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    ‘Kimberly Akimbo’ Star Shows Off Her Snug Upper West Side Rental

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    Bonnie Milligan, a star of the musical “Kimberly Akimbo,” has been the lucky occupant of a rent-controlled apartment in Manhattan for 15 years.Bonnie Milligan, an actress known for her vocal range and belting voice, shares a snug rental on the Upper West Side with a college friend who is also a performer. Ms. Milligan’s bedroom is sufficiently small that she has to leave to change her mind. The kitchen and living room are pretty much one and the same space.But the 30-something Ms. Milligan, a Tony nominee for her performance as the shifty, shiftless Aunt Debra in the musical “Kimberly Akimbo” (the awards ceremony is scheduled for June 11), isn’t much for trafficking in discouraging words. Thus, she quickly points out her building’s admirable location (handy to both Lincoln Center and a subway stop) and eagerly enumerates the desirable features of the apartment complex. A concierge across the street “collects packages for us, which is a huge thing,” she said. There’s a washer and dryer in the basement, and workout equipment in the courtyard.As for the apartment itself: Ta-da! It’s rent controlled.“Over the course of the 15 years I’ve been here, it has gone up $550 in total,” Ms. Milligan said.Bonnie Milligan, a Tony Award nominee for her performance in the musical “Kimberly Akimbo,” shares a rental on the Upper West Side with a college friend. “I feel comfort here,” she said.Earl Wilson/The New York TimesBonnie Milligan, 30-somethingOccupation: ActressTwo’s company: “My apartment mate and I have both gone out of town on jobs. I’ve been here alone, or she’s been here alone, and we think, ‘I really like the comfort of living with my best friend.’ That’s the long and short of it.”“We have all these amenities that would mean a skyrocketing price if we went elsewhere,” she added, while declining to reveal her current rent. “Every time we’ve looked somewhere else in the neighborhood, we end up thinking that we might as well stay here.”And even if the Tony nomination is great and validating — and, perhaps, a sign of lucrative things to come — Ms. Milligan knows that the one certain thing in an actor’s life is uncertainty. She made her Broadway debut in 2018 in “Head Over Heels,” a musical that combined a Renaissance pastoral romance with the music of the Go-Go’s. When it closed (barely five months after it opened), she had a year of readings and workshops, and “maybe a demo here and there, and I think maybe I shot a little TV,” she said. “But I was hustling to get money for my bills.”Ms. Milligan comes honestly by her modest housing expectations.She spent her formative years in a double-wide trailer behind her grandparents’ home in central Illinois. “I had friends — not even the mean kids, but friends — who would say, ‘We love coming to your house. Yours is the only one with license plates and taillights.’ Those little jabs were hard,” said Ms. Milligan who, after her parents’ divorce, moved with her mother to a small house in northwestern Ohio.Next stop, in 2007: Manhattan.“I remember trying to decide if I wanted a bigger apartment, but this feels like home to me,” Ms. Milligan said.Earl Wilson/The New York Times“I’d been there before on some trips as a teenager, and I just knew it was where I wanted to be to do musical theater. I was a small-town girl, but New York was always my heart,” said Ms. Milligan, who initially sublet space in a three-bedroom, fifth-floor walk-up on the Upper East Side. “During my first six months in New York, I lived in every one of the bedrooms as people came and went.”She found stability when some college pals invited her to take over a recently vacated room in their three-bedroom Upper West Side apartment. “That was February 2008, and I’ve been here ever since,” she said.When one of the original residents moved out some years ago, a procession of subletters took over the third bedroom. “I got to a point where I said, ‘Let’s not do this anymore,’” Ms. Milligan recalled. Now that spare room is an office.By necessity, the apartment is light on furniture. A blue love seat in the kitchen/living room is the spot to sit, eat or watch television. A small bookcase near the front door holds Ms. Milligan’s alphabetized DVD collection of 1960s and ’70s television series, most snagged from the $5 bin at Target. Another small bookcase with more DVDs — “Taxi,” “The Dick Van Dyke Show”— sits in her bedroom, along with the bed and bureau from her teenage room in Ohio.The refrigerator is covered in a very tidy array of magnets.Earl Wilson/The New York TimesThe tidily arrayed magnets on the front and side of the refrigerator clue visitors in to her heroes in the most compact way possible. Her beloved maternal grandmother, Betty Jean Meador, loved cardinals; thus, the cardinal magnet. There are Lucille Ball and Gilda Radner magnets, “because both of them were influences on me,” Ms. Milligan said.Doris Day also figures prominently. “I’ve been a huge fan since I was a kid,” she said. “I used to take my allowance money and go on eBay and buy magnets from her movies.”At its most essential level, the apartment is mixture of where Ms. Milligan came from and where she is. The quilt on her bed and the Afghan slung over the sofa once belonged to her grandmother. So did a tin in the living room and the jewelry box atop the bureau. “We were very close, so I like to have a lot of her around,” Ms. Milligan said.The bureau is also home to a small stuffed teddy bear previously owned by Ms. Milligan’s father, a pastor and talented singer, as well as a photo of Ms. Milligan’s mother and grandmother. Nearby is a hatbox that was a prop in “Head Over Heels,” and a small wooden chest that a friend’s grandfather made for Ms. Milligan as an opening night gift.The bedroom walls, on the other hand, tell the story of Ms. Milligan’s life in New York — show posters, fan art, awards, caricatures by Justin “Squigs” Robertson, a theatrical illustrator, and a drawing, commissioned by a friend, of a raccoon garbed in the same warehouse-store vest that Ms. Milligan sports in the last moments of “Kimberly Akimbo.”“My friend and I love raccoons in general, and we’ve always believed that Aunt Debra is an absolute raccoon,” she said.On the morning the Tony nominations came out, three of Ms. Milligan’s college friends came over to watch the announcement on CBS, bringing along coffee, bagels and champagne (just in case there was reason to pop a cork).“It was really beautiful being with dear friends that I met at the Ohio State University,” Ms. Milligan said. “They’ve known me for, like, 20 years. So it was my past and present all together in one place. And that’s the whole thing of my apartment.”For weekly email updates on residential real estate news, sign up here. More

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      Jay-Z, Foo Fighters and Carole King Join the Rock & Roll Hall of Fame

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      Barack Obama (via video), Paul McCartney and Taylor Swift spoke on behalf of the inductees at a ceremony that also honored Tina Turner, the Go-Go’s and Todd Rundgren.CLEVELAND — Like many awards shows during the pandemic, the Rock & Roll Hall of Fame hosted a virtual induction ceremony in 2020. On Saturday night at the Rocket Mortgage FieldHouse in Cleveland, where the organization’s museum is based, the event returned with a powerful lineup to laud its 36th annual class: a former United States president, Taylor Swift and a Beatle.A video introduction for Jay-Z that flaunted the New York City rapper’s wide reach opened with a tribute from Barack Obama. “I’ve turned to Jay-Z’s words at different points in my life, whether I was brushing dirt off my shoulder on the campaign trail, or sampling his lyrics on the Edmund Pettus Bridge on the 50th anniversary of the Selma march to Montgomery,” said Obama, who spoke in the package alongside Beyoncé, Chris Rock and LeBron James.The comedian Dave Chappelle, who delivered Jay-Z’s formal induction in the arena, opened with, “I would like to apologize …” — an apparent reference to the controversy surrounding his recent Netflix special, “The Closer” — before sticking to the subject at hand: Jay-Z’s eternal sense of calm and how he has stayed true to his community through the decades.“When he said this is Jay everyday. When he told us he’d never change. You heard this and you probably said as a white person, ‘Well, maybe this guy should focus on his development,’” Chappelle said. “But what we heard is that he’ll never forget us. He will always remember us. And we are his point of reference. That he is going to show us how far we can go if we just get hold of the opportunity.”A tuxedo-clad Jay-Z, who did not perform, followed with a charming, sometimes meandering 10-minute speech in which he referred to the mentors and peers who guided him: LL Cool J (who received a musical excellence award on Saturday after he wasn’t voted in on his sixth nomination), KRS-One, Rakim and Chuck D, among others. “Growing up, we didn’t think we could be inducted into the Rock & Roll Hall of Fame,” Jay-Z said. “We were told that hip-hop was a fad. Much like punk rock, it gave us this anti-culture, this subgenre, and there were heroes in it.” Hopefully, he added at the end of his remarks, he is showing the “next generation that anything is possible.”The actress Angela Bassett inducted the singer Tina Turner, who did not attend the event.Michael Loccisano/Getty ImagesThe actress Drew Barrymore, center, with the Go-Go’s. David Richard/Associated PressJay-Z joined one of the more diverse recent Rock Hall classes: Carole King, the singer and songwriter who was honored by the organization in 1990 with her songwriting partner and former husband Gerry Goffin; the arena rockers Foo Fighters, whose frontman, Dave Grohl, traced the band’s longevity to the familial bond developed between the musicians; the indefatigable powerhouse singer Tina Turner, finally inducted as a solo performer after gaining entry as part of Ike and Tina Turner in 1991; the 1980s power-pop band the Go-Go’s, hailed as the sound of “pure possibility” in a big-hearted introduction by Drew Barrymore; and the classic rock auteur Todd Rundgren, who recently told TMZ that he “never cared much about the Hall of Fame” and stayed true to his word, skipping the event to perform a solo set in Cincinnati. HBO will present highlights from the ceremony on Nov. 20.Jay-Z’s speech, filled with asides and memories, well demonstrated how despite the multitude of big personalities packed into one of Cleveland’s biggest venues, the event often centered on more intimate moments.Swift helped set the more personal tone, recalling in her induction speech for King how at age 7 she used to dance throughout her house in socked feet while listening to the musician’s records. “I cannot remember a time when I didn’t know Carole King’s music,” said Swift, who went on to describe the seemingly magical way that King’s songs could be introduced by an outsider — a parent, a sibling, a lover — only to become an integral part of a person’s own internal world.“I cannot remember a time when I didn’t know Carole King’s music,” said the singer Taylor Swift, left, with King.Gaelen Morse/ReutersSwift embodied this idea in her show-opening performance, gliding through “Will You Love Me Tomorrow,” which Swift reinvented as a gently pulsating synth-pop ballad that wouldn’t feel out of place in her own discography. King, who could be seen onscreen in the venue wiping away tears as Swift finished the song, thanked the pop star for “carrying the torch forward” in her own speech.“I keep hearing it, so I guess I’m going to have to try to own it, that today’s female singers and songwriters stand on my shoulders,” said King, who was quick to extend the spotlight to her own forebears. “Let it not be forgotten that they also stand on the shoulders of the first woman to be inducted into the Rock & Roll Hall of Fame. May she rest in power, Miss Aretha Franklin!”In his speech for the Foo Fighters, Paul McCartney joking pointed out how Dave Grohl followed in his own footsteps. Both were swept up by music at a young age, McCartney said, landing in popular groups that came to an untimely end. Both rebounded by making albums and playing all the musical parts (Grohl with Foo Fighters’ self-titled 1995 debut; McCartney with his 1970 solo album). “Do you think this guy’s stalking me?” the Beatle cracked.Onstage, Grohl, born roughly 60 miles east of the Rock Hall in Warren, Ohio, praised the influence of the Beatles and in particular McCartney, describing him as “my music teacher.” After the Foo Fighters muscled through a trio of battle-tested rock singalongs — “The Best of You,” “My Hero” and “Everlong” — McCartney repaid the favor, joining the band for a galloping cover of the Beatles’ “Get Back.”The singer Paul McCartney, right, inducted the Foo Fighters. He joined the band for a galloping cover of the Beatles’ “Get Back.”Michael Loccisano/Getty Images H.E.R. and Keith Urban paid tribute to Turner.Dimitrios Kambouris/Getty ImagesIn other performances, H.E.R., Christina Aguilera, Mickey Guyton and Keith Urban combined to pay tribute to Tina Turner, who did not attend the event. During the in memoriam segment, Brandi Carlile joined her bandmates Phil and Tim Hanseroth for an understated take on the Everly Brothers’ “All I Have to Do Is Dream” to honor Don Everly, who died in August.The Go-Go’s captured all of the sunny, sneering urgency of their 1981 debut “Beauty and the Beat,” the first and only album from an all-woman band to score the No. 1 spot on Billboard’s chart, opening with “Vacation,” pogo-ing into “Our Lips Are Sealed” and closing with a bounding, bass-heavy “We Got the Beat.”In Janet Jackson’s 2019 induction speech, she spoke of the Rock Hall’s well-documented gender imbalance, asking voters to “please induct more women.” The Go-Go’s bassist Kathy Valentine echoed these comments during the band’s own time onstage.While Valentine credited the Rock Hall for making progress, she also prodded the organization to do more. “By honoring our historical contribution, the doors to this establishment have opened wider,” she said. “Because here is the thing, there would not be less of us if more of us were visible.” More

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      Tina Turner and Jay-Z Lead Rock Hall of Fame’s 2021 Inductees

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      Foo Fighters, the Go-Go’s, Carole King and Todd Rundgren were also voted in, meaning nearly half of the 15 individuals in this year’s class are women.For years, the Rock & Roll Hall of Fame has been pummeled by criticism that its inductees — the marble busts in the pantheon of rock — were too homogeneous, and that the secretive insiders who create the ballots showed a troubling pattern of excluding women.This year the voters seem to have listened: The class of 2021 features Jay-Z, Foo Fighters, the Go-Go’s, Carole King, Tina Turner and Todd Rundgren — a collection of 15 individuals that includes seven women.That ratio alone should lend a new energy to the 36th annual induction ceremony, planned for Oct. 30 at Rocket Mortgage FieldHouse in Cleveland.In past years, when women have been inducted, they have been far outnumbered by men. In 2019, for example, Stevie Nicks and Janet Jackson may have stood triumphant, but their earnest speeches — Jackson: “Please induct more women” — did not seem to last as long as it took to name every male bass player of the rock bands that joined alongside them.Dave Grohl, center, and the members of Foo Fighters. Grohl is already in the hall as a member of Nirvana.Magdalena Wosinska for The New York TimesThe latest inductees show a balance of genre and generation that has come to be a feature of the Rock & Roll Hall of Fame’s expanding tent. Foo Fighters, led by Dave Grohl, represent the cream of 1990s-vintage alternative rock. Jay-Z is rap incarnate. And the Go-Go’s stand for joyful, upbeat 1980s power-pop.Each of those acts was a first-time nominee, although the Go-Go’s — the first and only all-woman rock band to score a No. 1 album on Billboard’s chart — have been eligible since 2006. (Artists can be nominated 25 years after the release of their first recording.)The Go-Go’s in the early 1980s: from left, Kathy Valentine, Jane Wiedlin, Gina Schock, Charlotte Caffey and Belinda Carlisle.Paul Natkin/WireImageRundgren, the prolific producer and multi-instrumentalist, occupies the role of the auteur from classic rock’s flowering in the late 1960s and early ’70s; Turner is a force of nature whose career has stretched from old-school R&B to MTV-era pop; and King is the singer-songwriter and conscience who brings gravitas to the proceedings.Three of this year’s inductees were already in the hall: Grohl as a member of Nirvana, Turner with Ike and Tina Turner, and King as a nonperformer, with her songwriting partner and former husband Gerry Goffin.The story of the inductions is also told by who didn’t make the cut. The voters — a group of more than 1,000 artists, journalists and industry veterans — decided against the bands Iron Maiden, Devo, New York Dolls and Rage Against the Machine, as well as Kate Bush, Mary J. Blige, Chaka Khan and Dionne Warwick.The Afrobeat pioneer Fela Kuti would have been the first Black musician from Africa to join the hall, but was not voted in this year. Leni Sinclair/Michael Ochs Archives, via Getty ImagesFela Kuti, the Nigerian-born pioneer of Afrobeat, had been the surprise nominee this year, and was one of the artists chosen in the Hall of Fame’s fan vote — an online public poll that creates a single official ballot — thanks in part to support from African stars like Burna Boy. Kuti would have been the first Black artist from Africa to join the hall, but he failed in his first time on the ballot. (Trevor Rabin of Yes is from South Africa, and Freddie Mercury of Queen was born in Zanzibar, now part of Tanzania; both bands are in the Hall of Fame.)And LL Cool J, a titan of hip-hop who also received high-profile support this year, lost after a sixth nomination. But he has been given a musical excellence award, for people “whose originality and influence creating music have had a dramatic impact on music.” This category was once known as the sidemen award, but it is also something of a consolation prize: The producer and guitarist Nile Rodgers won it in 2017 after Chic, his band, was passed over 11 times.The other musical excellence recipients this year include Billy Preston, the keyboardist who was a frequent collaborator of the Beatles, and Randy Rhoads, a guitarist with Ozzy Osbourne.Also this year, the Ahmet Ertegun Award, for nonperformers, will go to the record executive Clarence Avant, and “early influence” trophies will go to Gil Scott-Heron, Charley Patton and Kraftwerk, the German electronic pioneers who had been nominated for induction six times.The induction ceremony is to be broadcast later on HBO and streamed on HBO Max. More

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      Jay-Z, Foo Fighters and Mary J. Blige Among Rock Hall Nominees

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      AdvertisementContinue reading the main storySupported byContinue reading the main storyJay-Z, Foo Fighters and Mary J. Blige Among Rock Hall NomineesSeven of this year’s 16 nominees are women, including the Go-Go’s, Dionne Warwick, Kate Bush, Carole King, Chaka Khan and Tina Turner.Jay-Z in concert. He’s on the list of nominees for the Rock & Roll Hall of Fame released Wednesday.Credit…Brian Ach/Getty Images North America, via (Credit Too Long, See Caption)Feb. 10, 2021Foo Fighters, Jay-Z, Mary J. Blige, Iron Maiden and the Afrobeat pioneer Fela Kuti are all first-time nominees for the 36th annual Rock & Roll Hall of Fame induction ceremony, the hall announced on Wednesday.They lead a group of 16 nominees, including several who have received nods at least twice before: Devo, LL Cool J, New York Dolls, Rage Against the Machine and Todd Rundgren.After many complaints that the hall’s hundreds of inductees over the years have been overwhelmingly white and male, this year’s ballot is its most diverse yet. Seven of the 16 nominees are female acts, and nine feature artists of color.Women on the ballot include the Go-Go’s and Dionne Warwick — both receiving their first nods — along with Kate Bush, Carole King, Chaka Khan and Tina Turner.This year’s induction ceremony is planned for the fall in Cleveland, home of the Rock & Roll Hall of Fame and Museum.To some extent, the latest crop of nominees extends a pattern that has taken hold over the last half-decade or so, with a handful of alt-rock heroes and rap gods as all-but-guaranteed sure things; Foo Fighters and Jay-Z have just crossed the hall’s eligibility threshold of 25 years since the release of their first commercial recordings. Dave Grohl, the leader of Foo Fighters, is already in the pantheon as a member of Nirvana, class of 2014.From left, Chris Shiflett, Rami Jaffee, Taylor Hawkins, Dave Grohl, Nate Mendel, and Pat Smear of Foo Fighters. The band only recently became eligible for induction.Credit…Kevin Winter/Getty Images for IheartmediaA few recycled names from previous years’ ballots give a sense of the advocacy projects among the Hall of Fame’s secretive nominating committee. Rundgren, the eclectic singer-songwriter and producer whose solo career goes back to the early 1970s, has been nominated in each of the last three years; Rage Against the Machine, the agitprop rap-metal band whose planned reunion tour last year was disrupted by the pandemic, has been nominated three times over the last four cycles. LL Cool J has now gotten a total of six nods.Iron Maiden, whose lightning guitar riffs and demonic imagery helped shape heavy metal in the 1980s, has been eligible since 2005.But this year’s nominations also include some surprises. Kuti, the Nigerian bandleader and activist who melded James Brown’s funk with African sounds to create the genre of Afrobeat — and was introduced to many Americans through the 2009 Broadway musical “Fela!” — would be the first West African honoree. (Trevor Rabin, a member of Yes, which was inducted in 2017, is from South Africa.)And the hall’s nominating committee — a group of journalists, broadcasters and industry insiders — has clearly made an effort to highlight some of pop music’s many deserving women. The pressure to do so has been mounting for years. In 2019, the critic and academic Evelyn McDonnell tallied the 888 people who had been inducted up to that point and found that just 7.7 percent were women.Mary J. Blige performing in New Orleans. She’s on the list of hall of fame nominees for the first time. Inductees will be announced in May.Credit…Amy Harris/Invision, via Associated PressWhen Janet Jackson and Stevie Nicks gave acceptance speeches that year, they called on the institution to diversify its ranks. “What I am doing is opening up the door for other women to go, like, ‘Hey man, I can do it,’” Nicks said.If chosen, King and Turner would join Nicks as the only female artists to be inducted twice; King was admitted in 1990 with her songwriting partner, Gerry Goffin, and Ike and Tina Turner joined in 1991.The nominations will be voted on by more than 1,000 artists, historians and music industry professionals. The hall will once again enter a single “fan ballot” based on votes collected from members of the public on the hall’s website, rockhall.com. Inductees are to be announced in May.In December, the Hall of Fame and Museum announced plans for a $100 million expansion, which would increase the footprint of its museum by a third.AdvertisementContinue reading the main story More