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    Joshua Bell’s London

    “The first time I came to London, I was 17,” the violinist Joshua Bell, now 54, told me. We were at dinner together following a recent performance of his at Wigmore Hall, a small but renowned concert hall. “I came with my parents to make my first album,” he continued. “This was in the ’80s, and I remember thinking there wasn’t a lot of variety in food. Now, of course, it’s great.”Mr. Bell estimates he’s been to London around 70 times since then.“One of the problems with classical music is that it’s developed a reputation of formality,” Mr. Bell said. “In fact, classical music can be the most exciting thing to watch.”So no, the virtuoso and onetime child prodigy doesn’t live in London. But you could say he’s a professional visitor. His London is one of exquisite taste, uncommonly good food and a handful of tiny places you’d breeze right by if you didn’t know they were there — with, of course, a measure of music.Mr. Bell tends to favor lesser-known places, with one very notable exception: the Royal Albert Hall. “The Royal Albert Hall has this thing called the Proms. They take out the seats on the lower level, and people line up down the street to get in,” he said. “All these people are standing up like it’s a rock concert, and it’s Beethoven symphonies. It’s incredible.”Here are five of his favorite places to visit in London.1. J.&A. BeareA technician works on a violin at J.&A. Beare in central London. The shop has a collection of precious violins that can be viewed. “In August 2001, I walked into Charles Beare’s shop to pick up a set of strings, and Charles Beare said to me, ‘You have to take a look at the Huberman violin, it’s on its way to Germany.’” The instrument, made by Antonio Stradivari in 1713 and known as the Gibson ex Huberman, was legendary. “I knew the famous story of the violin,” Mr. Bell said, recounting its theft from a dressing room at Carnegie Hall in 1936.J.&A. Beare sells more modest violins as well as world-class ones like the one Mr. Bell uses.At the shop in 2001, Mr. Bell fell in love with a violin made by Antonio Stradivari in 1713.“Charles Beare put me in a room with the violin and after a few notes, I was shaking with excitement. I was in love with it. I had a concert at the Royal Albert Hall — at the Proms — and used that violin that very night.”Even if you’re not in the market for a multimillion-euro violin, J.&A. Beare is worth a visit. The shop is open to the public — but if you want to see the collection of nearly priceless violins, book ahead.2. TrishnaThe tasting menu at Trishna, in Marylebone, is partly what draws Mr. Bell.“I did an event in New York with Salman Rushdie,” Mr. Bell said. “At one point, we were talking about London and he recommended Trishna. I love Indian food, but Trishna is not your typical Indian restaurant. The problem with Indian food for me is that I want to try a lot of things. I don’t just want to have one lamb curry as my dinner.” Instead, Mr. Bell likes to get the five-course tasting menu — “and a crab dish that’s really great,” he said.Trishna’s cozy interior.The Michelin-starred restaurant, with its private nooks, mirrored walls, delicately gilded surfaces, feels a like special occasion kind of place. It’s also best to come hungry. “I like places where they just get the tasting menu because I eat everything,” says Mr. Bell. “I like the person cooking it to choose what he wants to present.”3. Wigmore HallThe exterior of Wigmore Hall, a 552-seat concert venue in Marylebone.“Wigmore Hall doesn’t have name recognition to the general public,” said Mr. Bell of the 552-seat concert hall in Marylebone. With its small stage and red velvet seating, Wigmore Hall has a hushed, intimate appeal. “One of the problems with classical music is that it’s developed a reputation of formality. I’ve actually seen classical musicians admonish the audience for clapping at the wrong time. In fact, classical music can be the most exciting thing to watch.”With its small stage and red velvet seating, Wigmore Hall has a hushed, intimate appeal.“Having said that, it’s nice that there are places like Wigmore Hall where you know everyone understands. It’s like for an actor to do theater in a place where people really get it. And Wigmore Hall has history for me personally. The first concert there — I think it was 1901 — was played by the teacher of my teacher, Ysaÿe, the greatest violinist at the end of the 19th century in Europe. I feel the history when I walk on the stage.”4. Baglioni HotelThe Baglioni Hotel is a favorite of Bell’s when he’s performing at the Proms, an annual series of classical music concerts.When days are packed with rehearsals and evenings are given to performing, proximity to one’s bed is important — as is a nice hotel around that bed. And so when Mr. Bell plays at the Royal Albert Hall, he always stays at Hotel Baglioni, a stone’s throw away. “It’s an Italian boutique hotel and has a very intimate feel,” he said. “It feels like people know you there, and the rooms have this sort of very sexy vibe — they’re just very boudoir-like and dark. I sleep better in those kinds of rooms.”Its location also means he can “walk to the rehearsals and back — you can also walk right across the street to Hyde Park. It’s my home when I’m at the Proms.”5. Fidelio Cafe“It’s clearly a passion project for the owner,” Mr. Bell said of Fidelio Cafe, “who loves classical music and food and puts them together.” (Mr. Bell is seated at a table on the left.)Gabriel Isserlis“Very few places like this exist — or dare to offer this,” said Mr. Bell of Fidelio Cafe. The “this” in question is the intersection of a sweet little bistro and live, world-class classical music.Imagine a small cafe where the walls are papered in actual sheet music, a grand piano greets you at the front door and the menu — with its home-roasted granola, slow-cooked aubergine and roasted cherry tomato bruschetta — seems crafted from the morning’s farmer’s market.It’s also “about the uniqueness of having a meal in an intimate space while hearing chamber music,” Mr. Bell said. “It’s clearly a passion project for the owner, who loves classical music and food and puts them together.”“One of my dreams is to open a food-slash-music venue,” he added. “When I see places like Fidelio, I love that people are thinking outside the box and celebrating classic music in such an usual way.”Follow New York Times Travel on Instagram, Twitter and Facebook. And sign up for our weekly Travel Dispatch newsletter to receive expert tips on traveling smarter and inspiration for your next vacation. Dreaming up a future getaway or just armchair traveling? Check out our 52 Places to Go in 2023. More

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    Netflix’s ‘High on the Hog’ Renewed for Second Season

    The show, hosted by the food writer Stephen Satterfield, traces the origins of African American food.“High on the Hog: How African American Cuisine Transformed America,” the Netflix show that explores the roots of African American cuisine, has been renewed for a second season, the streaming service announced Tuesday.Hosted by the food writer Stephen Satterfield, the show is based on “High on the Hog: A Culinary Journey From Africa to America,” a book by the culinary historian Dr. Jessica B. Harris. The first season, which premiered in May, mirrored the first half of the book, tracing the roots of ingredients, like okra from West Africa, and exploring Black foodways in places like Texas.Fabienne Toback, an executive producer on the show, said that the new season would likely explore the second half of Dr. Harris’s book. The show will continue to focus on systemic racism and could explore the impacts of the coronavirus pandemic on race and the restaurant industry, Ms. Toback said. Release and production dates are still to be determined.“Part of the reason that we were so attracted to the project is that everyone eats, everyone loves food,” said Ms. Toback, who produced the show with Karis Jagger. Ms. Toback added that “High on the Hog” has opened viewers’ eyes to the history of Black food and the challenging circumstances that brought ingredients to the United States.“Having food to talk about these things has made it for lack of a better word, palatable,” she said.Follow NYT Food on Twitter and NYT Cooking on Instagram, Facebook and Pinterest. Get regular updates from NYT Cooking, with recipe suggestions, cooking tips and shopping advice. More

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    James Corden's Food Bit Draws Ire and a Petition For It to End

    For years, the late-night TV host has dared celebrities to eat choice foods, but an online petition is calling for it to end.For years, the late-night television host James Corden has played a food-based truth or dare with celebrities called “Spill Your Guts or Fill Your Guts.” Participants choose to either answer personal questions or take a bite of a food deemed disgusting to eat, like ghost pepper hot sauce, a sardine smoothie or dried caterpillars.“Wow, it all looks so terrible,” Jimmy Kimmel, the host of late night show “Jimmy Kimmel Live!,” said as he appeared on Mr. Corden’s segment in 2016. “I know people can’t smell it, but it doesn’t smell good, either.”Mr. Corden responded, “It’s really disgusting, it’s horrific,” as he spun a table with Asian ingredients and snacks like chicken feet, balut, pig’s blood and thousand-year eggs.While the segment has received scrutiny in the past, an online petition posted this month has brought renewed criticism that its portrayal of Asian foods as disgusting is harmful. More than 46,000 people have signed the petition, asking Mr. Corden to change the food options on the segment or end its run.“Everyone is entitled to their opinion on food,” said Kim Saira, 24, a Los Angeles activist who organized the petition and set up a protest last Thursday near Mr. Corden’s studio, posing behind a sign that said “Delicious, Not Disgusting.” “My whole point is that James Corden is a white person and is actively using ingredients from Asian cultures and profiting from it and showing it in such a negative light. There’s a way to not like foods and still be respectful about it.”Ms. Saira said she was confused when she first watched the segment featuring balut about two years ago.Balut, a fertilized duck egg, is a late-night snack Ms. Saira grew up eating when she visited relatives in the Philippines every year. She has memories of sitting around a table with her family during power blackouts, which were common, eating the balut by candlelight while they told stories.“I didn’t know why they were calling a food that was so sentimental ‘disgusting,’” said Ms. Saira, who is Filipina and Chinese American.Mr. Corden has been doing the bit for years. A YouTube playlist created by his program has videos as far back as 2016. Speaking to Howard Stern on his radio show June 16, Mr. Corden addressed the controversy.“The next time we do that bit, we absolutely won’t involve or use any of those foods,” Mr. Corden said. “Our show is a show about joy and light and love. We don’t want to make a show to upset anybody.”Mr. Corden’s staff did not respond to requests for comment for this article.“We’re in a kind of cultural moment where bits like this one exist with this increasing acceptance of cultural foods,” said Alison Alkon, a professor at the University of the Pacific. “We’re kind of in this Ping-Pong dialectic.”Using food to prompt a response of disgust, for entertainment, has a long history, said Merry White, an anthropology professor at Boston University. In the United States, the game show “Fear Factor” challenged contestants to eat foods with ingredients like fish eyes, cow bile and coagulated blood paste. Reactistan, a YouTube reaction channel, has had Pakistani people try foods that were strange to them, like American hamburgers, doughnuts and candies such as Ring Pops and Airheads.Even Mr. Corden, who is British, hosted a segment using foods from his homeland, such as haggis and a smoothie with fish, chips and mushy peas.Lok Siu, an associate professor in the Department of Ethnic Studies at the University of California, Berkeley, said the practice disrespects people’s cultures. The choice of Asian foods has made Asian Americans feel more vulnerable or marginalized during a time of rising violence against them.The perception of Asians in the United States has historically been defined through food, Professor Siu said.“You use food as a metaphor to describe that distance, the kind of strangeness between a group of people that you don’t understand and their habits, the way they’re eating, the smell that comes with the spices,” she said. “There’s something around the way we discuss food, the way we think about food in our acceptance or rejection of it, it’s a rejection of a culture and the people that’s associated with it.”She added that Mr. Corden’s use of Asian foods on the segment defines which foods are considered mainstream, delicious or disgusting; food is a metaphor for what is considered 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a:visited{color:#333;-webkit-text-decoration-color:#ccc;text-decoration-color:#ccc;}.css-1rh1sk1 a:hover{-webkit-text-decoration:none;text-decoration:none;}“Why is this not seen as racist immediately?” Professor Siu said. “If he made fun of any other group, would there be a much more broader understanding that that’s racist? It’s not immediately thought of as being racist and damaging because it’s Asian food. There is such a denial of anti-Asian racism in the U.S., and this is a prime example of it.”In Mr. Corden’s most recent episodes, he has served up blood and pork jelly, scorpion-dusted plantains, a thousand-year egg nog (made with thousand-year eggs), cow tongue, turkey testicles, an ant-covered corn dog and a salmon, tuna and fish-eye milkshake.For some Filipino chefs, who grew up eating some of the ingredients that have been mocked on Mr. Corden’s show, the renewed focus on the segment has stirred up memories.Lou Boquila, the chef and owner of Perla, in Philadelphia, said he remembers questioning why he ate balut — which tastes of duck broth, and other ingredients like intestines, tongues or blood — when he was growing up in the United States.“It’s actually very delicious, nothing out of the ordinary for us, but it put us in a different light,” Mr. Boquila said. “If you look at all the great chefs, they use every part of the animal.”“You try American food, speak American, it made you not proud of what you ate growing up, and I was totally stupid for not standing up for it,” he added. “It steers you toward being more Americanized and turning back on your culture.”Javier Fernandez, the chef and owner at Kuya Ja’s Lechon Belly, in Rockville, Md., said “Spill Your Guts” presents an opportunity for him to educate people about Filipino food, the culture and ingredients like pig’s head and pork blood (also featured on Mr. Corden’s show).“When people talk about Filipino food or these non-American ingredients where they feel it’s gross to see, it does better for the culture,” he said. “It helps promote what the cuisine is like. My job is to promote the cuisine itself.”Follow NYT Food on Twitter and NYT Cooking on Instagram, Facebook, YouTube and Pinterest. Get regular updates from NYT Cooking, with recipe suggestions, cooking tips and shopping advice. More

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    The Making of ‘High on the Hog,’ Bringing Black Food History to TV

    The new Netflix series tapped years of scholarship and the life experience of its creators to chart how African Americans have shaped the country’s cuisine.There is a breathtaking moment near the end of the first episode of “High on the Hog: How African American Cuisine Transformed America,” a new four-part Netflix documentary based on the 2011 book by the scholar Jessica B. Harris. More