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      The Best Movies and TV Shows Coming to HBO, Hulu, Apple TV+ and More in April

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      Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of April’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)Rinko Kikuchi in “Tokyo Vice.”Eros Hoagland/HBO MaxNew to HBO Max‘Tokyo Vice’ Season 1Starts streaming: April 7This TV adaptation of the journalist Jake Adelstein’s memoir is a spiritual successor of the influential 1980s show “Miami Vice,” examining organized crime and its effect on a nation’s social order in the 1990s. Ansel Elgort plays Adelstein, who struggles to be accepted as an American working in the highly competitive Japanese newspaper business. He later gains respect when he begins investigating the Yakuza. Created by the Tony-winning playwright J.T. Rogers (best known for “Oslo”), “Tokyo Vice” explores the complexities of class and race in an era when Japanese business was booming and some of the people making money didn’t want anyone — and especially not some upstart foreigner — to look too closely at how and why.‘The Flight Attendant’ Season 2Starts streaming: April 21Although Season 1 of “The Flight Attendant” deftly — and thoroughly — adapted Chris Bohjalian’s thriller novel of the same name, the series was so well-received that it was bound to get a sequel. At the start of Season 2, the alcoholic flight attendant Cassie (played by Kaley Cuoco, also one of the show’s executive producers) has cleaned up her life after helping international law enforcement solve a murder for which she was once the prime suspect. In the new episodes, Cassie settles into her new part-time gig as a spy and gets caught up in another dangerous mystery. Much of the series’ terrific supporting casts returns, including Rosie Perez as Cassie’s friendly colleague and Zosia Mamet as her best pal.‘Barry’ Season 3Starts streaming: April 24After a three-year layoff, Bill Hader returns as the hit man and aspiring actor Barry Berkman in the dark comedy “Barry,” the series he cocreated with Alec Berg. Season 2 took chances with its story, playing up the inherent absurdity of a stoic killer getting in touch with his feelings in a drama class. Taking cues from classic modern TV crime dramas like “Breaking Bad,” Hader and Berg ratcheted up the tension as Barry ducked the mob, the law and a vengeful old associate played by Stephen Root. Season 3 will continue down that path, while also spoofing the pretensions of Hollywood wannabes, including the promising ingénue Sally (Sarah Goldberg) and the big-hearted acting coach Gene (Henry Winkler).‘We Own This City’Starts streaming: April 25The latest Baltimore-centered series from David Simon, creator of “The Wire,” is a collaboration with his frequent writing partner, the best-selling crime novelist George Pelecanos. Based on the crime reporter Justin Fenton’s nonfiction book of the same name, “We Own This City” stars Jon Bernthal as Sgt. Wayne Jenkins, who becomes involved with Baltimore’s Gun Trace Task Force, a well-meaning but ultimately corrupt organization that attempted to quell crime by tracking how gangs armed themselves. Set in the years immediately after the city’s police department came under increased scrutiny because of the death of Freddie Gray in its custody, “We Own This City” is a gritty drama about how some entrenched institutions respond to attempts at reform: by learning the new laws well enough to skirt them.Also arriving:April 4“The Invisible Pilot”April 5“Tony Hawk: Until the Wheels Fall Off”April 8“A Black Lady Sketch Show” Season 3April 14“The Garcias” Season 1April 24“The Baby” Season 1April 27“The Survivor”April 28“The Way Down: God, Greed, and the Cult of Gwen Shamblin” Part 2Cynthia Erivo in “Roar.”Apple TV+New to Apple TV+‘Slow Horses’ Season 1Starts streaming: April 1Gary Oldman stars in this twisty British spy drama as Jackson Lamb, the grouchy supervisor of a ramshackle MI5 division known as Slough House, where disgraced agents are sent to do drudge work. Jack Lowden plays River Cartwright, a young operative determined to claw his way back from the bottom by doing some unauthorized investigating on a tricky case — and ends up dragging his misfit cohorts into it. Based on a Mick Herron series of mystery-thriller novels, “Slow Horses” features a terrific cast (including Olivia Cooke as Cartwright’s savvy-but-cynical colleague, Jonathan Pryce as his disappointed father and Kristin Scott Thomas as an upper-level MI5 boss) and a plot rooted equally in old-fashioned espionage stories and the modern realities of European security.‘Roar’ Season 1Starts streaming: April 15The writer-producer team of Liz Flahive and Carly Mensch — the cocreators of the TV series “GLOW” — go the anthology route with their new project “Roar,” which features lightly surreal half-hour dramas and comedies about women struggling to be seen and heard. Nicole Kidman is an executive producer, and also stars in one episode as an Australian woman taking her increasingly senile mother (Judy Davis) on a road trip, in a desperate effort to keep their family memories alive. Other episodes feature Issa Rae, as a best-selling author who travels to Hollywood and gets ignored by the people who want to adapt her book; Betty Gilpin, as a retired model whose husband (Daniel Dae Kim) puts her on a shelf as a literal trophy wife; and Merritt Wever, as a woman who falls in love with a duck.Also arriving:April 8“Pinecone & Pony” Season 1April 22“They Call Me Magic”April 29“Shining Girls”Andrew Garfield in “Under the Banner of Heaven.”Michelle Faye/FXNew to Hulu‘Under the Banner of Heaven’Starts streaming: April 28In Jon Krakauer’s controversial 2003 nonfiction book “Under the Banner of Heaven,” the author combined the true story of a heinous crime committed by a Mormon splinter group with the story of the Church of Jesus Christ of Latter-day Saints itself — making the argument that the line between fringe fanaticism and mainstream religion is thinner than many presume. The TV adaptation was written by the Oscar-winning “Milk” screenwriter Dustin Lance Black, who grew up Mormon (and who also worked on the HBO series “Big Love,” about polygamous families in Utah). This mini-series focuses mainly on the murders covered in Krakauer’s book, with Andrew Garfield playing the detective investigating the case.Also arriving:April 1“Love Me” Season 1“Night Raiders”“Snakehead”April 4“Madagascar: A Little Wild” Season 7April 5“The Croods: Family Tree” Season 2“Monster Family 2: Nobody’s Perfect”April 6“The Hardy Boys” Season 2April 7“Agnes”April 8“Woke” Season 2April 9“American Sicario”April 10“The Hating Game”April 14“The Kardashians” Season 1April 21“Captive Audience”April 29“Crush”Rueby Wood, center, as Nate in “Better Nate Than Ever.”David Lee/Disney+New to Disney+‘Better Nate Than Ever’Starts streaming: April 1Based on Tim Federle’s Y.A. novel, “Better Nate Than Ever” tells the story of the enthusiastic and socially awkward middle school theater kid Nate Foster (Rueby Wood), who hops a bus from Pittsburgh with his best friend Libby (Aria Brooks) to attend an open audition for a Broadway musical. Federle wrote and directed this movie adaptation, which retains two of the central ideas from his book: that it takes a winning personality and a lot of good luck to make it in show business, and that Nate won’t succeed until he is honest with himself and with his loved ones about his sexuality. Lisa Kudrow plays a pivotal role as Nate’s Aunt Heidi, whose fading dreams of stage stardom still inspire her nephew.Also arriving:April 13“Scrat Tales” Season 1April 22“The Biggest Little Farm: The Return”“Explorer: The Last Tepui”“Polar Bear”April 27“Sketchbook” Season 1New to Peacock‘Killing It’ Season 1Starts streaming: April 14The affable comic actor Craig Robinson anchors the half-hour dramedy “Killing It,” playing a particular kind of Florida Man: an unflappable dreamer named Craig, who keeps pursuing his plans to become an entrepreneur even as he stumbles repeatedly into catastrophes. Rell Battle plays Craig’s brother Isaiah, who tries to lure him into a life of crime, while Claudia O’Doherty plays Jillian, an upbeat Australian ride-share driver who presents him with a strange and uniquely Floridian business opportunity: the chance to kill giant snakes for reward money. Cocreated by the “Brooklyn Nine-Nine” writers Luke Del Tredici and Dan Goor, “Killing It” is a show about people following especially rocky paths as they chase their versions of the American Dream.Also arriving:April 20“So Dumb It’s Criminal” Season 1April 28“Smother” Season 2Christopher Walken in “The Outlaws.”James Pardon/Amazon StudiosNew to Prime Video‘The Outlaws’ Season 1Starts streaming: April 1Stephen Merchant is best known for co-writing the Ricky Gervais sitcoms “The Office” and “Extras,” but he tries something different with “The Outlaws,” a show halfway between a broad comedy and a crime drama. Merchant plays one of a handful of eclectic British citizens sentenced to community service to atone for various petty misdemeanors. As they shovel garbage in a blighted neighborhood, the members of this motley crew get to know each other, learning there’s more to their lives than their mistakes. The cast of cons also includes Christopher Walken as an aged reprobate, Darren Boyd as an uptight businessman, Eleanor Tomlinson as a celebrity influencer, Rhianne Barreto as an honors student who compulsively shoplifts, and Gamba Cole as a reluctant gangster who accidentally gets everyone into bigger trouble.Also arriving:April 8“All the Old Knives”April 15“Outer Range” Season 1April 29“Undone” Season 2 More

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      ‘Moon Knight’ Review: Marvel, Oscar Isaac and Identity Issues

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      Oscar Isaac multitasks in a Marvel series about a superhero who answers to an ancient Egyptian god and struggles with dissociative identity disorder.The hero of the new Marvel Comics series, “Moon Knight,” has a superior costume. It’s a cool, bullet-absorbing white suit with a billowing cape and eyeholes that shine like milky spotlights. It makes him look like a luminescent Batman. And he refuses to wear it.His wife, who has an abundance of common sense and very little patience, yells at him: “Summon the suit! Summon the suit!” But he just dithers or pouts or stares at her blankly while the bad guys close in.There could be a lot of things behind this costume avoidance, including a general move in Marvel’s television shows away from superhero business-as-usual and toward something with a little more, if you’ll excuse the phrase, psychological realism.With “Moon Knight,” which premieres Wednesday on Disney+, it also has to do with concept and casting. The show features a relatively minor Marvel hero, created in the 1970s, whose defining character trait is what is now known as dissociative identity disorder. In the four episodes (of six) available for review, he is most often Steven Grant, a mild-mannered clerk at the British Museum gift shop, and occasionally Marc Spector, a deadly former mercenary and earthly avatar of a justice-seeking Egyptian god.They are, of course, opposite halves of a symbolic whole: brains and brawn, peace and war. But the show generates most of its drama and humor, and a number of its visual effects, from their inability to coexist. Visible to one another as reflections, they bicker and trade insults, Steven abhorring Marc’s violence (even when violent action is called for) and Marc ruing what he sees as Steven’s weakness.Explore the Marvel Cinematic UniverseThe popular franchise of superhero films and television series continues to expand. ‘Spider-Man: No Way Home’: The web slinger is back with the latest installment of the “Spider-Man” series.‘Hawkeye’: Jeremy Renner returns to the role of Clint Barton, the wisecracking marksman of the Avengers, in the Disney+ mini-series.‘Shang-Chi and the Legend of the Ten Rings’: The superhero originated in comics filled with racist stereotypes. The movie knocked them down.‘Eternals’: The two-and-a-half-hour epic introduces nearly a dozen new characters, hopping back and forth through time.As they try to stop a sanctimonious bad guy from resurrecting a rival Egyptian deity, enduring chases, desert treks and crunchingly violent battles, they grudgingly trade off possession of their shared body. The show’s favored move is for Steven to give in just in time for Marc to save both them and their archaeologist wife, Layla El-Faouly. But it takes the direst circumstances for the suit to be summoned, turning the human protagonist into the magically powered Moon Knight.And that’s where the casting comes in: reflecting Marvel’s ability to attract top-flight talent, Steven and Marc are played by Oscar Isaac, and who wants to wrap Oscar Isaac in C.G.I. mummy bandages, no matter how nifty they look?There are a lot of issues swimming around in “Moon Knight,” including its treatment of ancient Egyptian culture, its presentation of its Middle Eastern milieu and its depiction of its hero’s mental health issues. But as a drama, it’s built entirely around the Isaac vs. Isaac cage match, which supplies fair to middling action and sentiment and consistently satisfying laughs.The hero’s highly symbolic identities are visible to one another as reflections.Marvel StudiosIt’s characteristic of the Marvel Disney+ shows that the ability of the performers exceeds the inventiveness of the crew — writers and directors seem to be hired for competence rather than distinctive vision. Jeremy Slater (“The Umbrella Academy”), the show’s creator, and its director, Mohamed Diab (the Egyptian features “Cairo 678” and “Clash”), are only fitfully successful at combining psychological drama, “Raiders of the Lost Ark” desert adventure and superhero origin story.A little more flair would help paper over the cracks; as it is, events and relationships aren’t easy to parse and characters’ actions (especially Steven’s) can be inconsistent. It probably didn’t help that nine writers are credited on the six episodes.You also could wonder how much focus was spent on navigating the hazards of orientalism and ableism present in the original material. The credits include consultants for Egyptology, Judaism and mental health as well as three general consultants from a company that promises on its website to “flag potential concerns and provide advice on how to avoid or mitigate risk.” (No Islam consultant is listed; the focus on ancient Egypt mitigates the risk of dealing with the country’s predominant contemporary religion.)We don’t know what the consultants’ input was. But onscreen, presenting Cairo in a new light (in interviews, Diab has said this was a priority) seems to consist of making it look like every other world capital. A scene featuring Gaspard Ulliel, who died in January, uses what appears to be an Arab form of jousting as background exoticism; when the characters venture into ancient monuments and archaeological sites, the dangers they face are of a familiar silver-screen variety.None of that increases the viewer’s pleasure, but it doesn’t necessarily diminish it, either, and you can always focus on Isaac’s nervous fidgeting, shy stubbornness and dodgy accent in his scenes as Steven. (Convinced of his Britishness, Steven refers to Marc as “the little American man living inside me.”)And Isaac has heavyweight support: Ethan Hawke plays Harrow, the villain, and F. Murray Abraham is the voice of the god, Khonshu, an arrogant and self-righteous loudmouth who appears to his avatar as a disjointed skeleton topped by a floating ibis skull.The show’s best moments belong to Abraham, who delivers helpful advice like “Kill him! Break his windpipe!” in hilariously stentorian tones. But the character we like best is the highly capable Layla, who gets to be the action star while Steven and Marc snipe at each other; May Calamawy, who plays the rebellious sister in “Ramy,” gives Layla an appealingly irritated insouciance.The makers of the show are not unaware of the “Raiders” comparison — Steven watches a movie called “Tomb Buster” whose title is rendered in the same sloping style. And while it’s unfair to wish that every desert or jungle adventure could be directed by Steven Spielberg (or Robert Zemeckis, or J.J. Abrams), “Moon Knight” won’t stop you from doing so. More

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      in Music

      ‘Olivia Rodrigo: Driving Home 2 U’ Review: Songs on Overdrive

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      The singer-songwriter is in a reflective state in the director Stacey Lee’s film, which documents a trip from Salt Lake City to Los Angeles.Olivia Rodrigo, the pop sensation whose global megahit “Driver’s License” put her career in the fast lane in 2021, is, naturally, driving a car in the first film about her life.She makes the same trip — Salt Lake City to Los Angeles — in the director Stacey Lee’s film on Disney+ as she did to record her wildly popular debut album, “Sour.” It’s a trek that puts Rodrigo in a reflective state, and Lee’s mood-infused film is tailored to appeal to the vintage taste of a Gen Z crowd that loves the grainiest of photo filters. Her subject’s ruminations feel overstated when paired with a retro-chic visual palette, so there are looks of intense longing that would make “Folklore”-era Taylor Swift proud.But the more Lee shows Rodrigo gazing into the distance, whether alone in a hotel room or atop a hill, the more it feels like a director’s cue rather than an organic moment that the camera just happened to catch. In the scenes where Rodrigo is openly sharing parts of her life that led to creating “Sour,” authenticity seems to come more easily.As a performance piece, “Driving Home 2 U” is an exhilarating and intimate showcase for Rodrigo, as commentary about her album’s tracks spills seamlessly, in musical-theater fashion, into “Sour” tunes. Songs are newly arranged and presented in some breathtakingly scenic spots. It’s a film that at least succeeds in making you feel that it really is about the journey, not the destination.Olivia Rodrigo: Driving Home 2 U (a Sour Film)Not rated. Running time: 1 hour 17 minutes. Watch on Disney+. More

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      The Best Movies and TV Shows Coming to HBO, Hulu, Apple TV+ and More in March

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      Every month, streaming services add movies and TV shows to its library. Here are our picks for some of March’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)John C. Reilly, Quincy Isaiah and Jason Clarke in “Winning Time: The Rise of the Lakers Dynasty”HBONew to HBO Max‘Drive My Car’Starts streaming: March 2Nominated for four Academy Awards this year, including best picture, this critically acclaimed drama is a captivating meditation on loss and regret. Directed and co-written by Ryusuke Hamaguchi (adapting a Haruki Murakami short story), “Drive My Car” has Hidetoshi Nishijima playing Yusuke Kafuku, a renowned actor and theater director who is mourning the death of his wife and muse. When he agrees to direct a multilingual stage adaptation of “Uncle Vanya” in Hiroshima, Yusuke bonds with his designated driver, while also forging a wary relationship with the play’s star — who was his late wife’s secret lover. Though the movie has a three-hour running time, Hamaguchi moves the plot fairly briskly from one quietly intense scene to another, bringing a beautiful blue tinge to the story of a man haunted by all things he has left unsaid and undone.‘Winning Time: The Rise of the Lakers Dynasty’Starts streaming: March 6The sports reporter Jeff Pearlman’s book “Showtime” covered the rise of the 1980s Los Angeles Lakers, an exciting and star-laden team who helped the N.B.A. become an international phenomenon. The TV adaptation “Winning Time” turns that tale into a stylish period dramedy and features an all-star cast recreating an era when a handful of strong, often conflicting personalities changed the whole culture of professional basketball. The producer Adam McKay (who also directed the first episode) and creators Max Borenstein and Jim Hecht deploy a storytelling style reminiscent of McKay’s movie “The Big Short,” where characters like Jerry Buss (John C. Reilly), Jerry West (Jason Clarke), Magic Johnson (Quincy Isaiah) and Pat Riley (Adrien Brody) sometimes break the fourth wall to help explain the fine details of business management, on-court strategy and handling superstar egos.‘Minx’ Season 1Starts streaming: March 17Set amid the freewheeling publishing industry in early 1970s Los Angeles, “Minx” stars Ophelia Lovibond as Joyce, an activist who gets the chance to create and edit the feminist magazine of her dreams — so long as she is willing to include erotic photo spreads of naked men. Jake Johnson plays Doug, a successful pornographer who mentors Joyce, a proudly independent woman embarrassed to admit the troubles she has had adjusting to the age of sexual liberation. Created by Ellen Rapoport, “Minx” finds humor in the ways that certain gender-role expectations and stereotypes persist even in an “anything goes” era of free love and progressive politics.Also arriving:March 1“The Larry David Story”March 2“West Side Story”March 3“Gaming Wall Street”“Little Ellen” Season 2“Our Flag Means Death” Season 1“The Tourist” Season 1March 8“Ruxx” Season 1March 10“Dune”“Theodosia” Season 1March 13“Game Theory with Bomani Jones” Season 1March 13“Blade Runner: Black Lotus” Season 1March 15“Phoenix Rising”March 17“DMZ” Season 1“Jellystone!” Season 2March 18“Lust” Season 1“Pseudo”March 20“Amsterdam” Season 1March 24“King Richard”“One Perfect Shot” Season 1“Starstruck” Season 2March 31“Julia” Season 1“Moonshot”Desi Arnaz and Lucille Ball as seen in “Lucy and Desi.”Hulton Archive/Getty ImagesNew to Prime Video‘Lucy and Desi’Starts streaming: March 4The comedian and producer Amy Poehler directed this homage to the groundbreaking Hollywood power couple Lucille Ball and Desi Arnaz, taking a comprehensive look at their impressive careers and rocky marriage. With the help of rare home movies and old audio interviews — combined with new comments from Carol Burnett, Bette Midler and others — Poehler and her team detail how Ball and Arnaz worked their way up in show business, before creating the groundbreaking sitcom “I Love Lucy” and founding the influential television studio Desilu Productions. This is a film about two widely beloved entertainers who helped change television with their business savvy and their stubborn refusals to compromise, even as they worked to exhaustion and made each other miserable behind the scenes.Also arriving:March 4“The Boys Presents: Diabolical”March 7“2022 Academy of Country Music Awards”March 10“Harina”March 11“Upload” Season 2March 18“Master”March 25“Lizzo’s Watch Out for the Big Grrrls”Steve Sang-Hyun Noh, center, with Minha Kim and Inji Jeong in “Pachinko.”Apple TV+New to Apple TV+‘Pachinko’ Season 1Starts streaming: March 25Min Jin Lee’s best-selling historical novel “Pachinko” inspired this ambitious drama, which follows one Korean family across three countries and seven decades against the backdrop of war and military occupation. Created by Soo Hugh — a writer and producer on “The Terror” — and featuring the work of the acclaimed indie film directors Kogonada and Justin Chon, “Pachinko” weaves together story lines from multiple time periods, including from a Korean fishing village in the early 20th century and Japan around the time of World War II and the late 1980s, when global business concerns were shrinking a lot of the old distinctions between regions and ideals. Like the book, the series is about the legacies and connections that sustain people through times of turmoil.Also arriving:March 4“Dear…” Season 2March 11“The Last Days of Ptolemy Grey”March 18“WeCrashed”Amanda Seyfried portraying Elizabeth Holmes in “The Dropout.”Beth Dubber/HuluNew to Hulu‘The Dropout’Starts streaming: March 3Amanda Seyfried plays the scandal-plagued biotech entrepreneur Elizabeth Holmes in “The Dropout,” a miniseries based on the podcast of the same name. Anyone who has read the various investigative exposés about Holmes’s failed start-up, Theranos, already knows the yarn of how the company claimed to have developed a groundbreaking blood-testing device that never worked as promised. “The Dropout” goes deeper into Holmes’s past, framing her less as a hapless fraud than as a well-meaning misfit who was in too much of a rush to become rich and famous.‘Atlanta’ Season 3Starts streaming: March 25After a four-year layoff, Donald Glover’s one-of-a-kind, award-winning dramedy “Atlanta” returns for its third and penultimate season, which was shot mostly in London. (Season 4 is currently slated to run this fall, wrapping up the series.) The story picks up with the aspiring rap star Paper Boi (Brian Tyree Henry) and his bumbling manager and cousin, Earn (Glover), trying to make inroads in the European market while they and their friends Darius (LaKeith Stanfield) and Van (Zazie Beetz) are feeling more alienated than usual by their surroundings. As always with “Atlanta,” expect the unexpected, as Glover and his creative team explore aspects of the Black experience that range from the subtly poignant to the comically surreal.Also arriving:March 1“Better Things” Season 5“The Savior for Sale”March 4“Benedetta”“Dicktown” Season 2“Fresh”March 6“Mark, Mary & Some Other People”March 8“India Sweets and Spices”March 10“American Refugee”March 14“Hell Hath No Fury”March 15“You Can’t Kill Meme”March 17“Bad Luck Banging or Loony Porn”March 18“Deep Water”“Life & Beth” Season 1March 19“Captains of Za’atari”March 26“Mass”March 29“The Girl from Plainville”Oscar Isaac as the hero in “Moon Knight.”Photo courtesy of Marvel Studios.New to Disney+‘Moon Knight’ Season 1Starts streaming: March 30The latest Marvel Cinematic Universe television series features a cult-favorite superhero: a cloaked vigilante who draws inspiration and strength from an ancient Egyptian god. Oscar Isaac plays the hero, who has dissociative identity disorder but does his best to use the unique qualities of his different selves in his fight over evil. In the Marvel comics, Moon Knight is a fairly dark, violent character, similar to Batman and Daredevil in his knowledge of the criminal underworld and his willingness to crack skulls. The TV version is being pitched as similarly shadowy, as evidenced by the first season’s main villain: a charismatic religious cult leader played by Ethan Hawke.Also arriving:March 11“Turning Red”March 18“Cheaper by the Dozen”“More Than Robots”March 23“Parallels” Season 1March 25“Olivia Rodrigo: driving home 2 u”“The Wonderful Spring of Mickey Mouse” More

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      'The Proud Family' Returns, Now Even Louder and Prouder

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      “The Proud Family: Louder and Prouder,” on Disney+, revives a beloved animated series for a new generation.When “The Proud Family” debuted on the Disney Channel on Sept. 15, 2001, it introduced one of TV’s first animated African American families.Over 52 episodes and a TV movie, the series offered a lighthearted depiction of a Black suburban family going about their everyday lives. The headstrong middle-schooler Penny Proud (voiced by Kyla Pratt) took the lead, with her strict but loving parents Oscar and Trudy (Tommy Davidson and Paula Jai Parker), feisty grandmother Suga Mama (Jo Marie Payton) and precocious infant twin siblings BeBe and CeCe rounding out the rest of the clan.They bickered, supported one another, threw shade and showed love — all of the things that typical on-screen families do. But before The Prouds, TV audiences rarely got to see a Black cartoon family doing those run-of-the-mill things, too.Now the groundbreaking brood is back with “The Proud Family: Louder and Prouder,” a 10-episode revival scheduled to air weekly on Disney+ starting Wednesday.During the show’s original run, from 2001 to 2005, Penny went through the paces of early adolescence — goofing around with her multicultural crew of friends, pouting about chores, dodging school bullies and testing parental boundaries. While many of the show’s themes were universal, they were delivered in a way that was uniquely and intentionally rooted in Black culture.The Proud grandmother, Suga Mama (Jo Marie Payton), is also back. Like the original, the new show includes sight gags that appeal to grade-schoolers and more subtle punch lines for grown-ups.Disney+The dialogue was studded with the kinds of colloquialisms and vernacular that can be heard in many Black households. The children’s playground banter employed of-the-moment slang, often pulled from rap lyrics. There were personal jabs about being “ashy” and class warfare was waged whenever the working-class branch of the family butted heads with their “bougie” in-laws.Even the body language and nonverbal cues — a wary side-eye, an indignant up-and-down glare — were embedded as nods to Black viewers. The humor worked on multiple levels, with silly sight gags that appeal to grade-schoolers and more subtle punch lines to keep grown-ups engaged.“A lot of what we’d do was like, ‘Wink, wink. You know what we’re saying, right?’” said Bruce W. Smith, the show’s creator. “We were hiding a lot of innuendo and, frankly, family business under the guise of what our characters were saying and going through. Where the show shines is in all of its cultural references.”Smith is a veteran animator who spent much of the ’90s working on feature films like “Space Jam” and Disney’s “Tarzan” and “The Emperor’s New Groove.” By the end of that decade, he set his sights on serialized television, aiming to fill a void in the small screen’s animated offerings.“‘The Simpsons,’ ‘Family Guy,’ ‘King of the Hill,’ all these animated sitcoms became the rage,” he said. “I was just looking at them like: OK, we’re not in this. We’re not involved somehow, and we should be.”At the time, live-action sitcoms like “Moesha” and “Sister, Sister” had proven that Black teenage girls could both carry a series and draw a dedicated audience. Smith set out to create a cartoon sitcom in the vein of “Moesha” — one that centered a Black girl’s life and experiences.His first step was teaming up with Ralph Farquhar, a creator of “Moesha,” as well as its spinoff, “The Parkers,” and the short-lived Black family dramedy “South Central.” Together, they oversaw “The Proud Family” and its subsequent 2005 TV movie, with Smith also directing several episodes.Penny is now solidly into her teens and her peer group has expanded to include her gender-fluid friend Michael, second from right, voiced by EJ Johnson.Disney+“The fact that there was no one else doing it was sad,” Farquhar said, in a joint video interview with Smith. “But for us, it was this opportunity. We wanted to tell our stories in a way that we understand. In that nuanced way that only comes from living it.”Smith added: “The great thing about it was there was nothing before us. There was no bar set. For us, that was exciting because then we could set the bar.”In addition to commonplace domestic scenes — kitchen table spats, curfew breaches, babysitting snafus — there was a smattering of more educational story lines. These included a poignant Kwanzaa celebration and a Black History Month tribute to oft-overlooked luminaries like the pioneering aviator Bessie Coleman and Shirley Chisholm, the first Black woman elected to Congress.“That’s what I loved about the original: We talked about things that other people shied away from,” said Pratt, who took on the role of Penny at age 14. “And we’re doing the same thing this time around.”The revival, which is also overseen by Smith and Farquhar, retains much of the original’s flavor, but it has been updated for the 2020s. Instead of pagers, the kids use smartphones. Dated phrases like “off the heezy fo’ sheezy” are out; “woke” and “Black girl magic” are now in.The original featured guest appearances by popular early ’00s performers like Lil’ Romeo, Mos Def and Mariah Carey. “Louder and Prouder” is similarly star-studded, with cameos by the likes of Lil Nas X, Chance the Rapper and Lizzo. The heartwarming theme song, performed by Solange Knowles and Destiny’s Child, also got a makeover — the 2022 version is sung by the newcomer Joyce Wrice.Penny and her friends are now solidly into their teens, with all of the body changes, heightened hormones and social minefields that entails. And a few new players have joined the returning core cast.The former reality TV star EJ Johnson voices Penny’s gender-fluid friend Michael. (The recurring character Wizard Kelly is a sly allusion to Johnson’s father, the N.B.A. legend Magic Johnson.) And a same-sex couple, Barry and Randall Leibowitz-Jenkins (Zachary Quinto and Billy Porter), have moved into the neighborhood with their adopted teenagers: son Francis (Artist Dubose, better known as the rapper A Boogie Wit Da Hoodie) and daughter Maya (Keke Palmer), a fiery activist who serves as Penny’s new foil.Pratt said she continued to hear from fans long after “The Proud Family” ended. “People were talking to me literally every other day of my life, trying to get the show back on,” she said. Disney+Palmer, whose breakthrough came in the 2006 film “Akeelah and the Bee,” credits Farquhar with discovering her a few years earlier, when she was 10. (He cast her in a Disney Channel pilot that didn’t get picked up.) He asked her to join “Louder and Prouder” because he knew she’d been a longtime fan of the original.“I saw a family that reminded me of my own — I even had boy-girl twins in my family,” Palmer said. “That was a show that represented what my Black American culture looked like. I thought they got it right!”Nevertheless, Disney chose not to renew “The Proud Family” when the original production run ended in 2005. (Disney declined to comment on the end of the original show.) In the interview, Smith and Farquhar said they have never known why the show wasn’t allowed to continue, but they made clear that they always hoped to bring it back in some form.“From the moment we stopped doing the original version, we had been campaigning to bring it back,” Farquhar said. “We weren’t quite sure why we ever even stopped.”They weren’t alone. “The Proud Family” has been a steady source of millennial nostalgia online, with fans sharing art and cosplay photos inspired by the show on social media, and revisiting beloved episodes in blog posts. Pratt said overzealous fans have frequently reached out to her in real life, too.“People were talking to me literally every other day of my life, trying to get the show back on,” she said.Farquhar and Smith said they noticed a new outpouring from “Proud” fans after Disney+ began streaming the original on Jan. 1, 2020. Disney apparently noticed, too. The company approached the men about a revival, and then publicly announced it on Feb. 27, 2020.Farquhar and Smith have since signed a multiyear overall deal with Disney to produce animated and live-action series and movies and to develop projects for emerging and diverse talent. Smith boasted that the “Louder and Prouder” staff, from the directors to layout artists to animators, “looks like the show.” (Like most of the entertainment industry, animation has historically offered far fewer opportunities to women and people of color than to white men.)Smith has wanted to expand Black people’s presence and influence in animation since he started working in the industry in the early 1980s, he said, a mission informed by his own experiences as a young cartoon fan.“When I was growing up, I loved shows like ‘The Flintstones’ and ‘The Jetsons,’” he said. But together they painted an unwelcoming picture: “I didn’t exist in the beginning of time, and I don’t think they’re looking for me to exist when spaceships start flying off this planet.”“I gotta do something about that,” he continued. “Because I love this medium and I want to see myself in this.” More

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      in Movies

      ‘Alice’s Wonderland Bakery’: Recipes for Real Life, if Not Real Kitchens

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      A new Disney show teaches children useful lessons in the guise of a cooking show. The recipes are less practical (unless you stock dancing dodo eggs).Everyone eats.That simple truth, which has persuaded even quarreling heads of state to sit down together, has now inspired a new television series that aims to teach another frequently fractious group — children ages 2 to 7 — cooperation, compassion and cultural literacy. Disney has taken on this challenge in “Alice’s Wonderland Bakery,” a novel blend of sweetness and spice that uses globally inspired food to help little viewers master resilience and adaptability.Debuting on Wednesday on the Disney Channel, Disney Junior and the streaming service Disney+, the show takes its brightly colored universe and rapid-fire surprises from “Alice in Wonderland,” the company’s fantastical — and fantastically food-filled — 1951 animated feature film of the classic Lewis Carroll story.“We had been looking at doing something with ‘Alice’ for a while,” Joe D’Ambrosia, the senior vice president for original programming and general manager at Disney Junior, said in a telephone interview. “And we also had really been trying to find a cooking show for preschoolers.”This half-hour animated series is not, however, a traditional cooking show with recipes to follow. Although D’Ambrosia said he hoped it would inspire families to bake together, you won’t find ingredients like dancing dodo eggs and shrinking powder in your pantry. Instead, the dishes the series features — some entirely fanciful, like dwindling dewdrop cake, and others based on the real world, like gingerbread — become vehicles for creativity and problem-solving. The show’s Alice may concoct something delectable so she can make a new friend, comfort an old one or show how a situation, just like a recipe, can be approached in more than one way.Alice, who relies on the magical talking cookbook of her great-grandmother, the original movie’s heroine, “uses food as essentially her superpower,” said Chelsea Beyl, the series’s executive producer and showrunner. “This is, you know, how she connects with all these curious and peculiar characters.”Some of those characters have hardly changed since the 1951 film’s premiere. The series’s Cheshire Cat, with his indelible grin and magenta stripes, and Alice’s feline companion, Dinah, could have leapt right out of one of the old movie’s frames. Others have transformed or become diverse versions of the figures that inspired them. (This is a multicultural Wonderland.) Alice herself is not the film’s preadolescent English schoolgirl but a very American-seeming 7- or 8-year-old, running her own bakery inside a giant teacup. (In Wonderland, all things are possible.)“In the movie, you know she’s thinking,” said Frank Montagna, the co-executive producer and art director for the show, which uses computer-generated animation to create a heightened version of the film’s world. “And so we wanted to really home in on that part of our Alice — that, you know, she’s always trying to figure things out.”That entails trial and error for her, including at least one spectacular failure: In the pilot, the birthday cake Alice has baked for Princess Rosa, a new character who is the daughter of the formidable Queen of Hearts, has magic sprinkles that unexpectedly fly onto all the royal guests, causing the disgusted queen to end the palace festivities. (Pandemic-weary children will probably identify with the disappointment of a canceled birthday party.)To redeem herself and cheer up Rosa the next day, Alice hosts an intimate unbirthday celebration, a concept found in both the 1951 film and Lewis Carroll’s “Through the Looking Glass.” This cake isn’t ordinary, either.Alice “is very, very curious,” said Libby Rue, 13, who is making her TV debut as the heroine’s voice. “Her curiosity sometimes gets the best of her, but she is very kind, and she loves making her friends happy by baking.”Other series characters get into trouble, too, like Alice’s best friend, Fergie, a descendant of the White Rabbit who appears in the book and the film. In one episode, Fergie struggles by himself to help Alice bake a huge order of pies and then lies, as a small child might, about what he did wrong. When the truth comes out, Alice reassures him that it’s always all right to ask for help.Alice’s friends on the show include her best friend, Fergie, who is descended from the White Rabbit in the original book and the film, and Hattie, whose habits reflect Japanese traditions.DisneyIn creating Fergie and the other Wonderland characters, the concern was “to really be reflective of today’s young audiences,” D’Ambrosia said, which also meant giving them origins that Carroll might never have dreamed of.Rosa and the Queen of Hearts, for instance, look and sound Hispanic, practicing customs inspired by Cuba’s. (Because the characters come from Wonderland, their habits are sometimes inspired by the real world but are not, technically, of it.) Dad Hatter, patterned after the host of the Mad Hatter’s Tea Party, and his dapper son, Alice’s friend Hattie, reflect Japanese traditions — a nod, Beyl said, to the importance of tea in that country’s culture.Later in the 25-episode first season, the show will introduce a caterpillar family whose influences are Persian. (Parents will be relieved that the lead caterpillar, familiar to Wonderland fans, is blowing bubbles instead of smoking a hookah.) The show’s creators have also made some formerly male characters female, and the queen herself is now merely a diva instead of a homicidal tyrant.Bringing diversity to Carroll’s work “means a lot,” said Eden Espinosa, who voices the queen and is herself the granddaughter of Mexican immigrants, “because I feel like it is acknowledging that these classics — although there might not have been representation in them when they were, you know, brand-new — they transcend culture lines.”The food also reflects the ethnicities the series embraces. In an episode in which Alice and Princess Rosa bake apple crumble pastelitos, this Cuban pastry functions as a preschooler’s version of Proust’s madeleine, reminding the King of Hearts (Rosa’s grandfather, voiced by the Cuban American singer Jon Secada) of the wife he misses so much. Another episode highlights mochi, Japanese rice cakes.But at a time of national concern over childhood obesity, the executive producers have taken special care not to build the entire series around desserts.“We have a lot of episodes that are about, you know, Fergie growing veggies in his garden, which I think is really fun for kids to see and maybe want to do,” Beyl said. Even in references to sweet recipes, she added, “we rarely say ‘sugar.’”Young viewers will also watch Alice make dishes that include vegetables or fruits, like a carrot calzone, grape gazpacho, huevos habaneros and kuku sibzamini (Persian potato patties).“It was really cool to not only bring the cultural elements into the food, but the music, the costumes, the casting and the set as well,” Beyl said.For example, “The Baking Song,” written and composed by the show’s music director, John Kavanaugh, recurs throughout the series in different ways: The queen sings a salsa version, while the caterpillar episode has a version featuring Persian instruments. The series also incorporates tunes from the 1951 movie, like “The Unbirthday Song,” and other work by Kavanaugh, such as “Food for Thought,” which conveys series themes like flexibility. (Alice believes there’s a recipe for anything or, as she puts it, “Where there’s a whisk, there’s a way.”)The musical emphasis — this month, Walt Disney Records will release a digital soundtrack album from the show — also called for singing talent, so in addition to Espinosa, who has starred in “Wicked,” the voice cast includes Broadway veterans like James Monroe Iglehart (“Aladdin”) and Mandy Gonzalez (“Hamilton”). Several comics are featured, too, like Donald Faison, Craig Ferguson and the “Saturday Night Live” alumni Ana Gasteyer, Bobby Moynihan and Vanessa Bayer.According to Montagna, “We really tried to push the comedic performances,” while also “pushing the boundaries of what preschool entertainment can be.”“We didn’t want people to compare this with any storybook environment or other Disney shows,” he added. “We wanted it to stand out as Wonderland.” More

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      in Television

      The Best Movies and TV Shows Coming to Amazon, HBO, Hulu and More in December

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      Every month, streaming services add movies and TV shows to its library. Here are our picks for some of December’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)Temuera Morrison and Ming-Na Wen in “The Book of Boba Fett.”Disney+New to Disney+‘The Rescue’Starts streaming: Dec. 3In “The Rescue,” the documentary filmmaking team of Elizabeth Chai Vasarhelyi and Jimmy Chin — who won an Oscar for their film “Free Solo” — tell the stories of the skilled divers who worked to save a dozen young Thai soccer players trapped in a flooded Tham Luang Nang Non cave in the summer of 2018. The rescue operation drew volunteers from around the world and was covered in-depth by the broadcast and print media. Vasarhelyi and Chin incorporate some of that coverage into “The Rescue,” alongside new interviews with the rescue team, for a fuller view into what happened. But their primary focus is on what the divers experienced as they tried to puzzle out how to navigate through underground passages and how to extract survivors. The P.O.V. footage the divers shot themselves is often harrowing, capturing the claustrophobic pressure and the sense of panic that sets in when the waters rise.‘The Book of Boba Fett’Starts streaming: Dec. 29There are no new “The Mandalorian” episodes until 2022, so fans of the “Star Wars” universe’s bounty-hunter subculture will have to rely on this spinoff series to tide them over. Temuera Morrison reprises his role as Boba Fett, a storied mercenary who, alongside his colleague Fennec Shand (Ming-Na Wen), comes out of hiding and attempts to reestablish himself as someone to be feared and respected in the criminal underworld. A lot of the “Mandalorian” creative team also worked on “The Book of Boba Fett,” as did some of the supporting cast. This promises to be another action-packed throwback adventure series, exploring the difficult lives and the complicated ethical codes of characters whose jobs demand danger and violence.Also arriving:Dec. 3“Diary of a Wimpy Kid”Dec. 8“Welcome to Earth”Dec. 15“Foodtastic,” Season 1Dec. 17“Arendelle Castle Yule Log: Cut Paper Edition”From left, Glenn Howerton, Rob McElhenney and Kaitlin Olson in “It’s Always Sunny in Philadelphia.”Prashant Gupta/FXXNew to Hulu‘It’s Always Sunny in Philadelphia,’ Season 15Starts streaming: Dec. 2The longest-running sitcom in television history returns for a new season. As usual, it will combine the show’s lowlife high jinks with some episodes that directly engage with what’s going on in the world today. For example, the season’s first episode is about how the gang at Paddy’s Pub — Mac, Charlie, Dennis, Dee and Frank — try to make money off the pandemic. And episode two comments on the sometimes reckless political incorrectness of some older “It’s Always Sunny in Philadelphia” jokes. The series continues on from there, filtering reality through the skewed perspective of characters who hardly every change, even as society keeps shifting all around them.Also arriving:Dec. 1“Candified: Home for the Holidays,” Season 1Dec. 2“Godfather of Harlem,” Season 1Dec. 3“The New York Times Presents: To Live and Die in Alabama”“PEN15,” Season 2, Part 2“Trolls: Holiday in Harmony”Dec. 9“Bloods,” Season 1“Creamerie,” Season 1“Swan Song”Dec. 10“Crossing Swords,” Season 2Dec. 16“Dead Asleep”Dec. 17“Mother/Android”Dec. 23“Dragons: The Nine Realms” Season 1Dec. 26“Letterkenny” Season 10Nicole Kidman and Javier Bardem as Lucille Ball and Desi Arnaz in “Being the Ricardos.”GLEN WILSON/AmazonNew to Amazon‘Being the Ricardos’Starts streaming: Dec. 21The writer-director Aaron Sorkin follows up his American history lesson “The Trial of the Chicago 7” with another look back into our cultural past, this time exploring the world of television in its infancy as a mass medium. In “Being the Ricardos,” Nicole Kidman plays Lucille Ball and Javier Bardem plays Desi Arnaz during one week of production on the groundbreaking 1950s sitcom “I Love Lucy.” The setup frames a larger study of the celebrity couple’s tumultuous romantic, creative and business partnership. Expect to hear plenty of Sorkin’s rapid-fire dialogue, applied to a backstage melodrama with echoes of his TV series “Sports Night” and “Studio 60 on the Sunset Strip.”Also arriving:Dec. 3“Harlem”Dec. 9“The Ferragnez”Dec. 10“Encounter”“The Expanse,” Season 6Dec. 17“With Love”Dec. 23“Yearly Departed”New to HBO Max“Listening to Kenny G”Starts streaming: Dec. 2The “Music Box” docuseries debuts three new films on HBO this month, including “Mr. Saturday Night” (about the swaggering industry impresario Robert Stigwood) and “Juice WRLD: Into the Abyss” (about the rapper’s short life and influential career). But the movie likely to draw the most attention is Penny Lane’s slyly provocative “Listening to Kenny G.” This comprehensive biography of the wildly successful and deeply divisive pop-jazz saxophonist Kenneth Gorelick — made with his full participation — doubles as a sincere consideration of why some people love Kenny G’s music and why some think it is pandering schmaltz. Gorelick is a disarming interview subject, willing to defend himself but seemingly unconcerned about his critical reputation. It’s the critics featured in the documentary that add the most, as they wrestle honestly with the long-term effects — positive and negative — of middle-of-the-road popular music.Also arriving:Dec. 1“Adrienne”Dec. 2“Perfect Life”“Santa Inc”Dec. 5“Beforeigners”Dec. 6“Landscapers”Dec. 7“The Slow Hustle”Dec. 9“And Just Like That …”“Mr. Saturday Night”Dec. 13“Street Gang: How We Got to Sesame Street”Dec. 16“Finding Magic Mike”“Juice WRLD: Into the Abyss”“Station Eleven”Dec. 22“The Matrix Resurrections”New to Paramount+“1883”Starts streaming: Dec. 19Given that the modern western drama “Yellowstone” is one of the most-watched series on cable and streaming right now, it was probably inevitable that Paramount and the show’s creator, Taylor Sheridan, would try to expand the franchise. Sheridan — an accomplished writer, director and producer whose credits include the likes of “Sicario” and “Hell or High Water” — ventures back to the late 19th century to follow a grizzled adventurer (played by Sam Elliott) as he helps a pioneer couple (played by Tim McGraw and Faith Hill) find their way to Montana. There, they’ll establish the Dutton ranch that is the main setting of “Yellowstone” — though not without plenty of the obstacles and soul-searching that make the parent show so compelling.Also arriving:Dec. 2“Queen of the Universe”Dec. 23“Reno 911: The Hunt for QAnon”New to Peacock“Baking It”Starts streaming: Dec. 2The team behind the heartwarming reality competition show “Making It” offers as unique twist on the bake-off, in a series in which two-person teams cook in a homey kitchen and try to impress a judging panel of four opinionated grandmas. Maya Rudolph and Andy Samberg are the “Baking It” hosts, serving up playful banter and earnest support as contestants produce creative and delicious treats. The drama level is kept purposefully low, leaving room for lots of good holiday vibes.“MacGruber”Starts streaming: Dec. 16The comedian Will Forte and the “Saturday Night Live” writer-directors Jorma Taccone and John Solomon introduced the resourceful but easily distracted special agent MacGruber (played by Forte) in a series of “SNL” sketches that began in 2007. They spun the character off into a strange 2010 movie that has a fiercely devoted cult of fans; now they’re bringing MacGruber back to TV as a serialized action-adventure spoof, with the hero returning to work after a decade in prison. Kristen Wiig comes back as the superspy’s sidekick, for straight-faced, absurdist riffs on over-the-top ’80s and ’90s international thrillers.Also arriving:Dec. 4“Siwas Dance Pop Revolution”Dec. 9“The Housewives of the North Pole”Dec. 23“Vigil” More

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      in Music

      6 Big Beatles Moments

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      6 Big Beatles MomentsDavid RenardWatching and listening ��Disney+What: Paul, on John and Yoko
      When: Part 2, 5 minutesPaul admits to band tension over the pair but also downplays it: “It’s going to be such an incredible, comical thing like in 50 years’ time, you know: ‘They broke up because Yoko sat on an amp.’” More