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    ‘Billie’ Review: A Legend, in a Different Light

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusClassic Holiday MoviesHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main story‘Billie’ Review: A Legend, in a Different LightThe journalist Linda Lipnack Kuehl worked for years on a Billie Holiday biography before Kuehl’s sudden death in 1978. The director of this documentary bought her research, and uses it well.Billie Holiday, as seen in the documentary “Billie.”Credit…Michael Ochs/Greenwich EntertainmentBy More

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    ‘Crock of Gold’ Review: Shane MacGowan, Still Alive and Laughing

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusClassic Holiday MoviesHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main story‘Crock of Gold’ Review: Shane MacGowan, Still Alive and LaughingRambunctious, even in a wheelchair, the hell-raising Irish musician is the subject of this Julien Temple documentary.Shane MacGowan, as seen in the documentary “Crock of Gold.”Credit…Andrew Catlin/Magnolia PicturesBy More

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    ‘76 Days’ Review: Fortitude on China’s Frontlines

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesWho Gets the Vaccine First?Vaccine TrackerFAQAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s Pick‘76 Days’ Review: Fortitude on China’s FrontlinesShot in four Wuhan hospitals during coronavirus lockdown, the film takes a grounded, humane perspective on doctors, nurses and patients.A scene from the documentary “76 Days,” shot at hospitals in Wuhan early in the coronavirus pandemic.Credit…MTV Documentary FilmsBy More

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    ‘Baby God’ Review: Sins of the Father

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusClassic Holiday MoviesHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main story‘Baby God’ Review: Sins of the FatherHannah Olson’s documentary looks at a Las Vegas doctor who used his own sperm to secretly impregnate multiple women.The retired detective Wendi Babst is one of the interview subjects in the documentary “Baby God.”Credit…HBOBy More

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    ‘Zappa’ Review: Portrait of a Rock Star and a Nation’s Hero

    This documentary directed by Alex Winter opens with a portrait of the ostensibly outrageous musician Frank Zappa in a moment of nobility. It is footage shot in Prague in 1991, two years before Zappa’s death from cancer at the age of 52.Zappa, whose work was one of the cultural inspirations for the future Czech Republic’s Velvet Revolution, became a latter-day national hero there. So on this occasion, which would be the last time he played guitar in public, the perfectionist musician consented to perform with an unrehearsed pickup band, to celebrate the withdrawal of Russian troops from the region. Of the new country his audience will bring into being, Zappa says, “Keep it unique.”[embedded content]“Zappa” foregrounds the laudable and often astonishing aspects of the man’s work and personality. A self-taught musician with a near-maniacal work ethic, over the years he came to regard his efforts in rock ’n’ roll as a day gig, necessary to support his more ambitious composing efforts. Despite his personal aloofness, he continues to inspire the musicians who worked with him; in interviews, the guitarist Steve Vai and the pianist and percussionist Ruth Underwood get very emotional when contemplating his loss.The movie doesn’t ignore the sexism of Zappa’s lyrics, or his occasional smugness in dealing with the press (among others). But it places these features in contexts that give them a certain coherence, while not entirely excusing them. Zappa mavens might be disappointed that some of the man’s bands get short shrift in the linear narrative (the amazing combo that toured behind “The Grand Wazoo” receives no play, for instance). But they’ll be heartened by those details that do get included, and by the sincere tribute paid. And non-Zappa people may be illuminated and eventually moved.ZappaNot rated. Running time: 2 hours 9 minutes. In theaters and available to rent or buy on iTunes, Google Play and other streaming platforms and pay TV operators. Please consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters. More

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    ‘My Psychedelic Love Story’ Review: On the Run With Timothy Leary

    To induce dread in a paranoiac, one need only invoke two acronyms: C.I.A. and LSD Along with a third and a fourth — U.F.O. and J.F.K. — these were key ingredients in the alphabet soup of conspiracy theory for more than half a century.But. You don’t have to be a paranoiac, because sometimes dread-inducing combinations and schemes do yield horrific results. The 2017 Errol Morris-directed mini-series, “Wormwood,” to which “My Psychedelic Love Story” is a sequel of sorts, went into detail about the C.I.A. and LSD. It showed that the cloak-and-dagger organization and the hallucinogenic drug met up earlier than most might have guessed.The agency’s early experimentation with acid culminated in 1952 with the tragic, infuriating death of the C.I.A.-employed scientist Frank Olson, officially deemed a suicide. “Wormwood” mixed Morris’s astute documentary style — a blend of acute interviews, archival footage and graphics — with dramatic re-enactments to suggest that it might have been murder.[embedded content]The mini-series caught the attention of Joanna Harcourt-Smith, who in the early ’70s was the consort and psychic soul mate of Timothy Leary, the Harvard psychology professor turned LSD Johnny Appleseed. Harcourt-Smith was in Afghanistan with Leary, who had escaped from prison in the United States, when he was returned to U.S. custody.At a subsequent rally for Leary, the poet and activist Allen Ginsberg, in a piece called “44 Questions About Timothy Leary,” asked, with not a little anger, whether Harcourt-Smith was a “C.I.A. sex provocateur” who entrapped Leary.Harcourt-Smith’s question for Morris is: “Was I?”“My Psychedelic Love Story” also draws on her 2013 memoir “Tripping the Bardo With Timothy Leary: My Psychedelic Love Story.” The narrative Morris and Harcourt-Smith recount is rollicking, globe-trotting and packed with characters, including the shady Hungarian banker Arpad Plesch — who managed to make himself Harcourt-Smith’s step-grandfather and stepfather — and the Rolling Stones guitarist Keith Richards. Implausible but nevertheless actual names such as Donald Strange are dropped. If you ever wondered, “How does Thomas Pynchon come up with that stuff?” this movie will assure you that the world just hands a lot of it to him.Throughout the movie, Harcourt-Smith, a handsome woman sitting comfortably on an aqua love seat in an airy, earth-toned living room, recounts tales of free love interspersed with recollections of childhood sexual abuse. She likens herself to Mata Hari (and Morris frequently intercuts Greta Garbo, in a 1931 film, vamping it up as the famous spy). She shares wisdom from her bohemian upbringing with observations such as “You can never tell how rich rich people are.”Morris asks her point blank, “When did you first realize you could control men?” and she takes the question at face value. But her story reveals that idea of control, as Morris frames it, is a false one.It is true, though, that for a long period Leary was in thrall to Harcourt-Smith, and that Harcourt-Smith worshiped him. This heady, fascinating movie never definitively establishes that she was manipulated to get Leary back into the United States, where he eventually became an informant.And as is the case so many times in life, the relationship between Leary and Harcourt-Smith ended, after all the convolutions and mystifications, not with a bang or even a whimper, but a simple betrayal. One night, while living in witness protection in Santa Fe, N.M. (“I wasn’t used to camping,” Harcourt-Smith says of their raw living quarters; “I was a Parisian!”) the couple had a loud argument. The next morning Leary was gone from the house, and from her life forever.My Psychedelic Love StoryNot rated. Running time: 1 hour 41 minutes. Watch on Showtime platforms beginning Nov. 29. More

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    ‘Overseas’ Review: Human Capital

    In 2018, the Philippine president Rodrigo Duterte honoredoverseas Filipino workers — the women deployed to Dubai, Singapore and other countries as domestic help — as heroes for their hefty contribution to the country’s economy. But in “Overseas,” an observational documentary set in a Philippine training center for such workers, the pupils question this designation. “How can you be a hero when you just work abroad for your own family’s future?” one asks.The exaltation of desperate survival as a moral virtue emerges as the central irony of Sung-a Yoon’s wrenching film. The training center serves as a kind of microcosm. With its pastel-colored walls and labeled rooms (“bathroom,” “kitchen area”), it’s the setting not just for cleaning and caregiving lessons but also role-play exercises that prepare the women for the abuses often meted out by their employers. The trainees commit to these harrowing scenarios with a disorienting sense of play — wearing, for instance, a corny, painted-on mustache while playing the assailant in a sexual assault simulation.[embedded content]With a fly-on-the-wall approach, the movie allows the center’s cruel contradictions to accumulate with a slow burn. If the classes offer the women a cathartic space to acknowledge the indignities of their situation, the instructors are also quick to frame those horrors as obstacles their pupils must “learn” to overcome.Occasional staged soliloquies jar with the film’s delicate vérité approach, but Yoon’s eye for composition remains precise throughout. One image has haunted me for days: The face of Jing, a young woman dreading her impending separation from her family, numbly receiving the results of her psychological evaluation: “Your obedience score is high, which is good if you work abroad.”OverseasNot rated. In Tagalog, Ilonggo and English, with subtitles. Running time: 1 hour 30 minutes. Watch on Mubi. More