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    Review: It’s No Sunday in the Park With ‘Lempicka’

    A musical about the groundbreaking Art Deco painter is vocally thrilling but historically a blur.Having dismissed her work as merely decorative, a fierce Italian gives harsh advice to an ambitious young painter: “You need to be a monster,” he brays. “Or a machine.”The painter, Tamara de Lempicka, didn’t take the advice in real life because it was never given. But “Lempicka,” the new Broadway musical about her, which opened on Sunday at the Longacre Theater, certainly did, and then some. It’s a monster and a machine.A machine because it argues, with streamlined efficiency, that in her groundbreaking portraits of the 1920s and ’30s, Lempicka forever changed the representation of women in art, and thus changed women themselves. The volumetric flesh, aerodynamic curves and warhead breasts that so titillated Jazz Age Paris became, the show suggests, today’s template for glamazonian feminism.As for “monster,” well, efficiency is not always pretty. Among the values compromised in the grinding of the musical’s gears are subtlety, complexity and historical precision. Yes, that fierce Italian existed; he was Filippo Marinetti, the founder of Futurism, and later a fascist. But the scene in which Lempicka studies art with him is, like many others, made up.Does that matter in a musical that admits it is “inspired” by life, not faithful to it? Are there perhaps greater values than truth in play?Natalie Joy Johnson, left, as Suzy Solidor and Iman as Rafaela in “Lempicka,” directed by Rachel Chavkin.Sara Krulwich/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Lempicka,’ New Musical About Art Deco Artist, to Open on Broadway

    Rachel Chavkin of “Hadestown” will direct the show, which had developmental productions in Massachusetts and California.“Lempicka,” a new musical about the painter Tamara de Lempicka, will open on Broadway next spring after a decade in development.The show will join a Broadway season crowded with new musicals — at least a dozen are expected — at a time when the industry is facing smaller audiences, and higher costs, than it had before the coronavirus pandemic.An Art Deco portraitist who was married and had female lovers, Lempicka was born in Poland in 1898 and lived in Russia, which she fled because of the Russian Revolution; France, which she fled because of World War II; and then the United States and Mexico. Though her art and her social life glittered for a period, she later faded from prominence, and died in 1980. In recent years, her art has sold strongly; contemporary collectors of her work include Madonna.The show, scheduled to begin performances March 19 and to open April 14 at the Longacre Theater, features music by Matt Gould and lyrics by Carson Kreitzer, who also collaborated on the book. The director is Rachel Chavkin, the Tony Award-winning director of “Hadestown,” and choreography is by Raja Feather Kelly.“This is a massive epic, in the company of ‘Les Mis’ or ‘Evita,’ about this incredible artist who has been, for a variety of reasons, dismissed from our history books,” Chavkin said. “It’s fierce and queer and traces the first half of the 20th century through the eyes of this very complicated and ambitious and visionary woman.”Eden Espinosa, a onetime Elphaba in “Wicked,” will star in the title role. She is currently appearing in a new musical, “The Gardens of Anuncia,” running Off Broadway at Lincoln Center Theater. The rest of the “Lempicka” cast has not yet been announced.The musical has had two previous productions, at the Williamstown Theater Festival in Massachusetts in 2018 and last year at La Jolla Playhouse in California, as well as several workshops and presentations over the years. (A previous effort to dramatize Lempicka’s life, a play called “Tamara,” ran in New York in 1987.)“Lempicka” is being produced by Seaview, a production company founded by Greg Nobile and Jana Shea, and Jenny Niederhoffer. It is being capitalized for up to $19.5 million, according to a filing with the Securities and Exchange Commission. More