Fashion and Apparel

Subterms

    More stories

    • 125 Shares169 Views

      in Movies

      Oscars 2025’s Unforgettable Looks: Ariana Grande, Zoe Saldana, Halle Berry

      by

      The 97th Academy Awards ceremony on Sunday was the end of an awards season that lost some of its luster because of tragic wildfires and controversies surrounding certain nominated films. But, for the most part, the heaviness in the air did not dim the sparkle of the season’s red carpets — and the custom “Academy Red” rug that stars paraded down at the Oscars was no exception.The occasion known as Hollywood’s biggest night had stars pulling out all the stops. Some turned heads in brilliant colors: saturated reds and blues, for instance, as well as pastel yellows and pinks. Others shone in metallic finery that shimmered with each step they took. And many who went with understated tuxedos or gowns made them more special with sparkly jewelry.Of all the fabulous attire, these 21 ensembles took the cake when it came to looks at the Oscars that won’t soon be forgotten.Emma Stone: Most Glazed!Jutharat Pinyodoonyachet for The New York TimesA piece of fine porcelain came to mind upon seeing the actress in her pale Louis Vuitton dress covered in glassy sequins.Michelle Yeoh: Most Smurfette!Jutharat Pinyodoonyachet for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares189 Views

      in Movies

      2025 Oscars Red Carpet Photos: Halle Berry, Miley Cyrus, Selena Gomez

      by

      The carpet outside the Dolby Theater in Los Angeles was classic red. The stars who appeared at the 97th Academy Awards wore colors from all across the spectrum.The Oscars campaign season has been a long but fashionable slog for Timothée Chalamet, Colman Domingo, Cynthia Erivo, Ariane Grande, Mikey Madison and other luminaries. By the time they arrived for the annual ceremony on Sunday afternoon, they had settled into their sartorial best.Here’s how the nominees, presenters and performers looked when they made their biggest entrances of the year.Timothée Chalamet in a Givenchy suit.Nina Westervelt for The New York TimesSwipe for more →Colman DomingoJutharat Pinyodoonyachet for The New York TimesJutharat Pinyodoonyachet for The New York TimesMike Coppola/Getty ImagesMike Coppola/Getty ImagesMike Coppola/Getty ImagesMikey Madison in a Dior gown.Nina Westervelt for The New York TimesZoe Saldana wore a gown by Yves Saint Laurent.Jutharat Pinyodoonyachet for The New York TimesSelena Gomez wore Ralph Lauren.Jutharat Pinyodoonyachet for The New York TimesSwipe for more →Cynthia ErivoJutharat Pinyodoonyachet for The New York TimesJae C. Hong/Invision, via Associated PressMike Coppola/Getty ImagesMario Anzuoni/ReutersMike Coppola/Getty ImagesMargaret Qualley wore Chanel.Jutharat Pinyodoonyachet for The New York TimesEmma Stone wore Louis Vuitton.Jutharat Pinyodoonyachet for The New York TimesJeremy Strong in Loro Piana.Nina Westervelt for The New York TimesMonica Barbaro wore Dior.Jutharat Pinyodoonyachet for The New York TimesMiley Cyrus wore Alexander McQueen.Jutharat Pinyodoonyachet for The New York TimesHalle BerryJutharat Pinyodoonyachet for The New York TimesMichelle YeohJutharat Pinyodoonyachet for The New York TimesSwipe for more →Ariana Grande, who was nominated for best supporting actress for “Wicked,” arrived in a dress by Schiaparelli Couture.Nina Westervelt for The New York TimesRichard Shotwell/Invision, via Associated PressNina Westervelt for The New York TimesNina Westervelt for The New York TimesNina Westervelt for The New York TimesElliot Brody, Sylvia Plachy, Adrien Brody and Georgina Chapman.Jutharat Pinyodoonyachet for The New York TimesPenélope CruzNina Westervelt for The New York TimesJazz Charton, left, with Kieran Culkin, who wore a suit by Zegna.Nina Westervelt for The New York TimesDoja Cat wore Balmain.Jutharat Pinyodoonyachet for The New York TimesLupita Nyong’o in a Chanel gown.Jutharat Pinyodoonyachet for The New York TimesSebastian StanJutharat Pinyodoonyachet for The New York TimesScarlett JohanssonJutharat Pinyodoonyachet for The New York TimesBrandi Carlile and Catherine ShepherdJutharat Pinyodoonyachet for The New York TimesFelicity Jones wore a Giorgio Armani Privé gown.Jutharat Pinyodoonyachet for The New York TimesJon M. Chu in a tux by NB44.Jutharat Pinyodoonyachet for The New York TimesElle Fanning, a presenter, arrived in Givenchy Haute Couture.Nina Westervelt for The New York TimesMark Eydelshteyn wore Balenciaga.Jutharat Pinyodoonyachet for The New York TimesRobert Downey Jr., Susan DowneyNina Westervelt for The New York TimesJeff Goldblum, never a wallflower, wore Prada.Nina Westervelt for The New York TimesSwipe for more →The tennis champ Coco Gauff wore neon yellow at the Australian Open in January and a paler shade to the Oscars.Nina Westervelt for The New York TimesRobyn Beck/Agence France-Presse — Getty ImagesRobyn Beck/Agence France-Presse — Getty ImagesRobyn Beck/Agence France-Presse — Getty ImagesEdward Norton arrived in Dior Men.Jutharat Pinyodoonyachet for The New York TimesWhoopi Goldberg wore a dress by Christian Siriano.Nina Westervelt for The New York TimesYura Borisov and Anna BorisovaJutharat Pinyodoonyachet for The New York TimesMr. Yang was dressed up in a Custom Etro black leather jacket for his duties as a presenter.Nina Westervelt for The New York TimesConan O’Brien and Liza Powel O’BrienJutharat Pinyodoonyachet for The New York TimesMindy Kaling wore an Oscar de la Renta gown.Nina Westervelt for The New York TimesIsabella RosselliniJutharat Pinyodoonyachet for The New York TimesAndrew GarfieldJutharat Pinyodoonyachet for The New York TimesLaura Dern wore Gucci.Jutharat Pinyodoonyachet for The New York TimesJesse Eisenberg in a Dior Men suit.Nina Westervelt for The New York TimesGoldie Hawn and Kurt RussellJutharat Pinyodoonyachet for The New York TimesThe actress Storm Reid of “Euphoria” and “The Last of Us” in a dress by Alexandre Vauthier.Nina Westervelt for The New York TimesAna de Armas in a Louis Vuitton gown.Jutharat Pinyodoonyachet for The New York TimesRyan Michelle Bathe and Sterling K. BrownJutharat Pinyodoonyachet for The New York TimesJeremy PopeJutharat Pinyodoonyachet for The New York TimesFernanda Torres, a best actress nominee for her starring role in “I’m Still Here,” wore a gown by Chanel.Nina Westervelt for The New York TimesSwipe for more →Adriana PazNina Westervelt for The New York TimesRobyn Beck/Agence France-Presse — Getty ImagesNina Westervelt for The New York TimesNina Westervelt for The New York TimesRichard Shotwell/Invision, via Associated PressJoe AlwynJutharat Pinyodoonyachet for The New York TimesGal Gadot wore a Prada gown.Jutharat Pinyodoonyachet for The New York TimesCoralie Fargeat wore an Atelier Versace gown and jewelry by Maison Boucheron.Jutharat Pinyodoonyachet for The New York TimesQueen LatifahJutharat Pinyodoonyachet for The New York TimesRalph FiennesNina Westervelt for The New York TimesDa’Vine Joy RandolphJutharat Pinyodoonyachet for The New York TimesRachel ZeglerJutharat Pinyodoonyachet for The New York TimesPaul TazewellJutharat Pinyodoonyachet for The New York TimesLily-Rose DeppJutharat Pinyodoonyachet for The New York TimesLena WaitheJutharat Pinyodoonyachet for The New York TimesGiancarlo EspositoNina Westervelt for The New York TimesThe French actress Stacy Martin in Louis Vuitton.Jutharat Pinyodoonyachet for The New York TimesWillem DafoeJutharat Pinyodoonyachet for The New York TimesH.E.R.Jutharat Pinyodoonyachet for The New York TimesDennis Quaid and Laura SavoieJutharat Pinyodoonyachet for The New York TimesSamuel L. JacksonNina Westervelt for The New York TimesRita WilsonNina Westervelt for The New York TimesAmy PoehlerNina Westervelt for The New York TimesBen StillerNina Westervelt for The New York TimesKelly Ripa, left, and Mark ConsuelosJutharat Pinyodoonyachet for The New York TimesGuy PearceJutharat Pinyodoonyachet for The New York TimesConnie NielsenJutharat Pinyodoonyachet for The New York TimesPaz VegaNina Westervelt for The New York TimesMiles Teller, left, and Keleigh SperryJutharat Pinyodoonyachet for The New York TimesThe actor Ethan Slater in a Giorgio Armani tux.Nina Westervelt for The New York TimesMary Yeager and John LithgowNina Westervelt for The New York TimesThe Oscar winner Marlee Matlin.Jutharat Pinyodoonyachet for The New York TimesDiane WarrenNina Westervelt for The New York TimesYasmin FinneyNina Westervelt for The New York TimesJune SquibbJutharat Pinyodoonyachet for The New York TimesMarissa BodeJutharat Pinyodoonyachet for The New York TimesPauline ChalametNina Westervelt for The New York TimesEmily Kassie, a nominee in the best documentary feature category for “Sugarcane,” in a red gown.Jutharat Pinyodoonyachet for The New York TimesMeg RyanJutharat Pinyodoonyachet for The New York TimesGayle KingNina Westervelt for The New York TimesLaura BlountJutharat Pinyodoonyachet for The New York TimesAva DuVernayNina Westervelt for The New York TimesAmelia Dimoldenberg, the host of the YouTube series “Chicken Shop Date,” wore Versace.Jutharat Pinyodoonyachet for The New York TimesRayeNina Westervelt for The New York TimesThe model and social media star Calum Harper.Nina Westervelt for The New York TimesDave BautistaJutharat Pinyodoonyachet for The New York TimesLisa ManobalJutharat Pinyodoonyachet for The New York TimesThe actor and host Mario Lopez went with a classic look.Jutharat Pinyodoonyachet for The New York TimesCharlotte Lawrence and Andrew WattJutharat Pinyodoonyachet for The New York TimesNick OffermanJutharat Pinyodoonyachet for The New York TimesEdvin Ryding, known for his work on “The Young Royals,” wore a sash.Nina Westervelt for The New York TimesJanet Yang, a producer and a former president of the Academy of Motion Picture Arts and Sciences, in a gown from Max Studio.Jutharat Pinyodoonyachet for The New York TimesVolker Bertelmann, an Oscar-winning composer who was nominated for the score of “Conclave,” in white tie.Jutharat Pinyodoonyachet for The New York TimesBruna MarquezineNina Westervelt for The New York TimesEmily Mortimer and Alessandro NivolaJutharat Pinyodoonyachet for The New York TimesThe actress Alba Rohrwacher.Jutharat Pinyodoonyachet for The New York TimesThe singer, songwriter and actor Omar Apollo wore a Valentino suit.Nina Westervelt for The New York TimesEmmanuel Janvier, a nominee in the makeup and hairstyling category for “Emilia Pérez.”Jutharat Pinyodoonyachet for The New York TimesSwipe for more →Coco JonesNina Westervelt for The New York TimesRichard Shotwell/Invision, via Associated PressNina Westervelt for The New York TimesRobyn Beck/Agence France-Presse — Getty ImagesRaffey CassidyJutharat Pinyodoonyachet for The New York TimesThe singer and actress Kayo Shekoni, left, and Johan Grimonprez, who is nominated in the documentary feature category for “Soundtrack to a Coup D’Etat.”Jutharat Pinyodoonyachet for The New York TimesJulia Floch Carbonel, who was nominated in the makeup and hairstyling category for “Emilia Pérez.”Jutharat Pinyodoonyachet for The New York TimesThe actor Joe Locke.Jutharat Pinyodoonyachet for The New York TimesJessica Steele-Sanders and Chris SandersJutharat Pinyodoonyachet for The New York TimesBretman RockNina Westervelt for The New York Times More

    • 150 Shares159 Views

      in Movies

      Ariana Grande and Cynthia Erivo Continue ‘Wicked’ Theme at Oscars Red Carpet

      by

      In the words of Glinda, pink goes good with green.After months of method dressing, “Wicked” stars Ariana Grande and Cynthia Erivo both arrived on the Oscars red carpet in their Ozian characters’ signature colors.For Ms. Grande, nominated for best supporting actress, that meant an icy pink satin and tulle bustier gown from Schiaparelli decked out in more than 190,000 crystal sequins, rhinestones and beads. The wiggly waistline was inspired by an lamp designed by the artist Alberto Giacometti.Ariana Grande’s Schiaparelli gown was decorated with more than 190,000 crystal sequins, rhinestones and beads.Nina Westervelt for The New York TimesErivo’s signature fingernails were decorated with elaborate, hand-sculpted gilded art, including a tiny watch and clock.Jutharat Pinyodoonyachet for The New York TimesMs. Erivo, who is nominated for best actress, opted for a shade of deep forest green, so dark it almost appeared black at first glance. But make no mistake, the subtle homage was intentional. Speaking with E! on the red carpet, she said the velvet Louis Vuitton gown — with an almost vampiric architectural collar — was a “nod to Oz, a nod to the green, and a nod to old Hollywood.” Her signature fingernails by the nail artist Mycah Dior were decorated with elaborate, hand-sculpted gilded art, including a tiny watch and clock.Over the course of the “Wicked” press tour, both stars regularly stepped out in styles that referenced their characters. At the premiere in Los Angeles, Ms. Grande wore a pink Thom Browne gingham dress, while Ms. Erivo donned a green vinyl Louis Vuitton number.Even at events not officially related to the film, the pair remained committed to the bit, like during an appearance at the Olympics in Paris where they each wore … well, you know.The second installment of “Wicked” comes out later this year. We’ll have to wait and see if the duo will still be holding space for pink and green come November. More

    • 138 Shares129 Views

      in Movies

      SAG Awards 2025’s Unforgettable Looks: Selena Gomez, Pamela Anderson & More

      by

      It has been a busy weekend in Hollywood. On Saturday, stars paraded down carpets at the Film Independent Spirit Awards and the N.A.A.C.P. Image Awards. Less than 24 hours later, they were at it again for the 31st Screen Actors Guild Awards.The ceremony, held at the Shrine Auditorium in Los Angeles, honored acting achievements in television and film. Like other events this awards season, it also recognized those whose lives have been upended by the Los Angeles wildfires, including members of the Los Angeles Fire Department, some of whom walked the carpet in their dress uniforms.Other attendees’ attire was more flamboyant. A handful of actresses — Mikey Madison, Brooke Shields and Moeka Hoshi among them — chose silvery gowns that glimmered like disco balls or freshly minted coins. Actors like Jeff Goldblum and Colman Domingo accessorized their formal wear with scarves and sparkly jewelry. But of all the looks seen on the carpet at the Screen Actors Guild Awards, these 14, for various reasons, stood out more than most.Cynthia Erivo: Most Space Blanket!Allison Dinner/EPA, via ShutterstockThe “Wicked” star’s ensemble, which was made of woven silver fabric that fringed at the edges, resembled a fancy version of the foil blankets worn by runners after marathons. The piece, in fact, was archival Givenchy from the label’s Alexander McQueen era.Pamela Anderson: Most Angelic!Richard Shotwell/Invision, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares179 Views

      in Music

      Kendrick Lamar’s Bell Bottoms Steal the Super Bowl Halftime Show

      by

      Could it be that the lasting impact of Kendrick Lamar’s Super Bowl halftime show will be … the return of bell bottoms?At halftime of a fairly dull game (unless, well, you’re an Eagles fan), the rapper materialized onstage, flanked by dancers in monotonal outfits of either blue, red or white, dressed in clothes that clearly repped team Lamar.His varsity jacket, custom-made by Martine Rose, a British designer known for her witty and warped sportswear, was coated with patches to please the Lamarologists in the Superdome. The front read “Gloria,” seemingly a reference to the last song on his latest album “GNX.” The back had a “pgLang” insignia, the creative agency Mr. Lamar co-runs with Dave Free.Mr. Lamar’s jacket was made by Martine Rose, a British designer.Emily Kask for The New York TimesThere were other delectable elements to his outfit: a tilted fitted cap with a feather brooch pinned on the side, as well as a conspicuous “a” chain that some online took to be a head nod to the villainous “A Minor” line in Mr. Lamar’s Grammy-gathering “Not Like Us” — a line that the stadium hollered in unison at the appointed time. (Others offered that the “a” could be some sort of nod to pgLang, though it also looked a little like the Amazon logo.)But the pièce de résistance, the item that people started texting me about, oh, two minutes into his performance, were those jeans, which came from the French fashion house Celine. Their official product name is the “flared surf jean in summer dazed wash.” At $1,300 they do not come cheap.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 150 Shares199 Views

      in Movies

      Critics Choice Awards 2025’s Unforgettable Looks: Ariana Grande, Demi Moore, and More

      by

      The question of what celebrities will wear to an awards show always looms large before any ceremony. But it took on new significance ahead of the 30th Critics Choice Awards in Santa Monica, Calif., on Friday: After postponing the event twice because of the Los Angeles wildfires, organizers announced that a red-carpet preshow would not be part of the televised broadcast.How might that decision influence the fashion choices of the television and movie stars in attendance? Would they be riskier? More relaxed?As people started arriving, it soon became clear that absence of TV cameras on the carpet hadn’t stopped most from taking big style swings. For myriad reasons — most of them good — these 14 looks were among the most memorable from the Critics Choice Awards.Nicole Kidman: Most Humphrey Bogart!Daniel Cole/ReutersInstead of a gown, the “Lioness” and “Babygirl” actress went with a broad-shouldered Saint Laurent suit jacket, high-waist pants and a polka-dot tie, an ensemble that evoked the men’s wear of Old Hollywood.Ariana Grande: Most Jellyfish!Allison Dinner/EPA, via ShutterstockWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 138 Shares109 Views

      in Movies

      Phyllis Dalton, Oscar-Winning Costume Designer for Historical Epics, Dies at 99

      by

      Phyllis Dalton, a British costume designer whose unflinching attention to detail earned her Oscars for “Doctor Zhivago” and “Henry V” and acclaim for her emotive, striking costumes in “Lawrence of Arabia,” died on Jan. 9 at her home in Somerset, England. She was 99.The death was confirmed by her stepson, James Barton.Ms. Dalton’s keen eye was most apparent in period dramas and historical epics. She was known for her subtlety, crafting clothing that blended seamlessly into each film’s era.“Anyone can make a smart frock,” she said in a brochure that was handed out during a 2012 British Academy of Film and Television Arts tribute to her. “It’s much more difficult to make people from the past who are wearing ordinary clothes look real.”Phyllis Margaret Dalton was born on Oct. 16, 1925, in Chiswick, a suburb of London, to William John Tysoe Dalton, who worked for the Great Western Railway, and Elizabeth Marion (Mason) Dalton, who worked at a bank. Phyllis began studying costume design at Ealing Art College at 13 and later became a code breaker in the Women’s Royal Naval Service at the facility at Bletchley Park, a role she once said she considered “unbelievably boring.”One of Ms. Dalton’s earliest stints in wardrobe was on the 1950 crime melodrama “Eye Witness.” She honed her skills working on costumes for Alfred Hitchcock’s 1956 remake of “The Man Who Knew Too Much,” Robert Rossen’s “Island in the Sun” (1957) and Carol Reed’s “Our Man in Havana” (1959). In the 1960s, she completed two of her most renowned designs three years apart, dressing entire armies for “Lawrence of Arabia” (1962) and “Doctor Zhivago” (1965).After 50 years of experience on more than 40 feature films, including “The Princess Bride” (1987), she earned her last credit on Kenneth Branagh’s adaptation of “Much Ado About Nothing” in 1993.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 163 Shares139 Views

      in Music

      At Opening Night at La Scala, Opera Is the Center of the Universe

      by

      Television reporters stood shoulder to shoulder delivering breathless, minute-by-minute commentary, part of a pack of more than 120 journalists from 10 countries.Celebrities, politicians and titans of industry walked the red carpet past paparazzi and officers standing sentry with capes, sashes, swords and plumed hats.Outside, protesters used firecrackers, smoke bombs and even manure as they sought to seize on the occasion to draw attention to a variety of causes.It was not a global summit, a Hollywood premiere or a royal procession. It was the start of the new opera season at Teatro alla Scala in Milan.Opera may be starved for attention in much of the world. But at La Scala, the storied theater that gave world premieres of works by Donizetti, Puccini, Rossini and Verdi, opera can still feel like the center of the cultural universe. It remains a matter of national pride and patrimony, a political football and an obsession for devoted fans.“This is sacred for us,” said the critic Alberto Mattioli, who writes for La Stampa, an Italian newspaper. “Opera is our religion.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More