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    Best Comedy of 2023: Jim Gaffigan, Beth Stelling and More

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    It’s time to stop taking Jim Gaffigan for granted, and more surprising takeaways from specials, stand-up sets and other funny moments this year.Comedy didn’t boom or bust this year. It sprawled. There seemed to be many more specials than ever, most self-released. Yet Netflix still reigned, dominating the conversation with event specials from John Mulaney and Chris Rock. Twitter (now X) became old news for jokes, while TikTok and Instagram bustled with young performers. Here are a few highlights.Best SpecialIt’s easy to take Jim Gaffigan for granted. His consistency can become boring, and his interests (food, religion) tend not to draw headlines. Over the years, he’s been pigeonholed as the clean comic or the Hot Pockets one (because of a signature bit). But while he’s not flashy, each year he gets a little better, figuring out new challenges that fit his everyman aesthetic. With his 10th special, “Dark Pale” on Prime Video, his comedy has become so skillful, varied and pleasingly prickly that it demands closer attention. Leveraging his benign dad persona, he paints a scathing portrait of our culture post-pandemic that makes you laugh at our cruelty, haplessness and delusions.Best BreakthroughBeth Stelling is a meticulous professional in “If You Didn’t Want Me Then.”Netflix“You have to be careful with pedophilia,” Beth Stelling says in her wry new hour, “If You Didn’t Want Me Then” on Netflix, pausing for a precise beat, “because you catch it just by touching a kid.” After this risky joke, she picks up a cup of tea and sips, daintily. Then she sticks her pinkie out, as if she’s a member of the royal family. It’s one of many small perfect moments in her comedy, which can be as warm and loving as it is crass and ruthless, that reveals her as a meticulous professional in her prime.Best StorytellerIt’s exciting to come across a comic who resists comparisons. In his fascinating special “The Domino Effect Part 2: Loss,” on YouTube, Ali Siddiq tells childhood stories with a jaunty delivery that has a different pace than anyone else’s. Is he even a comic? He’s telling high-stakes, dramatic tales of heartbreak and run-ins with the police, but with the lightness and ease of someone just filling you in about their day. Sad and thrilling, odd and straightforward, rambling and intentional, these are yarns that grab your attention, then toy with it.Best BitJohn Early (with Will Lawrence) mixes satire and cover songs in “Now More Than Ever.”HBOJohn Early is a forerunner of, and the gold standard for, the fashionable genre of musical comedians (Catherine Cohen, Caitlin Cook, Sophie Zucker, Leo Reich) parodying millennial and Gen Z vanity. His long-awaited special, “Now More Than Ever” (on Max), is a mix of stylish satire, soulful cover songs and occasional observational humor. At its high point, he takes a conventional premise, about how Apple manipulates users to collect their data, and transforms the idea into a comic tour de force centered on the ugly phrase “Ask app not to track.” He repeats it so memorably that it’s been lodged in my brain ever since.Best New Double ActLike many funny duos, April Clark and Grace Freud of Girl God look and sound nothing alike — one a lanky slacker, the other a more fiery baritone — but they riff so effortlessly that they seem to merge. In videos announcing themselves as joke writers for Dave Chappelle or in shows raging sarcastically about their Uber driver asking how they are (“Google: The news”), they favor fabrication and transgression, accumulating momentum out of pingpong conversation more than conventional jokes.Best Closer Even an act-out is haunted by death in Marc Maron’s special “From Bleak to Dark.”Oluwaseye Olusa/HBOWhat would suicide by bat look like? Only a comedian would think long and hard on the subject. In “From Bleak to Dark” (Max), Marc Maron imagines it as pitiful, anguished and riotously comic. This act-out, coming at the end of a special haunted by death, operates like the scene in Hunter S. Thompson’s book on the Hells Angels in which Thompson, after spending months hanging out with the biker gang, describes getting beat up by them. It’s a perverse catharsis.Best Online RoasterThe arch-elitist Dan Rosen has created his own critical beat on Instagram, doing stylish and ruthless insult comedy on tasteless interior design, hack décor and shallow architecture. Projecting his face over photos of celebrity homes, he displays an acute eye for overdone trends (anyone with a green kitchen should be ashamed) and a knack for the perfect put-down (“the granny couch”). He compares Chris Brown’s floors to a bowling ball, then says: “I would say it’s the worst crime he ever committed” before a pause.Best Canadian Newcomer“I moved to America this year,” Sophie Buddle said at the start of her “Tonight Show” set in April. “I wanted to see it before it ends.” Then she sucked in her bottom lip and giggled. This chirpy, comic maintains a steady nervous chuckle while joking about masturbation and annoying Los Angeles types. But she knows what she’s doing, finding fresh spins on familiar subjects. She is part of a long line of cheerfully raunchy young comics, and her sneaky jokes are full of sharp elbows. When talking about the United States, there’s pity in her voice that feels like revenge for so many years of American comic condescension toward our northern neighbor.Best Take on Crowd WorkIn a short Netflix set commemorating the 60th anniversary of the Improv club, Deon Cole lays into how comics repeatedly ask audiences to do things like “give it up for the ladies.” Looking besieged, he says, “Got me wasting my claps.”Best Response to a Beeping CellphoneUpon hearing that familiar sound during his recent hour, Joe Pera responded in a deadpan, “You just ruined my life,” then kept it moving.Best ImpressionThat the John Mulaney special “Baby J” (on Netflix) manages to live up to expectations is a feat, considering he addresses his much-publicized stint in rehab and, less so, his equally talked-about divorce. His re-creation of his star-studded intervention shows off a multitude of niche accents. And yet, he gets the biggest laughs going broad and traditional with his Al Pacino take. One distinctive voice nails another.Best BuffoonDiana Morgan as Philomena Cunk in “Cunk on Earth.”Jonathan Browning/NetflixIn the grand British tradition of Alan Partridge and Borat, Diane Morgan’s long-running character, Philomena Cunk, finds laughs through the bloviating of a self-assured idiot. Her comic documentary series, “Cunk on Earth” (on Netflix), finds her in tasteful clothes, inside museums and outside ruins, asking intellectuals questions like, “Is there a great roof of China?”Best YouTube SpecialA highly competitive category. Never have there been more funny people putting out specials on this platform. Django Gold’s folksy screwball jokes, Chase O’Donnell’s deliriously ditsy act, Seaton Smith’s sneaky Madison Square Garden show and Joe List’s hilariously straining efforts to prove that he is fun are highlights. But Nathan Macintosh’s “Money Never Wakes” stands out for its exasperated comic laments about the cocooned lives of the 1 percent. His jokes are tightly constructed, and what makes them sing is his nervy voice, which starts to squeak when he gets worked up, almost as if the sound is coming from a record speeding up.Best Comic-on-Comic ComedyGary Gulman’s new special, “Born on Third Base” (due Dec. 21), is filled with the intricate, language-drunk jokes that have built him into a critical darling. This is his most political and pointed work, focusing on the inequities of class. He uses many subjects to illustrate his point (his take on dentistry is very funny) including the disparity in comedy, with Jerry Seinfeld as an example of the elite. Gulman’s consideration of Seinfeld’s wealth will get attention, but what stands out more is his strong series of jokes on Pop-Tarts, a subject Seinfeld has owned for years and is making a movie about for Netflix.Best Gen Z SurrealistIf the next David Lynch comes from TikTok, where a Dada aesthetic reigns in many of the short comic videos, keep an eye on Savannah Moss, a cheerful young Arizona absurdist who is just getting started. She produces, edits and stars in cartoonishly bizarre videos featuring milk spilling from the sky, goofy puns, jump scares and prop humor, along with Moss herself leaping and spinning in the air for no reason. She calls these quick hits of nonsense fever dreams, and they resist logic, though they have circular narratives that work well on repeat. And while these bits remain raw, watching her slowly but prolifically develop a distinctive handmade visual vocabulary gives me hope for this digital medium. More

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      ‘The Whale’ Premiere in NYC Inspired Strong Reactions

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      More than 100 actors, singers and creative professionals attended the New York premiere of Darren Aronofsky’s new film at Alice Tully Hall this week. Some of them shared their thoughts.The carpet was blue. The poster was blue. The suits were blue.That is, until the actor Ty Simpkins arrived at the New York premiere of “The Whale” at Alice Tully Hall this week — in a magenta suit.“I want the summer weather back,” Mr. Simpkins, 21, explained of his choice to break with the otherwise muted palette of the film’s cast and creative team, who arrived on the red carpet — well, oceanic blue carpet — in navy suits and black dresses.The moment of levity was at odds with the character Mr. Simpkins plays in the director Darren Aronofsky’s somber new film, adapted from the play by Samuel D. Hunter and produced by A24. The movie centers on Charlie, played by Brendan Fraser, a reclusive, morbidly obese gay man trying to reconnect with his teenage daughter (Sadie Sink) after the death of his lover. (Mr. Simpkins plays a young evangelical missionary who tries to convert Charlie — and wrestles with some of his own demons in the process.)“The Whale” has received rapturous reviews at film festivals — including a six-minute standing ovation in Venice — and has been hailed as a comeback role for Mr. Fraser, whose career faltered in the years after his success in the “The Mummy” (1999). Though Fraser is regarded as a front-runner to win his first Oscar for his performance, and the film will most likely be nominated for best picture, it has also been criticized for Mr. Aronofsky’s decision to put Mr. Fraser in a so-called fat suit rather than cast an obese actor. The director has said that doing so would have been difficult.When asked about his choice to use a “fat suit,” Mr. Aronofsky objected to the phrasing. “I wouldn’t use that word,” he said. “It’s prosthetics and makeup.”The film’s makeup artists, he said, “were able to create this incredible illusion that not only works with the audience but I think helped Brendan inhabit his character and bring it to life.“That you can be transported into the life of someone who seems incredibly different than you and still learn something about yourself is why I love movies,” Mr. Aronofsky continued.On the carpet and at the after-party, the film’s cast and creative team discussed the themes the film tackles, the emotions it raises and what they hoped audiences would take away.The writer and playwright Samuel D. Hunter, left, with the actor Brendan Fraser and the director Darren Aronofsky at La Grande Boucherie after the New York premiere of “The Whale.”Jackie Molloy for The New York TimesMitch Bukhar, left, a talent agent, with Ty Simpkins, who played a young evangelical missionary in “The Whale.”Jackie Molloy for The New York TimesMr. Fraser gained weight for the role, in addition to wearing the prosthetics, which added as much as 300 additional pounds to his frame. He has said that he prepared for the part by speaking with people who have struggled with eating issues, asking about their diet and the impact of their weight on their relationships.“Very often people who live with severe obesity are disregarded and shut away and silenced,” said Mr. Fraser, 53, who attended the premiere with two of his sons, Holden Fraser, 18, and Leland Fraser, 16. “So it was my obligation — my duty — returning dignity and respect and authenticity.”He continued: “The creative choices we made — the makeup, the elaborate costuming that I wore — with the help of the Obesity Action Coalition, I’m pretty sure that we came really close to creating a film with a main character who hasn’t been seen in this way, as authentically before, and I’m proud of that.”The film, which shows Charlie inhaling whole buckets of Kentucky Fried Chicken and double-stacked slices of pizza — with ranch dressing added on top — and being subjected to relentless verbal abuse by his teenage daughter, can at times be hard to watch. But stories that push and challenge audiences remain essential, said Mr. Hunter, who wrote the film.“In academia, there’s kind of a push for no more trauma-based stories, and I struggle with that,” said Mr. Hunter, 41, after posing for photos next to his husband, the dramaturge John Baker, on the carpet. “Not only because that is discounting a broad swath of world literature — maybe the majority of it, certainly the Bible — but also because I think there’s utility in looking at dark things through the lens of fiction.”Mala Gaonkar and David Byrne at the after-party for “The Whale.”Jackie Molloy for The New York TimesBut Mr. Aronofsky wanted to be clear: The film is not meant to induce two straight hours of waterworks. “What’s surprising to many people is how funny it is,” he said. “I think when people see the heartfelt material, there’s a lot of laughs.”At an after-party at the heated outdoor atrium of the upscale French brasserie La Grande Boucherie on West 53rd Street, where sliders, artisanal cheeses and wine were served, David Byrne, the former Talking Heads frontman, said it wasn’t the humor that had surprised him, but the humanity.“It’s surprising, the amount of heart in it,” Mr. Byrne, 70, said.Over by a gleaming Christmas tree, the comedian Jim Gaffigan was still processing what he had just experienced.“A film that moves you that much, you want to give a standing ovation to,” Mr. Gaffigan, 56, said, clutching a glass of wine. “But I feel like the audience was so emotionally drained that we needed the walker.”“Darren always does that,” he continued. “He accesses emotions that are very credible, very personal. It’s going to take a while to process.”Quick Question is a collection of dispatches from red carpets, gala dinners and other events that coax celebrities out of hiding. More

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      in Television

      Best Comedy of 2021

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      The return of indoor shows brought comedy closer to normal, and there were plenty of specials from Bo Burnham, Tig Notaro, Roy Wood Jr. and others.From left, a scene from Tig Notaro’s HBO special “Drawn,” Susie Essman in HBO’s “Curb Your Enthusiasm” and Tiffany Haddish in Netflix’s “Bad Trip.”From left: HBO; John P. Johnson/HBO; Dimitry Elyashkevich/NetflixComedy got dangerous in 2021. Not cancel-culture dangerous (though after creating one of the loudest controversies of the year with his Netflix special “The Closer,” Dave Chappelle might disagree). More like “I might contract Covid at this show” dangerous. After a (hopefully) once-in-a-lifetime shutdown of live performances, audiences returned to indoor shows, and comics picked up where they left off. These are some of the highlights.Best Punch Line Inside a Club to Defuse Covid AnxietyOne night at the Comedy Cellar, Dave Attell told a guy in the crowd: “I’m glad you’re wearing a mask because we need a survivor to tell the story.” But in the basement of the West Side Comedy Club, Bill Burr took down the elephant in the room even quicker: “I’m happy to be down here working on a new variant.”Best Experimental ComedyTig Notaro is not the first stand-up to turn herself into a cartoon, but her “Drawn” HBO special was the most ambitious attempt, using a different animated style for each bit — realistic one moment, whimsically fantastical the next, veering from the perspective of the audience to a cockroach. Imagine if Pixar did stand-up.A scene from “Drawn,” an animated HBO special from Tig Notaro, which uses a different animated style for each bit.HBOBest Musical ComedyThis was the year that visual humor caught up to the verbal kind in comedy specials. Bo Burnham invented a new comic vocabulary with his Netflix hit “Inside,” a filmic meditation on isolation, the internet and ironic distance itself. It was so tuneful and thematically well made that a blockbuster musical is surely in his future.Best Opening BitIn “Imperfect Messenger,” a Comedy Central special packed with refined comic gems, Roy Wood Jr. begins by discussing things that are not racist but feel racist. Things that have, as he puts it while rubbing his thumb and his fingers together as if he’s grasping at something, “the residue of racism” — like when white people use the word “forefathers,” or when you go somewhere and there’s “too many American flags,” which he calls “too much freedom.” He rubs his fingers and thumb again and asks: “How many American flags equal one Confederate flag?”Roy Wood Jr. in his Comedy Central special “Imperfect Messenger.”Sean Gallagher/Comedy CentralBest DirectingWith a jangling horror soundtrack, claustrophobic close-ups and the menacing humor of a Pinter play, the movie “Shiva Baby” offers a modern spin on the postgraduate angst of “The Graduate.” Its director, Emma Seligman, is the most promising cringe-comedy auteur to come along in years.Best MemoirIn the Audible original “May You Live in Interesting Times,” Laraine Newman describes studying with Marcel Marceau, dating Warren Zevon and farting in front of Prince. She gives you what you want in a “Saturday Night Live” memoir, but what makes her audiobook excel is her nimble voice, impersonating a collection of characters, none more charismatic than her own.Best Documentary“Mentally Al” catches up with the unsung comic Al Lubel when he’s near broke, disheveled and struggling with an impossibly dysfunctional relationship with his mother. Onstage, however, he’s consistently hilarious, even when the audience doesn’t think so. After countless documentaries about how a really funny person became a star, there’s finally a revelatory one exploring why one didn’t.Best Political ComedySometimes the most powerful punch is a jab. In “Oh God, an Hour About Abortion” — an understated, humane and deeply funny examination of the experience of having an unwanted pregnancy and an abortion — Alison Leiby uses observational comedy to reframe a political question at a critical moment for reproductive rights.The comedian Alison Leiby performing at Union Hall in Brooklyn in September.Krista Schlueter for The New York TimesBest Keystone Cops UpdateNot since Chaplin has running from the police been as funny as Tiffany Haddish in “Bad Trip,” a scripted movie on Netflix that includes unscripted scenes, such as Haddish emerging from under a prison bus dressed in an orange jumpsuit, forcing a male bystander into an uncomfortable decision.Best SpecialThere’s never been a better year for handsome comics making jokes about their fraying mental health. Along with Bo Burnham unraveling onscreen and John Mulaney describing the depths of his addiction in live shows, the British comic James Acaster delivered his masterwork, “Cold Lasagne Hate Myself 1999,” on Vimeo. It’s a nearly three-hour show, wildly funny and deeply felt, that mocks how easily mental struggles can be turned into entertainment before doing just that.Best Arena SpectacleThere were prop missiles, shining diamonds and a massive sign that announced “World War III” in lights. I’m still not sure what the battle was about, but as soon as the born entertainer Katt Williams charged into the Barclays Center, yellow sneakers a blur, it was clear he had won.Best Netflix DebutNaomi Ekperigin is a natural — a comic that can make you laugh at just about anything: summing up Nancy Meyers movies, vaccines, clichés (why L.A. sucks), the way she says “OK.” In a half-hour set, as part of the collection “The Standups” that will be released on Netflix on Dec. 29, she even has two different jokes about the color beige that earn laughs. It’s a delight.Naomi Ekperigin performs in Season 3 of “The Standups,” coming to Netflix on Dec. 29.Clifton Prescod/NetflixBest Grand Unified TheoryIn describing how the porn industry pioneered everything on the internet, from user-generated content to diversity casting, Danny Jolles, in his endearing and far too overlooked Amazon Prime Video special, “Six Parts,” finds a new way to describe the fragmentation and filtering of the news: fetishes. All news, he argues, has become “kink news,” catering to our narrow, even perverse whims.Best Inside Comedy ParodyLast year ended with the release of “An Evening With Tim Heidecker,” a parody of edgy stand-up comedy that was a bit too vague to really resonate. Now, Heidecker hit the bull’s-eye with his recent YouTube spoof of The Joe Rogan Experience; its 12-hour running time (really one hour on a loop) is its first joke. So precise, so meticulously sensitive to the details, to the cadence and lingo of that podcast, his conversation with two sycophantic guests (played with pitch-perfect smarm by Jeremy Levick and Rajat Suresh) is a master class in sounding absolutely earth-shattering while saying precisely nothing.Best Argument for the Staying Power of ‘Curb Your Enthusiasm’No comedy that started in 2000 should still be this funny. Part of the reason for this feat is the consistently elite supporting performances, none more important than Susie Essman, who shined this year. Famous for her volcanic fury, she can do dry and understated just as well. I have not laughed louder at a television show this year than after hearing her say the word “caftan.”Susie Essman, left, plays Susie Greene in the long-running HBO series “Curb Your Enthusiasm.”John P. Johnson/ HBOMost Underrated Star ComicJim Gaffigan has put out so much material for so long that he’s easy to take for granted. The fact that he’s family friendly probably doesn’t help his press either. His dynamite new special, “Comedy Monster” (premiering Tuesday on Netflix), may be his best, showing Gaffigan at his most dyspeptic. It suits him. Who would have thought that he would so satisfyingly eviscerate marching bands and parades? Or have the most unexpected prop joke of the year (keep an eye out for a grand piano). More