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    Mattel Mistakenly Lists Porn Site on Packaging for ‘Wicked’ Dolls

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    The site has a similar address to one that promotes a film adaptation of the hit musical. The toymaker apologized for the “unfortunate error.”All may be good in the Land of Oz, but the same can’t be said for the world of Mattel.The toy company’s latest dolls for the movie “Wicked” listed a porn website on its packaging instead of a very similar URL that promotes an upcoming film adaptation of the hit Broadway musical.Mattel, the manufacturer of Barbie and Hot Wheels, said in a statement on Sunday that it was aware of a “misprint” on the box for the dolls, which are primarily sold in the United States. The company said it had intended to direct consumers to the movie’s landing page, not to a URL for a website restricted to people 18 years of age and older.The doll is for children four and up.Mattel expressed deep regret, blamed the mix-up on an “unfortunate error” and vowed to take “immediate action.” But the company did not say how the error had occurred or what action it planned to take.It was not immediately clear early Monday how many of the mislabeled boxes had been distributed to stores. Mattel had not announced a recall or offered a refund to affected customers.The film, starring Cynthia Erivo and Ariana Grande, is scheduled for release on Nov. 22. Universal Pictures, its distributor, did not immediately respond to a request for comment.A doll from the ‘Wicked’ toy collection.MattelMattel isn’t the first company or public figure to publicly confuse one URL with another.Last week, Pope Francis appeared to paint himself as a New Orleans Saints fan by repeatedly using a hashtag that refers to the football team, not to the venerated disciples of the Roman Catholic Church.“We cannot become #Saints with a frown,” he wrote. “We must have joyful hearts to remain open to hope.”When the Saints beat the Atlanta Falcons on Sunday, breaking a seven-game losing streak, some of their fans saw the win as divine providence.The worlds of politics and media have seen their share of URL fumbles, too.In 2019, an Italian cartoonist known as Albo, whose work includes erotic images, said on Twitter that hundreds of people had mistaken him for Anthony Albanese, an Australian politician who was campaigning to be leader of the country’s Labor Party.Mr. Albanese won that election and is now prime minister. But he is still occasionally mistaken for Albo.In April, for example, Michael Rowland, a presenter for the Australian Broadcasting Corporation, apologized after he mistakenly attributed a comment about Elon Musk to the artist instead of to Mr. Albanese. More

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      ‘In Viaggio: The Travels of Pope Francis’ Review: Serene Demeanor, Bracing Message

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      The Pontiff travels well. Gianfranco Rosi’s new documentary chronicles his visits to Catholic communities the world over, and he never seems to tire.There’s a sense of quietude one may slip into while viewing this documentary made by Gianfranco Rosi. Perhaps it has to do with the serene demeanor of its subject, Pope Francis, the leader and international voice of the Roman Catholic Church. In most documentaries depicting what musicians and entertainers call road work, the person putting in the hours can get irritable. In his first nine years as Pope (he was elected in 2013), Francis made 37 trips from the Vatican, and visited almost 60 countries. “In Viaggio: The Travels of Pope Francis,” assembled from footage shot over those years, never betrays a jet-lagged pontiff.Rosi made his name with the urgent 2016 documentary “Fire at Sea,” about Italy’s — and Europe’s — migrant crisis. Some dire imagery and sound reminiscent of that picture turns up here: radio antennas spinning as audio of S.O.S. messages play on the soundtrack, shots of overturned passenger boats. After one mass drowning, Pope Francis spoke on the island of Lampedusa, where he bemoaned “the globalization of indifference.” The speech, which Rosi shot, is moving, its message bracing even as the Pope avoids a strident tone.But as the movie goes on, without narration or any talking-head interviews, a pattern emerges. The Pope suits up, shows up, says the right thing, and the world just keeps getting worse. There is one instance where he doesn’t say the right thing: Speaking offhand to his followers in Chile, he appears dismissive of abuse charges against a bishop there, one who subsequently resigned. The tact with which Francis walks back his words is impressive. So, too, is the way he manages to appear well-informed on the variety of injustices he speaks against as he tries to build bridges in places like the United Arab Emirates. But beyond that, a repetitious feel begins to take over. For some viewers, quietude may yield to boredom.In Viaggio: The Travels of Pope FrancisNot rated. Running time: 1 hour 20 minutes. In theaters and available to rent or buy on most major platforms. More

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      ‘Francesco’ Review: The Pope, Up Close, but Not That Close

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      The new documentary on Pope Francis is a missed opportunity to demystify elements of the papacy.Discovery+ is billing “Francesco,” a portrait of Pope Francis, as “an unprecedented look at the man behind the cloth.” But while the filmmakers were able to talk to Pope Francis in person, a large portion of the documentary comes from a layer out. The director, Evgeny Afineevsky, includes ample footage of the pope’s public appearances, images of his tweets and interviews with multiple people identified as “longtime friend of Pope Francis.”This approach, focusing on the message and not the messenger, seems consistent with Francis’s modesty, and the film plays like a channel for spreading his ideas on the environment, refugees and religious coexistence. All of that is to the good. But judged strictly as a movie, “Francesco” comes across as shapeless and secondhand — a missed opportunity to present a closer look at the daily work of being pope and perhaps to demystify elements of the papacy.We learn, for instance, that when Francis visited Myanmar in 2017, he did not refer by name to the Rohingya, the Muslim ethnic group persecuted within the country, adhering to the policy of Daw Aung San Suu Kyi’s government not to use the word (although he did allude to the group, and a Rohingya refugee who met him in Bangladesh says the pope later asked for forgiveness). How are such inherently political decisions made? “Francesco” does not explain.The film is not always glowing. Juan Carlos Cruz, a victim of abuse by a priest in Chile, discusses how hard it was to see the pope dismiss as “slander” accusations that a bishop had covered up the abuse. But the film uses this to illustrate how Francis grew. He met with Cruz and ultimately defrocked the priest.FrancescoNot rated. In English, Spanish, Italian, Armenian and French with subtitles. Running time: 1 hour 56 minutes. Watch on Discovery+. More