Dune: Part Two (Movie)

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      ‘Dune: Part Two’ Review: Bigger, Wormier and Way Far Out

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      Timothée Chalamet and Zendaya make an appealing pair in Denis Villeneuve’s follow-up film, and the actors fit together with tangible ease.Having gone big in “Dune,” his 2021 adaptation of Frank Herbert’s futuristic opus, the director Denis Villeneuve has gone bigger and more far out in the follow up. Set in the aftermath of the first movie, the sequel resumes the story boldly and quickly, delivering visions both phantasmagoric and familiar. Like Timothée Chalamet’s dashingly coifed hero — who steers monstrous sandworms over the desert like a charioteer — Villeneuve has tamed a Leviathan. The art of cinematic spectacle is alive and rocking in “Dune: Part Two,” and it’s a blast.The new movie is a surprisingly nimble moonshot, even with all its gloom and doom and brutality. Big-screen enterprises, particularly those adapted from books with a huge, fiercely loyal readership, often have a ponderousness built in to every image. In some, you can feel the enormous effort it takes as filmmakers try to turn reams of pages into moving images that have commensurate life, artistry and pop on the screen. Adaptations can be especially deadly when moviemakers are too precious with the source material; they’re torpedoed by fealty.“Dune” made it clear that Villeneuve isn’t that kind of textualist. As he did in the original, he has again taken plentiful liberties with Herbert’s behemoth (one hardcover edition runs 528 pages) to make “Part Two,” which he wrote with the returning Jon Spaihts. Characters, subplots and volumes of dialogue (interior and otherwise) have again been reduced or excised altogether. (I was sorry that the great character actor Stephen McKinley Henderson, who played an eerie adviser in the first movie, didn’t make the cut here.) The story — its trajectory, protagonist and concerns — remains recognizable yet also different.“Dune” turns on Paul Atreides (Chalamet), an aristocrat who becomes a guerrilla and crusader, and whose destiny weighs as heavily on him as any crown. In adapting “Dune,” Villeneuve effectively cleaved Herbert’s novel in half. (Herbert wrote six “Dune” books, a series that has morphed into a multimedia franchise since his death in 1986.) The first part makes introductions and sketches in Paul’s back story as the beloved only son of a duke, Leto (Oscar Isaac), and his concubine, Lady Jessica (Rebecca Ferguson). When it opens, the royals, on orders from the universe’s emperor, are preparing to vacate their home planet, a watery world called Caladan, to the parched planet of Arrakis, a.k.a. Dune.The move to Arrakis goes catastrophically wrong; Paul’s father and most members of House Atreides are murdered by their enemies, most notably the pallid, villainous House Harkonnen. Paul and the Lady Jessica escape into the desert where — after much side-eyeing and muttering along with one of those climactic mano-a-mano duels that turn fictional boys into men — they find uneasy allies in a group of Fremen, the planet’s Indigenous population. A tribal people who have adapted to Dune’s harsh conditions with clever survival tactics, like form-fitting suits that conserve bodily moisture, the Fremen are scattered across the planet under the emperor’s rule. Some fight to be free; many pray for a messiah.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Dune: Part Two’: Here’s Everything You Need to Know

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      Before you see the second film in Denis Villeneuve’s adaptation of the sci-fi epic, try this refresher on spice, the Imperium and the Kwisatz Haderach.Since the weird, wild universe of “Dune” emerged from the pages of Frank Herbert’s novel in 1965, filmmakers have yearned to bring it to the screen. In the 1970s, Alejandro Jodorowsky was thwarted in his attempt to turn his elaborate vision into cinematic reality. In 1984, David Lynch was forced to cram volumes of lore into two hours, and the result was an ugly-beautiful disaster. In the latest foray, Denis Villeneuve has created an engrossing, believable world, smartly dividing the first book in the series into two parts. “Dune: Part One” was a critical and box office hit when it was released in 2021, and now “Part Two,” which opens in theaters nationwide on Friday, is poised to pick up where the last film left off. Here’s a primer to bring you up to speed.Where are we?In the film, Paul Atreides becomes a member of the Fremen, a native people of the planet Arrakis living mostly in its hidden corners. Niko Tavernise/Warner Bros.“Dune” is set about 20,000 years in the future, and much of the series takes place on the desert planet of Arrakis. Part of the galactic empire of the Imperium, which is ruled by the Padishah Emperor Shaddam, Arrakis is vital because it offers a necessary resource — spice — that exists nowhere else. In “Part One,” the emperor transferred control of Arrakis from the brutes of House Harkonnen to their longtime foes, House Atreides. But the gift was a trap, something Duke Leto Atreides suspected but hoped to turn to his advantage by establishing an alliance with the Fremen, a native people of Arrakis who live mostly in its hidden corners. Before Leto’s plans could bear fruit, the emperor secretly sent his elite force to aid Baron Vladimir Harkonnen (Stellan Skarsgard) in regaining control of the planet and in destroying Leto’s troops and family. (In the process, Leto died.)Why is spice so important?“Part Two” opens with the words “Power over spice is power over all.” After a religious revolt against robots millenniums before the start of the series, the use of intelligent machines was banned. People have since relied on preternatural abilities that are developed through training and the use of psychotropic drugs such as spice, which can expand consciousness and extend life. The resource is particularly crucial to the navigators, who enable interstellar travel.What’s the deal with Paul Atreides?Paul Atreides battling Feyd-Rautha Harkonnen (Austin Butler) to determine who will control the spice — and the universe.Niko Tavernise/Warner Bros.Paul Atreides (Timothée Chalamet) is the son of Leto and his concubine, Lady Jessica (Rebecca Ferguson), who is a member of the Bene Gesserit, a mystical sisterhood that surreptitiously manipulates the levers of power. It has been seeding self-serving myths and conducting a breeding program for generations. The relationship between Leto and Jessica had been arranged in hopes that she would give birth to a daughter who could then conceive the Kwisatz Haderach — a male Bene Gesserit with “a mind powerful enough to bridge all space and time.” Instead, Jessica bore Leto the son he desired. (A Bene Gesserit can control everything that goes on in her body.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Interview: Timothée Chalamet and Denis Villeneuve on the ‘Dune’ Films

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      The director Denis Villeneuve and the actor Timothée Chalamet bound into the room talking at, and over, each other in rapid French. Villeneuve is from Quebec; Chalamet was born in New York City but has dual American and French citizenship. Together, they’re a dynamic tag team dressed near-identically in head-to-toe black, although Chalamet’s shiny leather layers have more swagger. The topic of the day is galactic genocide and dubious messiahs, central themes in “Dune: Part Two,” the second installment of their cerebral space epic based on the 1965 novel by Frank Herbert. Yet, the pair are prone to giggle fits.“We didn’t see each other since a while, so it’s like a holiday,” Villeneuve, 56, said apologetically, switching to English. When coffee arrives at the room at the Four Seasons hotel in Los Angeles, the two clink mugs. “That’s our spice,” he chuckled, referring to the psychedelic substance found only on the movie’s planet Arrakis.In “Dune,” spice is the most valuable resource in the universe. Herbert conceived of it as a glittering dust with the power to expand minds, fuel interstellar travel and incite bloody battles over its distribution. Combine the brain-melting effects of peyote, the geopolitical strife over oil and the violence of Prohibition-era bootlegging. Multiply that by the number of stars in the sky and you get the idea.The previous “Dune,” released in 2021, won six Academy Awards. It climaxed with Chalamet’s sheltered scion, Paul Atreides, abducted from his family’s spice-mining compound and left to die in the scorching Arrakis desert, patrolled by fanged sandworms the size of the Empire State Building. To survive “Part Two,” Paul’s mother, Jessica (Rebecca Ferguson), encourages the Fremen, a tribe of desert-dwellers, to believe that her son is their long-awaited savior. The danger is that Paul might be swayed to believe it, too, even as the hallucinogenic spice peppers him with visions of a jihad waged in his name.Heavy stuff. Not that it’s weighing down their mood. As Chalamet, 28, grinned, he said, “The great irony of working with a master like Denis is it’s not some pompous experience.” The two spoke further about the next potential sequel, the impossible quest for onscreen perfection and those infamous “Dune” popcorn buckets. Here are edited excerpts from our conversation.Scenes may look simple, the director said, but he took pains “to make sure that we have the right rock at the right color at the right time of the day.”Warner Bros.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More