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    Foo Fighters Will Play First Concert Back at Madison Square Garden

    The first full-capacity arena concert in New York since March 2020 will feature rock ’n’ roll — but only for fans who are fully vaccinated — on June 20.For the first time in more than 15 months, Madison Square Garden is gearing up to host a rock ’n’ roll concert without social distancing, masks or capacity caps.Foo Fighters will perform on June 20 — but only for fans who are fully vaccinated. It will be the first full-capacity concert in a New York arena since March 2020.“We’ve been waiting for this day for over a year,” Dave Grohl, the band’s frontman, said in a statement on Tuesday, telling fans to prepare for a long night “of screaming our heads off together to 26 years of Foos.”Audience members will be required to show proof of full Covid-19 vaccination along with their tickets to enter the venue, James L. Dolan, the executive chairman and chief executive of Madison Square Garden Entertainment, said in a statement. Tickets will go on sale on Friday at 10 a.m. at prices of $50 to $119.Full-capacity concerts represent the latest sign of a return to cultural life in Manhattan. On Monday, Bruce Springsteen announced that “Springsteen on Broadway,” the rock legend’s autobiographical show, would come back for a limited run that begins performances at the St. James Theater on June 26.Although most Broadway theaters and producers are still holding off on opening until after Labor Day, a drop in coronavirus cases and increasing vaccination rate in the United States have encouraged many producers and performers to accelerate their plans.Fans have been able to attend N.B.A. playoff games at the Garden, where the New York Knicks play, with separate sections for fully vaccinated and unvaccinated fans. (The Knicks were eliminated last week, paving the way for concerts.)The June show is part of a Foo Fighters tour that was meant to celebrate the band’s 25th anniversary, but was postponed a year because of the pandemic. The group last performed at the Garden in July 2018, when it sold out two nights on its Concrete and Gold Tour. During 2020, the band released its 10th studio album, “Medicine at Midnight,” and Grohl engaged in a playful drum battle with the then 10-year-old prodigy Nandi Bushell that delighted fans on social media.Foo Fighters will also be inducted into the Rock & Roll Hall of Fame in October — an honor they earned in their first year of eligibility.Other concerts booked for Madison Square Garden include Eagles in August, as well as the Mexican group Banda MS and the country duo Dan + Shay in September. Harry Styles will perform for five nights in October, and Billy Joel will resume his monthly residency in November. Concerts will return to Barclays Center in Brooklyn in September with Marc Anthony. More

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    Tina Turner and Jay-Z Lead Rock Hall of Fame’s 2021 Inductees

    Foo Fighters, the Go-Go’s, Carole King and Todd Rundgren were also voted in, meaning nearly half of the 15 individuals in this year’s class are women.For years, the Rock & Roll Hall of Fame has been pummeled by criticism that its inductees — the marble busts in the pantheon of rock — were too homogeneous, and that the secretive insiders who create the ballots showed a troubling pattern of excluding women.This year the voters seem to have listened: The class of 2021 features Jay-Z, Foo Fighters, the Go-Go’s, Carole King, Tina Turner and Todd Rundgren — a collection of 15 individuals that includes seven women.That ratio alone should lend a new energy to the 36th annual induction ceremony, planned for Oct. 30 at Rocket Mortgage FieldHouse in Cleveland.In past years, when women have been inducted, they have been far outnumbered by men. In 2019, for example, Stevie Nicks and Janet Jackson may have stood triumphant, but their earnest speeches — Jackson: “Please induct more women” — did not seem to last as long as it took to name every male bass player of the rock bands that joined alongside them.Dave Grohl, center, and the members of Foo Fighters. Grohl is already in the hall as a member of Nirvana.Magdalena Wosinska for The New York TimesThe latest inductees show a balance of genre and generation that has come to be a feature of the Rock & Roll Hall of Fame’s expanding tent. Foo Fighters, led by Dave Grohl, represent the cream of 1990s-vintage alternative rock. Jay-Z is rap incarnate. And the Go-Go’s stand for joyful, upbeat 1980s power-pop.Each of those acts was a first-time nominee, although the Go-Go’s — the first and only all-woman rock band to score a No. 1 album on Billboard’s chart — have been eligible since 2006. (Artists can be nominated 25 years after the release of their first recording.)The Go-Go’s in the early 1980s: from left, Kathy Valentine, Jane Wiedlin, Gina Schock, Charlotte Caffey and Belinda Carlisle.Paul Natkin/WireImageRundgren, the prolific producer and multi-instrumentalist, occupies the role of the auteur from classic rock’s flowering in the late 1960s and early ’70s; Turner is a force of nature whose career has stretched from old-school R&B to MTV-era pop; and King is the singer-songwriter and conscience who brings gravitas to the proceedings.Three of this year’s inductees were already in the hall: Grohl as a member of Nirvana, Turner with Ike and Tina Turner, and King as a nonperformer, with her songwriting partner and former husband Gerry Goffin.The story of the inductions is also told by who didn’t make the cut. The voters — a group of more than 1,000 artists, journalists and industry veterans — decided against the bands Iron Maiden, Devo, New York Dolls and Rage Against the Machine, as well as Kate Bush, Mary J. Blige, Chaka Khan and Dionne Warwick.The Afrobeat pioneer Fela Kuti would have been the first Black musician from Africa to join the hall, but was not voted in this year. Leni Sinclair/Michael Ochs Archives, via Getty ImagesFela Kuti, the Nigerian-born pioneer of Afrobeat, had been the surprise nominee this year, and was one of the artists chosen in the Hall of Fame’s fan vote — an online public poll that creates a single official ballot — thanks in part to support from African stars like Burna Boy. Kuti would have been the first Black artist from Africa to join the hall, but he failed in his first time on the ballot. (Trevor Rabin of Yes is from South Africa, and Freddie Mercury of Queen was born in Zanzibar, now part of Tanzania; both bands are in the Hall of Fame.)And LL Cool J, a titan of hip-hop who also received high-profile support this year, lost after a sixth nomination. But he has been given a musical excellence award, for people “whose originality and influence creating music have had a dramatic impact on music.” This category was once known as the sidemen award, but it is also something of a consolation prize: The producer and guitarist Nile Rodgers won it in 2017 after Chic, his band, was passed over 11 times.The other musical excellence recipients this year include Billy Preston, the keyboardist who was a frequent collaborator of the Beatles, and Randy Rhoads, a guitarist with Ozzy Osbourne.Also this year, the Ahmet Ertegun Award, for nonperformers, will go to the record executive Clarence Avant, and “early influence” trophies will go to Gil Scott-Heron, Charley Patton and Kraftwerk, the German electronic pioneers who had been nominated for induction six times.The induction ceremony is to be broadcast later on HBO and streamed on HBO Max. More

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    Foo Fighters' Chris Shiflett Believes 'Medicine at Midnight' Was Recorded in Haunted House

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    After frontman Dave Grohl talked about the strange things that happened during the studio sessions, the band’s guitarist spills the ‘old, funky mansion’ seems a little out of place in the neighborhood.

    Mar 22, 2021

    AceShowbiz –
    Foo Fighters star Chris Shiflett is convinced the band recorded its new album, “Medicine at Midnight”, in a haunted house. The “Best of You” rockers laid down the tracks for their 10th studio album in a property in Los Angeles, and the guitarist insists there was a weird energy in the place.

    “It was sort of like this old, funky mansion that’s sitting in disrepair, and it’s in a very nice neighborhood, so it seems a little out of place,” he tells Guitar Magazine. “There’s all these nice houses and beautiful yards all up and down the street, and then there’s this old, c**ppy house sitting there, sliding off the hill, being reclaimed by the earth.”

    Frontman Dave Grohl previously claimed strange things happened during the studio sessions, “I knew the vibes were definitely off, but the sound was f**king on. We would come back to the studio the next day and all of the guitars would be detuned or the setting we’d put on the (mixing) board, all of them had gone back to zero. We would open up a Pro Tools session and tracks would be missing.”

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    “There were some tracks that were put on there that we didn’t put on there. But just like weird open mic noises. Nobody playing an instrument or anything like that, just an open mic recording a room.”

    And while there has been a suggestion the group captured paranormal activity on camera, the bandmates can’t comment on the rumor due to a non-disclosure agreement with the homeowners.

    Chris wouldn’t confirm or deny the footage exists, adding, “I don’t know about that one, to be honest. We’ll see! I’m sure if it is (true), that video will see the light of day somehow. Keep checking Dave’s Instagram for all the latest ghost footage!”

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    Foo Fighters Get Candid About Why They Find It Impossible to Take A Break

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    Dave Grohl admits that he and his bandmates would reconnect with each other shortly after vowing at the end of each album promotion and tour to never put each other through hell ever again.

    Mar 1, 2021
    AceShowbiz – The Foo Fighters find it impossible to take a break, because they “miss each other” too much in between projects.
    The “Learn to Fly” hitmakers always reach the end of each album promotion and tour convinced it will be their “last record”, but it doesn’t take long for the rockers to reconnect and start talking about making new material.
    Frontman Dave Grohl told Guitar World magazine, “We kind of work this cycle where we’ll go into the studio and make a record, then we run around playing clubs and doing promo for a couple of months, and then we release the record and tour for a year and a half.”
    “By the time we’re finished with that cycle, we’re all exhausted and we promise ourselves we’ll never put each other through that f**king hell ever again.”
    “I say it every f**king time. You should ask my wife. She’s like, ‘I hear it every time – ‘I’m exhausted, I’m never doing this again, this is the last record, blah, blah, blah’.”

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    Guitarist Pat Smear added, “We always claim we’re going to take this break and then… we miss it. We miss each other, we miss making music together.”
    “So within two and a half weeks, I’m demoing s**t and sending it to the band,” Dave concluded.

    The rock band, which was formed in 1994, released their tenth album, “Medicine at Midnight,” on February 5. This nine-track record was originally scheduled to be dropped in 2020, but got delayed due to the COVID-19 pandemic.
    Explaining the 37-minute duration of the album, Dave told Guitar World magazine, “We intended on making a record that was short and sweet, because it’s inspired by a certain type of album that we all loved when we were young.” He added, “Like an eighties Bowie record — tight, full of grooves, lots of melodies, that’s it. Let’s go.”

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    Rupert Neve, the Father of Modern Studio Recording, Dies at 94

    AdvertisementContinue reading the main storySupported byContinue reading the main storyRupert Neve, the Father of Modern Studio Recording, Dies at 94His equipment became the industry standard and influenced the sound of groups like Nirvana, Fleetwood Mac, the Grateful Dead, Santana, Chicago and the Who.Rupert Neve in 2009 at a mixing console at the Magic Shop recording studio in New York City. His revolutionary Neve 8028 console (not shown here) had a huge impact on the music industry.Credit…Joshua ThomasFeb. 19, 2021, 2:43 p.m. ETWhen the Seattle grunge band Nirvana recorded their breakthrough album, “Nevermind,” at Sound City Studios in Van Nuys, Calif., in 1991, they used a massive mixing console created by a British engineer named Rupert Neve.The Neve 8028 console had by then become a studio staple, hailed by many as the most superior console of its kind in its manipulating and combining instrumental and vocal signals and as responsible in great part for the audio quality of albums by groups like Fleetwood Mac, Tom Petty and the Heartbreakers, the Grateful Dead and Pink Floyd.For Dave Grohl, Nirvana’s drummer and later the leader of Foo Fighters, the console “was like the coolest toy in the world,” he told NPR in 2013 when his documentary film about the California studio, “Sound City,” was released. “And what you get when you record on a Neve desk is this really big, warm representation of whatever comes into it.”He added, “What’s going to come out the other end is this bigger, better version of you.”In 2011, long after forming Foo Fighters, Mr. Grohl purchased the console as Sound City was closing, took it to his garage and used it to record the band’s album “Wasting Light.”Mr. Neve’s innovative, largely analog equipment has been used to record pop, rock, jazz and rap — genres distinct from his preferred one: English cathedral music, with its organs and choirs.After his death last Friday, the influential hip-hop engineer Gimel Keaton, known as Young Guru, tweeted: “Please understand that this man was one of a kind. There is nothing close to him in the engineering world. RIP to the KING!!!”Mr. Neve (pronounced Neeve) died in a hospice facility in San Marcos, Tex., near his home in Wimberley, a Hill Country town that he and his wife, Evelyn, moved to in 1994. He was 94. The causes were pneumonia and heart failure, according to his company, Rupert Neve Designs.Arthur Rupert Neve was born on July 31, 1926, in Newton Abbott, in southwestern England. He spent most of his childhood near Buenos Aires, where his parents, Arthur Osmond and Doris (Dence) Neve, were missionaries with the British and Foreign Bible Society.Rupert developed a facility with technology as a boy taking apart and repairing shortwave radios. It accelerated during World War II, when he served in the Royal Corps of Signals, which gave communications support to the British Army.After the war, working out of an old U.S. Army ambulance, he started a business recording, on 78 r.p.m. acetate discs, brass bands and choirs as well as public addresses, like those by Winston Churchill and Queen Elizabeth II when she was a princess.His future father-in-law was unimpressed. When Mr. Neve spoke to him about marrying his daughter, Evelyn Collier, the older man couldn’t imagine recording as a way of making a living.“He’d never heard of it,” Mr. Neve told Tape Op, a recording magazine, in 2001. “To him a recorder was a gentleman who sat in a courtroom and wrote down the proceedings.”During the 1950s, Mr. Neve found work at a company that designed and manufactured transformers. He also started his own business making hi-fi equipment.With his expanding knowledge of electronics, he recognized that mixing consoles performed better with transistors than with vacuum tubes, which were cumbersome and required very high voltage.He delivered his first custom-made transistor console to Phillips Studios in London in 1964, and its success led to thousands more orders over the years — bought by, among others, Abbey Road Studios in London (in the post-Beatles years), the Power Station in Manhattan and the AIR Studios, both in London and on the Caribbean island of Montserrat, founded by George Martin, the Beatles’ producer.The singer-songwriter Billy Crockett bought a Neve console about eight years ago for his Blue Rock Artist Ranch & Studio, which is also in Wimberley. He is quick to extol its “warm, open, transparent” sound.“It’s all about his transformers,” he said in a phone interview, referring to the components that Mr. Neve designed that connect microphone signals to the console and the console to a recording medium like vinyl or a CD. “They provide something intangible that makes the mix fit together. So when people get poetic about analog, it’s how the sound comes through the transformers.”Mr. Neve received a Technical Grammy Award in 1997. In a 2014 interview with the Recording Academy, which sponsors the Grammys, he said he was pleased with the loyalty that his consoles had fostered.Mr. Neve in 2013 with the musician Dave Grohl at a screening of “Sound City,” Mr. Grohl’s documentary film about the famed recording studio in Los Angeles. The film was being shown at the SXSW Music, Film + Interactive Festival in Austin, Texas. Mr. Neve’s pioneering mixing console was at the heart of Sound City.Credit…Michael Buckner/Getty Images for SXSW“I’m proudest of the fact that people are still using designs of mine which started many years ago and which, in many ways, have not been superseded since,” he said. “Some of those old consoles are really hard to beat in terms of both recording quality and the effects that people will get when they make recordings.”In addition to his wife, Mr. Neve is survived by his daughters, Evelyn Neve, who is known as Mary, and Ann Yates; his sons, David, John and Stephen; nine grandchildren; and five great-grandchildren.Mr. Neve was more aware of the engineers who handled his consoles than of the singers and bands whose albums benefited from his audio wizardry.That preference was borne out when rock stars approached him after the screening of Mr. Grohl’s “Sound City” documentary at the SXSW Film Festival in Austin in 2013.“They all wanted to take pictures with him,” Josh Thomas, the general manager of Rupert Neve Designs, said in a phone interview. “And after each picture, he asked me, ‘Why is he important?’”AdvertisementContinue reading the main story More

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    Foo Fighters Top U.K. Albums Chart With 'Medicine at Midnight'

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    Dave Grohl and his bandmate have debuted at the top spot in the U.K. albums chart with their latest studio album, blocking The Weeknd’s greatest hits collection.

    Feb 14, 2021
    AceShowbiz – Rockers the Foo Fighters are doling out “Medicine at Midnight” atop the U.K. albums chart after securing their fifth number one.
    Frontman Dave Grohl and his bandmates debuted the project with 42,500 chart sales, outselling its six closest rivals combined.
    “I would like to thank everyone for honouring us with this Number 1 record,” Grohl told OfficialCharts.com.
    “After 25 years of being a band it still kind of blows our minds that this could actually happen and we’re very grateful and very thankful. We can’t wait to get back there to see you guys, sooner than later, I hope! We’re ready – every day we’re one step closer.”
    “Thank you very much, it’s an honour to have this Number 1 record. See you soon!”

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    Dave previously said he and his bandmates recorded the album in a haunted mansion.
    “So there was a house down the street from where I live that I actually rented about 10 years ago. It was an old house built in the ’40s, I believe,” he said. “We came back to record this (album), everybody felt creeped out and you could go one of two ways: You could run screaming out the front door with your tail between your legs or you could put your head down and make nine songs and then get the f**k out of there. That’s basically what we did.”
    The Weeknd’s “The Highlights” greatest hits package is new at two, ahead of Celeste’s “Not Your Muse” at three.
    “For the First Time” by Black Country, New Road and Fleet Foxes’ “Shore” round out the new top five.
    Meanwhile, Olivia Rodrigo continues to dominate the singles chart, earning her fifth consecutive week in first place with “Drivers License”.
    Nathan Evans’ “Wellerman” holds steady at two while “Without You” by Kid Laroi climbs one place to number three.

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    Jay-Z, Foo Fighters and Mary J. Blige Among Rock Hall Nominees

    AdvertisementContinue reading the main storySupported byContinue reading the main storyJay-Z, Foo Fighters and Mary J. Blige Among Rock Hall NomineesSeven of this year’s 16 nominees are women, including the Go-Go’s, Dionne Warwick, Kate Bush, Carole King, Chaka Khan and Tina Turner.Jay-Z in concert. He’s on the list of nominees for the Rock & Roll Hall of Fame released Wednesday.Credit…Brian Ach/Getty Images North America, via (Credit Too Long, See Caption)Feb. 10, 2021Foo Fighters, Jay-Z, Mary J. Blige, Iron Maiden and the Afrobeat pioneer Fela Kuti are all first-time nominees for the 36th annual Rock & Roll Hall of Fame induction ceremony, the hall announced on Wednesday.They lead a group of 16 nominees, including several who have received nods at least twice before: Devo, LL Cool J, New York Dolls, Rage Against the Machine and Todd Rundgren.After many complaints that the hall’s hundreds of inductees over the years have been overwhelmingly white and male, this year’s ballot is its most diverse yet. Seven of the 16 nominees are female acts, and nine feature artists of color.Women on the ballot include the Go-Go’s and Dionne Warwick — both receiving their first nods — along with Kate Bush, Carole King, Chaka Khan and Tina Turner.This year’s induction ceremony is planned for the fall in Cleveland, home of the Rock & Roll Hall of Fame and Museum.To some extent, the latest crop of nominees extends a pattern that has taken hold over the last half-decade or so, with a handful of alt-rock heroes and rap gods as all-but-guaranteed sure things; Foo Fighters and Jay-Z have just crossed the hall’s eligibility threshold of 25 years since the release of their first commercial recordings. Dave Grohl, the leader of Foo Fighters, is already in the pantheon as a member of Nirvana, class of 2014.From left, Chris Shiflett, Rami Jaffee, Taylor Hawkins, Dave Grohl, Nate Mendel, and Pat Smear of Foo Fighters. The band only recently became eligible for induction.Credit…Kevin Winter/Getty Images for IheartmediaA few recycled names from previous years’ ballots give a sense of the advocacy projects among the Hall of Fame’s secretive nominating committee. Rundgren, the eclectic singer-songwriter and producer whose solo career goes back to the early 1970s, has been nominated in each of the last three years; Rage Against the Machine, the agitprop rap-metal band whose planned reunion tour last year was disrupted by the pandemic, has been nominated three times over the last four cycles. LL Cool J has now gotten a total of six nods.Iron Maiden, whose lightning guitar riffs and demonic imagery helped shape heavy metal in the 1980s, has been eligible since 2005.But this year’s nominations also include some surprises. Kuti, the Nigerian bandleader and activist who melded James Brown’s funk with African sounds to create the genre of Afrobeat — and was introduced to many Americans through the 2009 Broadway musical “Fela!” — would be the first West African honoree. (Trevor Rabin, a member of Yes, which was inducted in 2017, is from South Africa.)And the hall’s nominating committee — a group of journalists, broadcasters and industry insiders — has clearly made an effort to highlight some of pop music’s many deserving women. The pressure to do so has been mounting for years. In 2019, the critic and academic Evelyn McDonnell tallied the 888 people who had been inducted up to that point and found that just 7.7 percent were women.Mary J. Blige performing in New Orleans. She’s on the list of hall of fame nominees for the first time. Inductees will be announced in May.Credit…Amy Harris/Invision, via Associated PressWhen Janet Jackson and Stevie Nicks gave acceptance speeches that year, they called on the institution to diversify its ranks. “What I am doing is opening up the door for other women to go, like, ‘Hey man, I can do it,’” Nicks said.If chosen, King and Turner would join Nicks as the only female artists to be inducted twice; King was admitted in 1990 with her songwriting partner, Gerry Goffin, and Ike and Tina Turner joined in 1991.The nominations will be voted on by more than 1,000 artists, historians and music industry professionals. The hall will once again enter a single “fan ballot” based on votes collected from members of the public on the hall’s website, rockhall.com. Inductees are to be announced in May.In December, the Hall of Fame and Museum announced plans for a $100 million expansion, which would increase the footprint of its museum by a third.AdvertisementContinue reading the main story More

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    Foo Fighters: Pandemic Allows Fans to Be Familiar With Our New Songs Before We Return to Stage

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    Dave Grohl and his bandmates find silver linings in the midst of the Covid-19 pandemic, saying it allows fans to be more familiar with their new music before they’re eventually back on stage.

    Feb 7, 2021
    AceShowbiz – Foo Fighters hope fans will be “singing every word” of their new songs when they can finally perform live again.
    The “Shame Shame” hitmakers have just released their 10th album, “Medicine at Midnight”, which they originally planned to bring out last year (20) as part of a “worldwide celebration” of their 25th anniversary. And though the coronavirus pandemic has meant they can’t support the record with a tour, frontman Dave Grohl is hopeful the delay will make the tracks even more special.
    “We imagined that our 25th anniversary tour and our tenth album would both come together in this worldwide celebration that we would carry around like a circus until the wheels fell off,” he told Britain’s The Sun newspaper. “So when everything stopped it was strange waiting.”
    “The excitement of finishing a record usually rolls over into the beginning of the tour and watching the whole thing grow. From the songs to the production and the full band’s performance. We take it step by step eventually winding up at the big festivals and in the stadiums.”

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    “Seeing a song go from an idea written on a napkin to something that 60,000 people sing along to is a wild ride and it happens over time. So this is a broken process. But I had this idea that we should release the album sooner than later so that by the time we do hit the stage, people will be familiar with all of the new songs.”
    “A lot of the times when you come out with a new record, you start playing the new songs live and people aren’t entirely familiar with them so they have to grow in your ear and your heart. Now, by the time we hit the stage, people will be singing every word because they’ll have time to get to know it.”
    The “Times Like These” hitmakers were forced to spend eight months apart because of the global health crisis, but as soon as they got back into the same room, it was like they’d never been apart.
    “It felt like a dream,” Dave recalled. “We all walked into the room, one by one and saw each other for the first time in almost a year. No instruments or amplifiers. We just sat in the room together.”
    “It was a reunion of old friends who rely on each other for a lot more than just playing music. It was f**king beautiful. Then we put on our instruments, looked at each other and played ‘Learn to Fly’ and it sounded exactly the same as the last time we played it a year before. At the end we looked at each other and laughed. Hopefully we’ll be able to do that for the rest of our lives.”

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