Beyoncé and Kendrick Lamar Lead 2023 Grammy Nominations
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in MusicSubscribe to Popcast!Apple Podcasts | Spotify | StitcherAdele’s fourth album, “30,” just had the year’s biggest debut week, an unsurprising reflection of the power still wielded by the British pop-soul torch singer, who remains the kind of big-tent, multiple-audience pop star that, in the era of algorithmic sorting, is perhaps no longer achievable.Adele has maintained that position by making music that often felt removed from prevailing trends. But “30” marks some changes, albeit mild ones — production on some songs feels in conversation with contemporary R&B, and her personal life (her recent divorce and journey into motherhood) intersects with her songwriting, which has in the past scanned as more abstract and depersonalized.On this week’s Popcast, a conversation about Adele’s return, her light gestures to innovation, the intrusion of tabloid reality into her timeless sound, and the productive intersection of a texturally rich voice and a texturally rich life. Also, a few words about the life and work of Virgil Abloh.Guests:Jon Pareles, The New York Times’s chief pop music criticJillian Mapes, features editor at PitchforkConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More
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in MusicThe British powerhouse’s new album will arrive in a vastly changed music business. But she’s proven to be the exception to almost every rule throughout her 13-year career.The last time Adele released new music, six years ago, it became the type of hit many in the music industry thought was no longer possible. Her third album, “25,” sold nearly 3.4 million copies in a single week in the United States, smashing records at a time when CD sales were cratering and streaming had not yet proved itself to be the business’s savior.Her newest release, “30,” which arrives on Friday, is all but assured to be another blockbuster, though just how big is anybody’s guess.Adele’s label, Columbia, is keeping mum about commercial projections. But the buzz in the business is that the album’s “equivalent sales” figure — a new metric that reconciles old-fashioned album purchases with song-by-song clicks on streaming services — will easily exceed one million in its first week out, and could go far higher.No album has done so since Taylor Swift’s “Reputation,” four years ago. In fact, since “25” came out in late 2015, only four other titles (three by Swift, plus Drake’s “Views”) have had more than half a million full-album sales in a single week. Yet reports in music trade publications — neither confirmed nor denied by Sony Music, Columbia’s corporate parent — suggest that up to 500,000 copies of “30” on vinyl alone may be ready to go.A wave of extremely high-profile promotion means that Adele’s audience has been fully primed. On Sunday, CBS aired “Adele One Night Only,” a prime-time concert special, interspersed with interview segments by Oprah Winfrey, which drew 10.3 million viewers — just shy of the total for this year’s Academy Awards. A few weeks ago, Vogue published simultaneous cover stories in its American and British editions.“Her core fan base is incredibly wide-ranging,” said Hannah Karp, the editorial director of Billboard magazine. “They still buy albums, still listen to terrestrial radio. That makes it easier to cut through the noise of the ever-growing amount of new music on streaming services.”Adele, a 33-year-old North Londoner who has settled in an exclusive enclave in Los Angeles — where she is sometimes spotted courtside at basketball games with her boyfriend, the sports agent Rich Paul — is that rarest of music unicorns: One who not only lands headline-grabbing hits, but does so after years of inactivity, even near silence, contradicting every unwritten rule of pop-star career management, which these days involves a steady stream of songs and near-constant social media activity.“She defies gravity,” said Tom Poleman, the chief programming officer of iHeartMedia, the country’s largest radio chain. “No other artist can release a new album after five, six years and have this kind of success.”Part of the appeal of Adele’s music may lie in its consistency. “Easy on Me,” her latest single, is textbook Adele, with just piano, bass and a faint bass-drum heartbeat supporting her vocal fireworks. Like “Hello” before it — and “Someone Like You” before that — it is a classic torch ballad largely removed from the trends of contemporary pop production, yet it easily landed in heavy rotation on pop radio alongside upbeat, electronic hits like the Kid Laroi’s “Stay” and Dua Lipa’s “Levitating.”Adele previewed her new album on Sunday with “Adele One Night Only,” a prime-time concert special interspersed with interview segments by Oprah Winfrey,Getty Images“Easy on Me” has held at No. 1 on Billboard’s Hot 100 singles chart for the last four weeks.On her CBS special, Adele sang outside the Griffith Observatory in Los Angeles, surrounded by a celebrity audience that included Lizzo, Leonardo DiCaprio and Drake, with postcard-perfect sunset views of the Hollywood Hills. Yet the special seemed to make her relatable even as it rendered her a musical deity.“She’s as real, as down-to-earth, as we all believe she is,” Winfrey said, introducing the performance.In her interview segments, Adele wore a striking white pantsuit and spoke with disarming candor about her divorce, her late father’s alcoholism and her experience losing more than 100 pounds through a vigorous training regimen. At points, her lines could scarcely have been written better by a magazine editor, as when she said that this is the first time she has “loved myself and been open to loving and being loved by someone else.”Those paradoxical qualities — supreme glamour, salt-of-the-earth approachability — are key to Adele’s connection to her fans, even after years out of the spotlight.“People see her as an old friend,” Karp said. “The way she banters with an audience between songs, in a very conversational way — that only increases her appeal, especially in this world of Instagram, where people are so careful with the image they project.”Since “25,” Adele has become a streaming star. Like Swift, she was a notable holdout when the format was newer, keeping her full LP off streaming services for months to help maximize sales. Since then, Swift — whose protest was more rooted in her discomfort with some services’ free tiers — has released six studio albums, gradually honing her approach to both streaming and sales (hello, merch bundles and vinyl pre-orders).Adele, on the other hand, is diving headfirst into a vastly changed music business. Streaming now accounts for about 84 percent of recorded music’s domestic sales revenue, and while vinyl and deluxe CD packages can help push a new album to No. 1, online clicks are usually vital to its success in the long run.So far, Adele seems to have a strong position. “Easy on Me” has been streamed 134 million times in the United States since its release a month ago, according to MRC Data, Billboard’s tracking arm.After “25,” Adele’s songs drew 700 million to 800 million streams in the United States each year, even with no new material, according to MRC. Chartmetric, a company that tracks streaming and social media data, found that the playlisting of Adele’s songs, while growing for years, shot up dramatically as anticipation for “30” grew this year. “Easy on Me” is on almost 300,000 Spotify playlists, reaching nearly 360 million followers there, according to Chartmetric.That success spreads to nearly every part of the music industry — brick-and-mortar retailers, streaming services and radio stations.“She’s the Christmas present you look forward to,” said Poleman, of iHeartMedia, “except Christmas only comes every five to six years.” More
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in MusicThe singer’s long-awaited comeback single is No. 1 on Billboard’s Hot 100 singles chart with 54 million streams and strong showings for downloads and radio play.After a six-year wait, new music by Adele was sure to be a hit. But how big of one, especially for a song like “Easy on Me” — a classic piano torch ballad that ignores virtually all contemporary pop standards — was unclear.Turns out it was a really big hit.The song reached No. 1 on Billboard’s Hot 100 singles chart, with 54 million streams, 74,000 track downloads and 19,000 radio spins in the United States during its first full week out, according to MRC Data, Billboard’s tracking arm. Released at midnight on Oct. 15, British time — it landed simultaneously on both sides of the Atlantic, so was available to American fans the previous evening — it broke Spotify’s record for the most streams on a single day, with 24 million clicks around the world.While Adele’s streaming numbers are big, they did not break records on the overall chart. When Drake’s single “Way 2 Sexy” came out last month, for example, it logged 67 million streams. But it had far fewer downloads than “Easy on Me,” and it was not nearly as popular on the radio; Billboard’s chart is a composite of all those measurements. (In a quirk that was a result of the unusual timing of the song’s release, it had opened on last week’s chart at No. 68, thanks to just a few hours of availability before the new period began last Friday. So officially, it climbed 67 spots to the top in its second week out.)Online, YouTube musicologists have been praising “Easy on Me” as a prime example of Adele’s vocal talent and old-fashioned songcraft, and the song’s almost total absence of percussion has led enterprising drummers to audition the beats they would add. (Good luck, guys!)As of Monday, the music video — which opens with Adele pushing a cassette tape into a car stereo and goes from wistful black-and-white to an all-the-drama color climax — has logged 112 million views on YouTube.“Easy on Me” is Adele’s fifth song to reach No. 1 on the Hot 100. Her next album, “30,” is due Nov. 19.On this week’s album charts, the Atlanta rapper Young Thug’s new release, “Punk,” opened at No. 1 with the equivalent of 90,000 sales in the United States, including 102 million streams and 12,000 copies sold as a complete package, according to MRC Data. “Punk,” which features appearances by J. Cole, Drake, Doja Cat, ASAP Rocky and others, marks Young Thug’s third time at No. 1, the last just six months ago, with the release of “Slime Language 2,” a compilation album from the rapper’s label, Young Stoner Life.Drake’s “Certified Lover Boy,” last week’s most popular album, falls to No. 2. A rerelease of “Faces,” a 2014 mixtape by the rapper Mac Miller, who died in 2018, is No. 3. Coldplay’s latest LP, “Music of the Spheres,” opens in fourth place, and “Let It Be,” the Beatles’ final studio album, originally released in 1970, is at No. 5 thanks to a deluxe reissue. More
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in MusicThe Houston rapper Don Toliver opens at No. 2, while the music industry turns its attention to the numbers for Adele’s comeback single.Drake returns to No. 1 on this week’s Billboard album chart, while the Houston rapper Don Toliver opens at No. 2 and the music industry keeps a close eye on the numbers for a song that will impact next week’s chart: Adele’s comeback single.Drake’s “Certified Lover Boy,” which arrived at No. 1 last month with blockbuster streaming numbers after nearly a year of teases and false starts, notched its fourth week at the top. In its sixth week out, “Certified” had the equivalent of 94,000 sales in the United States, according to MRC Data, Billboard’s tracking arm. Virtually all of that number is attributed to streaming, with nearly 126 million clicks online.After six weeks out, Drake’s album has racked up nearly 1.4 million equivalent sales, including 1.7 billion streams — a huge showing, but cooler than the release of the rapper’s last studio album, “Scorpion,” in 2018, which in its first six weeks had 1.8 million sales and 1.9 billion streams.Toliver, a protégé of Travis Scott, opened in second place with “Life of a Don,” his second studio album. It had the equivalent of 68,000 sales, including 64 million streams.YoungBoy Never Broke Again’s “Sincerely, Kentrell” is in third place, Meek Mill’s “Expensive Pain” is No. 4 and Olivia Rodrigo’s “Sour” is No. 5. Last week’s No. 1, Taylor Swift’s “Fearless (Taylor’s Version),” fell to No. 35.Attention is now shifting to the data rolling in for next week’s singles chart, with Adele’s song “Easy on Me” expected to arrive with huge numbers. Released late last week — in an unusual move, Adele tied its worldwide arrival to midnight British time, making it available in the United States on Thursday — it quickly attracted big streaming numbers. Spotify announced that the song had broken its record for the most-streamed track in a single day, and Amazon Music said it had gotten “the most first-day Alexa song requests” in that service’s history.On Monday, CBS announced “Adele One Night Only,” a two-hour special featuring a concert performance and an interview with Oprah Winfrey, coming on Nov. 14, five days before the release of “30,” Adele’s first album in six years. More
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