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    How Phoebe Bridgers Got Her Grammys Good News

    When Phoebe Bridgers’s phone started “going crazy” on Tuesday afternoon, at first she feared the worst. “I was like, ‘Who died?’” she said.But the news, of course, was much happier: The 26-year-old singer and songwriter from Los Angeles had earned her first four Grammy nominations, including a nod in one of the four big categories, best new artist. (The others are best alternative music album for “Punisher” and best rock performance and song for “Kyoto.”)[embedded content]“Punisher,” Bridgers’s second studio album, features bleak ballads suffused with a 20-something’s candor. The LP is “a showcase of Bridgers’s great strength as a songwriter,” Lindsay Zoladz wrote, reviewing the album in The New York Times, “weaving tiny, specific, time-stamped details (chemtrails, Saltines, serotonin) into durable big-tent tapestries of feeling.” Bridgers brings another side of herself to Twitter, where she’s a funny and irreverent voice guaranteed to liven up your lockdown.On Wednesday afternoon, Bridgers talked about women nominees dominating best rock performance, how that “Iris” cover with Maggie Rogers came about and how she knows a song is complete. These are edited excerpts from the conversation.How did you find out you were nominated?I was in bed with a migraine — these things give me a lot of anxiety. Then I saw all these messages from my mom — she was crying and sent a picture of a bottle of champagne she bought two days ago that she hadn’t wanted me to know about, just in case nothing happened.Did you watch the Grammys growing up?My mom and I watched pretty much every award show, but this one was always more fun because I actually give a [expletive] and pay attention to music.Do you have any plans for the ceremony? Have you been asked to perform?No, but I hope we get to do some semblance of something fun, whether it’s from this apartment or elsewhere.This is the first time the rock performance category has all women nominees. Do you think the Grammys are pandering after being criticized for poor gender representation?Maybe. But it’s also funny and shocking because it’s probably been all men for every award ceremony at some point. But who gives a [expletive], they’re great choices. I’m honored to be nominated with those people.You scored your first Billboard Hot 100 single this week for a cover of the Goo Goo Dolls’ “Iris” you recorded with Maggie Rogers. How did that come about?It started as just a riff. I’d rediscovered that song after watching the movie “Treasure Planet,” and then I just made a joke on Twitter that if Donald Trump loses, I’ll cover “Iris.” And I let the tide of the internet take me wherever it would. I wanted to do it for charity, and Maggie suggested Fair Fight, which was such a good idea.How long have you been politically engaged?I saw Obama’s inauguration, which was this huge moment. And I thought that white privilege and racism were over, and that everything was good now that Obama was president. Then I took part in SlutWalk in high school, which is this anti victim-blaming march, and we had a feminism club. I just slowly realized that just because we had a Black president didn’t mean that every problem was over in America.Where are you finding songwriting inspiration right now?I’m doing a new type of therapy and lots of memories are resurfacing, so I don’t need to look for it. I’m processing a lot of [expletive] because time is so stagnant, and I feel like I have songs just building up inside me. I’m like, “How will I write every song about everything?”How are you a different person than you were a year ago?I hope I’ve experienced some sort of ego death with not being cheered for every night. I’ve been forced to come into my own and self-soothe, in a way. If the worst that happens to me all year is that I’ve been bored, I will have had a great year.Is the candor and stinging honesty in your music something you’ve had to work up to, or have you always had that confidence?I maybe still am working up to it. I wrote more songs before where I wanted to portray emotion and darkness, but I was shielding myself a bit and my lyrics weren’t as good. And I think “Motion Sickness,” from my first record, was where that really shifted. I was like, “What if I wrote like this instead of doing more frilly songs?”How do you know a song is finished?When every line brings me sort of joy, which is weird in the context of my music, but I don’t want there to be any parts that people skip to get to better lyrics.The Grammys love to bring together artists from different generations for performances. In general, who would be your dream collaborator?If I could conquer Bob Dylan, I feel like life would be pretty complete. More

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    Grammy Nominations 2021: See the List

    The 63rd annual Grammy Awards will be broadcast by CBS from Los Angeles on Sunday, Jan. 31 — but not much else is known about the ceremony, one of the many awards shows taking place as the coronavirus pandemic and its resulting restrictions continue.After 40 years, the show’s longtime producer, Ken Ehrlich, has retired from the awards, and Ben Winston (known for his work on James Corden’s late-night show and “Carpool Karaoke”) will be taking over. Trevor Noah, from “The Daily Show,” will host. But who will perform — and how — are still big questions.Beyoncé, Taylor Swift, Dua Lipa and Roddy Ricch picked up the most nominations. The Weeknd and Luke Combs were among the artists surprisingly snubbed this year.Record of the Year“Black Parade,” Beyoncé“Colors,” Black Pumas“Rockstar,” DaBaby featuring Roddy Ricch“Say So,” Doja Cat“Everything I Wanted,” Billie Eilish“Don’t Start Now,” Dua Lipa“Circles,” Post Malone“Savage,” Megan Thee StallionAlbum of the Year“Chilombo,” Jhené Aiko“Black Pumas (Deluxe Edition),” Black Pumas“Everyday Life,” Coldplay“Djesse Vol. 3,” Jacob Collier“Women in Music Pt. III,” Haim“Future Nostalgia,” Dua Lipa“Hollywood’s Bleeding,” Post Malone“Folklore,” Taylor SwiftSong of the Year“Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk and Rickie “Caso” Tice, songwriters (Beyoncé)“The Box,” Samuel Gloade and Rodrick Moore, songwriters (Roddy Ricch)“Cardigan,” Aaron Dessner and Taylor Swift, songwriters (Taylor Swift)“Circles,” Louis Bell, Adam Feeney, Kaan Gunesberk, Austin Post and Billy Walsh, songwriters (Post Malone)“Don’t Start Now,” Caroline Ailin, Ian Kirkpatrick, Dua Lipa and Emily Warren, songwriters (Dua Lipa)“Everything I Wanted,” Billie Eilish O’Connell and Finneas O’Connell, songwriters (Billie Eilish)“I Can’t Breathe,” Dernst Emile II, H.E.R. and Tiara Thomas, songwriters (H.E.R.)“If the World Was Ending,” Julia Michaels and JP Saxe, songwriters (JP Saxe featuring Julia Michaels)Best New ArtistIngrid AndressPhoebe BridgersChikaNoah CyrusD SmokeDoja CatKaytranadaMegan Thee StallionBest Pop Solo Performance“Yummy,” Justin Bieber“Say So,” Doja Cat“Everything I Wanted,” Billie Eilish“Don’t Start Now,” Dua Lipa“Watermelon Sugar,” Harry Styles“Cardigan,” Taylor SwiftBest Pop Duo/Group Performance“Un Dia (One Day),” J Balvin, Dua Lipa, Bad Bunny and Tainy“Intentions,” Justin Bieber featuring Quavo“Dynamite,” BTS“Rain on Me,” Lady Gaga with Ariana Grande“Exile,” Taylor Swift featuring Bon IverBest Pop Vocal Album“Changes,” Justin Bieber“Chromatica,” Lady Gaga“Future Nostalgia,” Dua Lipa“Fine Line,” Harry Styles“Folklore,” Taylor SwiftBest Rock Performance“Shameika,” Fiona Apple“Not,” Big Thief“Kyoto,” Phoebe Bridgers“The Steps,” Haim“Stay High,” Brittany Howard“Daylight,” Grace PotterBest Rock Album“A Hero’s Death,” Fontaines D.C.“Kiwanuka,” Michael Kiwanuka“Daylight,” Grace Potter“Sound & Fury,” Sturgill Simpson“The New Abnormal,” The StrokesBest Alternative Music Album“Fetch the Bolt Cutters,” Fiona Apple“Hyperspace,” Beck“Punisher,” Phoebe Bridgers“Jamie,” Brittany Howard“The Slow Rush,” Tame ImpalaBest R&B Performance“Lightning & Thunder,” Jhené Aiko featuring John Legend“Black Parade,” Beyoncé“All I Need,” Jacob Collier featuring Mahalia and Ty Dolla Sign“Goat Head,” Brittany Howard“See Me,” Emily KingBest R&B Song“Better Than I Imagine,” Robert Glasper, Meshell Ndegeocello and Gabriella Wilson, songwriters (Robert Glasper featuring H.E.R. and Meshell Ndegeocello)“Black Parade,” Denisia Andrews, Beyoncé, Stephen Bray, Shawn Carter, Brittany Coney, Derek James Dixie, Akil King, Kim “Kaydence” Krysiuk and Rickie “Caso” Tice, songwriters (Beyoncé)“Collide,” Sam Barsh, Stacey Barthe, Sonyae Elise, Olu Fann, Akil King, Josh Lopez, Kaveh Rastegar and Benedetto Rotondi, songwriters (Tiana Major9 and Earthgang)“Do It,” Chloe Bailey, Halle Bailey, Anton Kuhl, Victoria Monét, Scott Storch and Vincent Van Den Ende, songwriters (Chloe X Halle)“Slow Down,” Nasri Atweh, Badriia Bourelly, Skip Marley, Ryan Williamson and Gabriella Wilson, songwriters (Skip Marley and H.E.R.)Best Progressive R&B Album“Chilombo,” Jhené Aiko“Ungodly Hour,” Chloe X Halle“Free Nationals,” Free Nationals“____ Yo Feelings,” Robert Glasper“It Is What It Is,” ThundercatBest Rap Performance“Deep Reverence,” Big Sean Featuring Nipsey Hussle“Bop,” DaBaby“What’s Poppin,” Jack Harlow“The Bigger Picture,” Lil Baby“Savage,” Megan Thee Stallion featuring Beyoncé“Dior,” Pop SmokeBest Melodic Rap Performance“Rockstar,” DaBaby featuring Roddy Ricch“Laugh Now, Cry Later,” Drake featuring Lil Durk“Lockdown,” Anderson .Paak“The Box,” Roddy Ricch“Highest in the Room,” Travis ScottBest Rap Song“The Bigger Picture,” Dominique Jones, Noah Pettigrew and Rai’shaun Williams, songwriters (Lil Baby)“The Box,” Samuel Gloade and Rodrick Moore, songwriters (Roddy Ricch)“Laugh Now, Cry Later,” Durk Banks, Rogét Chahayed, Aubrey Graham, Daveon Jackson, Ron LaTour and Ryan Martinez, songwriters (Drake featuring Lil Durk)“Rockstar,” Jonathan Lyndale Kirk, Ross Joseph Portaro IV and Rodrick Moore, songwriters (DaBaby featuring Roddy Ricch)“Savage,” Beyoncé, Shawn Carter, Brittany Hazzard, Derrick Milano, Terius Nash, Megan Pete, Bobby Session Jr., Jordan Kyle Lanier Thorpe and Anthony White, songwriters (Megan Thee Stallion featuring Beyoncé)Best Rap Album“Black Habits,” D Smoke“Alfredo,” Freddie Gibbs and the Alchemist“A Written Testimony,” Jay Electronica“King’s Disease,” Nas“The Allegory,” Royce Da 5’9”Best Country Solo Performance“Stick That in Your Country Song,” Eric Church“Who You Thought I Was,” Brandy Clark“When My Amy Prays,” Vince Gill“Black Like Me,” Mickey Guyton“Bluebird,” Miranda LambertBest Country Song“Bluebird,” Luke Dick, Natalie Hemby and Miranda Lambert, songwriters (Miranda Lambert)“The Bones,” Maren Morris, Jimmy Robbins and Laura Veltz, songwriters (Maren Morris)“Crowded Table,” Brandi Carlile, Natalie Hemby and Lori McKenna, songwriters (The Highwomen)“More Hearts Than Mine,” Ingrid Andress, Sam Ellis and Derrick Southerland, songwriters (Ingrid Andress)“Some People Do,” Jesse Frasure, Shane McAnally, Matthew Ramsey and Thomas Rhett, songwriters (Old Dominion)Best Country AlbumLady Like,” Ingrid Andress“Your Life Is a Record,” Brandy Clark“Wildcard,” Miranda Lambert“Nightfall,” Little Big Town“Never Will,” Ashley McBrydeBest Latin Pop or Urban Album“YHLQMDLG,” Bad Bunny“Por Primera Vez,” Camilo“Mesa Para Dos,” Kany García“Pausa,” Ricky Martin“3:33,” Debi NovaBest American Roots Performance“Colors,” Black Pumas“Deep in Love,” Bonny Light Horseman“Short and Sweet,” Brittany Howard“I’ll Be Gone,” Norah Jones and Mavis Staples“I Remember Everything,” John PrineBest Global Music Album“Fu Chronicles,” Antibalas“Twice as Tall,” Burna Boy“Agora,” Bebel Gilberto“Love Letters,” Anoushka Shankar“Amadjar,” TinariwenProducer of the Year, Non-ClassicalJack AntonoffDan AuerbachDave CobbFlying LotusAndrew WattBest Music Film“Beastie Boys Story,” Beastie Boys“Black Is King,” Beyoncé“We Are Freestyle Love Supreme,” Freestyle Love Supreme“Linda Ronstadt: The Sound of My Voice,” Linda Ronstadt“That Little Ol’ Band From Texas,” ZZ TopSee the full list of nominees at the Grammys’ website. More

  • Grammy Awards to No Longer Use 'Urban' Term in Major Category

    Following in the leads made by Republic Records, the Recording Academy makes the announcement as part of the organization’s annual changes to its rules and guidelines.
    Jun 11, 2020
    AceShowbiz – The Grammy Awards will no longer use the term “urban”, America’s Recording Academy announced Wednesday, June 10.
    As part of the organization’s annual changes to its rules and guidelines, the term, typically used to describe black music, will be removed from its awards and language. It comes after Republic Records announced last week that it too will cease to use the term “urban.”
    Best Urban Contemporary Album has been renamed Best Progressive R&B Album, to highlight albums that include the more progressive elements of R&B and may include samples and elements of hip-hop, rap, dance and electronic music.
    While Best Rap/Sung Performance Category has been renamed Best Melodic Rap Performance to represent the inclusivity of the growing hybrid performance trends within the rap genre.
    “It’s something we’ve been discussing for a couple of years, and the term has been a hot button for a while,” interim president and CEO Harvey Mason Jr. tells Variety. “A lot of creators and people in that genre didn’t like that description and felt it pigeonholed certain styles of music, so when our constituents brought that to us in the form of a proposal, we listened and voted to approve, as asked by the people in that community.”
    He continued, “It’s all part of what I hope will be a and a new chapter in our history. We’re listening to and learning from our partners and constituents and stakeholders; we’re trying to make sure we’re able to pivot and change and adapt; and we want to be really inclusive.”

    The changes, part of an effort to advance a “very transparent and transformed Recording Academy,” also include updates to the Best New Artist category, Latin, R&B and Rap Fields, and Nominations Review Committees.

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    Grammy Organization Facing Investigation by California Attorney General

    grammy.com

    Complaints about the Recording Academy have been received by the attorney general and are being examined following allegations of corruption and rape cover up.
    Feb 9, 2020
    AceShowbiz – California Attorney General Xavier Becerra is examining a number of complaints about the Recording Academy’s governance structure.
    The organisation has been shrouded in controversy since chief executive Deborah Dugan was put on administrative leave last month, January 2020 after just five months on the job, after making an allegation of misconduct.
    She then fired back with a sexual harassment lawsuit against the Academy’s General Counsel, and made various serious accusations about the academy – including questioning the integrity of their voting process for the Grammy Awards.
    According to Billboard, Becerra’s office has not formally launched an investigation, but the state attorney general’s office has received several complaints regarding the organisation’s board of trustees, the power of the academy’s executive committee and their approval of expenditures of millions of dollars in legal fees to two powerful law firms, as well its handling of a rape investigation of its former president and CEO Neil Portnow.
    Officials with the Recording Academy insisted they are unaware of any investigation, telling Billboard, “We have not been contacted about any such review by the Attorney General or any other agency.”
    The complaints also urged Becerra to look into the Recording Academy’s large expenditures, including $770,000 designated for hospitality at an event in September 2016 at the Four Seasons in Westlake Village. Officials from the Recording Academy insisted money is spent “judiciously.”
    The state’s inquiry comes as the Recording Academy pursues an investigation of its own into issues cited in Dugan’s allegations of voting irregularities in the nomination process, sexual harassment and conflicts of interest within the board of trustees.

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