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    Zach Galifianakis Lives in the Cringe

    The comedian and star of “The Beanie Bubble” feels proud to be an American when he watches “The Simpsons.” These are some of his other favorite things.Zach Galifianakis grew up on Bill Murray, Eddie Murphy, Redd Foxx and David Letterman, but he never sat in front of the family television thinking he wanted to be them. He was more interested in keeping up with his family.He liked the way his older cousins imitated people. His parents were hilarious. They all performed skits at reunions. He once dressed his sister up as the Ayatollah Khomeini. He got good at doing the robot.“The way we communicate is through humor,” the comedian and actor said in a phone interview in July, before Hollywood actors went on strike, adding: “It’s as basic as: I enjoyed the sound of people laughing.”In his latest film, “The Beanie Bubble,” he portrays the billionaire behind Beanie Babies, the stuffed animals that were a cultural craze in the 1990s. There are moments when viewers might not know whether to laugh or cringe.“You don’t see it much in movies because movies want to sometimes show a different side of humanity,” Galifianakis said. “I live in the awkward and cringe because I find life can be like that.”Galifianakis, a 53-year-old resident of the “Canadian woods,” discussed writing jokes on his tractor, avoiding Twitter, and the radio he listens to on the road. These are edited excerpts from the conversation.1NatureI grew up rural, and all I wanted to do was run to the city. Now that I’m older, all I want to do is run back to the woods. I always tell people: Don’t forget about the woods, because as city dwellers, as urbanites, as suburbanites, we forget. There’s a lot of poetry in the woods.2Nature DocumentariesI often go back to “Alone in the Wilderness,” this documentary about Dick Proenneke, a man who lived in a remote cabin in Alaska that he built himself. I’m envious of his skill, of being able to live off the earth. There’s something beautiful about that kind of life. I’m a complete hypocrite. I’ll never get there. But had I reworked a couple things, I would’ve probably aimed a little bit more for that kind of life.3Local RadioI don’t know how to work apps. So, when I’m in the car, I listen to the radio. In Canada, CBC always has something good on. When I’m working in Atlanta, radio there has a lot of good, old hip-hop. And when I’m in California, I listen to KCRW, which still plays new music.4Gardening-Adjacent HobbiesWhen I first moved to Los Angeles, I planted peanuts, and I’ve been gardening ever since. My hobbies are usually garden-related, like making my own fertilizer. My kids will go get deer bones out of the woods, and then I’ll grind them up and make my own bone meal.5Grilling for DummiesI cook pizza on my Big Green Egg, which I bought during the pandemic. I’d always been intimidated by grilling. But any moron can cook on that thing and you’ll think you’re eating at an amazing restaurant.6Thinking While on My TractorI’ve had a tractor for a number of years. It’s where I do most of my thinking about standup — specifically joke-writing. It lets me sit there and numb out and think about jokes I’ve done and try to add to them.7Visiting Greece and Taking It EasyThis is the thing about Greece, where my dad’s family is from, and Europe in general: It’s about walking to go get a coffee. It’s about sitting down and having a conversation. I feel like these older societies have their priorities a little bit more in check sometimes. They’ve been through it. They’ve seen it. So there’s a coolness to me about Greece. And I just agree with the lifestyle. Also, the history there is unbelievable.8‘The Simpsons’ (Made in the U.S.A.)I’m always pleasantly surprised at how much that show can still make me gut laugh. There’s not many shows like that. Shows like “The Simpsons,” and the fact that Prince was from America, that just makes me proud to be an American.9A Book Worth Paying Attention ToWhen I read a book, I want everyone to know I read books, so I talk about it to everyone. “Stolen Focus,” by Johann Hari, is basically a deep, deep dive into the phone and social media. When you finish this book, you’ll go: We’ve all been duped, especially young kids who feel social media and constant contact is a must. I highly, highly recommend it, especially for parents.10IRL ObservationsThe biggest crime of social media is that it’s so boring. I’ll hear people say: You should see what I just tweeted out. As soon as I hear “Twitter,” my face glazes over. For somebody like me, I have to observe. I need to see the small spaces in life as an actor, as someone that tries to make people laugh. I’m not going to get that from Twitter. But, look: I’m 53. I’m old. I’m out of the loop. Nobody should listen to me. More

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    ‘The Beanie Bubble’ Review: Caught in a Fad Romance

    This dramatic comedy about Beanie Babies, starring Zach Galifianakis, Elizabeth Banks and Sarah Snook, arrives at the tail end of a summer of corporate biopics.John Updike once described writing as a matter of “taking a deep breath, leaning out over the typewriter and trying to drive a little deeper than the first words that come to mind.” Unfortunately, the writing in “The Beanie Bubble,” a dramatic comedy based loosely on the true story of the short-lived Beanie Baby toy craze, sits on the surface.This is a movie that uses stock footage of the Bill Clinton inauguration and the O.J. Simpson trial to demonstrate that it’s the 1990s, and which, to show a flashback to the ’80s, has a character ask, “Did you pick up any Tab?” It deploys every storytelling cliché in the book, from “you’re probably wondering how I ended up in this situation”-style voice-overs to pat last-act monologues that reiterate the themes.The story of Beanie Babies is not especially interesting: In 1993, Ty Warner (Zach Galifianakis), the creator of Beanie Babies, introduced the plush animal dolls for $5, and then, owing to a confluence of opportune internet savvy and a nascent secondary market on the web, they became coveted for their scarcity.“The Beanie Bubble” contrives to add intrigue by embellishing various personal dramas behind the scenes at the company, including infidelities, a fraught love triangle and the ethical quandaries of three women who worked with Warner and in some cases were involved with him romantically: Robbie (Elizabeth Banks), Sheila (Sarah Snook) and Maya (Geraldine Viswanathan).Each of these women has exactly one defining feature — they’re eager to get rich; they love their children; they know a lot about computers — and they mention this feature every single time they’re onscreen. The directors, Kristin Gore and Damian Kulash, Jr., make several embarrassing efforts to cast them as feminist superheroes at odds with the cluelessly patriarchal Warner, which might have been more effective had they been fleshed out as anything more than paper-thin Girl Boss caricatures. As it stands, the celebratory montages that herald these women’s professional triumphs are about as rousing as a Sheryl Sandberg TED Talk.Much of the film’s running time is dedicated to graphics detailing Beanie Baby sales figures, archival news footage showing mall shoppers going crazy and oversimplified explanations of Beanie-related milestones and achievements, such as how the company became an early pioneer of e-commerce.These elements are, of course, reminiscent of “Air,” “Tetris,” “Flamin’ Hot” and “Blackberry,” among other recent making-of marketing pictures. It’s not the fault of “The Beanie Bubble” that it arrives at the tail end of a summer of similar corporate biopics, but seen after so many other marketing making-of dramas, the familiar beats of novel invention to overnight phenomenon can’t help but feel all the more hackneyed.Like those films, “The Beanie Bubble” attempts to extrapolate some more substantive social meaning from what is otherwise an amusing but ultimately insignificant moment in time. The best it can do is to conclude, feebly, that there will “always be another fad,” with references to cryptocurrency and NFTs. This conclusion is hard to square with the movie’s earlier claim that the Beanie Baby craze ushered in “a new era of capitalism,” but that paradox is typical of its shaky approach. In any given moment, the movie is either overstating the importance of its subject or trivializing it.Can we learn anything from this? “The Beanie Bubble” proves that there will always be movie fads, but some of them will be worse than others.The Beanie BubbleRated R for strong language and some mild sexual content. Running time: 1 hour 50 minutes. Watch on Apple TV+. More

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    ‘Ron’s Gone Wrong’ Review: Still Under Warranty

    This animated feature, with Zach Galifianakis voicing a malfunctioning robot, sends up technology addiction with a decent amount of wit.A computer-animated film that promotes the virtues of analog living and a would-be heartwarming story that plays as faintly terrifying after the revelations of a Facebook whistle-blower, “Ron’s Gone Wrong” sends viewers out into a world that suddenly looks more dystopian than it did before. As family entertainment, it’s fine.The movie, directed by Sarah Smith and Jean-Philippe Vine, revolves around a hot new gadget. Bubble, a not-at-all-subtle amalgam of Apple and Facebook, has invented the B*Bot, an R2-D2-size robot that plugs into children’s social-media accounts and becomes their constant sidekick, ostensibly to make them more social, but really to help Bubble become a surveillance emporium.As a belated birthday present, Barney (voiced by Jack Dylan Grazer) gets a bot that fell out of a van and is consequently a little fritzy; it’s eager to find out how many Newtons of force it can apply to the school bully. As voiced by Zach Galifianakis, the droid, eventually nicknamed Ron, speaks in mantra-like repetitions that only become funnier the more they’re repeated. The animation shows wit in its details: The droid’s body design and unsmooth graphics appear to send up older iMacs, with perhaps a bit of Atari thrown in.Some of the caricatures (Olivia Colman, her voice unrecognizable, plays Barney’s goat-raising Bulgarian grandmother) themselves seem a bit fusty. But if the core ideas — friendships are better made the old-fashioned way; technology offers the illusion of connection while fostering loneliness — seem like bromides, in this context they hold up a cutting mirror to screen-addicted kids, and maybe even more so adults.Ron’s Gone WrongRated PG. Running time: 1 hour 46 minutes. In theaters. More