He was an extraordinary man.”Mr. Temirkanov conducted the Royal Philharmonic Orchestra during a rehearsal in London in 1979. He was named the orchestra’s principal guest conductor in 1980 and later became its principal conductor.Popperfoto, via Getty ImagesYuri Khatuyevich Temirkanov was born on Dec. 10, 1938, in Nalchik, the capital of the southern Russian republic of Kabardino-Balkaria, in the Caucasus. He was the son of Khatu Sagidovich Temirkanov, the republic’s culture minister, and Polia Petrovna Temirkanova. His father was shot and killed by the Nazis when Germany invaded Russia in 1941; shortly before that, Sergei Prokofiev and his wife, who were evacuees, had stayed with the family.Mr. Temirkanov studied violin at the Leningrad Conservatory, graduating in 1965. He won a prestigious Soviet competition in 1968 and was named music director of the Leningrad Symphony Orchestra the next year.After becoming director of the Kirov Opera in 1977, he was named principal guest conductor of the Royal Philharmonic Orchestra in London in 1980. (He would later become the orchestra’s principal conductor.) In 1988, he was named principal conductor of the Leningrad Philharmonic (later the St. Petersburg Philharmonic).Mr. Temirkanov remained active as a conductor roughly until the onset of Covid in 2020, Mr. Tucker said.Mr. Temirkanov’s son, Vladimir, a violinist in the St. Petersburg Philharmonic, and his wife, Irina Guseva, died before him. No immediate family members survive. More

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      Zdenek Macal, Conductor With an International Reach, Dies at 87

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      Shuttling between Europe and the United States, he conducted the world’s great orchestras. He was music director of the New Jersey Symphony for 11 years.Zdenek Macal in 2010. His sound, rounded and warm, was ideally suited to the 19th-century repertoire with which he was most closely associated.Michal Krumphanzl/Associated PressZdenek Macal, a Czech-born conductor who drew a distinctively rich and full sound from orchestras in several countries, including the New Jersey Symphony Orchestra, where his tenure is regarded by musicians and administrators as something of a golden age, died on Oct. 25 in Prague. He was 87.The orchestra announced his death.With the New Jersey Symphony, where he was music director from 1992 to 2003, Mr. Macal (pronounced ma-KAL) was especially known for his robust performances of works by his compatriots Antonin Dvorak and Josef Suk, and by late-Romantic composers like Gustav Mahler and Sergei Rachmaninoff.But his career was international: He shuttled between Europe and the United States and conducted the world’s great orchestras, including the Berlin Philharmonic, the Chicago Symphony Orchestra, the London Philharmonic Orchestra and the Czech Philharmonic, where he was principal conductor from 2003 to 2007.After he left the Czech Philharmonic, he continued as guest conductor there and freelanced with other orchestras, a spokesperson for the Philharmonic said in an interview.Mr. Macal conducting the French National Orchestra. Among the many other European orchestras he conducted was the Czech Philharmonic, where he was principal conductor from 2003 to 2007.INA, via Getty Images“He was an old-world figure in music, and he really brought an old-school sound,” the New Jersey Symphony’s concertmaster, Eric Wyrick, said in a phone interview. “He would always ask, ‘Where is my sound?’ And he was relentless in pursuit of this sound world he was famous for.”That sound, rounded and warm, was ideally suited to the 19th-century repertoire with which Mr. Macal was most closely associated.“You must feel something, and you should try to show it or say it, and that’s the point for any kind of art,” he told the radio interviewer Bruce Duffie in 1990.Mr. Wyrick recalled: “There is a real aerobic feeling to the way he wanted us to play. He would tell the winds, ‘Don’t step out of the texture.’ He was marvelous.” He added that the slow tempos Mr. Macal sometimes favored were ideally suited to Dvorak, though perhaps less so to Beethoven.“He would say, ‘I don’t know how I do it. I take off with my elbows,’” and then he would gesture with his elbows, Mr. Wyrick said.In a review of a 1990 performance of Czech music by the Pacific Symphony led by Mr. Macal, the critic Chris Pasles noted in The Los Angeles Times that Mr. Macal “obviously had a sense of the correct style — the folk elements transmuted by the composer — and he emphasized the vigorous rhythms while maintaining uncluttered balance.”Reviewing a 1994 performance of the New York Philharmonic conducted by Mr. Macal, Bernard Holland of The New York Times called him “a good manager of excitement” who “manipulated the accumulating dramas” in Mussorgsky’s “A Night on Bald Mountain” with “admirable control.”The New Grove Dictionary of Music and Musicians called Mr. Macal “a conductor of strong personality, clarity of purpose and firm structural logic in performance.”That personality could manifest itself in a certain impetuousness. When the Soviet Union invaded Czechoslovakia in 1968, Mr. Macal fled his homeland in a taxi, telling the driver to take him to the German border.“His wife and he and his young daughter, they left with whatever they had, and he had to start all over again,” said Larry Tamburri, the former executive director of the New Jersey orchestra.Looking back in 1990, Mr. Macal told Mr. Duffie: “In the whole of my life I started a few times from the beginning. I started my career in Czechoslovakia, and then after the Russian invasion we left in ’68. So I started again and had my base in Western Europe. We came every year a little to the United States, but my base was in Europe.”He moved to the United States in 1982 and, after becoming a citizen, assumed the directorship of the Milwaukee Symphony Orchestra in 1986. He held that position until 1995; for the last three years he was the music director of both the Milwaukee and New Jersey orchestras.The New Jersey Symphony’s recording of Dvorak’s “New World” Symphony, which he conducted, won a Grammy Award for best engineered classical album in 2001.Mr. Macal conducting in Olomouc, Czechoslovakia, in 1966. Two years later, when the Soviet Union invaded Czechoslovakia, Mr. Macal fled his homeland with his wife and daughter in a taxi.Frantisek Nesvadba/CTK, via Associated PressZdenek Macal was born in Brno, Czechoslovakia, on Jan. 8, 1936, and studied violin with his father from the age of 4. He enrolled at the conservatory in Brno, won an international conducting competition in Besançon, France, in 1965 and conducted the Czech Philharmonic for the first time shortly after winning the Dimitri Mitropoulos conducting competition in New York in 1966. He made his American debut with the Chicago Symphony Orchestra in 1972.Mr. Macal’s wife, Georgina, a singer, died in 2015. A daughter, Monika, died last year. More

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      Dwight Twilley, Rootsy Power-Pop Hitmaker, Dies at 72

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      With a sound inspired by the Beatles and Elvis Presley, he climbed the charts and drew critical praise in the 1970s and ’80s. But long-term stardom proved elusive.Dwight Twilley, a singer and songwriter from Tulsa, Okla., who fused Merseybeat melodicism with a chugging rockabilly energy, earning critical praise if not stardom as a progenitor of what came to be called power pop, died on Oct. 18 in Tulsa. He was 72.His wife, Jan Twilley, said the cause was a cerebral hemorrhage. Mr. Twilley had been hospitalized for several days after suffering a stroke while driving alone and crashing into a tree.Heavily influenced by both the Beatles and Elvis Presley, Mr. Twilley made his mark in the mid-1970s with the Dwight Twilley Band, which he formed with a friend from his teens, the drummer and vocalist Phil Seymour. The band signed to Shelter Records, co-founded by a fellow Oklahoman, the musician and producer Leon Russell, in 1974, and released its first single, “I’m on Fire,” the next year.A roadhouse rafter-shaker leavened with syrupy pop hooks, the song shot to No. 16 on the Billboard Hot 100 and drew critical praise. The San Francisco Chronicle was particularly extravagant, calling it “the best debut single by an American rock ’n’ roll band ever.”But the band was unable to capitalize on the momentum, as the partnership behind Shelter dissolved, leading to lengthy delays on a follow-up single and album. The Dwight Twilley Band’s first album, “Sincerely,” finally came out in 1976 but fizzled commercially, rising no higher than No. 138 on the Billboard album chart.Even so, critics were again effusive in their praise. In a review in Rolling Stone, Bud Scoppa called it “the best rock debut album of the year,” comparing the Dwight Twilley Band to the acclaimed band Big Star.“Like Big Star, the Twilleys wrap themselves handsomely in ’60s filigree, with an emphasis on pre-psychedelic Beatles, adding some rockabilly echo for greater resonance,” Mr. Scoppa wrote. “They do it so well and with such personality that it seems nothing short of miraculous.”The band’s second album, “Twilley Don’t Mind” (1977), offered still more hook-laden confections, along with guest vocals by Tom Petty. While it failed to spawn a hit like “I’m on Fire,” it did manage to climb to No. 70 on the Billboard chart.The band found itself lumped in with what became known as the Tulsa sound, which included bluesy rockers like J.J. Cale and Elvin Bishop. The categorization made little sense to Mr. Twilley, who was best known as a pop craftsman.“I think nobody at the time knew what the Tulsa sound was,” he said in an interview this year with the British music website Americana UK. “It was a big mystery, everyone was running around — where’s that Tulsa sound at? — and nobody knew.”He was equally baffled when critics, responding to his knack for low-fi, high-energy pop, called him a father of new wave. “I’m new wave one day and power pop the other and rock ’n’ roll sometimes,” he said in a 2017 interview with the music writer Devorah Ostrov. “You know, whatever.”He added, “It was a lot more fun when everybody was just trying to make great rock records.”Mr. Twilley was interviewed by Dick Clark when he appeared on “American Bandstand” in 1984.ABC Photo Archives/Disney General Entertainment Content, via Getty ImagesMr. Twilley was born on June 6, 1951 in Tulsa. A music lover from an early age, he found inspiration for his future career by watching the Beatles’ storied first performance on “The Ed Sullivan Show” in 1964.“The songs were so great, the voices were great, they looked great and then they had all these chicks screaming at them,” he said in the Americana UK interview, “so I was like, that looks like a good job.” While in middle school, he formed a band called the Intruders.Three years later, the Beatles figured into another pivotal moment. As a high school student at Thomas Edison Preparatory, he started talking with Phil Seymour, another music-loving teenager from his neighborhood, while waiting in line at a movie theater to see a screening of “A Hard Day’s Night.”The two later went back to Mr. Twilley’s house to work on songs that Mr. Twilley had written. The two of them, with occasional contributions from a guitarist named Bill Pitcock IV, performed around Tulsa for several years, taking the name Oister. After a detour through Memphis, where the musicians brought a honky-tonk grit to their sound, they eventually landed in Los Angeles and signed with Shelter as the Dwight Twilley Band.Mr. Twilley, right, with Phil Seymour. The two met as teenagers and went on to form the Dwight Twilley Band.Mark Sullivan/Getty ImagesThe band’s run turned out to be brief. Mr. Seymour left in 1978 and pursued a solo career. (He died of lymphoma in 1993.)Mr. Twilley embarked on a long and prolific solo career. He released his first album under his own name, “Twilley,” in 1979.His third album, “Jungle” (1984), rose to No. 39 and featured his other best-known song, the infectious “Girls.” Released as a single and buoyed by a racy locker-room video recalling the teenage comedy “Porky’s,” it climbed to No. 16 on the Hot 100, the same spot “I’m on Fire” had reached.Mr. Twilley continued to release music for decades. His last studio album, “Always,” came out in 2014.Complete information on survivors was not immediately available.Mr. Twilley seemed to take the ups and downs of his career in stride. “I was just a damn genius when I was young, and I just got stupider and stupider each year afterwards,” he told Americana UK.Still, he added: “It was an adventure, you know, a kind of amazing adventure. You are a kid, and all the other musicians in the world are trying to make a record, a little disk with their name on it and their picture on the sleeve and things like that, and trying to get on the radio, and we were able to accomplish that.” More

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      Tyler Christopher, ‘General Hospital’ Actor, Is Dead at 50

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      Christopher won a Daytime Emmy Award in 2016 for his role on “Days of Our Lives.”Tyler Christopher, an actor best known for his long-running role on the TV soap opera “General Hospital,” has died. He was 50.A former co-star, Maurice Benard, said on Instagram that Mr. Christopher had died Tuesday morning in his San Diego apartment because of a “cardiac event.” Mr. Christopher’s death was also confirmed by his manager, Chi Muoi Lo.Mr. Christopher won a Daytime Emmy Award in 2016 for best lead actor as Stefan DiMera on “Days of Our Lives,” another soap opera. He is best known for playing Nikolas Cassadine on “General Hospital” from 1996 to 2016, while also appearing in several other TV shows and movies.“Tyler was a truly talented individual that lit up the screen in every scene he performed and relished bringing joy to his loyal fans through his acting,” Mr. Benard said. “Tyler was a sweet soul and wonderful friend to all of those who knew him.”He described Mr. Christopher as a mental health advocate, adding that he spoke openly about his struggles with bipolar disorder, depression and alcohol.Mr. Christopher wrote about his struggles with bipolar disorder and alcohol abuse in Reader’s Digest. He said he regularly saw a psychiatrist and a therapist and took medications to treat his mental health conditions.In a social media post from last year, he reflected on how far he had come since turning 40.“In the decade since then my daughter was born, I won an Emmy, was the lead actor in 4 television shows, completed a dozen movies, lived in a half dozen states, relapsed and recovered, survived a traumatic brain injury,” he wrote.But he said he was looking forward to a “quieter life” with his two children.He is survived by his children and his father, Mr. Benard wrote.Mr. Lo said the news of his death “was incredibly shocking”“He was a very gifted actor, and more importantly, an amazing friend,” Mr. Lo said. “My heart goes out to his friends and family who loved him so much.” More

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      Aaron Spears, Drummer for Usher and Ariana Grande, Dies at 47

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      He received a Grammy nomination for Usher’s 2004 album “Confessions” and played on tracks by Ariana Grande, Lady Gaga and many other major pop musicians.Aaron Spears, a Grammy-nominated drummer who played with Usher, Ariana Grande and many other major pop stars, has died. He was 47.His death was confirmed on Monday in a statement on his official Instagram account by his wife Jessica that was co-signed by the couple’s son August. The statement did not provide details about other survivors or specify a time, place or cause of death. Representatives for Spears could not immediately be reached for comment late Monday night.In 2004, he earned a Grammy nomination as a producer for Usher’s album “Confessions,” which sold more than 15 million copies worldwide. The next year, Spears drummed during the Grammys for a medley of Usher’s “Caught Up” and James Brown’s “Sex Machine,” a performance that made the drumming community take notice.Over the years, Spears would play with Grande, Miley Cyrus, Lady Gaga and Lil Wayne, among many other artists.“You’ve seen Aaron drum prolly 5-10 times in your life if you attend concerts & sometimes without knowing,” Questlove, the D.J., drummer and producer, said in an Instagram post on Monday. “That’s how much in demand his services were.”Aaron Spears was born on Oct. 26, 1976, according to a profile published by Remo, a drumming equipment manufacturer that sponsored him.He was from Washington D.C., grew up in the Pentecostal faith and developed an interest in drumming through his involvement with the church. As a child, he later said in an interview with the German show drumtalk, he would sit on someone’s lap in church playing “the stuff up top” while they played the pedals.One of his first professional gigs was drumming in Gideon Band, a group with a style spanning jazz, rock and R&B. He demonstrated his musical prowess by never repeating a “chop,” or rhythmic phrase, the band said in a statement.Moving from the local scene in Washington to the national one was intimidating, Spears said.“The level of musicianship had me questioning if I belonged there,” he told drumtalk in 2018. “I just didn’t know if I was ready to make the jump.”He clearly did belong. For nearly two decades after his breakthrough performance at the Grammys, Spears played with a long list of major artists, including Britney Spears and the Backstreet Boys. He also performed on “Late Night with Seth Meyers” and was the music coordinator and drummer for a season of the television show “The Masked Singer.”Offstage, Spears held drum clinics and master classes around the world. During one such educational visit this year to Southern University in Baton Rouge, La., he sat in for a performance with the school’s marching band, the Human Jukebox.But even after a long career, Spears expressed humility about his success, saying that he was careful to “stay relatable” and avoid developing a false sense of entitlement.“The success that I’ve had is not necessarily because of me,” he said in a video published in May on the website of Ludwig Drums, one of his sponsors. “It’s really the connection that I’ve had with other musicians has helped to make me better.” More

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      Matthew Perry, ‘Friends’ Star, Dies at 54

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      He was known for playing the sarcastic but lovable Chandler Bing and for his struggles with drugs and alcohol, which he chronicled in a memoir.Matthew Perry, who gained sitcom superstardom as Chandler Bing on the show “Friends,” becoming a model of the ability to tease your pals as an expression of love, has died. He was 54.The death was confirmed by Capt. Scot Williams of the Los Angeles Police Department’s robbery-homicide division. He said the cause was not likely to be determined for some time, but there was no indication of foul play.Several news outlets reported, without a named source, that Mr. Perry was found unresponsive in a hot tub at his home in Los Angeles. He had publicly struggled with drinking and drug use for decades, leading to hospitalizations for a range of ailments. By his own account, he had spent more than half his life in treatment and rehab facilities.“Friends” ran for 10 seasons from 1994 to 2004. It chronicled the never-too-dramatic dramas and in-jokes and exploits of a group of six young friends living in New York City. Chandler was the yuppie of the group, with a well-paying white-collar job his friends did not entirely understand. He wore sweater vests but also moodily smoked cigarettes.Other “Friends” characters generated humor through their goofiness or haplessness; Chandler cracked jokes. He was often inspired by the airheadedness of his roommate and best friend, Joey Tribbiani (Matt LeBlanc), a struggling actor, and by the blunders of another buddy, Ross Geller (David Schwimmer), a paleontologist more competent in science than everyday life.During one episode, for example, Ross joined the group looking bizarrely tan and said he had gone to a tanning place that one of them had suggested. “Was that place the sun?” Chandler asked.The cast of “Friends” in the 1990s. Clockwise from bottom left, Courteney Cox as Monica Geller; Matt LeBlanc as Joey Tribbiani; Lisa Kudrow as Phoebe Buffay; David Schwimmer as Ross Geller; Matthew Perry as Chandler Bing; and Jennifer Aniston as Rachel Green.NBCUniversal via Getty ImagesThat speech pattern — the sarcastic rhetorical question asked in a tone of mock disbelief — was typical of Chandler. He was known on the show for wondering things like “Could she be more out of my league?”Mr. Perry himself brought this bit to the show, and it became a familiar way for Americans to talk — proof of the status of “Friends” as one of the most popular shows in sitcom history.For a while Chandler was in a secret romance with another core member of the “Friends” group, Monica Geller (Courteney Cox), a chef. Ultimately, the two achieve happily stable monogamy, marry and move to the suburbs. (In the spirit of the show, distilled into its theme song, “I’ll Be There for You,” Chandler’s new home has a “Joey room” for his old roommate.) Their steps toward adulthood helped bring an end to the group’s post-adolescent idyll and, with that, the story of “Friends” itself.Mr. Perry, like his co-stars, eventually earned $1 million per episode. He was rich, famous and handsome. But behind the scenes of “Friends,” his substance abuse was already an issue.In his 2022 memoir, “Friends, Lovers and the Big Terrible Thing,” Mr. Perry recalled Jennifer Aniston, who starred in the show as Rachel Green, coming to his trailer one day and saying, “in a kind of weird but loving way,” that it was clear he had been drinking too much. “We can smell it,” she added.“The plural ‘we,’” he wrote about that moment, “hits me like a sledgehammer.”The whole cast confronted him at one point in his dressing room.A Jet Ski accident in 1997 helped set in motion Mr. Perry’s addiction to pain killers. A year and a half later, he was taking 55 pills a day. He checked into a rehab facility weighing 128 pounds. “Of course, ‘Matthew Perry is in rehab’ became a huge news story,” he wrote.Mr. Perry testified before a House subcommittee in Washington in 2013 in support of federal funding for drug treatment programs, including those for military veterans. His own struggles with addiction were well known. Paul Morigi/Associated Press for the National Association of Drug Court ProfessionalsIn the years to come, his addiction would lead to a “medical odyssey,” The New York Times wrote in a profile last year, including an exploded colon, a stint on life support, two weeks in a coma, nine months with a colostomy bag and more than a dozen stomach surgeries, among other travails.Lisa Kudrow, who played Phoebe Buffay on “Friends,” wrote in her foreword to Mr. Perry’s memoir that the single question she was asked most about “Friends” was “How’s Matthew Perry doing?”Matthew Langford Perry was born on Aug. 19, 1969, in Williamstown, Mass. His mother, Suzanne (Langford) Perry, worked as a press secretary for the Canadian prime minister Pierre Trudeau. His father, John Bennett Perry, was a character actor.His parents divorced when he was a baby, and Matty grew up largely with his mother and stepfather, Keith Morrison, in Ottawa. He was one of Canada’s top-ranked junior tennis players.When he was 15, he moved in with his father in Los Angeles, hoping to devote more time to tennis and leave behind unhappiness he felt about his place in his mother’s second family.After a couple of years in Los Angeles, Matthew decided that he had figured out what would make him happy.“Fame would change everything, and I yearned for it more than any other person on the face of the planet,” he wrote in his memoir. “I needed it. It was the only thing that would fix me. I was certain of it.”Mr. Perry in about 1988. “Fame would change everything, and I yearned for it more than any other person on the face of the planet,” he wrote in his memoir.Michael Ochs Archives/Getty ImagesIn 1988, still a teenager, he made his film debut, starring alongside River Phoenix in “A Night in the Life of Jimmy Reardon.” He appeared on several sitcoms. It was clear that he was an up-and-coming actor — but he remained that way for several years. One day, when he was 24, alone in his small Los Angeles apartment, he got on his knees and prayed to become famous, no matter what else would happen to him in the process.Three weeks later, he was cast in “Friends.”Early on, Courteney Cox, whose career to that point had outpaced her fellow cast members’, announced to the group, “There are no stars here,” Mr. Perry recalled in his memoir. “This is an ensemble show. We’re all supposed to be friends.”Mr. Perry continued: “So we did what she suggested. From that first morning we were inseparable. We ate every meal together.”During his years on “Friends,” Mr. Perry starred in a number of movies that flopped commercially, like “Almost Heroes” (1998), with Chris Farley, and “Three to Tango” (1999). He got good reviews for his supporting role as a likable, beleaguered dentist in “The Whole Nine Yards” (2000), starring Bruce Willis.After “Friends,” Mr. Perry starred in a few more TV shows, like “Studio 60 on the Sunset Strip” (2006-07), written by Aaron Sorkin, and an adaptation of Neil Simon’s play “The Odd Couple” that ran on CBS from 2015 to 2017.In his memoir, Mr. Perry poignantly described struggles with self-esteem and commitment through several romantic relationships, including some with prominent actresses, like Julia Roberts. He never married or had children.He had several half siblings from his parents’ remarriages. Information about his survivors was not immediately available.Since “Friends” went off the air, its fan base has only grown. The show has even helped people around the world learn English.Two years ago, Mr. Perry, by his own account newly sober, appeared in a televised reunion of the “Friends” cast, in which its stars revisited some of the show’s most famous sets, like the Central Perk coffee shop, to reminisce about old episodes.That came after years in which Mr. Perry resisted talking about “Friends.” He wrote in his memoir that he admired Kurt Cobain’s refusal to play “Smells Like Teen Spirit,” a hit for Mr. Cobain’s group, Nirvana, and Led Zeppelin’s aversion to their anthem “Stairway to Heaven.”He did gain a new attitude toward publicly recalling his past thanks to writing, he told The Times last year. In a single interview, he spoke again and again about the idea that his confessional stories might help fellow addicts.“Whenever I bumped into something that I didn’t really want to share,” he said, “I would think of the people that I would be helping, and it would keep me going.”Elisabeth Egan More