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    Amid Trump Cuts, Officials Resign From the National Endowment for the Arts

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    Senior officials announced their resignations after the Trump administration withdrew grants from arts organizations around the country.A group of senior officials at the National Endowment for the Arts announced their resignations on Monday, days after the Trump administration began withdrawing grants from arts groups across the nation.Their departures, which come as the endowment has been withdrawing current grant offers and President Trump has proposed eliminating the agency altogether next year, became public on Monday in a series of emails and social media posts.An N.E.A. spokeswoman did not respond to a request for comment.Among those leaving the agency are directors overseeing grants for dance, design, folk and traditional arts, museums and visual arts, and theater. Also departing are the directors of arts education, multidisciplinary works and the “partnership” division, which oversees work with state and local arts agencies. Those officials announced their departures in newsletters sent out by the endowment starting at midday on Monday.The head of the agency’s literary arts division is leaving as well, along with three members of her team, according to a newsletter sent on Monday morning by LitNet, a coalition of literary organizations.The announcement of the departures left the besieged agency facing even more uncertainty. It is not clear how or whether the agency would issue grants without this tier of officials. A round of grant cancellation notifications that went out Friday night indicated that the agency expected to continue making grants, but in areas prioritized by Mr. Trump.Oskar Eustis, the artistic director of the Public Theater in New York and one of the leaders of the Professional Non-Profit Theater Coalition, said the staff resignations were “worrisome.” He added that while he did not criticize anyone for leaving, he feared the departures could make it easier to eliminate the agency.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Trump Called for Movie Tariffs After a Meeting With Jon Voight

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      The president’s call for tariffs caused confusion in Hollywood, which has seen a steep drop-off in local film and television production.President Trump’s call to impose steep tariffs on movies “produced in Foreign Lands” came after he met at Mar-a-Lago over the weekend with the actor Jon Voight, whom he named a “special ambassador” to Hollywood this year.The president’s social media post on Sunday that called for a 100 percent tariff on films produced outside the United States caused confusion in Hollywood, which has lost a great deal of local film and television production to states and nations that offer rich tax credits and cheaper labor. While few in the industry said that they understood Mr. Trump’s proposal, some worried that tariffs could cause more harm than good and called instead for federal help in the form of tax credits.Mr. Voight and Steven Paul, his longtime manager, met with Mr. Trump over the weekend and shared their plans to increase domestic film production, according to a statement from SP Media Group, Mr. Paul’s firm. They suggested federal tax incentives, changes to the tax code, co-production treaties with other nations and infrastructure subsidies, the statement said.The proposal also included “tariffs in certain limited circumstances,” the statement said, adding that it was under review.Mr. Voight made the rounds of Hollywood last week, meeting with the Motion Picture Association, Hollywood’s top lobbying group; various unions; and the state representatives who are pushing bills to increase state tax credits for the film and television industries. State Senator Ben Allen, a Democrat whose district includes Hollywood, met with the actor to discuss how to increase production in the state, a representative said.Mr. Voight emerged from those meetings with two one-page documents drafted by the M.P.A. One letter encourages lawmakers in Washington to adopt a manufacturing and production incentive to encourage more domestic employment. The other asks Congress to extend a section of the tax code that expires at the end of 2025 and allows certain film and television expenses to be deducted in the year they are incurred.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The National Endowment for the Arts Begins Terminating Grants

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      The endowment told arts organizations that it was withdrawing or canceling current grants just hours after President Trump proposed eliminating the agency in the next fiscal year.The National Endowment for the Arts withdrew and canceled grant offers to numerous arts organizations around the country on Friday night, sending a round of email notifications out just hours after President Trump proposed eliminating the agency in his next budget.The move, although not unexpected, was met with disappointment and anger by arts administrators who had counted on the grants to finance ongoing projects.In Oregon, Portland Playhouse received an email from the endowment just 24 hours before opening a production of August Wilson’s “Joe Turner’s Come and Gone,” an acclaimed work that is part of the playwright’s series of 10 dramas about African Americans through the course of the 20th century. The N.E.A. had recommended a $25,000 grant for the show, which would have paid about one-fifth of the production’s personnel costs.“Times are tough for theaters — we’re already pressed, and in this moment where every dollar matters, this was a critical piece of our budget,” said Brian Weaver, the theater’s producing artistic director. “It’s ridiculous.”The emails were sent to arts administrators from an address at the endowment that did not accept replies. “The N.E.A. is updating its grantmaking policy priorities to focus funding on projects that reflect the nation’s rich artistic heritage and creativity as prioritized by the president,” the emails said. “Consequently, we are terminating awards that fall outside these new priorities.”The emails went on to say that the endowment would now prioritize projects that “elevate” historically Black colleges and universities, and colleges that serve Hispanic students. The emails also said the endowment would focus on projects that “celebrate the 250th anniversary of American independence, foster A.I. competency, empower houses of worship to serve communities, assist with disaster recovery, foster skilled trade jobs, make America healthy again, support the military and veterans, support Tribal communities, make the District of Columbia safe and beautiful, and support the economic development of Asian American communities.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Music

      Detroit Opera Steps Into Trump’s Cross Hairs With ‘Central Park Five’

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      A rehearsal of “The Central Park Five,” an opera about the Black and Latino boys wrongly convicted of raping a Central Park jogger, was just a few days old this month when the tenor who plays Donald J. Trump began to sing.“They are animals! Monsters!…Support our police! Bring back the death penalty!” he bellowed.The opera, which chronicles how the young men were forced to confess and later were exonerated, depicts President Trump as an inflammatory figure who, in 1989, bought several full-page newspaper ads that demonized “roving bands of wild criminals,” adding, “I want them to be afraid.”When the work — composed by Anthony Davis with a libretto by Richard Wesley — premiered in California in 2019, Mr. Trump’s approval ratings were low and Democrats were itching to challenge him.Now, as a new production opens next month at the Detroit Opera House, the setting is quite different. Mr. Trump is a resurrected, emboldened political force who, since returning to office, has wielded power to shutter federal agencies, cut grants and strong-arm law firms and universities, all of which has led some opponents to worry about retaliation.None of this has been lost on Detroit Opera, as the company braces for blowback and hopes for applause. Its leadership team understands the perils of mounting a production that waves a red cape at a pumped-up, reactive presidency.Surprisingly, the opera is partially financed by the National Endowment for the Arts, with some $40,000 of the production’s $1 million cost coming through a federal grant. It was awarded, and paid, before the agency canceled most of its existing grants at the Trump administration’s direction.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      Theaters Sue the N.E.A. Over Trump’s ‘Gender Ideology’ Order

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      The lawsuit seeks to block a new rule that requires groups applying for grants from the National Endowment for the Arts to agree not to promote “gender ideology.”Several arts organizations sued the National Endowment for the Arts on Thursday, challenging its new requirement that grant applicants agree to comply with President Trump’s executive orders by promising not to promote “gender ideology.”The groups that filed the suit have made or supported art about transgender and nonbinary people, and have received N.E.A. funding in the past. They say the new requirement unconstitutionally threatens their eligibility for future grants.“Because they seek to affirm transgender and nonbinary identities and experiences in the projects for which they seek funding, plaintiffs are effectively barred by the ‘gender ideology’ certification and prohibition from receiving N.E.A. grants on artistic merit and excellence grounds,” the lawsuit says.The groups are being represented in the litigation by the American Civil Liberties Union, which said in the lawsuit that the N.E.A. rule “has sowed chaos in the funding of arts projects across the United States.” After Mr. Trump began his second term, the N.E.A. said it would require grant applicants to agree “that federal funds shall not be used to promote gender ideology,” which Mr. Trump said in an executive order includes “the false claim that males can identify as and thus become women and vice versa.”The N.E.A. did not immediately respond to a request for comment.The suit was filed in a federal court in Rhode Island on behalf of Rhode Island Latino Arts, which promotes art made by Latinos; the Theater Offensive, an organization in Boston that presents work “by, for and about queer and trans people of color”; and National Queer Theater, a New York company best known for its Criminal Queerness Festival, which presents the work of international artists with roots in countries where their sexuality is criminalized or censored.“The N.E.A. has been a very robust supporter of ours,” said Adam Odsess-Rubin, the founding artistic director of National Queer Theater, which received $20,000 from the N.E.A. in 2023, $25,000 in 2024, and has been scheduled to receive $20,000 this year. “It’s ironic for us to be asked to check a box saying we won’t promote gender ideology; it doesn’t make sense to us; it’s not clear how it serves the American public at all, and, frankly, it’s discriminatory.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Theater

      The N.E.A.’s New Gender and Diversity Edicts Worry Arts Groups

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      As the National Endowment for the Arts adjusts to comply with President Trump’s executive orders, “gender ideology” is out and works that “honor the nation’s rich artistic heritage” are in.The National Endowment for the Arts is telling arts groups not to use federal funds to promote “diversity, equity and inclusion” or “gender ideology” in ways that run afoul of President Trump’s executive orders — causing confusion and concern.Black Girls Dance, a Chicago-based nonprofit that trains and mentors young dancers, was recently approved for a $10,000 grant to help finance an annual holiday show called “Mary.” Now the small company is wondering if it still qualifies for the money.It was the company’s first grant from the N.E.A., and Erin Barnett, the nonprofit’s founder and executive director, said that receiving it had been “a step of validation — like ‘We see you and we support the work that you’re doing.’” But she said that if the grant were canceled for running afoul of the new requirements, she would persist. “I serve a God that sits on the highest throne of all, and he’s not going to stop this show,” she said.It is unclear what the new rules will mean for groups seeking grants, or for those that already have them in the pipeline. Many arts organizations have pledged to support diversity, equity and inclusion efforts, and several groups that have received funding in the past have presented works about transgender and nonbinary people.The new N.E.A. rules require applicants to agree not to operate diversity programs “that violate any applicable federal anti-discrimination laws” and call on grant applicants to pledge not to use federal funds to “promote gender ideology.” They refer to an executive order Mr. Trump signed that declares that the United States recognizes only “two sexes, male and female.”The N.E.A. did not answer questions about whether organizations that have already been told they would receive grant money would be affected.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

    • 125 Shares119 Views

      in Movies

      National Endowment for the Humanities Announces $33.17 Million in Grants

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      In New York, the Tenement Museum, Women Make Movies, UnionDocs, LaGuardia Community College and more will receive funding.A book about Motown Productions, the film and television arm of the legendary Motown Records; preservation of the traditional language and lifestyle of Yup’ik and Cup’ik Alaskan Native people; and research on how communities — and insurance companies — in Bermuda understand risk caused by rising sea levels and climate change are among the 245 projects across the country that are receiving new grants from the National Endowment for the Humanities.The grants, which total $33.17 million, support historic collections, exhibitions and documentaries, humanities infrastructure, scholarly research and curriculum projects.Among the 13 categories in which the grants were awarded, the most money — $11 million — went toward 23 infrastructure and capacity building challenge grants, which leverage federal funds to spur nonfederal support for cultural institutions.Included in those were awards to the Bishop Museum in Honolulu, to make collections documenting Hawaiian and Pacific history and culture more accessible, and to the First Peoples Fund in Rapid City, S.D., to create outdoor classroom spaces for education programs about the Lakota cultural traditions at the Pine Ridge Reservation’s Oglala Lakota Artspace.Thirty projects in New York state will receive $4.4 million in total funding, with $3.76 million going to 16 groups and individuals in New York City.In Brooklyn, UnionDocs will get $644,525 for the production of a film about the First Amendment and the balance between free speech principles and other core values. (The project is titled “Speaking Freely: The First Amendment and the Work of Preeminent Attorney Floyd Abrams” and will be directed by Yael Melamede.)In Long Island City, LaGuardia Community College will see $34,991 to create a liberal arts health humanities option with an interdisciplinary curriculum for undergraduates that focuses on the social, cultural and historical contexts of medical ethics, health and medicine.And in Manhattan, the Lower East Side Tenement Museum will receive $400,000 to support guided tours exploring the lives of African Americans and Irish immigrants in 19th-century New York City. Women Make Movies, also in Manhattan, will receive $500,000 toward the production of a film that explores the life and work of the Caribbean writer Jamaica Kincaid. The movie, “Jamaica Kincaid: Liberating the Daffodil,” will be directed by Stephanie Black.This crop of grants is the first round of funding from the agency under Shelly C. Lowe, the first Native American to lead the agency.“N.E.H. is proud to support these exemplary education, media, preservation, research and infrastructure projects,” Lowe said in a statement. “These 245 projects will expand the horizons of our knowledge of culture and history, lift up humanities organizations working to preserve and tell the stories of local and global communities, and bring high-quality public programs and educational resources directly to the American public.” More

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      in Theater

      'West Side Story' Will Return $10 Million Federal Aid

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      The Broadway revival received federal aid through the Shuttered Venue Operators Grant program. But the show decided not to reopen, and said it would return the money.Earlier this summer “West Side Story,” the ambitious, avant-garde-tinged revival of the classic musical, got some significant relief: $10 million in federal funding. It was the maximum amount allowed under the new Shuttered Venue Operators Grant initiative, which devoted $16 billion in federal aid to help music clubs, theaters and other live-event businesses recover from the pandemic.But even with that aid in its war chest, the show announced this week that it would not return to Broadway. Asked about the grant on Tuesday, the show said it would give back the money.“‘West Side Story’ will be returning the entirety of the S.V.O.G. grant with the hope that another production will be able to use the funds,” a spokesman for the show, Rick Miramontez, said in a statement.The revival — which was reimagined by the director Ivo van Hove and the choreographer Anne Teresa De Keersmaeker — opened to mixed reviews in February 2020, less than a month before the coronavirus outbreak shut down Broadway. While it was closed, its lead producer, Scott Rudin, announced in April 2021 that he would step back from active roles in his Broadway productions after he came under fire for a long history of abusive behavior; he said that he hoped the show would reopen without him.Federal records showed that Danish San Juan Limited Liability Company, which court records said had been formed by Rudin to operate “West Side Story,” had been approved to receive $10 million under the Shuttered Venue Operators Grant initiative. Documents posted by the Small Business Administration, which runs the grant program, say that the federal funding is intended for “entities that are currently operating or intend to resume full operations.”“West Side Story” had grossed $1.5 million in ticket sales the week before the pandemic closed it down. Miramontez did not respond when asked to elaborate on why the show had decided to close, despite the federal aid.During the long shutdown, and with the prospects for rebounding uncertain, Broadway shows, nightclubs and arts institutions across the city jumped at the prospect of federal relief. This spring, after a long wait and many hiccups, more than 10,000 music clubs, theaters and other live-event businesses across the country got a share of a $16 billion federal grant, records show.The records also show that many of New York’s best known cultural institutions got millions of dollars in funding, as did Broadway musicals like “Hamilton” and “Hadestown,” which plan to open next month.Stacy Cowley contributed reporting. More