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    Advice From Pelosi’s Daughter: ‘Every Woman Needs a Paul Pelosi'

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    Speaker Nancy Pelosi’s husband, a multimillionaire venture capitalist recovering from a brutal attack, has long taken care of the couple’s “business of living,’’ including shopping for the speaker’s clothes.WASHINGTON — House Speaker Nancy Pelosi was glued to CNN the night after the 2020 election, while her husband, Paul Pelosi, sat nearby unwrapping a package.“What is that?” she asked him in a scene from the new HBO documentary, “Pelosi in the House,” directed by their daughter Alexandra Pelosi.“Dish towels,” Mr. Pelosi responded with a hint of irony as he popped the bubble packing. Ms. Pelosi smiled and then turned her attention back to the election coverage.It was just one instance of a dynamic on display throughout the film: Mr. Pelosi, who was brutally attacked at the couple’s San Francisco home by an assailant who was said to have been targeting the speaker, takes care of what their family refers to as the “business of living.” That leaves his wife, who will step down as speaker when Republicans assume the House majority on Jan. 3, free to focus on her work.It is the kind of relationship that women in politics rarely talk about, but can sometimes help make the difference between success and failure: a partner willing to take on the mundane tasks and supportive role that traditionally fell to political wives. And although the Pelosis are wealthy and can get all the household help they need, the documentary captures that being a political spouse can mean simply showing up, and then standing off to the side.Throughout the film, as Ms. Pelosi does business on the phone with Vice President Mike Pence, Senator Chuck Schumer or Joseph R. Biden Jr., who was then a presidential candidate, Mr. Pelosi, 82, a multimillionaire businessman who founded a venture capital investment firm, is often in the same room dealing with the day-to-day necessities of their lives.In one scene, Ms. Pelosi was in her pajamas strategizing on a call with Representative Jerrold Nadler, Democrat of New York, about the first impeachment of President Donald J. Trump while Mr. Pelosi, sitting across from her, was on his cellphone dealing with a contractor trying to access their San Francisco home to fix a broken shower.A New U.S. Congress Takes ShapeFollowing the 2022 midterm elections, Democrats maintained control of the Senate while Republicans flipped the House.Who Is George Santos?: The G.O.P. congressman-elect from New York says he’s the “embodiment of the American dream.” But his résumé appears to be mostly fiction.McCarthy’s Fraught Speaker Bid: Representative Kevin McCarthy has so far been unable to quash a mini-revolt on the right that threatens to imperil his effort to secure the top House job.The G.O.P.’s Fringe: Three incoming congressmen attended a gala that drew white nationalists and conspiracy theorists, raising questions about the influence of extremists on the new Republican-led House.Kyrsten Sinema: The Arizona senator said that she would leave the Democratic Party and register as an independent, just days after the Democrats secured an expanded majority in the Senate.“I don’t know what happened to that key,” Mr. Pelosi said, using an expletive.Paul and Nancy Pelosi met as college students while taking a summer class at Georgetown University in 1961. They married two years later and had five children in six years. Ms. Pelosi spent her early years in the marriage as a stay-at-home San Francisco mother and did not run for Congress until she was in her 40s. What followed was nothing that Mr. Pelosi ever pictured for his wife, or his family, according to his daughter.“I don’t think this is what he signed up for in 1987,” Alexandra Pelosi said in an interview, referring to the year Ms. Pelosi was first elected to Congress. “He just had to get over it.”The couple had five children in six years.Peter DaSilva for The New York TimesMr. Pelosi, according to his daughter, never caught the political bug. He forbids political talk at the dinner table. But over the years he has been at his wife’s side at her big political moments, and has taken on many of the duties of the homemaker. He does the dishes, deals with contractors, pays the bills and shops for Ms. Pelosi’s clothes.“She’s never ordered dish towels in her life,” Alexandra Pelosi said. “That’s what he’s been doing forever. He does the shopping for her, from the dish towels to the Armani dress.’’“He’s got Armani on speed dial,’’ she added, referring to the Italian designer Giorgio Armani, one of the speaker’s favorites. “He’s the full-service husband.”Ms. Pelosi had more to say: “The dress she wore to the state dinner; he ordered it for her, and he sent my sister to go try it on.” (Ms. Pelosi was referring to a gold sequin gown by another Italian designer, Giambattista Valli, that her mother wore to a White House state dinner early this month for President Emmanuel Macron of France.)The documentary, focused on Ms. Pelosi’s rise and professional accomplishments, offers glimpses into how a marriage to a supportive spouse helps create the space for a woman’s work — in her case, operating years as the most powerful political force in the Democratic Party in recent years.Other than Hillary Clinton, few women in politics have risen to Ms. Pelosi’s stature, and there are not many male spouses like her husband. Former President Bill Clinton played the role of supportive spouse during Mrs. Clinton’s two presidential campaigns, but after he had already had his turn.Doug Emhoff has assumed a supporting role to Vice President Kamala Harris, but that has also meant becoming a public figure in his own right. Mr. Pelosi never wanted anything close to that.“He’s a private person with a private life with a very interesting collection of friends, including Republicans,” Alexandra Pelosi said. “He didn’t sign up for this life.”But, she said, he has made it work. “Every woman needs a Paul Pelosi.’’The Pelosis met in 1961, while taking a summer class at Georgetown University. Doug Mills/The New York TimesIn one scene in the documentary, Mr. Pelosi was scraping breakfast dishes in a robe while his wife spoke on the phone to Mr. Pence. At one point, she put herself on mute and blew kisses at her husband.In a scene shot during the 2020 presidential campaign, Ms. Pelosi was on the phone with Mr. Biden advising him “don’t go too far to the left.” Mr. Pelosi was sitting next to her, reading his iPad, only half paying attention to his wife’s conversation.Mr. Pelosi appeared at ease in his supporting character role.“Are you in line to get a picture with the speaker?” his daughter shouted at him from behind the camera at a gathering at the U.S. Capitol ahead of one of Mr. Trump’s State of the Union addresses, while Ms. Pelosi was working a photo line.“Oh I am,” he joked.The following year, there he was again, sitting and snacking while Ms. Pelosi worked the room.“I heard Paul Pelosi was here,” his daughter joked.“I just came for the pistachios,” he said.As Ms. Pelosi prepared to enter the House chamber — where she would eventually tear up Mr. Trump’s speech and dismiss it as a “manifesto of mistruths” — her husband was with her in her office offering moral support.“You look great, hon,” Mr. Pelosi told her.Despite his appearances in the documentary, Mr. Pelosi is not always at the speaker’s side, including in May, when he was in a car accident in Napa County, Calif., and afterward pleaded guilty to a single count of driving under the influence of alcohol. Ms. Pelosi was across the country, preparing to deliver a commencement address at Brown University.“He’s there for the days that matter,” Alexandra Pelosi said. “It’s really just because she says you have to come. These kinds of people need a family to be there for support on days that matter.”In October, Mr. Pelosi was beaten with a hammer at the couple’s San Francisco home by an assailant who was said to have been targeting the speaker. He suffered major head injuries, but has appeared in recent days by Ms. Pelosi’s side, including her portrait unveiling at the Capitol and at the Kennedy Center Honors celebration.Still, his daughter said he was on a long road to recovery. “He has good days and bad days,” she said, noting that he has post-traumatic stress and tires quickly.The attack on the man who has been a quiet pillar of the Pelosi family life has taken a toll on all of them. The speaker told CNN’s Anderson Cooper in a recent interview that “for me this is really the hard part because Paul was not the target, and he’s the one who is paying the price.”“He was not looking for Paul, he was looking for me,” she added.His daughter said one of the most uncomfortable parts of the ordeal has been the glare of the public spotlight on a person who has tried to avoid it.“He’s remained out of the limelight as much as he could,” she said. “He almost got to the end without anyone knowing who he was.” More

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      in Theater

      Onstage, the French Election Is a Landslide Win for Cynicism

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      As the presidential vote approaches, theaters and comedy venues are addressing the campaign. Many shows reach a similar conclusion: Don’t trust politicians.PARIS — If elections are spectacles, France’s presidential campaign, caught between voter apathy and war in Europe, has so far struggled to connect with its audience. Yet on French stages, a number of artists are making hay out of the upcoming vote — and the picture is hardly flattering.Across comedy and drama, performers and directors of varied backgrounds seem to agree on one thing: The country’s politicians are uniformly terrible and their performances a little too close to theater to be trusted.Not that the political calendar is headline material in every playhouse. While many prestigious French theaters that receive public funding pride themselves on staging political works, they tend to refer to current events only obliquely. For highbrow theatergoers here, a lack of intellectual distance suggests a lack of taste. Shows actually addressing the presidential campaign are mostly found elsewhere, in smaller venues that rely on box-office revenues.Two of them, the Café de la Gare and the Théâtre des Deux Ânes, are comedy venues. On the nights I attended, they drew large, albeit different, crowds. While visitors to the Café de la Gare skewed younger, the silver-haired audience at the Théâtre des Deux Ânes, in the Pigalle district of Paris, appeared to include many regulars, who cheered for several comedians as soon as they appeared onstage.The jokes were dissimilar, too. At the Deux Ânes, the show “Elect Us” strings together five comic and musical acts, ranging from witty (Florence Brunold’s parody of a history lesson, with “Macron the First” as a Jupiterian king) to downright misogynistic. Every female politician mentioned throughout the performance was described as either an airhead or physically unattractive. Some of their male peers, on the other hand, were more gratifyingly characterized as “too smart” (Macron) or as a Casanova (the far-right candidate Éric Zemmour).Guillaume Meurice in “Meurice 2022” at the Café de la Gare.MagaliThe shows on offer at the Café de la Gare, on the other hand, tried to turn these tropes on their head. “We’ve Reached That Point!,” written by Jérémy Manesse and directed by Odile Huleux, envisions a television debate between two fictional contenders during the next presidential election, in 2027. One of them is a woman, well played by the deadpan Florence Savignat, who maintains a purposely bland persona to avoid personal attacks. In another show at the venue, “Meurice 2022,” the well-known comic Guillaume Meurice — a daily presence on a popular radio station, France Inter — plays a presidential candidate whose patronizing rhetoric is ultimately undermined by the feminist manager in charge of running his events, played by Julie Duquenoy.Still, despite their contrasting values, all these shows portray the French political class as far removed from the audience and its concerns. The historical left-right divide, which has been in flux since Macron won office as a centrist and far-right figures started gaining ground, often gave way onstage to an “us versus them” dynamic, with acts that riffed on the public’s perceived disdain for every presidential candidate.Meurice’s cartoonishly out-of-touch character, for instance, isn’t affiliated with any party. One recurring gag is that every time he mentions another politician, he describes that person as “a personal friend,” from far-left figures to Macron and Zemmour — the implication being that they all belong to the same social group. By way of parody, “Meurice 2022” also offers empty slogans like “The future is already tomorrow” and “Winning now.”From a comedy perspective, it works. Yet “Meurice 2022” speaks to a larger malaise in the country, which “We’ve Reached That Point!” makes even more explicit. The plot revolves around the improbable notion that the two 2027 contenders, unbeknown to them, have been given a newly discovered truth serum before the start of their live debate. When the serum kicks in, suddenly they find themselves blurting out their real feelings about the hot issues of the campaign.Manesse, a shrewd writer, inserts several coups de théâtre along the way, which makes for a genuinely entertaining play. Yet the premise remains that no politician could possibly be telling the truth.From left, Emmanuel Dechartre, Alexandra Ansidei, Christophe Barbier and Adrien Melin in “Elysée” at the Petit Montparnasse theater.Fabienne RappeneauWhen politicians are portrayed as liars, the age-old comparison between politics and theater is never far away — and in Paris, two plays about former French presidents are also leaning into it. “The Life and Death of J. Chirac, King of the French,” directed by Léo Cohen-Paperman, shows Jacques Chirac, the French head of state from 1995 to 2007, as a deeply theatrical figure, as does “Élysée,” a play about the relationship between Chirac and his predecessor, François Mitterrand, who was elected president in 1981.Audience members looking for policy analysis will be disappointed. “Elysée,” directed by Jean-Claude Idée at the Petit Montparnasse theater, is mostly uninterested in Chirac’s and Mitterrand’s politics. The playwright, Hervé Bentégéat, focuses on what they have in common: a wandering eye, for starters, in some cringe-inducing scenes with the only woman in the cast, and the fact that they are “good comedians.” Cue the unlikely bargain they reportedly struck in 1981 to help the left-wing Mitterrand get elected — a cynical long-term calculation for Chirac, a right-wing figure.Julien Campani as Jacques Chirac in “The Life and Death of J. Chirac, King of the French” at the Théâtre de Belleville.Simon Loiseau“The Life and Death of J. Chirac, King of the French,” at the Théâtre de Belleville, is the more compelling show, despite some inconsistencies. It is the first installment in a planned series of presidential portraits, “Eight Kings.” (The president-as-king metaphor has a life of its own in France.) In the opening scene, which manages to be brilliantly funny while recapping Chirac’s life, Julien Campani and Clovis Fouin play overenthusiastic Chirac fans who have created a zany 24-hour theater production about his life. Cohen-Paperman then segues into far more traditional vignettes drawn from Chirac’s youth and career.Campani is impressively convincing in the title role, but “The Life and Death of J. Chirac, King of the French” never really explores what Chirac achieved, or didn’t achieve, as a politician. Instead, it posits politics as a game of chess, with Chirac on the lookout for the next useful move.Learn More About France’s Presidential ElectionCard 1 of 6The campaign begins. More

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      in Movies

      ‘President’ Review: Zimbabwe’s Struggle for Democracy

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      In a riveting new documentary, Camilla Nielsson follows the first democratic election in Zimbabwe since 1980.Eight months after Robert Mugabe, who ruled Zimbabwe autocratically for nearly 30 years starting in 1980, was ousted in a 2017 coup, the nation was set to elect a new president in its first democratic election since the start of Mugabe’s rule.Camilla Nielsson gives viewers a front-row seat to that July 2018 election in “President,” a riveting documentary that follows Nelson Chamisa, a charismatic 40-year-old lawyer, as he runs against Emmerson Mnangagwa, the strongman who unseated Mugabe.Nielsson’s access to Chamisa allows for an intimate look at the Catch-22 of establishing a democracy amid state-sanctioned violence and corruption, and the grit of those fighting for it. The juxtaposition of the candidates’ strategies is apparent when, as both sides arrive at a courthouse for a pivotal case, the camera pans first to the pile of papers with which the opposition will make its case and then to the police stockpiling nightsticks.Chamisa says repeatedly that he is willing to die for his cause. His charisma and connection to the people make him an excellent anchor for the film, reflecting and representing Zimbabwe’s decades-long struggle for a fair democracy. The film includes harrowing images of citizens being beaten, hosed down and shot at by the military and police for demonstrating in support of Chamisa.President Mnangagwa claims victory in the election, despite allegations of vote rigging that are raised by the opposition. It’s a somber end to a film that opens with and is undergirded by Zimbabweans’ hope for change.PresidentNot rated. Running time: 2 hours. In theaters. More