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    Grammys 2022 Best-Dressed

    The Vegas evening was an exuberant reminder of why red carpets can be fun for both stars and fans.Ah, Las Vegas: It provides inspiration in so many ways. That’s how it seemed, anyway, judging from the Grammy red carpet, newly located to the MGM Grand Garden Arena in the city of … gosh, so many things! Sin and lights and camp and Elvis.And as with the site, so, too, with the clothes. If there was a theme to the night, it was an exuberant anything-goes attitude that was not a bad reminder of why red carpets are fun in the first place. They’re as much for those doing the watching as those doing the wearing.Megan Thee Stallion, St. Vincent and Billie Eilish.Angela Weiss/AFP, via Getty Images (Stallion); Frazer Harrison/Getty Images for The Recording AcademyThere was Megan Thee Stallion, channeling an entire big cat enclosure in her one-shouldered, slit-to-the-waist Roberto Cavalli. St. Vincent, modeling “Showgirls,” the X Games version, in ruffle-trimmed Gucci with enormous sweeping sleeves and skirt. Michelle Zauner of Japanese Breakfast, looking like a fabulous daffodil in short ruffled yellow Valentino. And Billie Eilish, going all Gothic conceptualist in a black Rick Owens coat with a neckline that seemed to have migrated to her torso, thus suggesting everyone’s perspective had flipped sort of sideways. Who couldn’t relate?Even the relatively sedate Louis Vuitton suiting of BTS (think tones of clay, sand, white and teal) was punctuated by V’s overblown corsage, like an entire bouquet of paper flowers had attached itself to the side of his jacket.BTSFrazer Harrison/Getty Images For The Recording AcademyShocking pink was the color of the night, worn by Billy Porter in a ruffled Valentino shirtdress, cape, opera gloves and trousers; Saweetie, in a Valentino bra, more gloves and ginormous skirt (the brand actually had its own patented name for the pink: Pink PP, after its designer, Pierpaolo Piccioli); Travis Barker, in a shocking pink coat over a black Givenchy suit; and Angélique Kidjo, in a fabulous fringed fuchsia.Billie Porter, Saweetie and Travis Barker with Kourtney Kardashian.Frazer Harrison/Getty Images for The Recording Academy; Amy Sussman/Getty Images (Barker)Also Justin Bieber, who accessorized his oversize Balenciaga suit and steel-tipped Balenciaga Crocs with a bright pink beanie. (Crocs also made an appearance on the feet of Questlove. Comfort dressing to the fore!)Speaking of Saweetie, the pink was only the first of three — count ’em — outfits she wore during the night, swapping it for a black Oscar de la Renta gown cut to flash one silver-covered breast, like an Amazon going to the prom, and then trading that for a glimmering, backless gold Etro number.Giveon, Jon Batiste and Brandi Carlile.ordan Strauss/Invision, via Associated Press; David Becker/Getty Images For The Recording Academy; Frazer Harrison/Getty Images for The Recording AcademyStill, when it came to bling, there was Lil Nas X, shining like a rhinestone on one of Elvis’s jumpsuits. He seemed to be channeling a sci-fi warrior angel in pearl-encrusted Balmain with butterfly detailing before he changed into glittering Zorro black to start his performance, which in turn was shed for a pearl bolero and then a marching band jacket complete with gold braid. As for Giveon, his Chanel black bouclé “denim” jacket and jeans sparkled like the night sky over the desert. Chanel men’s wear! Why not?Then there was Jon Batiste, who made his entrance in a silver, gold and black harlequin sequin suit in honor of New Orleans, his hometown. Designed by Dolce & Gabbana, the formerly canceled brand whose history of politically incorrect behavior seems to be behind it, at least as far as celebrities are concerned, the suit was outshone only by the diamante-bedazzled cape, part royal, part priest, he wore to accept his award for Album of the Year.Their only real competition in the sparkle stakes was Brandi Carlile, in a rainbow-bejeweled Boss tuxedo she told the E! host Laverne Cox weighted about “40 pounds” (anything for fashion), and that she said both made her feel “like a boss” and was a homage to Elton John, the king of fantabulous costume.H.E.R.Angela Weiss/Agence France-Presse — Getty ImagesLeon BridgesJordan Strauss/Invision, via Associated PressIndeed, there was a strain of nostalgia running through the night. H.E.R. wore an egg yolk-yellow Dundas jumpsuit with caped sleeves and phoenix embroidery that was a direct reference to Aretha Franklin’s 1976 American Music Awards get-up. Leon Bridges, in white with gold embroidery, had a touch of Presley about him. Lady Gaga served full midcentury silver screen siren in black Armani Privé with a swag of white satin at the side before slipping into a minty blue Elie Saab satin number with a gigantic bow at the back to do her golden oldies medley, like a gift-wrapped Jean Harlow.Olivia Rodrigo, Dua Lipa and Lady Gaga.Angela Weiss/Agence France-Presse — Getty Images; Jordan Strauss/Invision, via Associated Press; Frazer Harrison/Getty Images for The Recording AcademyOlivia Rodrigo paired her corseted Vivienne Westwood with a signature ’90s choker. And Dua Lipa channeled Donatella Versace in long blond hair and a bondage gown from the 1992 Versace “Miss S&M” collection. (Ms. Versace herself made an appearance in an award-presenting skit that was perhaps the ultimate in product placement.)SZAFrazer Harrison/Getty Images For The Recording AcademyStill, that Versace gown wasn’t the only vintage on the carpet. SZA wore a nude tulle Jean Paul Gaultier design from 2006 sprouting a garden’s worth of flowers down the front, and Laverne Cox modeled a lacy black John Galliano number from 2007. It was as close an anyone got to value signaling via dress.Billie Eilish performed in a T-shirt with Taylor Hawkins on it.Emma Mcintyre/Getty Images For The Recording AcademyYet in the end, amid all the fun and frippery, the one garment that most lingered was perhaps the least elaborate, least formal of all: the T-shirt worn by Billie Eilish for her performance. Featuring Taylor Hawkins, the Foo Fighters drummer who died in late March, it was a fashion statement of the most emotional, effective kind. More

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    President Volodymyr Zelensky Gives Emotional Speech at the Grammys

    Volodymyr Zelensky, the president of Ukraine, addressed the Grammy Awards in a video, giving an emotional plea for support in his country’s war against Russia.“What is more opposite to music?” Zelensky said. “The silence of ruined cities and killed people.”The leader’s aides had lobbied for an appearance at the Academy Awards last week, but organizers did not commit to it, drawing some backlash.In his brief address, Zelensky, an actor turned wartime leader, emphasized that many of the musicians in his country were fighting in the battle against the Russian invasion.“Our musicians wear body armor instead of tuxedos,” he said. “They sing to the wounded in hospitals. Even to those who can’t hear them.”“Support us in any way you can,” he added. “Any, but not silence.”After Zelensky’s address, John Legend performed his song “Free,” featuring a Ukrainian singer, Mika Newton, and a poet, Lyuba Yakimchuk, who fled the country days ago.Here is Zelensky’s full speech:The war. What is more opposite to music? The silence of ruined cities and killed people. Our children draw swooping rockets, not shooting stars. Over 400 children have been injured and 153 children died. And we’ll never see them drawing. Our parents are happy to wake up in the morning in bomb shelters. But alive. Our loved ones don’t know if we will be together again. The war doesn’t let us choose who survives and who stays in eternal silence. Our musicians wear body armor instead of tuxedos. They sing to the wounded in hospitals, even to those who can’t hear them. But the music will break through anyway. We defend our freedom to live, to love, to sound on our land. We are fighting Russia, which brings horrible silence with its bombs. The dead silence. Fill the silence with your music. Fill it today to tell our story. Tell the truth about the war on your social networks, on TV. Support us in any way you can. Any — but not silence. And then peace will come. To all our cities the war is destroying — Chernihiv, Kharkiv, Volnovakha, Mariupol and others — they are legends already. But I have a dream of them living and free. Free like you on the Grammy stage.Many in the music industry have made public statements opposing Russia’s invasion of Ukraine and showing support for the Ukrainian people. On Sunday night at the Grammys, the Recording Academy teamed up with Global Citizen to highlight its “Stand Up for Ukraine” initiative.The three major record conglomerates — Sony, Warner Music and Universal Music — have all suspended operations in Russia in response to the war, along with the touring behemoth Live Nation, which released a statement saying the company will “cease work with any and all Russian-based suppliers.” Spotify suspended its streaming service in Russia and closed its office in Moscow.How the Ukraine War Is Affecting the Cultural WorldCard 1 of 7Valentin Silvestrov. More

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    The Grammys Pay Tribute to Taylor Hawkins and Stephen Sondheim

    The Grammy Awards took an extended moment to honor Taylor Hawkins, the Foo Fighters drummer who died just over a week ago while on tour with the band in Colombia.The show featured a compilation of photos and video footage from Hawkins’s career as a charismatic drummer known for his wide smile. Hawkins, who joined Foo Fighters in the ’90s, died at age 50. The band was scheduled to perform at the awards ceremony but pulled out after Hawkins’s death.Earlier in the night, Billie Eilish paid tribute to Hawkins when she performed in a T-shirt with the drummer’s image on it while singing her song “Happier Than Ever.”After the tribute to Hawkins, a quartet of musical-theater performers honored other musical luminaries who have died over the past year, including Stephen Sondheim, the iconic Broadway composer and lyricist who died in November. Singing a compilation of Sondheim songs, including “Send In the Clowns” and “Somewhere” were Ben Platt, Cynthia Erivo, Leslie Odom Jr. and Rachel Zegler, who played Maria in the recent Steven Spielberg-directed film adaptation of “West Side Story.”Those honored included Charlie Watts, the Rolling Stones drummer; Wanda Young, one of the lead singers of the Motown group the Marvelettes; DMX, the top-selling rapper; Meat Loaf, the “Bat Out of Hell” singer; and Biz Markie, the rapper and producer. More

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    Silk Sonic Win Song of the Year at the 2022 Grammys

    The first televised award of the night, following three elaborate performances, was a major one: “Leave the Door Open,” by the throwback soul and R&B duo Silk Sonic, won song of the year, a category with 10 total nominees and steep competition. The track peaked at No. 1 on the Billboard Hot 100 singles chart.The Grammy, awarded to a track’s songwriters, went to the group’s members, Bruno Mars and Anderson .Paak, along with Christopher Brody Brown and Dernst Emile II, known as D’Mile, who dedicated the win to his mother, who died on Wednesday.“Because of you guys, me and Andy gonna be singing this song forever,” Mars said at the microphone.Anderson .Paak, whose initial remarks were bleeped as he appeared to adjust the zipper on his pants, concurred: “For the rest of our lives! We love you!”“Leave the Door Open” topped an expanded field that also included Olivia Rodrigo’s “Drivers License”; Billie Eilish’s “Happier Than Ever”; Doja Cat’s “Kiss Me More” (featuring SZA); Justin Bieber’s “Peaches” (featuring Daniel Caesar and Giveon); Brandi Carlile’s “Right on Time”; Lil Nas X’s “Montero (Call Me by Your Name)”; Ed Sheeran’s “Bad Habits”; Carlile and Alicia Keys’s “A Beautiful Noise”; and “Fight for You” by H.E.R., who won the prize last year for a protest anthem, “I Can’t Breathe.”The award was presented by Questlove, who won earlier at the preshow, for “Summer of Soul,” which was named best music film. Referring to the film’s win at the Oscars last weekend — a celebration that directly followed Will Smith smacking Chris Rock — Questlove said, “I trust that you people will stay 500 feet away from me.” More

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    Glass Animals Miss the Grammys After Lead Singer Tests Positive for Covid

    The lead singer of the British alternative-pop band Glass Animals — a nominee for best new artist — tested positive for the coronavirus, and all of its members have decided to not attend the awards show, the group said in an Instagram post on Sunday.Dave Bayley was the only one of four band members to test positive, but the entire group will stay back, the post said.“I am so overwhelmingly heartbroken,” Bayley wrote. “Not just within myself, but for everyone who has worked so insanely hard with us over the past couple of chaotic years, and for every one of you who supported and believed in this project enough to get us here through thick and thin.”The band’s song “Heat Waves” is currently the No. 1 song in the country, sitting atop Billboard’s singles chart for the past four weeks. More

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    2022 Grammy Awards Winners: Updating List

    The list of winners for the 64th annual Grammy Awards.Follow our live coverage of the 2022 Grammy Awards.The 64th annual Grammy Awards are back Sunday night after being delayed by the Omicron variant. The show is being held in Las Vegas for the first time at the MGM Grand Garden Arena, and Trevor Noah will return as the host. The ceremony has began and is airing on CBS and Paramount+. A majority of the awards were presented at the premiere ceremony, held before the telecast.Jon Batiste, the bandleader from “The Late Show With Stephen Colbert,” who received 11 nominations — the most of any artist — won four awards at the premiere ceremony. The 19-year-old pop sensation Olivia Rodrigo, who is nominated for the four top awards — album, record and song of the year, and best new artist — will be closely watched during the telecast. Rodrigo is up against Billie Eilish — who swept the four top awards in 2020 — in three of those categories.Rodrigo, BTS, Lil Nas X with Jack Harlow, Silk Sonic, Eilish, J Balvin, Carrie Underwood, John Legend and Lady Gaga are all scheduled to perform. The presenters include Megan Thee Stallion, Questlove and Dua Lipa, as well as Joni Mitchell, who will make a rare televised appearance. The show will feature an in memoriam segment with songs of Stephen Sondheim by Cynthia Erivo, Leslie Odom Jr., Ben Platt and Rachel Zegler, as well as a moment of observation for the war in Ukraine.The planning for the show hasn’t been without complications. Kanye West was asked not to perform at the ceremony because of troubling online behavior. Foo Fighters were also set to perform but canceled after the sudden death of the band’s drummer, Taylor Hawkins. Check back here for live updates on all the winners throughout the night.Song of the Year“Leave the Door Open,” Brandon Anderson, Christopher Brody Brown, Dernst Emile Ii and Bruno Mars, songwriters (Silk Sonic)Best Pop Solo Performance“Drivers License,” Olivia RodrigoBest Traditional Pop Vocal Album“Love for Sale,” Tony Bennett and Lady GagaBest Dance/Electronic Recording“Alive,” Rüfüs Du SolBest Dance/Electronic Music Album“Subconsciously,” Black CoffeeBest Alternative Music Album“Daddy’s Home,” St. VincentBest Contemporary Instrumental Album“Tree Falls,” Taylor EigstiBest Rock Performance“Making a Fire,” Foo FightersBest Metal Performance“The Alien,” Dream TheaterBest Rock Song“Waiting on a War,” Dave Grohl, Taylor Hawkins, Rami Jaffee, Nate Mendel, Chris Shiflett and Pat Smear, songwriters (Foo Fighters)Best Rock Album“Medicine at Midnight,” Foo FightersBest R&B Performance“Leave the Door Open,” Silk Sonic“Pick Up Your Feelings,” Jazmine SullivanBest Traditional R&B Performance“Fight for You,” H.E.R.Best R&B Song“Leave the Door Open,” Brandon Anderson, Christopher Brody Brown, Dernst Emile II and Bruno Mars, songwriters (Silk Sonic)A Guide to the 2022 Grammy AwardsThe ceremony, originally scheduled for Jan. 31, was postponed for a second year in a row due to Covid and is now scheduled for April 3.Jon Batiste Leads the Way: The jazz pianist earned the most nominations with 11, including album and record of the year. Here’s his reaction.Performers: Olivia Rodrigo, Billie Eilish, BTS and Lil Nas X are among the first performers announced for the April 3 show, which will be available on CBS and Paramount+.Kanye West: The singer, who is nominated for five awards, was told he will not be allowed to perform during the ceremony due to his erratic public behavior. A Surprise Appearance: The Canadian singer-songwriter Joni Mitchell, who suffered an aneurysm in 2015 and has spoken in public infrequently since, will present an award at the ceremony.Best Progressive R&B Album“Table for Two,” Lucky DayeBest Melodic Rap Performance“Hurricane,” Kanye West featuring the Weeknd and Lil BabyBest Rap Song“Jail,” Dwayne Abernathy, Jr., Shawn Carter, Raul Cubina, Michael Dean, Charles M. Njapa, Sean Solymar, Kanye West and Mark Williams, songwriters (Kanye West featuring Jay-Z)Best Rap Album“Call Me if You Get Lost,” Tyler, the CreatorBest Country Solo Performance“You Should Probably Leave,” Chris StapletonBest Country Duo/Group Performance“Younger Me,” Brothers OsborneBest Country Song“Cold,” Dave Cobb, J.T. Cure, Derek Mixon and Chris Stapleton, songwriters (Chris Stapleton)Best New Age Album“Divine Tides,” Stewart Copeland and Ricky KejBest Improvised Jazz Solo“Humpty Dumpty (Set 2),” Chick Corea, soloistBest Jazz Vocal Album“Songwrights Apothecary Lab,” Esperanza SpaldingBest Jazz Instrumental Album“Skyline,” Ron Carter, Jack DeJohnette and Gonzalo RubalcabaBest Large Jazz Ensemble Album“For Jimmy, Wes and Oliver,” Christian McBride Big BandBest Latin Jazz Album“Mirror Mirror,” Eliane Elias With Chick Corea and Chucho ValdésBest Gospel Performance/Song“Never Lost,” CeCe WinansBest Contemporary Christian Music Performance/Song“Believe for It,” CeCe Winans; Dwan Hill, Kyle Lee, CeCe Winans and Mitch Wong, songwritersBest Gospel Album“Believe for It,” CeCe WinansBest Contemporary Christian Music Album“Old Church Basement,” Elevation Worship and Maverick City MusicBest Roots Gospel Album“My Savior,” Carrie UnderwoodBest Latin Pop Album“Mendó,” Alex CubaBest Música Urbana Album“El Último Tour Del Mundo,” Bad BunnyBest Latin Rock or Alternative Album“Origen,” JuanesBest Regional Mexican Music Album (Including Tejano)“A Mis 80’s,” Vicente FernándezBest Tropical Latin Album“Salswing!,” Rubén Blades y Roberto Delgado & OrquestaBest American Roots Performance“Cry,” Jon BatisteBest American Roots Song“Cry,” Jon Batiste and Steve McEwan, songwriters (Jon Batiste)Best Americana Album“Native Sons,” Los LobosBest Bluegrass Album“My Bluegrass Heart,” Béla FleckBest Traditional Blues Album“I Be Trying,” Cedric BurnsideBest Contemporary Blues Album“662,” Christone “Kingfish” IngramBest Folk Album“They’re Calling Me Home,” Rhiannon Giddens with Francesco TurrisiBest Regional Roots Music Album“Kau Ka Pe’a,” Kalani Pe’aBest Reggae Album“Beauty in the Silence,” SojaBest Engineered Album, Non-Classical“Love for Sale,” Dae Bennett, Josh Coleman and Billy Cumella, engineers; Greg Calbi and Steve Fallone, mastering engineers (Tony Bennett and Lady Gaga)Producer of the Year, Non-ClassicalJack AntonoffBest Remixed Recording“Passenger” (Mike Shinoda Remix); Mike Shinoda, remixer (Deftones); track from: “White Pony” (20th Anniversary Deluxe Edition)Best Global Music Performance“Mohabbat,” Arooj AftabBest Global Music Album“Mother Nature,” Angelique KidjoBest Children’s Music Album“A Colorful World,” FaluBest Spoken Word Album“Carry On: Reflections for a New Generation From John Lewis,” Don CheadleBest Comedy Album“Sincerely Louis C.K.,” Louis C.K.Best Musical Theater Album“The Unofficial Bridgerton Musical,” Emily Bear, producer; Abigail Barlow and Emily Bear, composers/lyricists (Barlow & Bear)Best Compilation Soundtrack for Visual Media“The United States vs. Billie Holiday,” Andra DayBest Score Soundtrack for Visual Media“The Queen’s Gambit,” Carlos Rafael Rivera, composer“Soul,” Jon Batiste, Trent Reznor and Atticus Ross, composersBest Song Written For Visual Media“All Eyes On Me [From Inside],” Bo Burnham, songwriter (Bo Burnham)Best Immersive Audio Album“Alicia,” George Massenburg and Eric Schilling, immersive mix engineers; Michael Romanowski, immersive mastering engineer; Ann Mincieli, immersive producer (Alicia Keys)Best Immersive Audio Album (for 63rd Grammy Awards)“Soundtrack of the American Soldier,” Leslie Ann Jones, immersive mix engineer; Michael Romanowski, immersive mastering engineer; Dan Merceruio, immersive producer (Jim R. Keene and the United States Army Field Band)Best Engineered Album, Classical“Chanticleer Sings Christmas,” Leslie Ann Jones, engineer (Chanticleer)Producer of the Year, ClassicalJudith ShermanBest Orchestral Performance“Price: Symphonies Nos. 1 & 3,” Yannick Nézet-Séguin, conductor (Philadelphia Orchestra)Best Opera Recording“Glass: Akhnaten,” Karen Kamensek, conductor; J’Nai Bridges, Anthony Roth Costanzo, Zachary James and Dísella Lárusdóttir; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)Best Choral Performance“Mahler: Symphony No. 8, ‘Symphony of a Thousand,’” Gustavo Dudamel, conductor; Grant Gershon, Robert Istad, Fernando Malvar-Ruiz and Luke McEndarfer, chorus masters (Leah Crocetto, Mihoko Fujimura, Ryan McKinny, Erin Morley, Tamara Mumford, Simon O’Neill, Morris Robinson and Tamara Wilson; Los Angeles Philharmonic; Los Angeles Children’s Chorus, Los Angeles Master Chorale, National Children’s Chorus and Pacific Chorale)Best Chamber Music/Small Ensemble Performance“Beethoven: Cello Sonatas – Hope Amid Tears,” Yo-Yo Ma and Emanuel AxBest Classical Instrumental Solo“Alone Together,” Jennifer KohBest Classical Solo Vocal Album“Mythologies,” Sangeeta Kaur and Hila Plitmann (Virginie D’Avezac De Castera, Lili Haydn, Wouter Kellerman, Nadeem Majdalany, Eru Matsumoto and Emilio D. Miler)Best Classical Compendium“Women Warriors – The Voices of Change,” Amy Andersson, conductor; Amy Andersson, Mark Mattson and Lolita Ritmanis, producers.Best Contemporary Classical Composition“Shaw: Narrow Sea,” Caroline Shaw, composer (Dawn Upshaw, Gilbert Kalish and Sō Percussion)Best Instrumental Composition“Eberhard,” Lyle Mays, composer (Lyle Mays)Best Arrangement, Instrumental or A Cappella“Meta Knight’s Revenge (From ‘Kirby Superstar’),” Charlie Rosen and Jake Silverman, arrangers (The 8-Bit Big Band featuring Button Masher)Best Arrangement, Instruments and Vocals“To The Edge Of Longing (Edit Version),” Vince Mendoza, Arranger (Vince Mendoza, Czech National Symphony Orchestra and Julia Bullock)Best Recording Package“Pakelang,” Li Jheng Han and Yu, Wei, Art Directors (2nd Generation Falangao Singing Group and the Chairman Crossover Big Band)Best Boxed or Special Limited Edition Package“All Things Must Pass: 50th Anniversary Edition,” Darren Evans, Dhani Harrison and Olivia Harrison, art directors (George Harrison)Best Album Notes“The Complete Louis Armstrong Columbia and RCA Victor Studio Sessions 1946-1966,” Ricky Riccardi, album notes writer (Louis Armstrong)Best Historical Album“Joni Mitchell Archives, Vol. 1: The Early Years (1963-1967),” Patrick Milligan and Joni Mitchell, compilation producers; Bernie Grundman, mastering engineer (Joni Mitchell)Best Music Video“Freedom,” (Jon Batiste); Alan Ferguson, video director; Alex P. Willson, video producer.Best Music Film“Summer of Soul,” (Various Artists); Ahmir “Questlove” Thompson, video director; David Dinerstein, Robert Fyvolent and Joseph Patel, video producers. More

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    Trevor Noah Returns to Host the Grammys After a Dust-Up With Kanye West

    Trevor Noah, the comedian and face of “The Daily Show,” is returning to host the Grammy Awards for the second year in a row. For the 2021 show, Noah was front and center at an unconventional Grammys, with some performances pretaped and the bulk of the ceremony held outside the Staples Center (now known as the Crypto.com Arena) in Los Angeles. “On the whole, Noah made something that could have felt like several competing shows feel like one,” The New York Times pop music critic Jon Caramanica wrote.This year, for another pandemic-delayed show, the coronavirus is one of a few delicate topics Noah may broach in his monologue. In the weeks before the event, he had a highly publicized clash with Kanye West, who is up for five awards and until recently was slated to perform at Sunday night’s ceremony.Noah devoted a segment of his March 15 show to a nearly 10-minute long, reportedly unscripted monologue on what he characterized as West’s harassment of his ex-wife, Kim Kardashian. West had released a Claymation video in which he appeared to kidnap and bury a figure resembling Pete Davidson, the “Saturday Night Live” comedian who has been dating Kardashian.“What she’s going through is terrifying to watch, and it shines a spotlight on what so many women go through when they choose to leave,” Noah said in the segment, comparing West’s behavior to the abuse he witnessed as a child. (Noah said from when he was 9 to 16 he witnessed his stepfather mistreat his mother; he later shot her.)Days after Noah’s monologue, West posted an image of Noah on his Instagram alongside a racial slur. Meta, which owns Instagram, soon banned West — who had also been posting long videos criticizing Kardashian and others — for 24 hours. Then, just two weeks before West was set to perform at the awards, organizers informed his team that he would not be allowed to take the stage.Noah appeared to object to the ban. “I said counsel Kanye, not cancel Kanye,” he tweeted.Noah is a Grammy nominee himself. His standup special “Trevor Noah: Son of Patricia” was nominated for best comedy album at the 2020 Grammys. He lost to Dave Chappelle’s “Sticks and Stones.” More

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    Joni Mitchell Will Make a Rare Televised Appearance at the Grammys

    The singer-songwriter, who has spoken in public infrequently since a 2015 aneurysm, will present an award live at the ceremony Sunday night in Las Vegas.Follow our live coverage of the 2022 Grammy Awards.When viewers tune in to the 64th annual Grammy Awards on Sunday night, they will see some familiar celebrities at the microphone as presenters, including Megan Thee Stallion, Questlove, Dua Lipa, Lenny Kravitz and Jared Leto.And one surprising one: Joni Mitchell.It will be a rare public appearance for Mitchell, 78, the revered singer and composer from Canada who was one of the defining figures of the singer-songwriter movement of the 1960s and ’70s. Never one for the limelight, Mitchell has kept a very low public profile since she had an aneurysm in 2015, and spent subsequent years in gradual recovery.The last year or two has brought a wave of recognition for Mitchell. Her 1971 album “Blue,” which had little commercial impact upon its release but was long a connoisseur’s favorite, was widely celebrated last year, upon its 50th anniversary. In December, she was awarded a Kennedy Center Honor, and a sampling of her songs, like “Big Yellow Taxi” and “Both Sides Now,” were performed by Brandi Carlile, Brittany Howard and Norah Jones. In a speech during the White House reception for the event, she addressed her health, saying, “I’m hobbling along but I’m doing all right.” She even joked in an on-camera interview on the red carpet, “I’m old enough to have been honored before.”In a taped interview last year, for a virtual Grammy gala hosted by the music executive Clive Davis, she gave an overview of her career, saying that the folk music world of the mid-1960s was “territorial” about repertoire, and that she learned “the only way around this dilemma is to begin to write your own songs.” She also told Davis that she had only recently realized the breadth of her influence; for years, she said, “all I was aware of were bad reviews.”Mitchell last released an album of new songs in 2007. In January, she asked Spotify to remove her music after Neil Young did the same, as a protest against the streaming service over its role in giving a platform to Covid-19 vaccine misinformation.On Friday, Mitchell will also be the honoree in a gala for MusiCares, a Grammy-affiliated charity that helps needy musicians, with Cyndi Lauper, Stephen Stills, Herbie Hancock, Jon Batiste, Sara Bareilles, Beck, Carlile and others performing her music. More