Eilish, Billie

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      Billie Eilish and Taylor Swift Race for No. 1

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      The two pop music titans, locked in a close contest for the top of next week’s album chart, are stoking fans’ competitive spirit with a variety of digital tactics.A cold war between pop music titans — or at least their mobilizing fan bases and record labels — turned into a digital arms race this week as both Taylor Swift and Billie Eilish gunned for the No. 1 spot on next week’s Billboard album chart.Swift, 34, has occupied the top of the Billboard 200 for the past four weeks with her blockbuster new album, “The Tortured Poets Department,” which has earned more than 3.6 million equivalent album sales so far (counting physical purchases, downloads and streams). But Eilish’s well-reviewed new album, “Hit Me Hard and Soft,” is challenging for No. 1 in its debut, as its 10 songs prove popular on streaming services like Spotify.If only it were that simple.Already, some impassioned followers of the two artists had been stoking a rivalry, dating back to comments Eilish made in March about “some of the biggest artists in the world” selling many vinyl versions of the same album, “which ups the sales and ups the numbers and gets them more money.”The tactic, which Eilish called “wasteful” and damaging to the environment, has been widespread but used especially broadly — and effectively — by Swift. (Even before those comments, Eilish’s brother and main collaborator, Finneas, had once been heard on a hot mic joking about being “sued by Taylor Swift” after performing with an artist who had criticized her work.)Eilish, 22, said later that she had not meant to single out any artist with her vinyl comments and added that she had participated in the practice, too. (Both artists’ work remains available in a variety of physical formats, though Eilish has stressed sustainability.)Still, when Swift pre-empted the release of Eilish’s album last week with three special digital editions of “Tortured Poets,” available for 24 hours and including previously unheard “first-draft phone memo” demos, many saw the move as pointed. Especially online, where pop fan allegiance can be a blood sport, the matchup became one to watch.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Popcast (Deluxe): Billie Eilish Is Done Hiding

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      Subscribe to Popcast!Apple Podcasts | Spotify | Amazon Music | YouTubeThis week’s episode of Popcast (Deluxe), the weekly culture roundup show on YouTube hosted by Jon Caramanica and Joe Coscarelli, includes segments on:The new Billie Eilish album, “Hit Me Hard and Soft,” and how it compares to her earlier workOther early-to-mid-career pop star pivotsEilish’s evolution as a vocalistEilish’s relationship to other unconventional pop stars like LordeSongs of the week, including how Tinashe’s “Nasty” went viralSnack of the weekConnect With Popcast. Become a part of the Popcast community: Join the show’s Facebook group and Discord channel. We want to hear from you! Tune in, and tell us what you think at popcast@nytimes.com. Follow our host, Jon Caramanica, on Twitter: @joncaramanica. More

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      Taylor Swift Beats Gunna on the Chart. Her Next Rival? Billie Eilish.

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      “The Tortured Poets Department” logs a fourth week at No. 1. Next week’s competition is a battle between two stars with multiple versions of their LPs for sale.Taylor Swift stays at No. 1 on Billboard’s album chart for a fourth time, easily holding off a new release by the Atlanta rapper Gunna. But next week she may face a challenge from Billie Eilish — and its result could come down to fans’ appetites for buying multiple “versions” of the stars’ albums.“The Tortured Poets Department,” Swift’s latest studio album, holds atop the Billboard 200 with the equivalent of 260,000 sales in the United States, including 282 million streams and 41,000 copies sold as a complete package, according to Luminate, a data tracking service. Since its record-breaking opening last month, “Tortured Poets” has racked up about 3.6 million equivalent album sales.Gunna’s “One of Wun,” released only in digital form — though Gunna’s website also sold CDs and vinyl LPs that it said would be sent to fans later this year — starts at No. 2 with the equivalent of 91,000 sales, most from its 119 million streams.On Friday, Eilish released “Hit Me Hard and Soft,” her third LP, and the first since she won two Oscars and added two more Grammys to the seven she already had. The music industry is watching the album’s progress closely, in part to see if Eilish’s latest can end Swift’s dominance on the chart.Most of the 31 tracks on “Tortured Poets” have begun to trickle down the daily charts of the major streaming services, while Eilish’s new songs — there are only 10 — have opened strong. For next week’s chart, the key differentiator may be both women’s releases of multiple versions of their albums, on rainbows of vinyl or in digital editions with extra goodies to goose fans’ interest.Swift made “Tortured Poets” available in four variants across physical formats, each with an extra track; these were also sold in special editions from Swift’s website with autographs and collectibles like magnets and engraved bookmarks. Eilish, who has complained about artists’ excessive marketing of physical media — saying in a recent Billboard interview that it was “wasteful” to release “40 different vinyl packages that have a different unique thing just to get you to keep buying more” — put “Hit Me” out in eight colored vinyl variants, as well as other formats like a CD decorated with paint “splattered by Billie.” (Eilish defended her release plans by promoting an “eco-friendly” approach to manufacturing, saying her releases would use recycled materials.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Billie Eilish Dares to Write (Twisted) Love Songs on ‘Hit Me Hard and Soft’

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      “Hit Me Hard and Soft,” her third album, is both concise and far-reaching.“Twenty-one took a lifetime,” Billie Eilish, 22, sings in “Skinny,” the song that opens her third album, “Hit Me Hard and Soft.”Any woman her age could say that; it’s just math. But even before she was old enough to vote, Eilish had packed a lifetime of accomplishments into a career that she began in 2015 as a teenager uploading songs to SoundCloud. Since then, Eilish has racked up billions of streams, an armload of Grammy Awards, two Oscars and a full-length documentary. On “Hit Me Hard and Soft,” she deliberately tamps down some pop expectations while she warily embraces others.Eilish has both the time-honored musicianship that awards shows admire and the metanarrative savvy of her digital-era generation. Countless imitators have learned from — and been emboldened by — her blend of raw revelations, graceful melodies and wily productions, abetted by her brother and songwriting partner, Finneas.Their historically grounded pop recombines musical theater, parlor songs, punk, folk, electronica, soundtracks, bossa nova, industrial rock and more. Eilish brings to all of them the poise of a vintage crooner: the capacity to float above beats and jolts, to treat a microphone as a confidant. Her voice can be breathy and intimate or eye-rolling and sardonic; at very strategic moments, she reveals her power to belt.Eilish’s 2019 debut album, “When We All Fall Asleep, Where Do We Go?,” mapped gothic nightmares, adolescent obsessions and lingering traumas along with an occasional giggle. Her second, “Happier Than Ever” in 2021, reacted directly to the attention, shock, exploitation, stalking, exhaustion and newfound power that success brought her.“Skinny” is a hushed update on Eilish’s superstardom. “Am I acting my age now?/Am I already on the way out?,” she sings, along with thoughts on her body shape, finding nontoxic love, her sense of isolation and a resigned reaction to social media: “The internet is hungry for the meanest kind of funny/and somebody’s gotta feed it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Inside the 2024 Vanity Fair Oscars Party

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      “This is made of success — not everyone can have it,” the actress and comedian Tiffany Haddish said Sunday night, as she held the train on her dress and danced her way through the crowd inside the Wallis Annenberg Center for the Performing Arts in Beverly Hills.At around 11 p.m., hundreds of people were smiling and nodding and bobbing and weaving their way across a red carpet that snaked its way from Santa Monica Boulevard through the main room of a customized event space where Vanity Fair’s annual post-Oscars party was taking place.Barry Keoghan, the star of “Saltburn,” stood near the center bar. Lauren Sanchez, the fiancée of the Amazon founder Jeff Bezos, was in front of him, shimmying away to Chic’s “I Want Your Love,” in her reddish, partially see-through chiffon dress.Never mind that people had been tripping on her train all evening long.“I don’t mind,” she said. “It just bounces right back up.”Ice Spice and Tracee Ellis Ross; Paul Giamatti and Brendan Fraser; Eva Longoria and Kim Kardashian; Serena Williams.Nina Westervelt for The New York TimesThe Vanity Fair party started in 1994 at Morton’s, a celebrity hangout on the corner of Robertson and Melrose. The first few years, only the most famous and connected people in Hollywood were invited.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Inside the 2024 Oscars Party

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      At the Governors Ball after the Oscars on Sunday evening, the writer-director Christopher Nolan and the producer Emma Thomas stepped off a raised dais after having their multiple Oscars engraved and were greeted by the party’s chef, Wolfgang Puck. In honor of the night’s biggest prizewinners, Puck was serving a selection of British food: Roast beef with Yorkshire pudding and fish and chips were presented to the couple, who were both delighted by a taste of home.Onstage at the ceremony, Thomas said she had dreamed her whole life about winning an Oscar. When Nolan was asked at the party if he had held the same dream, he exclaimed, “Absolutely.”The normally reserved Nolan said he had felt emotional up on that stage, even though he maintained his composure. “The people that know me know when I get emotional,” he said. “Just ask Emma.”Christopher Nolan with two of the seven statuettes awarded for “Oppenheimer” on Sunday.True to form, Thomas added, “If he didn’t leave right when he did he would have started ugly crying.”“And we will leave it there,” said Nolan, before he was whisked away to greet more well-wishers.America Ferrera was still vibrating from Ryan Gosling’s “I’m Just Ken” performance and Billie Eilish and her brother, Finneas O’Connell’s rendition of “What Was I Made For.” Both of those performances “were just simply stunning,” she said. “I think Ryan is so brilliant and really created something so unique and special with his performance.”Robert Downey Jr. with his best supporting actor Oscar, also for “Oppenheimer.”The Governors Ball, held at the Dolby Theater, is the official post-Oscars celebration.Simu Liu, who took part in the number, said: “It was an incredible, surreal moment to be onstage. And also, this came together extremely quickly.” When he got the call from the interlude’s choreographer, Mandy Moore, he said, he and his fellow performers Ncuti Gatwa, Scott Evans and Kingsley Ben-Adir hit the group chats, “and were like, ‘Oh my God, are you doing this? We have to do this.’”On the night, Liu added, “we were so nervous. Doing any sort of live TV is nerve-wracking, and then to do it in that room? There’s not many rooms that are more intimidating.”“There was such a moment of elation when we were done,” Liu said. “I think we pulled it off.”Da’vine Joy Randolph, left, who won for best supporting actress.The French director Justine Triet, with the Oscar for best original screenplay that she won with her husband, Arthur Harari.Anita Hill, for one, won’t forget the movie that inspired it anytime soon. Hill stopped Greta Gerwig on Gerwig’s way to find her husband, Noah Baumbach, to tell her how important “Barbie” was to her. Gerwig, embarrassed by the attention, said with a smile, “We are just making movies over here.”Yet Hill had more to say on the subject. “Clearly she has done an outstanding job and I hope that’ll be an indication to the industry to open up more opportunity to women and people of color,” she said, also mentioning the screenplay win for “American Fiction.” “There’s still not enough,” she said, “but I think this is an important time.”Sterling K. Brown, left, holds the statue that Cord Jefferson, right, won for best adapted screenplay.The party’s menu was overseen by the Austrian chef Wolfgang Puck.The four-time Academy Award nominee Willem Dafoe.The celebration on Sunday was the 65th edition of the Governors Ball.According to the Academy, 1,500 guests were invited.Eugene Lee Yang, who voiced one of the characters in “Nimona,” a best animated feature nominee.Winners and nominees in each category, as well as presenters and other participants in the ceremony, get invited to the party.Billie Eilish with the only Oscar for “Barbie”: best original song, awarded to Eilish and Finneas O’Connell for “What Was I Made For?”Cillian Murphy, left, who won best actor for his performance in “Oppenheimer.”Charlotte Kemp Muhl, at the after party.The Swedish composer Ludwig Goransson, left, who won best original score for “Oppenheimer.” More

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      Our Favorite Photos From the Oscars Red Carpet

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      The 96th Academy Awards bowed on Sunday with a return to tradition: The red carpet was, well, red. A year after Hollywood’s stars made their way across a champagne-colored rug, and several months after work stoppages led by actors’ and writers’ unions came to an end, they were greeted once again by the familiar décor.And judging by the bright smiles captured by our photographer, Sinna Nasseri, who was on hand at the Dolby Theater in Los Angeles, those in attendance were in the mood to celebrate. The starry arrivals included cast and crew of the year’s most-talked-about films, from “Barbie” to “Oppenheimer” (the night’s big winner with seven Oscars) to “Poor Things.” A few of our favorite Oscars snaps are below for your scrolling pleasure. — REBECCA THOMASColman Domingo, joined by Steven Spielberg, was one of several first-time Oscar nominees. Kirsten Dunst and Jesse Plemons arrive at the ceremony.On Oscar night, the arrivals are often as closely watched as the show.Paul Giamatti, a best actor nominee this year.Dominic Sessa, a star of “The Holdovers,” has his photo snapped.Jamie Lee Curtis greeted Yi Yan Fuei, a star of the documentary short “Nǎi Nai & Wài Pó,” as her director and grandson Sean Wang looked on. Bradley Cooper with his mother, Gloria Campano, at left.Sandra Hüller. The best actress nominee had two films in contention for awards: “Anatomy of a Fall” and “The Zone of Interest.”Emily Blunt and John Krasinski, hand in hand.At center, Milo Machado-Graner and Swann Arlaud, stars of “Anatomy of a Fall.”Emma Stone was honored for her performance in Yorgos Lanthimos’s “Poor Things.”Anya Taylor-Joy makes an arrival.Danielle Brooks, nominated for supporting actress in “The Color Purple,” has said she spent six months auditioning for the part of Sofia.Cillian Murphy, the star of “Oppenheimer,” and his wife, Yvonne McGuinness. The film won seven Oscars, including a best actor statue for Murphy.Billie Eilish became a two-time winner in the best original song category with her win for “What Was I Made For?” from “Barbie.”Lily Gladstone, who has Blackfeet and Nez Percé heritage, made history with her best actress nomination for Martin Scorsese’s “Killers of the Flower Moon.”Ariana Grande makes a grand entrance.Greta Gerwig with her partner and “Barbie” collaborator, Noah Baumbach.Jeffrey Wright, at right, the Oscar-nominated star of “American Fiction,” strikes a pose.Martin Scorsese with his daughter Francesca Scorsese.Nicolas Cage hit the red carpet.Florence Pugh sparkled.Robert Downey Jr., the winner for best supporting actor for his role in the much-celebrated “Oppenheimer.” More

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      Billie Eilish (and ‘Barbie’) Win an Oscar for ‘What Was I Made For?’

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      Billie Eilish’s tender, yearning ballad “What Was I Made For?” won for original song, ensuring that “Barbie” will leave the ceremony with at least one Oscar.The soundtrack for Greta Gerwig’s blockbuster film became a powerhouse unto itself, loaded with songs by A-list stars. “What Was I Made For?,” which Eilish wrote with her brother, Finneas O’Connell, won song of the year at the Grammys and was the favorite in this category at the Oscars. This is the siblings’ second original-song Oscar. They previously won for “No Time to Die” from the 2021 James Bond blockbuster.“I was not expecting this,” Eilish said in a speech. “I’m so grateful for this song and for this movie and the way that it made me feel. And this goes out to everyone who was affected by the movie and how incredible it is.”In a sign of the strength of the “Barbie” soundtrack, the winner’s stiffest Oscars competition may have been another song from the film, “I’m Just Ken,” Ryan Gosling’s doleful lamentation. Gosling, and a large ensemble that included some of the film’s Kens, performed the number on Sunday night.“Barbie,” which has grossed $1.4 billion at the box office worldwide, came into the evening with eight Oscar nominations but was a favorite only in the song category. More