Golden Globes (Awards)

Subterms

    More stories

    • 113 Shares149 Views

      in Television

      Hollywood Foreign Press Presented With Golden Globes Reform Plan

      by

      Proposals for the embattled Hollywood Foreign Press Association include adding 50 members to its voting ranks to bring in more diversity and creating a for-profit spinoff company.LOS ANGELES — For months, the Hollywood Foreign Press Association, the troubled nonprofit organization behind the big-money Golden Globe Awards, has been wrestling with how to reform itself after an outcry over financial, ethical and diversity lapses and NBC’s cancellation of next year’s Globes telecast.Part of the challenge: Swaths of the entertainment industry — and a few H.F.P.A. members, two of whom quit in protest in recent weeks — have deemed the “transformational” changes proposed by the group’s board as insufficient. A particular point of contention has been inclusion; the group currently has about 80 members, none of whom are Black.On Wednesday, an expanded reform plan was presented to the organization’s members for consideration.Todd Boehly, the chairman of Eldridge Industries, a holding group with assets that include Dick Clark Productions, the decades-long producer of the Golden Globes, presented the complex plan over Zoom. Its core components involve the speedy addition of 50 journalist voters to the current group of about 80, with an emphasis on diversity; the creation of a spinoff, for-profit Golden Globes company in partnership with Eldridge that would be governed by a 15-member board; and tougher and more transparent requirements for reaccreditation as an H.F.P.A. member, which must be done annually.Jesse Collins, a producer whose awards-show credits include the Academy Awards, the BET Awards and the Grammys, and who will produce the next American Music Awards, a Dick Clark production, has agreed to work with Eldridge to advance H.F.P.A. reform. “This is an exciting opportunity to be part of real change,” Mr. Collins said in an email.Eldridge has gotten involved because the Golden Globes generate tens of millions of dollars in revenue for Dick Clark Productions. Eldridge wants to set the Golden Globes up for long-term stability and even growth — possibly by expanding overseas to produce local versions of the show or perhaps turning the flagship ceremony into a multiday event. If the organization moves quickly enough (a long shot considering its recent infighting), Eldridge even believes the 2022 Golden Globes could be salvaged.“While we recognize that this is ultimately an H.F.P.A. membership decision, we look forward to investing time and resources to ensure that essential reforms — prioritizing inclusion, transparency and governance — are implemented, creating meaningful change and long-term, sustained success,” Eldridge said in a statement.The H.F.P.A. is expected to vote this summer on various reform proposals. The organization requires a two-thirds majority vote to change its bylaws.In the meantime, those in Hollywood who are pressuring the H.F.P.A. to change — stars, publicists, filmmakers, show creators — will undoubtedly scrutinize the fine print on Eldridge’s proposal and weigh in. It is unclear, for instance, how the voter-expansion plan will be received.Eldridge’s suggestion of 50 additional voters would be a 63 percent increase. But those voters would not become members, at least not immediately. That means they would not receive the same financial opportunities as the current members, who would become employees, with rolling terms, of the new for-profit company and have responsibilities that include producing content that can be used to promote the Globes.(A nonprofit H.F.P.A. arm would continue to exist as well, with responsibilities that include charitable giving; the organization says it has given away $45 million over the last 28 years. On Wednesday, Mr. Boehly proposed that the charitable entity expand its mission, including by endowing journalism chairs at one or more historically Black colleges and universities.)The foreign press association has been under fire since February, when a wide-ranging Los Angeles Times article found, among other things, that the group had no Black members, had more than $50 million in cash on hand at the end of October and paid large sums to members for serving on committees. The newspaper has continued to scrutinize the organization, publishing more than 40 articles about its problems and the most recent Globes ceremony.During the Globes telecast on Feb. 28, members of the foreign press association vowed to diversify the group. A set of changes were announced in early May. They included increasing the group’s membership by 50 percent over the next year and a half and hiring diversity consultants (those initially hired to do the job quit under protest). The association also said it planned to hire a search firm to seek potential candidates to run the group, and had retained a law firm to help carry out the changes.But Hollywood — long willing to turn a blind eye to the group’s problematic inner workings — pushed back. Netflix declared that it would not work with the organization unless additional changes were made. Amazon and WarnerMedia said the same. Scarlett Johansson said in a statement that the organization’s news conferences “bordered on sexual harassment,” and Tom Cruise returned his three Golden Globe trophies. A group of more than 100 publicity firms that serve the entertainment industry vowed a boycott.All of that, and the knowledge that the ratings for February’s show dropped precipitously, prompted NBC to cancel the 2022 show.“We continue to believe that the H.F.P.A. is committed to meaningful reform,” the network said at the time. “However, change of this magnitude takes time and work, and we feel strongly that the H.F.P.A. needs time to do it right.” More

    • 125 Shares99 Views

      in Movies

      How the Golden Globes Went From Laughingstock to Power Player

      by

      The group that was once assailed by the F.C.C. steadily gained influence in Hollywood over the years until scrutiny of its practices and lack of diversity led NBC to say it would not air its show in 2022.LOS ANGELES — The Golden Globes were created by the Hollywood Foreign Press Association in 1944 and quickly developed a reputation as unserious and slippery. More

    • 138 Shares129 Views

      in Television

      NBC Says It Will Not Air the Golden Globes in 2022

      by

      The group behind the awards, the Hollywood Foreign Press Association, has been under pressure for its lack of Black members and its financial practices.NBCUniversal announced Monday that it would not broadcast the 2022 Golden Globes, an abrupt blow to the Hollywood Foreign Press Association, the organization that puts on the film and television awards show. The association relies on the money the network pays for the rights to broadcast the ceremony, and NBC’s move throws the future of the show into doubt. More

    • 113 Shares189 Views

      in Movies

      Chloé Zhao, ‘Nomadland’ Director, Encounters a Backlash in China

      by

      #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyIn China, a Backlash Against the Chinese-Born Director of ‘Nomadland’Days after winning a Golden Globe for the film, Chloé Zhao was pilloried online for past remarks about China.Chloé Zhao, the director of “Nomadland,” at the drive-in premiere of the film last year in Pasadena, Calif., last year.Credit…Amy Sussman/Getty ImagesAmy Qin and March 6, 2021, 9:13 a.m. ETWhen Chloé Zhao won the Golden Globe for best director for her film “Nomadland” last Sunday, becoming the first Asian woman to receive that prize, Chinese state news outlets were jubilant. “The Pride of China!” read one headline, referring to Ms. Zhao, who was born in Beijing.But the mood quickly shifted. Chinese online sleuths dug up a 2013 interview with an American film magazine in which Ms. Zhao criticized her native country, calling it a place “where there are lies everywhere.” And they zeroed in on another, more recent interview with an Australian website in which Ms. Zhao, who received much of her education in the United States and now lives there, was quoted as saying: “The U.S. is now my country, ultimately.”The Australian site later added a note saying that it had misquoted Ms. Zhao, and that she had actually said “not my country.” But the damage was done.Chinese nationalists pounced online. What was her nationality, they wanted to know. Was she Chinese or American? Why should China celebrate her success if she’s American?Even a research center overseen by the government-affiliated Chinese Academy of Social Sciences weighed in. “Don’t be in such a hurry to praise Chloé Zhao,” read a social media post by the academy’s State Cultural Security and Ideology Building Center. “Look at her real attitude toward China.”On Friday, censors barged in. Searches in Chinese for the hashtags “#Nomadland” and “#NomadlandReleaseDate” were suddenly blocked on Weibo, a popular social media platform, and Chinese-language promotional material vanished as well. References to the film’s scheduled April 23 release in China were removed from prominent movie websites.It was not a complete blackout. Numerous stories about the movie were still online as of Saturday. And so far, there have been no reports that the film’s China release was in jeopardy. (China’s National Arthouse Alliance of Cinemas, which will oversee the theatrical release, did not immediately respond to a request for comment, nor did Searchlight Pictures, the Hollywood studio behind “Nomadland.”)But the online censorship was the latest reminder of the power of rising nationalist sentiment in China and the increasingly complex political minefield that companies must navigate there.Ms. Zhao, left, and the actress Frances McDormand, center, on the set of “Nomadland.”Credit…Courtesy Of Searchlight Pictures, via Associated PressFor years, the central government was the only major gatekeeper for films in China, determining which foreign movies got the official stamp of approval and, ultimately, access to the country’s booming box office. Now, more and more, China’s online patriots can also influence the fate of a film or a company.In many cases, winning over — or at least not offending — those patriots, sometimes derogatorily referred to as “little pinks,” has become another crucial consideration for companies seeking to enter the Chinese market.“There is much more space to punch figures like Chloé Zhao,” said Aynne Kokas, the author of “Hollywood Made in China.”The backlash against “Nomadland” was somewhat unexpected. Aside from Ms. Zhao, the film, which stars Frances McDormand in a sensitive portrait of the lives of itinerant Americans, has little if any connection to China. Though it is said to be a strong contender for the Academy Awards, it was not expected to bring in big Chinese audiences, given its limited theatrical release and its slow pacing.Awards Season More

    • 125 Shares189 Views

      in Movies

      The Dos and Don’ts of Staging a Pandemic-Era Awards Show

      by

      #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyThe ProjectionistThe Dos and Don’ts of Staging a Pandemic-Era Awards ShowThe Oscars have nearly two months to get right what has gone oh-so-wrong at other ceremonies.Joaquin Phoenix was onstage Sunday night at the Globes while the best-actress nominees and their supporters loomed behind him. (Top, from left, Viola Davis, Andra Day and Vanessa Kirby; bottom, Frances McDormand, left, and Carey Mulligan.)Credit… NBC/NBCU Photo Bank via Getty ImagesMarch 3, 2021, 2:12 p.m. ETAre awards shows merely the perk for a fully functioning society, or is there a way to make them work even while the world around us in still in dire straits? These are the questions that many in Hollywood are asking after Sunday’s disastrous Golden Globes ceremony brought in 6.9 million viewers, a free-fall plunge from last year’s tally of 18.3 million.Certainly, people have more pressing matters on their minds than whether “Nomadland” can beat “The Trial of the Chicago 7,” but even casual movie fans surely cringed (or changed the channel) when technical difficulties nearly torpedoed the speech given by Golden Globe winner Daniel Kaluuya at the top of the show. We’re all tired of buggy Zoom calls by now, even when those thumbnails are filled with Hollywood’s best and brightest.There are still nearly two more months before the Oscar telecast on April 25, which will be produced by the often innovative Steven Soderbergh alongside Stacey Sher and Jesse Collins. It won’t be easy for them to mount a glitzy gala during a still-raging pandemic, but here are the lessons that can be learned from the awards shows that were unlucky enough to go first.DO a sound check.In too many of the ceremonies I’ve watched this year, from the Gotham Awards to the Golden Globes, the first big winner of the night either had no idea when to speak or was still on mute when they finally began to. Clearly, some more robust preshow prep is necessary: If you’ve already got the stars on standby, keep drilling them offscreen until they know their cue to come in. (And send them better cameras and microphones, when possible.) An acceptance speech ought to begin with emotion, not technical difficulties.DON’T do improv comedy.The Golden Globes booked two sets of consummate vampers — the “Saturday Night Live” vets Maya Rudolph and Kenan Thompson, and the “Barb and Star” leads Kristen Wiig and Annie Mumolo — but each duo’s improvised patter only made a ramshackle show feel even more chaotic. Improv comedy works better as a palate cleanser during a tightly scripted ceremony, and it feels perverse to let comedians churn through show time in pursuit of a punchline when some of the biggest winners then have their speeches quickly curtailed by wrap-it-up music.DO some short, pretaped bits.Live award ceremonies still feel hemmed in by awkward social distancing, but plenty of movies and television shows are back in full production all over the world. The Oscars could take advantage of their long lead time and ask some of Hollywood’s wittiest to shoot pretaped bits, running no more than thirty seconds, to help expand the breadth of the show in safe and creative ways. Call up Taika Waititi and have him improvise something funny with Chris Hemsworth! Tell Judd Apatow that yes, it has to be 30 seconds — not 60! And any shorts that are cut for time can easily be released online the next day to extend Oscar’s golden afterglow.Awards Season More

    • 125 Shares189 Views

      in Movies

      For Many Golden Globe Winners, the London Stage Came First

      by

      #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s NotebookFor Many Golden Globe Winners, the London Stage Came FirstAt Sunday’s ceremony, a whole host of British winners and nominees got their training in the theater before they made it to the screen.At the Golden Globes, the actor John Boyega accepted an award for best supporting actor in a series, mini-series or television film for “Small Axe.”Credit…Christopher Polk/NBC, via ReutersMarch 2, 2021, 1:36 p.m. ETLONDON — Where would this year’s Golden Globes be without the English stage? Greatly diminished. As the winners John Boyega and Daniel Kaluuya (who took home trophies for best supporting actor in a television and movie role, respectively) and nominees like Olivia Colman and Carey Mulligan evidence, a pipeline of talent runs directly from London theater to onscreen renown at the highest levels in Hollywood.Many of the other British winners at Sunday night’s ceremony also got their training onstage. Although we may now know Emma Corrin as the latest person bold enough to embody Princess Diana, Sunday night’s 25-year-old winner for actress in a drama series accrued plenty of dramatic credits while studying at Cambridge. Her “Crown” co-star and fellow winner Josh O’Connor graduated from the Bristol Old Vic Theater School before shifting his attention to the screen. He was expecting to make a high-profile return to the London stage last year in a National Theater production of “Romeo and Juliet.” Because of the pandemic, the production has been reimagined for the screen with a notably starry supporting cast, and will be airing in Britain and the United States next month.Josh O’Connor, who plays Prince Charles in “The Crown,” graduated from the Bristol Old Vic Theater School.Credit…Alex Bailey/Netflix, via Associated PressEmma Corrin, who plays Princess Diana, accrued dramatic credits while studying at Cambridge.Credit…Des Willie/Netflix, via Associated PressMichaela Coel’s absence may have commandeered attention at this year’s Globes after her HBO show “I May Destroy You” was snubbed by the Hollywood Foreign Press Association, but keen-eyed London playgoers will have spotted this graduate of Guildhall School at the National Theater’s now-defunct Shed theater, first in the all-female ensemble of “Blurred Lines” and then in her self-penned monologue, “Chewing Gum Dreams,” a project she began while still a student. That title was shortened and the work’s concept expanded to create “Chewing Gum,” Coel’s first TV show. Her fiery talent, first seen in embryo by London theater audiences, has now found the larger audience it deserves.On occasion, a small play itself becomes a celluloid sensation. There’s no other way to describe the leap made by “Fleabag,” which premiered at the Edinburgh Festival Fringe in 2013 and which I caught within the intimate confines of the Soho Theater in London the following year. Before long, its creator and star, Phoebe Waller-Bridge, had found a new and welcoming home for her sexually unbridled Londoner on television.An astonishing success story followed, and when Waller-Bridge returned with her character to a mainstream West End perch in 2019, there were House Full signs from its first performance onward. Before long the show’s second season had also won six Emmys, as well as a best actress Golden Globe for its creator. As a sign of quite how high her Tinseltown star has risen, Waller-Bridge was brought on with much fanfare to work on the script of the upcoming Bond film “No Time to Die.”Phoebe Waller-Bridge received a Golden Globe award in 2020 for her work on “Fleabag.”Credit…Paul Drinkwater/NBC, via Associated PressIndeed, scratch most British TV and film names and you’ll find a theater-trained talent, most of whom are happy to return to the stage and regularly do: Ralph Fiennes, a movie star by anyone’s definition, was quick to brave the London stage last year during the brief mid-pandemic window when theaters here were open. His chosen vehicle was David Hare’s solo play, “Beat the Devil,” appearing as the playwright himself.Fiennes graduated, as have many well-known actors here, from the prestigious Royal Academy of Dramatic Art. The widely shared belief, at least in Britain, is that some sort of stage training sets you up for a profession that demands versatility and flexibility (not to mention technique), all of which are surely useful onscreen as well as onstage. Nor can one deny that theater training here has long seemed like a rite of passage, conferring legitimacy on those who submit to the rigors of the stage.Not everyone follows this path: I’ve yet to see yet another of Sunday’s Globe recipients, Sacha Baron Cohen, on a London stage, though that prospect is hugely enticing, and such actors as Hugh Grant and Kate Winslet seem to have leapt to onscreen stardom without paying this country’s seemingly obligatory dues onstage. (Winslet has done theater in the regions but not in London.)Awards Season More

    • 63 Shares179 Views

      in Television

      Golden Globes: The Projectionist’s Takeaways

      by

      Golden Globes: The Projectionist’s TakeawaysSacha Baron Cohen with his wife, Isla Fisher.Christopher Polk/Agence France-Presse — Getty ImagesWant a catch-up on last night’s Golden Globes? It was a weird one — and considering how weird a typical Globes ceremony is, that’s saying something.Watch the standout moments → More