More stories

  • in

    Sophie Turner’s Custody Lawsuit Against Joe Jonas is Dismissed

    The English actress sued the American musician weeks after they announced their split, saying he had prevented their two children from returning to Britain.A judge in New York on Wednesday dismissed a lawsuit that the English actress Sophie Turner filed last year against her husband, Joe Jonas, in which she requested that their two young children be returned to England from the United States.The lawsuit in the U.S. District Court for the Southern District of New York was dismissed with both parties’ consent, according to a court filing.Turner, a star on the television show “Game of Thrones,” sued Jonas, an American musician who plays in a boy band with his brothers, in September, weeks after the couple said publicly that they planned to divorce.That summer, the children had traveled to the U.S. with Jonas because he was on tour there and Turner had a busy filming schedule in Britain, according to the lawsuit. The couple agreed that Turner would pick up the children in September and return with them to England, it said.Instead, the lawsuit said, Jonas filed for divorce in September and later refused to give Turner the children’s passports, preventing them from returning to England, their “habitual residence.”A representative for Jonas said at the time that giving Turner the children’s passports would have violated a court order in Florida — where the couple’s divorce proceedings had been initiated — that restricted both parents from relocating the children.In the court filing on Wednesday, known as a consent order, Judge Katherine Polk Failla noted that Turner and Jonas had signed a memorandum of understanding and a “parenting plan” related to their children in October. They also filed a consent order with a court in Britain that was approved on Jan. 11, she wrote.Attorneys and publicists for Turner and Jonas did not immediately respond to requests for comment late Wednesday.The couple’s children, who were born in the United States in 2020 and 2022, have American and British citizenship. They have been identified in court documents by only their initials.Turner and Jonas began dating in 2016, when he was touring in Britain, and married in Las Vegas three years later.After living a “very peripatetic lifestyle” for a few years, Turner’s lawsuit said, they relocated to England in April 2023 and had planned to buy a home there later in the year.But in early September, after a succession of negative news stories about Turner, they said in a joint statement on Instagram that they had “mutually decided to amicably end our marriage.”Seamus Hughes More

  • in

    A Spree of Country Music Divorce Albums

    Subscribe to Popcast!Apple Podcasts | Spotify | Stitcher | Amazon MusicIn February, Kelsea Ballerini released a surprise EP, “Rolling Up the Welcome Mat,” a set of songs inspired by her recent divorce from another country singer, Morgan Evans. It was her freshest recent work, thematically and musically, and also a reminder that for the past few years, several female country singers have found freedom in divorce-inspired music.In 2021, Carly Pearce put out “29,” an EP, and later “29: Written in Stone,” a full-length project, inspired by her divorce from the singer Michael Ray. That same year, Kacey Musgraves released “Star-Crossed,” which followed her split from the singer Ruston Kelly. (Men have traveled this path as well — Kelly has just released an album of his own, and in 2016, both Blake Shelton and Miranda Lambert reacted to their divorce with new albums.)On this week’s Popcast, a conversation about how the women of country have navigated divorce as subject matter, how Nashville appears to encourage the overlap of professional obligations and personal entanglements, and the ways that personal liberation might be connected to musical liberation.Guest:Marissa R. Moss, author of “Her Country: How the Women of Country Music Became the Success They Were Never Supposed to Be”Connect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

  • in

    Angelina Jolie Details Abuse Allegations Against Brad Pitt in Countersuit

    In court papers related to a legal battle over a French winery they once owned together, she claims that he was abusive to her and their children during a 2016 plane ride.Angelina Jolie filed a cross complaint against her ex-husband Brad Pitt on Tuesday, disclosing new details about what she described in court papers as abusive behavior by him on a private plane in 2016 that led to the dissolution of their marriage.In a court filing in Los Angeles, filed as part of a legal battle over a winery the prominent Hollywood actors once owned together, lawyers for Ms. Jolie stated that negotiations to sell her share of the business to Mr. Pitt had broken down over his demand that she sign “a nondisclosure agreement that would have contractually prohibited her from speaking outside of court about Pitt’s physical and emotional abuse of her and their children.”Her filing goes on to describe an extended physical and verbal outburst in September 2016 as Mr. Pitt, Ms. Jolie and their six children flew from France to California. “Pitt choked one of the children and struck another in the face” and “grabbed Jolie by the head and shook her,” the filing states, adding that at one point “he poured beer on Jolie; at another, he poured beer and red wine on the children.” Federal authorities, who have jurisdiction over flights, investigated the incident but declined to bring criminal charges. Days after the plane trip, Ms. Jolie filed for divorce.Lawyers for Mr. Pitt did not immediately return several phone calls and emails seeking his response on Tuesday. In 2016, unnamed people close to Mr. Pitt were quoted in various publications saying that he had not been abusive toward his children.The decoupling of Ms. Jolie and Mr. Pitt has stretched on for years, drawn out by a court battle for custody of their children and, more recently, a lawsuit instigated by Mr. Pitt over the French winery, Château Miraval, that the couple bought more than a decade ago. Mr. Pitt’s lawsuit, filed this year, accused his ex-wife of violating his “contractual rights” when she sold her half of the company to a subsidiary of Stoli Group without his approval.Ms. Jolie’s cross complaint said she only sold her stake elsewhere after talks broke down over his demand for a nondisclosure agreement. Her filing states that the F.B.I. agent who investigated allegations that Mr. Pitt physically assaulted Ms. Jolie and their children on the plane in 2016 had “concluded that the government had probable cause to charge Pitt with a federal crime for his conduct that day.”The Château Miraval property, which is near Brignoles, in the south of France, in 2008.Lionel Cironneau/Associated PressA redacted F.B.I. report on the case, which was reported on by several news outlets in August and later obtained by The New York Times, states that the agent provided the United States Attorney’s Office “copies of a probable cause statement related to this incident.”“After reviewing the document, representative of the United States Attorney’s Office discussed the merits of this investigation with the case agent,” the report said. “It was agreed by all parties that criminal charges in this case would not be pursued due to several factors.”The F.B.I. report described Ms. Jolie as “conflicted on whether or not to be supportive of charges” related to the case.Representatives from the F.B.I. and the U.S. Attorney’s Office in Los Angeles declined to comment.“She has gone to great lengths to try to shield their children from reliving the pain Pitt inflicted on the family that day,” Ms. Jolie’s lawyers wrote in the cross complaint. “But when Pitt filed this lawsuit seeking to reassert control over Jolie’s financial life and compel her to rejoin her ex-husband as a frozen-out business partner, Pitt forced Jolie to publicly defend herself on these issues for the first time.”According to Ms. Jolie’s account of the 2016 flight in the court papers, the dispute began when Mr. Pitt accused Ms. Jolie of being “too deferential” to their children and then began yelling at her in the bathroom. “Pitt grabbed Jolie by the head and shook her, and then grabbed her shoulders and shook her again before pushing her into the bathroom wall,” the filing states. “Pitt then punched the ceiling of the plane numerous times, prompting Jolie to leave the bathroom.”When one of the children came to Ms. Jolie’s defense, the court papers said, Mr. Pitt lunged at the child, prompting her to grab him from behind. Amid the altercation, Mr. Pitt “choked one of the children and struck another in the face,” the suit said.The 2016 flight has been the subject of news media reports since shortly after it occurred. In November of that year, the F.B.I. released a statement saying that it had closed its investigation into the flight and that no charges had been filed.Puck News reported this August that Ms. Jolie had been seeking information about the F.B.I.’s case as an anonymous plaintiff in a Freedom of Information Act lawsuit, with the publication including details of the report.It is unclear whether the heavily redacted F.B.I. report included allegations that Mr. Pitt had choked or struck any of the children.Ms. Jolie and Mr. Pitt met each other on the set of “Mr. & Mrs. Smith,” a 2005 action movie in which they played married assassins. In 2008, they purchased a controlling interest in Château Miraval, viewing it as both a family home and business; several years later, the couple was married on the property.Ms. Jolie and Mr. Pitt have six children, now between the ages of 14 and 21.The French winery, known for its rosé, is at the center of a legal dispute between the divorced couple.In February, Mr. Pitt sued Ms. Jolie and her former company, alleging that she violated his “contractual expectations” when she sold her interest in the wine company to Tenute del Mondo, a subsidiary of Stoli Group. According to his lawsuit, the former couple had an understanding that neither party would sell its share of the winery without the consent of the other.“Jolie pursued and then consummated the purported sale in secret, purposely keeping Pitt in the dark, and knowingly violating Pitt’s contractual rights,” his lawsuit alleged.Last month, Ms. Jolie’s former company, which is now owned by Stoli Group, countersued Mr. Pitt, rebutting his version of events and his claim that the sale constituted a “hostile takeover.”In Ms. Jolie’s own countersuit, filed in Los Angeles Superior Court on Tuesday, she said that she opted to sell her share of the wine business, in part, because she was growing uncomfortable with participating in an alcohol-related business, considering Mr. Pitt’s “acknowledged problem of alcohol abuse.” Mr. Pitt told The Times in 2019 that after Ms. Jolie filed for divorce, he spent time in Alcoholics Anonymous and was committed to sobriety.Her filing said there was no written or verbal understanding like the one Mr. Pitt described, claiming that Mr. Pitt had, in fact, rejected the idea that there needed to be a plan in case the relationship ended.In their lawsuits, Mr. Pitt and Ms. Jolie shared divergent accounts of how negotiations around him buying her portion of the wine company fell apart.Mr. Pitt’s lawsuit asserted that Ms. Jolie pulled out of the tentative deal last year after a judge overseeing the custody dispute issued a ruling against her, prompting her to turn to Stoli Group.Ms. Jolie’s countersuit claimed, however, that Mr. Pitt had been the one to pull out of the deal after she declined to agree to his nondisparagement clause, forcing her to turn to another buyer. More

  • in

    A Duchess Brought Low by ‘A Very British Scandal’

    In a new show on Prime Video, Claire Foy plays a British aristocrat whose sex life became the subject of salacious tabloid stories in the 1960s.LONDON — Everybody loves a sex scandal, and a posh one is even better. The great and the good brought down in disgrace: That’s a story people want to hear.In “A Very British Scandal,” a three-part series streaming on Prime Video from April 22, Claire Foy plays the Duchess of Argyll, a real-life aristocrat whose sex life was pored over in a 1960s court case that created a media frenzy and riveted the nation. When the BBC aired “A Very British Scandal” this past December, nearly 7 million people tuned in.The show is a companion to “A Very English Scandal,” another hugely popular Amazon-BBC coproduction in which Hugh Grant played an upper-crust politician who suffered a similar fate.These stories, Foy said in a recent interview, appealed to elements of Britain’s national character. “We’re perverts, aren’t we?” Foy said. “Deep down, all British people love it: We love gossip and love the titillating things other people are getting up to,” she added. “Anything that happens behind closed doors, we’re all completely obsessed with.”In the show’s final episode, one of the duchess’s aristocratic friends bemoans the British public’s desire to know what the upper classes are up to. “The little people in their grubby pits look up to us, because we are not them,” says the friend, played by Julia Davis. But stories about the duchess’s sex life, she says, “are dragging us down so we look just like them.”Foy’s character was never one of “the little people,” but she wasn’t always an aristocrat, either. She was born Margaret Whigham, in Scotland, in 1912. Her father, a self-made textiles millionaire, moved the family to New York when she was a child, and she lived there until she was 14. Back in Britain, she became a much-photographed debutante with a fancy trans-Atlantic sheen, and a fixture of newspaper society pages. After a string of high-profile relationships and a first marriage that ended in divorce, she became the Duchess of Argyll in 1951 when she married the duke, Ian Campbell (played by Paul Bettany in the show), whose family had been part of the Scottish aristocracy since the 1400s.A glamorous A-lister who counted society columnists as her friends, the duchess cultivated a chic media image. And she realized early on she could make money from what we would now call her “personal brand,” taking cash from tabloid newspapers to appear in fawning articles. (“Beautiful! Rich! Distinguished!” read a teaser for a 1961 Daily Mirror splash. “This is the Duchess of Argyll the world knows.”)The duchess, photographed in 1955 for magazine coverage of the London social season. She initially had a symbiotic relationship with the British press. Bert Hardy/Hulton Archive/Getty ImagesBut when her marriage to the duke broke down, she lost control of the story. The couple’s nasty divorce case — in which the duchess’s intimate photos were presented in court — made her the subject of salacious newspaper articles and gossipy anecdotes, and later, “A Very British Scandal” and even an opera.During the trial, the duke submitted a list of 88 men he said the duchess had slept with during their marriage, as well as Polaroids he had stolen from her that showed the duchess performing oral sex on an unknown man whose head was not in the frame.Ruling in the duke’s favor to grant the divorce in 1963, the judge said the duchess was a “completely promiscuous woman” who had indulged “in disgusting sexual activities to gratify a debased sexual appetite.” The details of the “headless man” photos were gleefully written up in British newspapers, which raked over the case for months. Margaret the glittering socialite became Margaret “the dirty duchess.”Over the rest of her life, she frittered away the fortune she inherited from her father on a series of unsuccessful law suits and dubious investments. Her personal relations didn’t fare much better: She fell out with a daughter from her first marriage, and many of her friends. The duchess died in penury, at 80, in a London retirement home. The first hymn at her funeral, in 1993, began, “Dear Lord and father of mankind, forgive our foolish ways.”Sarah Phelps, who wrote the script for “A Very British Scandal,” said that the duchess’s case and the media furor around it represented “the end of an era.” It was “the birth of a different kind of journalism, and a way of writing about sex and scandal in a very, very prurient way,” she said. And it paved the way for later media depictions of Britney Spears, Amy Winehouse and Meghan Markle — “that viciousness and anger that is directed at women in the public eye,” she said.When the initial outrage faded, the duchess remained the subject of snickering innuendos for decades. Grinning men would pose for photos beside the boarding sign for a Scottish boat that shared her name: “Queue here for the Duchess of Argyll.” Today’s TV audiences will have more sympathy for the duchess, who now looks like a victim of “slut-shaming,” and the nonconsensual sharing of her photos like “revenge porn.” It’s unlikely many viewers will judge her for a sex act that some women’s magazines now offer tips on performing. Yet they might still find it hard to warm to the duchess, who Foy plays as an arrogant, scheming snob.“She lied and she cheated, and she did all sorts of really awful things,” Foy said. “In her defense, they were also done to her.”As a person in the public eye, she sympathized with the duchess and her treatment by the press. “She was one thing, and then they decided she was something else,” Foy said. “Journalists dictate the public perception of you in my industry,” she added. “You are completely in the hands of the people who write the story.”Allison Cook portrayed the duchess in a 2013 production of the opera “Powder Her Face,” staged at the Brooklyn Academy of Music.Sara krulwich/The New York TimesAnother author of the duchess’s story is the British composer Thomas Adès, whose 1995 opera “Powder Her Face” casts her as its antiheroine. First presented at the Cheltenham Festival in England, when Adès was just 24, “Powder Her Face” has since been performed over 300 times across Europe and the United States, according to Faber, its publisher.Adès said he started out by looking for a classic operatic plot: “someone in a grand position, who’s outwardly very strong and impressive, who is dismantled and brought low by forces from the outside.” Philip Hensher, the opera’s librettist, remembered the Argyll divorce case, Adès said: The duchess fit the bill perfectly.Whereas “A Very British Scandal” ends with the courtroom judgment, “Powder Her Face” picks up at the end of the duchess’s life, when she was broke and holed up in a hotel she couldn’t afford. In a series of dreamy flashbacks, Adès recreates some key vignettes from the story of her life, including the liaison with “the headless man” as an aria from the duchess that begins with words and ends with humming.“You can’t really pretend that she’s an entirely sympathetic character, that she’s Mimì,” said Adès, referring to the fragile seamstress who dies of tuberculosis in Puccini’s “La Bohème,” “as much as I think she’s such a tragic figure.” The duchess, he added, was “formidable, and did plenty of things that were pretty questionable.”Paul Bettany, center left, plays the duke in “A Very British Scandal,” alongside Foy’s duchess.Alan Peebles/Amazon Prime VideoDespite a persistent whiff of scandal, the duchess continued to lead an active life in London high society for most of the rest of her life, said Lady Colin Campbell, a relative by marriage. “She was certainly a notoriety, but she was never a pariah. People would gossip and say, ‘Oh, look who’s here: Margaret Argyll,’” said Lady Campbell, 72. “But she rose above it, as simple as that. She simply ignored it,” she added.In her later years, when money was running low, the duchess tried again “to convert her fame into income,” Lady Campbell said. In 1986, Margaret published “My Dinner Party Book,” a guide to entertaining, aimed at housewives, that nonetheless included advice like “never invite the Lord Chancellor and two ambassadors to your dinner party at the same time.” (The book did not sell well, Lady Campbell said.)Two years later, at 76, the duchess appeared on “Wogan,” the BBC’s flagship chat show. The presenter, Terry Wogan, trod carefully around the incident that had made her most famous, gently asking, “What about your own story? Your own story was extremely colorful — do you think it would make a good plot?”“Oh, let’s pray not,” the duchess replied. “Let’s not even think about that.” More