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    As Broadway Struggles, Governor Hochul Proposes Expanded Tax Credit

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    With Omicron complicating Broadway’s return, Gov. Kathy Hochul proposed more assistance for commercial theater, which her budget director called “critical for the economy.”As Broadway continues to reel from the economic effects of the coronavirus pandemic, Gov. Kathy Hochul is proposing to expand and extend a pandemic tax credit intended to help the commercial theater industry rebound.Ms. Hochul on Tuesday proposed budgeting $200 million for the New York City Musical and Theatrical Production Tax Credit, which provides up to $3 million per show to help defray production costs.“They were starting to recover before Omicron, and then, as you have all seen, a lot of these performance venues had to shut down again, and those venues are critical for the economy,” the state budget director, Robert Mujica, told reporters.The tax credit program, which began last year under Gov. Andrew Cuomo, was initially capped at $100 million. Early indications are that interest is high: Nearly three dozen productions have told the state they expect to apply, said Matthew Gorton, a spokesman for Empire State Development, the state’s economic development agency.The Hochul administration decided to seek to expand the tax credit program — and to extend the initial application deadline, from Dec. 31, 2022 to June 30, 2023 — as it became clear that Broadway’s recovery from its lengthy pandemic shutdown would be bumpier than expected.Shows began resuming performances last summer, and many were drawing good audiences — Ms. Hochul visited “Chicago” and “Six” in October, while Mr. Gorton saw “The Lehman Trilogy” and “To Kill a Mockingbird.”But the industry is now struggling after a spike in coronavirus cases prompted multiple cancellations over the ordinarily lucrative holiday season, and then attendance plunged. Last week, 66 percent of Broadway seats were occupied, according to the Broadway League; that’s up from 62 percent the previous week, but down from 95 percent during the comparable week before the pandemic.“Clearly, we’re not out of the woods yet,” said Jeff Daniel, who is the chairman of the Broadway League’s Government Relations Committee, as well as co-chief executive of Broadway Across America, which presents touring shows in regional markets. Mr. Daniel, still recovering from his own recent bout of Covid, welcomed the governor’s proposal, and said the League would work to urge the Legislature to approve it.“Every show we can open drives jobs and economic impact,” said Mr. Daniel, who noted the close economic relationship between Broadway and other businesses, including hotels and restaurants. “If we can maximize Broadway, we maximize tourism.”Under the program, shows can receive tax credits to cover up to 25 percent of many production expenditures, including labor. As a condition of the credit, shows must have a state-approved diversity and arts job training program, and take steps to make their productions accessible to low-income New Yorkers. More

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      Lionsgate Studios Yonkers Could Become the 'Burbank of New York'

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      A new film and television facility, once fully open, will be ‘hands-down the largest in the Northeast,’ the leader of the project said.“Run the World,” a Starz television series about four 30-something Black women navigating work and love, is set in Harlem. In its first season, the camera lingers over landmarks in the neighborhood, like the Harriet Tubman statue on West 122nd Street, as well as locations across New York City.But when the show begins filming its second season in two months and Ella (Andrea Bordeaux), Sondi (Corbin Reid), Renee (Bresha Webb) and Whitney (Amber Stevens West) reunite to go clubbing, commiserate over cocktails and tumble into bed with their latest flames, they will be doing much of it slightly north of the city, inside a big film production facility that officially opens today in Yonkers.Great Point Studios, which has created the $500 million campus, Lionsgate Studios Yonkers, claims the ever-expanding facility, scheduled to be completed next year, will surpass anything New York City has to offer.Built around the site of an old Otis elevator factory overlooking the Hudson River in newly invigorated downtown Yonkers, the complex currently houses three soundstages, six “talent suites” for actors, dozens of dressing rooms and hair-and-makeup stations, dedicated writers rooms, a carpentry shop for set construction and office spaces. But that’s just the beginning.By the end of next year, the 14.5-acre campus plans to have a backlot (for outdoor scenes), two screening rooms, a postproduction area for editing and a total of 11 soundstages, several of them already claimed by Lionsgate.And now Great Point says it is in contract to buy land for a second production facility in Yonkers. The combined properties, with eight additional soundstages, “will be hands-down the largest in the Northeast,” said Robert Halmi Jr., the company’s chief executive and president, and a longtime producer.The second, soon-to-be acquired site is a 19th-century orphanage, built on grounds landscaped by Frederick Law Olmsted.Great Point StudiosAll of which will go toward fulfilling the decade-long dream of Mayor Mike Spano: making Yonkers “the Burbank of New York,” a reference to the California city outside Los Angeles that is home to major film studios. “We are going to be Hollywood on the Hudson,” he said in a phone interview.But the television production business is already booming in New York City. And while it’s certainly common in the industry to shoot in a different place from where a show is set, will moving the production of “Run the World” and other programs set in New York City to Westchester County be a snub to the Big Apple?“Not at all,” said Anne del Castillo, New York City’s media and entertainment commissioner. “I think there is enough production to go around.”Indeed, the goings-on in both cities are part of a wider surge in film production in the metropolitan area, where the industry got its start in the 1890s before decamping to California.But film production has been trickling back for some time, lured by tax incentives and the fact that so many actors, directors and other film professionals live in and around New York.The city has over 250 soundstages — essentially, black boxes in which any sort of scene can be conjured. Some are quite small, however, and may have low ceilings or freestanding columns that interrupt space, having been built in converted warehouses or other industrial buildings. New York still lags behind Los Angeles in terms of square footage for soundstages but is ahead of Atlanta, according to the real estate services firm CBRE.But now the proliferation of streaming platforms and seemingly insatiable appetite for content — driven in part by binge-watching during the pandemic — has set off a frenzy of building soundstages, so-called because they are soundproofed. Netflix, for instance, is planning a major production hub on an old army base in Fort Monmouth, N.J.From left: Andrea Bordeaux and Corbin Reid in “Run the World,” the first television show whose production is relocating to Lionsgate Studios Yonkers.Cara Howe/Starz EntertainmentIn New York, existing facilities are expanding and new ones are being built. In the latter category, Wildflower Studios in Astoria, Queens — a project Robert De Niro is a partner in — will have 11 soundstages when it is completed next year. And Steiner Studios (based at the Brooklyn Navy Yard) will begin work on an eight-soundstage facility in Sunset Park, Brooklyn, this spring.Statewide, there are over 130 qualified production facilities containing over 450 soundstages and over five million square feet, according to Empire State Development; more than half of these properties have opened or been certified in the last five years.Technology has fed the explosive growth in soundstages; with advances in computer graphics and so-called green screens, artificial backdrops have become ever more lifelike.For Lionsgate, which owns Starz, the new Yonkers facility offers “certainty,” said Kevin Beggs, the chair of Lionsgate Television. “We don’t have to spend six weeks canvassing the city of New York and environs” for locations, he said.On a tour last week, however, the new facility was not quite ready for its close-up. “Run the World” is scheduled to begin filming in March on two soundstages, one of them an expansive 20,000 square feet. But in a third soundstage, men in protective gear were still applying a crumbly, black echo-canceling substance. Furniture for support spaces had yet to arrive.One 20,000-square-foot soundstage in Yonkers, which was still undergoing construction last week.Amir Hamja for The New York TimesThe pandemic delayed the project for nearly a year, said Mr. Halmi. Lockdowns stopped construction and steel and concrete were in short supply owing to supply chain issues.At the complex, new low-rise buildings have a jazzy blue paint job and big Lionsgate logo. The factory’s brick buildings, built around the turn of the 20th century, are being repurposed as offices, and the factory’s old power plant, where you can see the base of its still-intact smokestack, will one day be a grand entrance.The three completed soundstages are already spoken for, although there is some office space still vacant, said Mr. Halmi, who founded the Hallmark Channel. Mediapro, a Spanish-language content provider, has claimed at least one of the soundstages being built this year.Mr. Halmi is hoping that prop, music production and special effects companies will lease offices at the facility. Syracuse University’s S.I. Newhouse School of Public Communications is starting an internship program this spring in a loftlike space with a small classroom.A classroom for Syracuse University public communications students in Yonkers.Amir Hamja for The New York TimesLionsgate sits in an industrial park next to a Kawasaki plant that assembles subway cars. It is also steps from the Yonkers train station, making it a quick commute from Manhattan’s Grand Central Station or Penn Station.Five Movies to Watch This WinterCard 1 of 51. “The Power of the Dog”: More

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      New York’s Pop-Up Concerts Kick Off With Jazz at a Vaccination Site

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      #masthead-section-label, #masthead-bar-one { display: none }At HomeBake: Maximalist BrowniesListen: To Pink SweatsGrow: RosesUnwind: With Ambience VideosAdvertisementContinue reading the main storySupported byContinue reading the main storyNew York’s Pop-Up Concerts Kick Off With Jazz at a Vaccination SiteThe musician Jon Batiste led a band through the Javits Center to begin half a year of unannounced performances throughout the state.Jon Batiste (center) and his band Stay Human march through the Javits Center during the first NY PopsUp event on Saturday.Credit…Nina Westervelt for The New York TimesFeb. 21, 2021It seemed at first like a small, no-frills concert in a carefully controlled environment: The jazz musician Jon Batiste sitting at a piano in an auditorium at the Javits Center on Manhattan’s West Side, performing for an audience of about 50 health care workers seated in evenly spaced rows — some wearing scrubs, others Army fatigues.The dancer Ayodele Casel began tapping, with no musical accompaniment except a recording of her own voice, her amplified cramp rolls filling the room. And the opera singer Anthony Roth Costanzo performed “Ave Maria” in a countertenor’s angelic tones.Ayodele Casel tapping.Credit…Nina Westervelt for The New York TimesAnd an appreciative audience of health care workers.Credit…Nina Westervelt for The New York TimesBatiste on melodica as the indoor parade passes by.Credit…Nina Westervelt for The New York TimesBut about half an hour in, the performers stepped off the stage and exited the room, turning what had begun as a formal concert into a rollicking procession of music and dancing that grooved through the sterile building — the convention center was turned into a field hospital early in the pandemic and is now a mass vaccination site — where hundreds of hopeful people had come on Saturday afternoon to get their shots.Batiste switched to the melodica, a toylike, hand-held reed instrument with a keyboard, and the troupe of musicians — which had expanded to include a horn section and percussionists — paraded up the escalator and through the convention center, eventually reaching a high-ceilinged room where dozens of people sat waiting quietly for the requisite 15 minutes after getting their vaccinations.This concert-turned-roaming-party was the first in a series of “pop-up” shows in New York intended to give the arts a jolt by providing artists with paid work and audiences with opportunities to see live performance after nearly a year of darkened theaters and concert halls. Gov. Andrew M. Cuomo announced plans for the series, called “NY PopsUp,” last month, declaring that “we must bring arts and culture back to life,” and adding that their revival would be crucial to the economic revival of New York City. The shows are getting underway as he finds himself under fire for the state’s handling of Covid-19 deaths of nursing home residents.Health care workers and vaccine recipients provided and audience for the surprise concert on Saturday at the Javits Center, the first of a series called NY PopsUp.Credit…Nina Westervelt for The New York TimesBatiste, getting serious.Credit…Nina Westervelt for The New York TimesThe band, appropriately masked, propels itself through the center on Saturday.Credit…Nina Westervelt for The New York TimesBecause the program is wary of drawing crowds, most of the performances will be unannounced, emerging suddenly at parks, museums, parking lots and street corners. The idea is to inject a dose of inspiration into the lives of New Yorkers — a moment in which they can pause their scheduled lives and witness art during a pandemic year that has limited human contact and imposed tight restrictions on people’s activities.“We need more spontaneity; that’s what the beauty of this is,” Batiste said in an interview. “You don’t know what’s around the corner.”As the troupe of musicians moved through the Javits Center, the audience of health care workers followed them, clapping to the beat and recording the spectacle on their phones. Batiste, who is the bandleader on “The Late Show With Stephen Colbert,” propelled his musicians through the space (most of them have played with the show’s house band, including Endea Owens on bass, Tivon Pennicott on saxophone, and Joe Saylor and Nêgah Santos on percussion).Bre Williams, a 35-year-old nurse in blue scrubs who had come from Savannah, Ga., to help out in New York, looked on wide-eyed.“Y’all do this stuff all the time up here?” she said, laughing.Shortly before the music ended, some of the health care workers rushed off to continue their work day (this concert was happening during their break time, after all).The series is put on by a public-private partnership led by the producers Scott Rudin and Jane Rosenthal, along with the New York State Council on the Arts and Empire State Development. Zack Winokur, the director and interdisciplinary artist in charge of the programming, said the group is aiming to put on more than 300 pop-up performances through Labor Day, in every borough and around the state. The performers are chosen by a council of artists — among them Batiste, Casel and Costanzo — who are each asked to tap into their own networks to find participants.“It’s been a long time since I’ve seen a live performance,” Winokur said in an interview. “It’s a profoundly needed experience right now.”A pop-up parade with free drinks from a coffee truck.Credit…Nina Westervelt for The New York TimesOnlookers, some appreciative, peeked out of doorways and windows. At one point, however, objects were hurled at the musicians from an upper-story window.Credit…Nina Westervelt for The New York TimesThe NY PopsUp parade takes over a lane in Brooklyn.Credit…Nina Westervelt for The New York TimesAfter the first performance at the Javits Center, the musicians headed to Brooklyn, where they began another flash-mob-style street jam, starting from Cadman Plaza Park and winding their way through Dumbo to end up at a skatepark, where teenagers stared at them curiously before hopping back on their skateboards. The free, mobile concerts are called “love riots” by Batiste, who has previously planned them on social media. This one traveled along sidewalks and slushy snow, sometimes slowing traffic.Prevented from tap dancing on the street, Casel banged out rhythms by clapping the metal plates on her tap shoes together with her hands; Costanzo danced along with the band and at one point grabbed the megaphone to sing “Somewhere Over the Rainbow.”While the music was intended to provide a spontaneous display for passers-by, the march itself was as tightly regulated as any pandemic-era event. Security personnel directed members of the musical entourage around uneven terrain and dog waste. Another employee asked onlookers to spread out when they started to break social distancing guidelines.Despite the logistics that went into it, the plan succeeded in being a spontaneous curiosity for the dozens of people who unexpectedly encountered the music. Moving down narrow alleyways and commercial streets, the band caused people to stop, stare and sometimes groove a little bit. Children peered through windows along Washington Street; a doorman darted out of an apartment building to see what all the noise was about; pharmacy employees leaned out of the doorway to film the procession down the sidewalk.Not everyone seemed to appreciate the music, though. At one point, someone inside an apartment building began throwing objects at the marchers from several floors up (one of the security staffers said he thought he saw an orange juice container and a trophy hit the snow).Accustomed to improvising, the band simply dodged the flying objects and marched a bit more quickly, the music never stopping.AdvertisementContinue reading the main story More

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      Cuomo Announces Pop-Up Performances Across New York

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      #masthead-section-label, #masthead-bar-one { display: none }At HomeExplore: A Cubist CollageFollow: Cooking AdviceVisit: Famous Old HomesLearn: About the VaccineAdvertisementContinue reading the main storySupported byContinue reading the main storyCuomo Announces Pop-Up Performances Across New York“NY PopsUp” will kick off Feb. 20 and run through Labor Day.A festival celebrating Little Island, the parklike pier being built downtown in the Hudson River, will coincide with the last days of “NY PopsUp.”Credit…Brittainy Newman for The New York TimesFeb. 8, 2021, 3:18 p.m. ETGov. Andrew M. Cuomo of New York, who has made it clear that he sees the return of art and culture as key components of the economic revival of the state, announced Monday that a series of more than 300 free pop-up performances, “NY PopsUp,” would begin Feb. 20 and run through Labor Day.Mayor Bill de Blasio, meanwhile, announced details of the city’s Open Culture program, which will permit outdoor performances on designated city streets this spring.The state’s pop-up events are part of a public-private partnership, New York Arts Revival, and will feature more than 150 artists including Amy Schumer, Chris Rock, Mandy Patinkin, Renée Fleming and Hugh Jackman.Since the state does not wish to draw large crowds in the pandemic, many of the events will not be announced in advance.“We’re trying to thread the needle,” Mr. Cuomo said. “We want the performances. We don’t want mass gatherings, we don’t want large crowds.”The events, the state said, will take place in parks, museums and parking lots, as well as on subway platforms and in transit stations. People can follow a new Twitter and Instagram account, @NYPopsUp, for details about upcoming performances. Many will be shown online.The series will be spearheaded by the producers Scott Rudin and Jane Rosenthal, along with the New York State Council on the Arts and Empire State Development. It is part of an arts revival plan that the governor had announced during an address in January, when he had said the state would organize the pop-up performances beginning Feb. 4.The series will begin Feb. 20 at the Javits Center in New York City with a free performance for health care workers that will feature Jon Batiste, Anthony Roth Costanzo, Cecile McLorin Salvant and Ayodele Casel. The performers will travel across the city to all five boroughs, performing in parks and street corners, as well as at the footsteps of Elmhurst Hospital and St. Barnabas Hospital.Mr. Cuomo said some of the events would use flexible venues that do not have fixed seats, and could therefore be reconfigured to allow for social distancing, including the Shed, the Apollo Theater, Harlem Stage, La MaMa and the Glimmerglass Festival’s Alice Busch Opera Theater.In June, the opening of Little Island, the parklike pier being built downtown in the Hudson River by Barry Diller, and the Tribeca Film Festival, celebrating its 20th anniversary, will add to the expanding arts programming in the city.Little Island plans to hold its own festival from Aug. 11 to Sept. 5, which will coincide with the final weeks of “NY PopsUp” programming.Mr. de Blasio announced on Monday that the city would launch a new program to help some of the city’s cultural institutions apply for federal grants. The city’s effort, called “Curtains Up NYC,” will offer webinars and counseling to businesses and nonprofits that are connected in some way to live performances.“We have to make sure that New York City cultural institutions get the help that they need,” Mr. de Blasio said at a news conference.Asked whether any Broadway theaters could be allowed to reopen as his arts revival plans continue, Mr. Cuomo expressed hope.“I think that is where we are headed, right?” he said. “The overall effort is headed towards reopening with testing.”He announced last week that the state planned to issue guidance to begin allowing wedding ceremonies for up to 150 guests if attendees were tested beforehand.“Would I go see a play and sit in a playhouse with 150 people?” he said. “If the 150 people were tested and they were all negative, yes, I would do that. And the social distancing and the air ventilation system is proper? Yes, I would do that.”Commercial producers have repeatedly said that economics of Broadway preclude reopening at less than full capacity.New York reported at least 177 new coronavirus deaths and 9,923 new cases on Sunday. While the number of new cases has fallen from a post-holiday high last month, the average number of new daily cases and deaths is still far above where it was last summer and fall.Mr. Cuomo said that government had to take an active role to help the city and the state recover from the economic pain wrought by the pandemic. “It’s not going to be a situation where the economy is just going to come back,” he said. “We have to make it come back.”“New York leads,” he added. “And we’re going to lead in bringing back the arts.”Michael Gold contributed reporting.AdvertisementContinue reading the main story More