More stories

  • in

    Mahogany L. Browne’s Love Letter to Hip-Hop

    It was a clear black night, a clear white moon. Warren G, “Regulate” (1994)Originally appearing on the soundtrack of the Tupac Shakur film “Above the Rim,” this song is built around a sample of Michael McDonald’s “I Keep Forgettin’ (Every Time You’re Near).” I’m looking like a star when you see me make a wish. […] More

  • in

    50 Rappers, 50 Stories: Hear the Remix

    Ten bonus songs from our hip-hop anniversary project.Azealia Banks in 2012, the year her “212” became a breakout.Erin Baiano for The New York TimesDear listeners,Last week, the Times published a sprawling interactive package called 50 Rappers, 50 Stories, celebrating the upcoming 50th anniversary of hip-hop.* The day it ran, I set aside about 10 minutes to start browsing during lunch; the next thing I knew, more than an hour and a half had passed. It’s one of those kinds of projects.My colleagues spoke with — you guessed it — 50 different rappers about their careers and relationships with hip-hop, and the result is a mosaic of varied voices and narratives that run parallel and intersect in unexpected ways (like the Cash Money poet Lil Wayne and the New York provocateur Azealia Banks both identifying as theater kids). LL Cool J talks about meeting Paul Simon for the first time (“I’m gonna be honest with you, I didn’t even know who Paul Simon was, bro”); 50 Cent takes style inspiration from Juvenile (“Get me some baby oil!”); Cardi B cites the precise moment she traded in Barney the Dinosaur for Missy Elliott. Trust me, it’s all a delight.My fellow pop music critic Jon Caramanica and culture reporter Joe Coscarelli helmed the editorial end of this ambitious project and did many of the interviews themselves. They also created a comprehensive, roughly chronological 50-track playlist featuring all the artists they chatted with, and I can’t recommend that enough.But I thought it would be fun to have them put together a separate one for The Amplifier, featuring some deep cuts and personal favorites. The result is a playlist encompassing a variety of eras and regions, featuring plenty of marquee names (Cam’ron, Outkast) alongside entries from some of the more outré corners of hip-hop (Lil B, Trippie Redd). Consider this the remix.In his introductory essay for the project, Caramanica writes that hip-hop “is far too vast to be contained under one tent, or limited to one narrative. The genre is gargantuan, nonlinear and unruly.”“So,” he continues, “when trying to catalog hip-hop in full, it’s only reasonable to lean into the cacophony.” Which is how I’d instruct you to listen to this playlist.Listen along on Spotify as you read.1. Goodie Mob featuring Outkast: “Black Ice (Sky High)” (1998)Later alluded to in Kanye West’s “Touch the Sky,” this moody single about life’s hidden slippery spots from the second Goodie Mob album, “Still Standing,” is a showcase for Big Gipp’s hook writing and worn wisdom, with two acrobatic verses from his Dungeon Family kin — Big Boi and Andre 3000 of Outkast — that previewed the assured flamboyance of their third album, “Aquemini.” (Listen on YouTube) JOE COSCARELLI2. E-40: “Practice Lookin’ Hard” (1993)E-40 has been twisting words for well over three decades, with a dizzying approach to rhyme construction that plays with pitch and pace as much as language. This is a fairly linear storytelling rap, but his approach is frisky and surprising, with lyrics that creep up on you quickly or move at a deliberately slow pace. Also, this is likely the only hip-hop song in history to mention the card game whist. (Listen on YouTube) JON CARAMANICA3. dead prez: “Tallahassee Days” (2003)Recalling the fading of his adolescence in dead-end Florida, stic of the revolutionary-minded duo dead prez paints his artistic and outlaw provenance as one and the same — “kill or be killed” desperation, because “a job is a joke” — on this quick track from “Turn Off the Radio: The Mixtape, Vol. 2: Get Free or Die Tryin’.” “Whoever said life is beautiful lied,” he raps. (Listen on YouTube) COSCARELLI4. Cam’ron featuring UGK, Juelz Santana, Ludacris and Trina: “What Means the World to You (Remix)” (2000)This remix of a classic Cam’ron song has it all: one of the jauntiest beats in hip-hop history, Cam’ron’s dazzling interior rhyme schemes and naughty appearances from two other rappers in this package, Bun B and Trina. (Listen on YouTube) CARAMANICA5. Lil B and Soulja Boy Tell ’Em: “Cooking Dance” (2010)Pairing two early YouTube savants at the height of their anything-goes, post-CD but pre-streaming powers, this 2010 track from the “Pretty Boy Millionaires” mixtape immortalized the Based God’s signature kitchen movements via his free-associative Dada flow, in which Lil B is both “feeling like Fabio” and ad-libbing at will: “Cook! Steak! Chef! Pots! Chef! Pots! Chef! Cook!” (Listen on YouTube) COSCARELLI6. Paul Wall & Chamillionaire: “N Luv Wit My Money” (2002)One of the standout tracks from “Get Ya Mind Correct,” the 2002 collaborative album between the Houston rappers Paul Wall and Chamillionaire, “N Luv Wit My Money” is a lightly comic, utterly serious ode to flashy wealth. Wall was still rapping aggressively here, before he fully found his slow flow: “I love my car like it was my girlfriend: I like to caress the grain/Fondled the wheel and I got aroused/I swung in the ditch and I wrecked the frame.” (Listen on YouTube) CARAMANICA7. Azealia Banks: “Anna Wintour” (2018)As Banks told me, she is often derided for failing to deliver on her early hip-hop promise by pivoting to house music, “‘a.k.a white people music.’ I’m like, honey, no. House music is Black music. Everything I do is in the spirit of hip-hop.” On this 2018 one-off single, a vogue track named for the Vogue editor, Banks threads the two sounds seamlessly. (Listen on YouTube) COSCARELLI8. Trippie Redd featuring 6ix9ine: “Poles1469” (2017)Trippie Redd and 6ix9ine have been at odds for years now, but here’s an early collaboration from simpler times full of the elegiac melodies that have made Trippie Redd the stalwart veteran of the SoundCloud rap movement. This is a sweet, dreamy song about the stuff of nightmares, playful in a way that suggests no consequences lurk around the corner. (Listen on YouTube) CARAMANICA9. Roc Marciano: “Wheat 40’s” (2020)A cascade of sly punchlines, wordplay and unlikely juxtaposition (“I need therapy and a speedboat”), this song from the 2020 album “Mt. Marci” demonstrates Marciano’s economy of language and easy evocation, all while maintaining his character’s Mafioso frigidity: “Ma, I’m just a hooligan/I make this kind of rap cool again/She say I’m way cooler than Max Julian/You ain’t gotta ask who he is, we the loopiest/My character in the movie script is truly at the nucleus.” (Listen on YouTube) COSCARELLI10. Ice Spice: “No Clarity” (2021)It’s been less than two years since the Bronx rapper Ice Spice released this lite-drill revision of Zedd’s EDM anthem “Clarity.” All the elements for success were already there — the patient rapping, the raw emotional content, the as-if kiss-offs. Here, a tragedy in three acts: “You woulda thought that I missed you/But you was a thot, it’s a issue/Your bro was the one that I went to.” (Listen on YouTube) CARAMANICAWhat the world means to me,Lindsay*As Caramanica notes in his essay, “As for the 50th anniversary, well, it is a framing of convenience. The date refers to Aug. 11, 1973, when DJ Kool Herc — in the rec room of the apartment building at 1520 Sedgwick Ave. in the Bronx — reportedly first mixed two copies of the same album into one seamless breakbeat. That is, of course, one way to think about hip-hop’s big-bang moment, but by no means the only one.”The Amplifier PlaylistListen on Spotify. We update this playlist with each new newsletter.“50 Rappers, 50 Stories (Remix)” track listTrack 1: Goodie Mob featuring Outkast, “Black Ice (Sky High)”Track 2: E-40, “Practice Lookin’ Hard”Track 3: dead prez, “Tallahassee Days”Track 4: Cam’ron featuring UGK, Juelz Santana, Ludacris and Trina, “What Means the World to You (Remix)”Track 5: Lil B and Soulja Boy Tell ’Em, “Cooking Dance”Track 6: Paul Wall & Chamillionaire, “N Luv Wit My Money”Track 7: Azealia Banks, “Anna Wintour”Track 8: Trippie Redd featuring 6ix9ine, “Poles1469”Track 9: Roc Marciano, “Wheat 40’s”Track 10: Ice Spice, “No Clarity”Bonus TracksSinead O’Connor forever. “O’Connor was never quiet about her pain,” Amanda Petrusich writes, bracingly, for The New Yorker, “even when it would have been easier to swallow or evade it — in fact, being unapologetic about the crippling weight of certain sorrows was the defining characteristic of her work.”In the aftermath of O’Connor’s death, a number of beautiful tributes have been published considering many different angles of her prismatic legacy. Our own Jon Caramanica wrote about her most infamous and misunderstood act of protest (she “was daring the cameras, and the viewers, to look away; no one did”), while Una Mullally explored O’Connor’s relationship to Ireland and Vanessa Friedman considered the resonant rebellion of O’Connor’s shaved head.If a playlist is what you’re looking for, Jon Pareles has you covered with his reflection on 10 of O’Connor’s most powerful songs. More

  • in

    E-40, Ice Cube, Snoop Dogg and Too Short Form New Rap Group

    Snoop Dogg, Ice Cube, E-40 and Too Short — the old school titans in this new supergroup — made their live debut at an event featuring pop stars and TikTok influencers.ATLANTA — Many people have reconnected with old friends and undertaken new projects during the pandemic. On a Friday night in April, in a large, brightly lit room deep in the bowels of Mercedes-Benz stadium in downtown Atlanta, four of them gathered to introduce their new venture to the world.The voluble E-40, who has released more than 25 albums of distinctive, loquacious street rap, gingerly removed his face mask and offered Tycoon cognac, a product of his own spirits company, to the 20 or so others present, including his old friends Ice Cube, Snoop Dogg and Too Short.“You got a cup?” Ice Cube asked, shooting a withering glance at E-40. “What, you gonna pour it in my hand?” Cube is a bullish figure whose blunt, confrontational bearing has made him an intimidating presence as an M.C., a comic one in films like “Friday” and “21 Jump Street” and the object of occasional good-natured mockery among this cohort.Clear plastic cups were located. E-40 poured the liquor, then dipped his nose into his cup before tossing back a shot.Snoop cackled from behind a black face mask he’d yet to remove. “You made the drink and you’re sniffing it like you’ve got to check it?” he said. “It’s your drink!”E-40 shook his head. “You’re supposed to. It’s the same with wine. Cognac is a grape.” He began to expound on his beverage’s fragrant qualities before Cube cut him off.“Save the commercial until after the photo shoot.”The four rap veterans bantered and bickered — about baby powder, about Ric Flair, about the correct amount of time to microwave shrimp fried rice — the way you’d expect from guys who’ve known each other for 30 years. Despite their long, often intertwined histories, it took a global crisis to clear enough time in their schedules to form the supergroup that Cube christened Mount Westmore, a nod to the members’ stature in rap and their West Coast roots.Clockwise from top left: Snoop Dogg, Ice Cube, Too Short and E-40, a few decades ago. “We can hang with the youngsters or take you back down memory lane,” Ice Cube said.Top l-r: Brian Rasic/Getty Images; Al Pereira/Getty Images, via, Michael Ochs Archives Bottom l-r: Tim Mosenfelder/Getty Images; Toby Canham/Getty ImagesThe four were at the stadium to do their first interview and photo shoot together, followed by a rehearsal and taping of Mount Westmore’s first performance, which was broadcast the next night as part of a pay-per-view package featuring pop stars and TikTok influencers, headlined by a live boxing match between the YouTuber Jake Paul and the retired MMA fighter Ben Askren. (Snoop is an investor in Triller, the social media platform that promoted the event, and a partner in its Fight Club series.)The collaboration initially took root early in the pandemic at E-40’s initiative. By last summer, the four were recording vocals in their home studios and dropping them into a group chat. Although rapping separately deprived them of some creative friction, it allowed everyone to work on their own schedule.“I can’t rap in the daytime,” Snoop said.“And I can’t rap late at night,” Too Short replied.Nonetheless, competition was fierce. “We come from that school of being around dope people that push us,” Snoop explained.Ice Cube nodded. “Working with Dre back in the day, if your verse wasn’t tight, you weren’t getting on the song.”Deep friendships fostered frank dialogue. “One of the earliest conversations was, ‘If something you do is wack, I’m going to tell you,’” said Too Short, who got his start selling tapes of his gleefully lascivious rhymes from the trunk of his car around the Bay Area in the mid-1980s.“What did you say?” Snoop asked, nodding toward Cube then lowering his voice an octave in a spot-on imitation of his friend’s trademark snarl. “‘I ain’t getting on that love song!’” The quartet recorded 50-plus songs, which they plan to spread across multiple releases, with the first planned for later this year.At the photo shoot, Cube suggested playing tracks from the upcoming album. A member of the group’s road crew fiddled with Snoop’s branded Bumpboxx, a digital boombox wrapped with the cover artwork from his classic 1992 debut, “Doggystyle,” but music was not immediately forthcoming. Snoop, tall and lean with long, dark hair that’s graying near his temples, walked over to investigate.“Turn the power off, then back on,” yelled Too Short. “That always fixes that.”E-40 sighed loudly. “Man, am I going to have to do this? It doesn’t take a rocket scientist to figure this out.”Finally, the Bumpboxx sparked to life, playing Freddie Jackson’s 1986 R&B slow jam “I Don’t Want to Lose Your Love.”“Well, that’s music,” said Cube. “It ain’t the right music, but it’s music.”Attention turned back to the camera. Too Short, who was wearing a colorful Versace T-shirt and dark jeans over his compact frame, had a suggestion. “Let’s make it look like some old New Edition pictures,” he said. “Or like the Temptations, how they line up the four dudes.”Cube balked at profile shots. “I don’t want to show the Volkswagen,” he said, putting his hands on his belly.E-40 turned sideways and twisted his third and fourth fingers to form a “W” with his left hand. “That hurts my fingers though,” he said. “I had surgery on those fingers.”Mount Westmore performing “Big Subwoofer” as part of a pay-per-view  event presented in Atlanta that included a live boxing match.Jeff Kravitz/Getty Images for TrillerAging can be a humbling process, but it’s especially fraught in hip-hop. The inevitable march of time has generally been treated as an unforgivable weakness in a culture that often celebrates a particular masculine idea of strength. As a then-26-year-old Compton rapper the Game once put it in a presumed shot at Jay-Z: “You 38 and you still rapping? Ugh.” (The Game is now 41 and reportedly preparing to release a new album this year.) The mid-to-late-30s has long been viewed as retirement age for rappers despite the fact so many qualities required of the job — sharp mind, quick tongue, storytelling acumen, life wisdom — are as likely to be growing as diminishing in middle age.So where does that leave Mount Westmore? At 49, Snoop is, in his words, “the baby of the bunch.” Ice Cube is 51, E-40 is 53 and Too Short is 55.“People have their hangups about it,” said Cube, “but if people love what’s coming out of the speakers, they’ll tolerate some gray hairs.”Snoop noted that the Rolling Stones are in their late 70s, and that Mick Jagger and Keith Richards don’t always seem to get along. “You’ve got that being praised and we’re being questioned,” he said. “We should be praised because we’re in our right mind, we love each other, we’re family men, we’re business men, and we’re Black men. If you look at the Cubes, the Will Smiths, the Jay-Zs, the Puffys, the Snoops, the Dr. Dres, the E-40s, whoever — they all flipped from rap to other businesses to show that if you close that door, we’ve got seven or eight other doors we’ve opened up.”Accordingly, music is only a part of the Mount Westmore plan. There’s talk of brand partnerships with Monster energy drink and the Cash app, a documentary, a scripted movie, podcasts and NFTs. As such, introducing the project during a social media-focused, music-heavy event spotlighting a former star of “Bizaardvark” boxing against a guy who’d never boxed before has a certain kind of insane logic to it.At 1 a.m., the four rappers were onstage, sitting side-by-side on large black thrones a few feet from a boxing ring on the stadium’s main floor. About 75 people gathered around, some working, many others just perched on a catwalk between the ring and a large camera crane, watching. The floor rumbled a little underfoot as the bass from the group’s song “Big Subwoofer” boomed from the sound system.The track, which they plan to release as an NFT, is a bouncy, trunk-rattling party anthem that feels like a not-too-distant-cousin of Snoop’s “Drop It Like It’s Hot,” as well as a pretty precise sum of its parts. The foursome rehearsed the song three times, trading playful verses over the spare, thumping beat, growing more confident and animated with each run through. Then, after Cube gave the group some final instructions — “Shut up and sit down. Let’s do this.” — they performed the song twice more as the cameras rolled. Job done.“We have all kinds of different songs,” said Cube. “We’ve got a mixture of what you always love from us as individuals but also records that show our range. We can hang with the youngsters or take you back down memory lane.”As Too Short had explained while the four friends huddled together after the photo shoot, “The hip-hop spirit doesn’t really age. It’s like a little kid thing you’ve got that’s your spark of life.”“What do we call ourselves?” E-40 asked him.“Old-ass youngsters,” Too Short replied. “That’s what it is.” More

  • in

    Too Short and E-40 Pitted Against Each Other for Next Verzuz Battle

    Instagram

    The two rappers who teamed up on a 2012 album are going to reunite for an upcoming rap-off in the next episode of Swizz Beatz and Timbaland’s online series.

    Dec 15, 2020
    AceShowbiz – Too Short and E-40 will be the next rappers to face off on Swizz Beatz and Timbaland’s Verzuz Instagram battle.
    The stars, who teamed up for 2012 album “History”, will pit their back catalogues against each other on 19 December (20).
    “Me & @e40 are READY to tell all the youngstas how we put The Bay on the map & influenced the world,” Too $hort promised on his own Instagram page.
    “We gon’ end this year on a good note, loved ones,” E-40 added. “It’s a celebration, ya feel me.”
    Viewers can tune in to see the rappers go head-to-head at 8pm ET on Instagram or Apple Music.

      See also…

    The news comes a day after Ashanti was forced to postpone her VERZUZ battle with Keyshia Cole after testing positive for COVID-19.
    As she’s quarantining at home, Ashanti seemed to suggest that her infection was asymptomatic. “Hey y’all I can’t believe I’m saying this but I tested positive for COVID-19,” she told fans. “I’m ok and not in any pain.”
    She added, “We all go through lessons in life… and hopefully this serves as a lesson that this pandemic is very real. Thank you guys so much for all of your love and prayers… Thank you to everyone supporting the verzuz… much love to @keyshiacole…”
    The battle has now been rescheduled for 9 January (21).
    Meanwhile, past battles included Gucci Mane vs. Young Jeezy, Snoop Dogg vs. DMX, Gladys Knight vs. Patti LaBelle, and Alicia Keys vs. John Legend.

    You can share this post!

    Next article
    Ann Marie on House Arrest While Awaiting Trial for Shooting Incident

    Related Posts More