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    Tony Awards Unforgettable Looks: Cole Escola, Nicole Scherzinger, and More

    On Sunday night, some of the biggest names in theater gathered at Radio City Music Hall in Manhattan to celebrate the Tony Awards.From Hollywood royalty like George Clooney to Broadway legends like Audra McDonald — neither of whom won in their categories — there was no shortage of stars at this year’s awards.There was also no shortage of fashion. On the red carpet, there were sartorial references to past Tony winners and nods to current roles, all conveyed through cloth, beadwork and color.And, of course, it wouldn’t be live theater without at least a few costume changes.The event’s host, Cynthia Erivo, slipped in and out of at least a half-dozen outfits before the curtain closed as she belted out a parody version of a “Dreamgirls” song in a purple sequined number. That was another homage, lest you forget, as Ms. Erivo won a Tony in 2016 for her star turn in “The Color Purple.” Showbiz — it isn’t always subtle!Of all the stars who graced the seats of Radio City on Sunday, here are a dozen whose attire stood out among the ensemble cast.Cole Escola: Most ’90s Nostalgia!Evan Agostini/Invision, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Why Luxury Brands and Performers Like Beyoncé Are Seeking Willo Perron’s Designs

    Perhaps you’ve seen Beyoncé soaring over crowds in a floating horseshoe at her Cowboy Carter tour performances, or riding a metallic mechanical bull. If you’ve wondered who came up with those stunts, the answer involves Willo Perron.“She really is, in my eyes, the last of a type of an entertainer-performer,” Mr. Perron, the tour’s stage designer, said over tea at Corner Bar, a restaurant on the Lower East Side of Manhattan, in April. “Really, I’ve never seen somebody work so diligently.”He was speaking with the perspective of someone who has also worked with Rihanna (on her Super Bowl LVII halftime show), with Drake (on the Aubrey and the Three Migos tour) and with Florence and the Machine (on the group’s High As Hope tour).“It makes you have to kind of show up at such a high level all the time,” Mr. Perron said of working with Beyoncé. “And it’s good, it’s like playing a sport with somebody who is much better than you. Hopefully, it makes you a little bit better yourself.”Mr. Perron, 51, is one of those people who is hard to put a label on professionally — the type of creative mind whose fluency in various mediums has led some to call him a cultural polymath and others a world builder.“What I do is like planting seeds with no expectations,” he said. “Just constantly planting seeds and planting seeds. And then if something grows, then I give it attention. And then simultaneously, this thing will grow over here and I’ll give that a little bit of attention.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Everything Millennial Is Cool Again

    JNCO Jeans, big hair, “Sex and the City” and recession pop: Peak Millennial is back and the era’s trends are taking on a new life.They trolled us for being old when we hit our 30s, old-fashioned for remembering a time before email and for being “cringe” as we kept wearing our skinny jeans and ankle socks.Oh, how the tables have turned.Gen Z and younger generations are picking up where we, their (slightly) older counterparts, left off in the 2000s.The Gen Z girlies are watching “Sex and the City” and living their best Carrie Bradshaw lifestyles. Those Facebook albums of blurry photos of a night out? They’re back, repackaged as an Instagram “photo dump.” Ditto for big hair and wired headphones.“I do like seeing how a younger generation interprets an older trend when it comes back around,” said Erin Miller, 35, a TikTok creator and self-proclaimed 1990s and 2000s historian. She wasn’t surprised that many trends loved by millennials were making a comeback. “Does it remind me of my age? Yes.”But that’s not to say everything is the same. Millennials (typically those born from the early 1980s to the late ’90s) had infomercials and mail-order. Gen Z and Alpha have TikTok makeup tutorials and fast fashion. Bradshaw’s cosmopolitan has been exchanged for an Aperol spritz.Members of generations Z and Alpha are putting their own mark on once-ubiquitous phenomena, and according to Ms. Miller, they’re the winners: “I think they are doing it better.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    15 Unforgettable Looks From Cannes 2025: Rihanna, Dakota Johnson and More

    Three-dimensional gowns, thigh-high men’s boots, adult-size bibs and more.Organizers of this year’s Cannes Film Festival cast a conservative shadow over the red carpet with the release of a new dress code noting that, “for decency reasons, nudity is prohibited.” The rule was seen as an attempt to tamp down on so-called naked dressing, a trend that in recent years has inspired more people to wear less coverage as a way to get attention.Whether it stopped people from showing skin was debatable. But it certainly didn’t stop stars from making waves with their appearances. Some, like the actor Jeremy Strong, took Cannes as an opportunity to test color palettes: He wore a range of pastels (purple, green, salmon) that would rival the selection at an Easter egg hunt. Others, like the models Bella Hadid, used the festival to debut new hair (she went blond).Of all the clothes on display at Cannes, which ends on Saturday, these 15 looks were some of the most memorable for myriad reasons — nakedness mostly not among them.Isabelle Huppert: Most Brat!Miguel Medina/Agence France-Presse — Getty ImagesThe fine threads used to construct the actor’s Balenciaga gown had the delicacy of natural hair, but the chemical green color now firmly linked to Charli XCX and her “Brat” album.Pedro Pascal: Most ‘Sun’s Out, Guns Out’!Sarah Meyssonnier/ReutersWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    André 3000 Drops Surprise Album After Met Gala Piano Statement

    The rapper and musician’s miniature Steinway teased his new album, “7 piano sketches,” which he released on Monday.It can be a challenge to make an impression on the Met Gala’s red carpet, especially when the competition includes Diana Ross wearing a feathered overcoat with an 18-foot-long train, Bad Bunny toting a bag fit for a bowling ball, and Rihanna arriving fashionably late — with a baby bump.But there are spectacles and there are spectacles, and André 3000 fit nicely into the latter category when he showed up to the festivities on Monday night with a grand piano strapped to his back.“I’m sorry,” the actress Natasha Lyonne said while being interviewed on the red carpet, “there’s a piano coming.”It was a statement piece and a nifty bit of marketing by André 3000, a rapper and musician whose appearance at the Metropolitan Museum of Art’s Costume Institute Benefit coincided with the release of his new album, “7 piano sketches,” which he described in an Instagram post as “improvisations” and included a drawing of himself in a version of his Met Gala outfit. The instrumental piano album follows one in which he focused entirely on the flute — a sharp departure from his days in the rap duo Outkast.Beyond the promotion of his new album, his outfit on Monday was carefully planned, both to highlight the event’s theme, which centered on Black style and dandyism, and its dress code, “Tailored For You.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How Japanese Superfans Redefined What It Means to Be Obsessed

    Otaku, people for whom hero worship is a way of life, have changed everyone’s relationship to the culture.ON ANY GIVEN night, the neon-lit streets of Akihabara, an entertainment district in central Tokyo, are packed with visitors. Inside windowless shopping malls, they flock to stalls selling used Hello Kitty or Astro Boy figurines, Pokémon trading cards and vintage video game consoles. At the idol bars and theaters — venues dedicated to musical acts like AKB48, which was named after the area — they wave glow sticks in colors that correspond to their favorite performers. And at the maid cafes, they pay to take pictures with young waitresses in petticoats and pinafores, many of whom hope to become stars themselves one day. Since the Japanese anime boom of the past few decades, Akihabara has been a refuge for the otaku — someone who would “go beyond the lengths of any normal person to pursue their interests,” according to the 2004 documentary film “Otaku Unite!” Kaede, 29, a member of F5ve, a girl group based on the 1990s manga series “Sailor Moon,” calls the neighborhood their “holy land.” More

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    13 Best Coachella Looks: Lady Gaga, Jennie, Bernie Sanders & More

    Nearly naked gowns, glow-in-the-dark bodices, metal armor and more.In the decades since the first Coachella Valley Music and Arts Festival took place in Southern California in 1999, its cultural footprint has grown to encompass way more than music. This year’s event, which kicked off over the weekend, reflected that evolution: It was a days-long concert, but also a “White Lotus” reunion, a political rally and, as in years past, a fashion spectacle.Sets by Jennie and Lisa, the Blackpink members turned solo acts, and Lady Gaga had people buzzing about the singers’ outfits almost as much as their musical performances. Lisa’s set also had people talking about its crowd, after some of her “White Lotus” Season 3 co-stars like Patrick Schwarzenegger and Tayme Thapthimthong were spotted in the audience. Other celebrities who mingled with the festival-going masses included Timothée Chalamet and Kylie Jenner, as well as Justin and Hailey Bieber.While certain famous Coachella attendees tried their best to blend in, wearing anodyne T-shirts or trucker hats, there were plenty whose outfits glaringly stood out. Most times that came across as intentional, but in certain cases it did not — for example, when Senator Bernie Sanders of Vermont took the stage to introduce the singer Clairo in his typical ensemble of blazer and button-down shirt. While usual for him, the look was atypical for the festival and one that, like the others on this list, will be hard to forget.Lady Gaga: Most Presto Changeo!Kevin Mazur/Getty ImagesThere were almost as many outfits as songs in the singer’s Coachella set. While not as over-the-top as her theatrical red costume involving the massive skirt, an ensemble incorporating metal crutches and armor made by Manuel Albarrán struck a chord with many viewers who saw it as a throwback to attire she wore in the video for her song “Paparazzi.”Lisa: Most Electric!Elia BerthoudWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The White Lotus’ Luxury: How Branded Collaborations Are Capitalizing on Privilege

    The hit HBO series satirizes luxury vacationers’ privilege. That hasn’t slowed demand for branded collaborations that sell the show’s lavish lifestyle.Ahead of the much-anticipated Season 3 finale of “The White Lotus,” HBO’s dark comedy-drama that skewers self-absorbed luxury travelers, some fans will be able to immerse themselves in a version of the show’s opulent settings.The Four Seasons Hotel Westlake Village, in the foothills of California’s Santa Monica Mountains, is offering an “exclusive luxury wellness retreat,” set to begin hours ahead of the finale’s airing on Sunday. The experience is intended to “capture the essence” of this season’s Thailand location.“We’re inviting fans to go beyond watching ‘The White Lotus’ and truly experience it,” Pia Barlow, HBO and Max’s executive vice president of originals marketing, said in a news release about the campaign.The retreat is only one of many “White Lotus” experiences and products pegged to the current season. The premium luggage company Away sold out its “White Lotus” capsule collection, complete with lotus flower-printed interior lining. Clothing retailers including H&M, Abercrombie & Fitch, Bloomingdale’s and Banana Republic have all offered show-inspired resort apparel. (Patrick Schwarzenegger, a star of the season, modeled for Banana Republic.) There is “White Lotus” wallpaper, sunscreen and a travel skin-care set in a branded beach tote. Sunglasses, candles, chocolates and even a Thai coffee-flavored creamer can be purchased by viewers looking to live like the show’s wealthy protagonists.But truly experiencing “The White Lotus” is an inherently dicey proposition. The primary motif of the series — created, written and directed by Mike White — has always been to satirize the wealthy who, even while enveloped by the world’s most tranquil and extraordinary surroundings, can’t help but indulge their egos or keep up with their ever-growing list of grievances. They can’t relax either.“I just was like, I should just do a show about people on vacation who have money, and how money is impacting all of their relationships,” White told The New York Times in 2021, ahead of the Season 1 premiere.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More