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    Kendrick Lamar’s Super Bowl Halftime Show: The Peak of All Rap Battles?

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    The first rapper to headline the N.F.L.’s biggest stage solo made his Drake diss “Not Like Us” the centerpiece of his set at the expense of a larger statement.Of course he performed “Not Like Us.”In the lead-up to Kendrick Lamar’s headline performance at the Super Bowl LIX halftime show on Sunday night, most of the chatter focused on whether he would play the song that was effectively the knockout blow in his monthslong battle with Drake last year. The song that became Lamar’s signature hit, and a generational anthem. The song that won both record and song of the year at the Grammys just a week ago. The song that appeared to recalibrate hip-hop’s power rankings, perhaps permanently.So yes, Lamar played the song. Toward the end of the set, of course, building up anticipation with a couple of brief musical nods to it, toying with the audience’s emotions and thirst.Lamar leaned on songs from his most recent album, “GNX,” like “Man at the Garden” and “Peekaboo.”Doug Mills/The New York TimesBut what will always be remembered from this performance is not the musical choices Lamar made, or the aesthetics of his choreography, or the silhouettes of his outfit. What will remain is his grin when he finally began rapping that song. It was wide, persistent, almost cartoonish in shape. The grin of a man having the time of his life at the expense of an enemy.Lamar is perhaps the most sober of all of hip-hop’s contemporary greats, a ferocious storyteller who values tongue-tripping polemics and introspection; he is not exactly a beacon of joy. During the beef, he appeared to take on the dismantling of Drake as necessary homework.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      How Going to Commercial During the Super Bowl Works

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      Television commercial breaks are the bane of every N.F.L. fan. They interrupt a game already riddled with stoppages, bombard viewers with come-ons and force fans and players in the stadium to stand around for about two and a half minutes, sometimes in the freezing cold.Yet commercials are the lifeblood of the N.F.L. Without them, broadcasters could not afford to pay the league billions of dollars for rights fees, money that goes to paying players’ salaries and much more.Most games have 18 commercial breaks. A few timeouts, like at the end of the first and third quarters and at the two-minute warnings, are fixed. The league and networks avoid taking breaks if a team’s opening drive of the game ends quickly, because they want fans to settle into the broadcast. If all goes well, the last commercials run at the two-minute warning in the fourth quarter.Most commercial breaks, though, are chosen in real time as league executives, network producers and officials on the field look for natural breaks in the action. Finding them is more art than science because every game unfolds differently, with long drives, three-and-outs, injury timeouts and coaches’ challenges.League officials sit in the press box during games and help determine when to take commercial breaks.Caroline Gutman for The New York Times“Our fans know that the commercial breaks are coming,” said Mike North, vice president of broadcast planning and scheduling at the N.F.L. “The whole idea from where we sit is to try to use those breaks to cover downtime: resetting the field after a score; if there happens to be an injury, hopefully a minor one; or an instant replay review when the referee goes to the sideline.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Best and Worst Super Bowl Commercials, Ranked

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      Here is our critic’s evolving survey of this year’s Super Bowl commercials, from best to worst.Here is my annual critical ranking of the Super Bowl commercials. This is the pregame edition, with all the available national ads that I could track down; the list will be updated after Sunday’s game.The trends so far? Nothing controversial, as you would expect, but also — and perhaps for associated reasons — very little creativity. It’s a bad year for ads; the ones at the top of this list aren’t much better than average. More spots than usual depend entirely on the appeal of a relatable celebrity (who is almost certainly male). Concepts beat ideas — there is a lot of fussy, overly complicated silliness and not much in the way of simple, effective storytelling or mood setting.(You may not see every commercial listed here during the game, and you may see commercials not listed here. The various broadcast and streaming platforms will carry different selections of ads, and some ads will only be shown in certain regions.)No. 1National Football LeagueN.F.L.The N.F.L.’s own feel-good promo, “Somebody,” is affecting in a highly produced, can’t-we-all-just-get-along manner. Its implicit endorsement of diversity and inclusion offers a muted contrast to the league’s decision to forgo the “End Racism” end-zone slogan.No. 2Stella ArtoisWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A Katt Williams Interview Made Shannon Sharpe’s “Club Shay Shay” a Hit

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      “Club Shay Shay” became a must-stop destination for Hollywood after Katt Williams aired his grievances. “This was our ‘Thriller’ album,” said the host Shannon Sharpe.Shannon Sharpe won three Super Bowls in a Hall of Fame career and once recorded 214 receiving yards in a game, the most ever by a National Football League tight end. Another crowning achievement came long after he was outmuscling bulky defenders, when he convinced a 5-foot-5 comedian to open up while sipping cognac on a brown leather sofa.When that comedian and actor, Katt Williams, aired his grievances against prominent Black celebrities, including Sean Combs and Kevin Hart, it instantly turned Sharpe’s podcast “Club Shay Shay” into a must-stop destination in Hollywood and beyond. In the months after the episode aired in January 2024, Sharpe secured interviews with the rapper Megan Thee Stallion and the Democratic presidential candidate Kamala Harris.“‘Club Shay Shay’ has become the modern-day talk show,” said Lillian Xu, a top podcast executive for Vox Media, which produces a handful of rival series.Sharpe has cut through in a saturated podcast ecosystem where Alex Cooper and the Kelce brothers command nine-figure contracts. In addition to “Club Shay Shay,” Sharpe makes twice-weekly appearances on “First Take,” ESPN’s popular morning debate show, and hosts a secondary podcast, “Nightcap,” with the former N.F.L. receiver Chad Johnson.Before a live taping of a “Nightcap” episode in New Orleans this week ahead of the Super Bowl, Sharpe exercised his vocal cords in a backstage greenroom as a makeup artist prepared to pat his face. Moments later, his voice, laced with a country-twang accent, soared throughout an auditorium. The friends debated N.F.L. award winners, Johnson’s relationship issues and other topics.In the past year, Sharpe has interviewed Megan Thee Stallion, Kamala Harris, Mo’Nique and Kai Cenat on his podcast “Club Shay Shay.”Emily Kask for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Super Bowl Finally Embraced Rap. Is There Also Room for Country?

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      Since Roc Nation’s partnership with the N.F.L., hip-hop stars like Snoop Dogg and Kendrick Lamar have been center stage at halftime.The Super Bowl halftime show was at a low point in 2019. Despite an unrivaled television audience, Rihanna turned down the National Football League’s invitation to perform, keeping solidarity with Colin Kaepernick, the exiled quarterback who had repeatedly knelt during the national anthem to protest racial injustice.The pop band Maroon 5 headlined instead, underwhelming nearly 100 million television viewers. Jon Caramanica, a music critic for The New York Times, called it “an inessential performance” that was “dynamically flat” and “mushy at the edges.”The N.F.L. was quick to respond, courting Roc Nation, the entertainment company founded by the billionaire rapper Jay-Z, in an attempt to strengthen its music and social justice initiatives. Over the past six years, Roc Nation has prioritized hip-hop and R&B, bringing rap to the Super Bowl spectacle for the first time with a celebratory 2022 performance by Snoop Dogg, Dr. Dre, Kendrick Lamar, Eminem, Mary J. Blige and 50 Cent. Sunday’s show will feature Lamar and the guest star SZA.“The N.F.L. needed to do something to bring life to what is supposed to be their signature event, and that was accomplished,” said Jemele Hill, a writer for The Atlantic who is producing an ESPN documentary on Kaepernick with the director Spike Lee.An overdue emphasis on hip-hop and R&B — Usher and the Weeknd have also headlined under Roc Nation — means that other genres have been sidelined. Country music is ascendant culturally but has rarely been part of the Super Bowl; halftime shows by Coldplay and Lady Gaga feel long in the past.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Movies

      Minnesota Vikings Celebration Dance Pays Homage to ‘White Chicks’

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      Not everyone loved the 2004 film “White Chicks.” But 20 years later, some N.F.L. players are paying homage to it in the end zone.If you don’t remember, “White Chicks” was a 2004 comedy in which the Black actors Marlon and Shawn Wayans donned heavy makeup to disguise themselves as white women.Its rating on the movie review site Rotten Tomatoes is 15 percent. Not good. Not even meh. The New York Times review of the film suggested viewers might want to prepare for it with “a full frontal lobotomy.”Yet somehow, 20 years later, “White Chicks” is still hanging around. An essay in The New York Times this past summer suggested that time had been kind to the film, hailing it as “a culturally, racially and sexually savvy tale” whose “spiky critique of white privilege has revealed itself to be far more incisive than its lowbrow humor would indicate.”On Sunday, the comedy somehow became a part of a National Football League game.After an interception by the Minnesota Vikings against the Atlanta Falcons, two players, Josh Metellus and Camryn Bynum, performed a celebratory dance. Aficionados of decades-old gender and race bending comedies recognized it as the one performed by the Wayans brothers at a dance-off in “White Chicks.”Perhaps inspired by the innovative dance, the Vikings won the game, 42-21. Bynum was proud of the celebration, posting on Instagram: “Best celly’s in the league.”In 2017 the N.F.L., which had once been so strict that it became known to fans and the news media as the “No Fun League,” relaxed its rules by allowing more elaborate celebrations. Since then players have become increasingly creative.Earlier this season, the same two Vikings performed a dance from the 1998 remake of “The Parent Trap,” starring Lindsay Lohan, in which a simple handshake turns into an elaborately choreographed routine. More

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      Your Thanksgiving Day Watching Lineup, Plus 6 Things to Watch on TV This Week

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      Watch the Macy’s Day Parade, the dog show and football while the turkey is cooking, and catch up on true crime and two new shows.Football, puppies and floats: Here’s what to watch on Thanksgiving.Whether you’re big on cooking, big on eating or big on avoiding Thanksgiving altogether, one of the best parts of the holiday is that there are endless options on TV throughout the day.First up is the annual Macy’s Thanksgiving Day Parade, which started 100 years ago in 1924 (though this year isn’t the 100th parade because of a hiatus during World War II). It will follow its usual route in New York City, with Savannah Guthrie, Hoda Kotb and Al Roker returning as hosts. Jennifer Hudson, Kylie Minogue, Loud Luxury and Cynthia Erivo are just a few of the many performers — along with balloons of Minnie Mouse, Spider-Man and Goku, of course. Thursday at 8:30 a.m. on NBC and streaming on Peacock.Once the parade is over and cooking is in full swing, it’s time to watch the National Dog Show, with 2,000 cute, preening dogs representing 205 breeds. Last year a Sealyham terrier named Stache took home the gold. Thursday at 12 p.m. on NBC and streaming on Peacock.A Tibetan Mastiff who will be featured in the 2024 National Dog Show.Scott Gries/NBCAnd for many, the best part of the day is watching not one, not two, but three football games, back to back. First, it’s the Chicago Bears at the Detroit Lions at 12:30 p.m. on CBS. Then, the New York Giants play the Dallas Cowboys at 4:30 p.m. on Fox. Finally, once you’re hopefully a couple of pie slices deep, the Miami Dolphins square off against the Green Bay Packers at 8:15 p.m. on NBC. I’ll be skipping the real football and queuing up a thematic “Friends” episode: “The One With the Football,” on Max.Send shivers up your spine with lots of true crime.The house where JonBenét Ramsey was found murdered in Boulder, Colo., in a photo from 1997.David Zalubowski/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      in Television

      ‘American Sports Story: Aaron Hernandez’ Premieres on FX and Hulu

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      The buzzy FX series delves into the N.F.L. star who murdered a friend less than a year after playing in the Super Bowl.The saga of Aaron Hernandez has riveted the sports world and beyond for more than a decade. An N.F.L. star on one of football’s best teams killed a man in 2013 even as he chased fame and glory on the field.Two years after his conviction in 2015, Hernandez hanged himself in prison, leaving unexplained his descent into crime, rumors about his sexuality, and how he was able to hide his off-field life while thriving at America’s most popular sport.Hernandez has been the subject of multiple books, true crime podcasts and documentaries. But his story is getting the Ryan Murphy treatment in a new 10-part anthology series, “American Sports Story: Aaron Hernandez,” premiering on Tuesday on FX and Hulu. Its showrunners are trying a playbook similar to one used for dramatizations of other well-known scandals like “The People v. O.J. Simpson” and “Impeachment,” about former President Bill Clinton’s sexual improprieties. But this time, they’re grappling with new terrain: pro football.Nina Jacobson, an executive producer of “American Sports Story,” said showrunners hoped to offer viewers a “more subjective experience,” rather than a rehashing of previously reported events.“I think we try, in all of these shows, to find a way to put people in the shoes of the characters and put themselves in the eye of the storm — not in a way to excuse anybody’s voices or behaviors,” she said, “but to give people a chance to maybe see them in a different light.”Ahead of the first installment, here are the key points to know about Aaron Hernandez’s football career and murder case, and the TV drama that will depict them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Kendrick Lamar to Headline 2025 Super Bowl Halftime Show

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      The rapper, who’s had a big year thanks to a beef with Drake that led to the smash song “Not Like Us,” will perform in New Orleans in February.Kendrick Lamar will perform at the Super Bowl halftime show next February in New Orleans, the National Football League, Roc Nation and Apple Music announced on Sunday. It is the second time that the rapper, from Compton, Calif., will take part in the event, but will be his first as the headline act.The booking comes amid a busy year for the rapper. Earlier this spring, Lamar and Drake traded bars in a high-profile beef, which resulted in Lamar’s hit song “Not Like Us.”“Rap music is still the most impactful genre to date,” Lamar said in a statement. “And I’ll be there to remind the world why. They got the right one.”The league announced Lamar as the performer after the rapper posted a short video on social media set on a football field with a giant American flag as a backdrop during the opening Sunday of its season, when the majority of its teams will play their games.Lamar last performed on the Super Bowl stage in 2022, as part of the event’s first showcase for hip-hop music, led by the West Coast superstars Dr. Dre and Snoop Dogg, as well as Eminem, 50 Cent and Mary J. Blige.“Kendrick Lamar is truly a once-in-a-generation artist and performer,” Jay-Z, the founder of Roc Nation, said in a statement. “His deep love for hip-hop and culture informs his artistic vision. He has an unparalleled ability to define and influence culture globally. Kendrick’s work transcends music, and his impact will be felt for years to come.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More