More stories

  • in

    Review: Idina Menzel Climbs to New Broadway Heights in ‘Redwood’

    The “Wicked” belter scales a 300-foot tree, and a mountain of songs, in a powerful if woo-woo musical about trauma and resilience.The musical “Redwood,” which opened on Thursday at the Nederlander Theater, features two great stars. One is an awe-inspiring force of nature. The other is a tree.The force of nature is Idina Menzel, who sings in 13 of the show’s 17 songs, of which seven are essentially solos. Has anyone ever belted so much, so tirelessly and hair-raisingly?But the size of the role is nothing compared with its emotional complexity and the depth of Menzel’s immersion in it. Her Jesse is a walking panic attack, an avoidant overtalker, an entitled princess and a grief-stricken mother. More astonishing, she is all of these at once, and right from the start. We meet her speeding westward from New York City with a terrible loss in the rearview mirror and no idea where she’s going.We know, though. The musical, by Tina Landau (book, lyrics and direction) and Kate Diaz (music and lyrics), with additional contributions from Menzel herself, is not named “Redwood” idly. Soon Jesse comes upon a grove of the giant trees near Eureka, Calif., and we meet our other star. She — for Jesse not only genders her but also names her Stella — is 14 feet wide and 300 feet tall and centuries if not millenniums old.I am sure redwoods are awesome in real life; I have never seen one. But the tree that Landau and her designers have put onstage is among the most beautiful and wondrous theatrical creations I can recall.Spectacular video by Hana S. Kim renders the tree’s towering swirl of branches on a series of 1,000 immersive LED panels.Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Idina Menzel Played Elphaba and Elsa. Now She’s Back on Broadway.

    Menzel, a fan favorite since “Rent,” is back on Broadway in “Redwood,” and this time she’s climbing conifers.Idina Menzel was sitting on a bench in a California redwood grove, yearning for silence. It was late one autumn afternoon, and I had been trying for months to get her to meet me in a forest where we could discuss this musical she’d been working on for 15 years about a woman in a tree, and now here we were. But also, there was a wedding party walking by, and an unleashed dog that knocked over her hibiscus tea, and an aircraft buzzing overhead.Listen to this article with reporter commentaryNo matter. On the drive to the forest from a dance studio where Menzel had been practicing singing upside down, because yes, this musical requires her to dance and sing while scaling a giant tree, she had been thinking about what she wanted to tell me about why she was making a show that is outwardly about redwoods — it’s called “Redwood” — but also about a grieving woman’s search for sanctuary.“I’m a little reticent to say, but I think I have a lot of noise in my own head as a person,” she told me as we settled in at Oakland’s Reinhardt Redwood Regional Park. “The idea of escaping and freeing yourself from your own pain or loneliness or confusion is very healing to me.”In an entertainment industry where actors are lucky to have one career-defining role, Menzel already has three: Maureen, the rabble-rousing performance artist in “Rent”; Elphaba, the green-skinned who-are-you-calling-wicked witch in “Wicked”; and Elsa, the ice-conjuring queen in Disney’s animated “Frozen” films. Those characters have many strengths, but serenity is not one of them.Menzel had her breakout role in “Rent,” top left, and then won a Tony in “Wicked,” top right. Her other stage roles have included the Off Broadway play “Skintight,” bottom right, and the Broadway musical “If/Then,” bottom left.Photographs by Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More